Way More Than A Bed On Stilts is written for the person or family who is living in a crowded living space. It shows them more options to cope with their pressing needs, through creative and practical furnishings. If a strategy of life improvement includes basic needs, plus education, organization and discipline, we must accommodate those continually. Of course we need a bed, but we also need to store our clothes in a ready to wear condition. Yes, we need education, but we also need a place to study and an organized way to store and access our study materials. If we lack a clothes closet, or bureau, or a desk, organized storage, or the space for it, we handicap ourselves Way More Than A Bed On Stilts can help people overcome these types of limitations. This book contains a 21st century loft bed design. When built and used as designed, it is safe; it exceeds all applicable safety standards. Please read those standards and evaluate for yourself. This loft bed design is very durable. It won't become shaky in a year or two. The frame should serve for many years. It can be disassembled and reassembled repeatedly to accommodate moving. This loft bed system is incredibly useful: it features multiple options for built in desks, shelving, drawers and containers. It accommodates clothes storage, books, files, supplies, games and lighting. The design is modular; the accessory options fit together in several combinations. On top of all this, more than one may fit in a room This system is designed for most of the electronic accoutrements of modern life. This is the 21st century. Way More Than A Bed On Stilts is a do-it-yourself project. If you are at all handy, you can build this, while saving money. The sample configuration loft bed with a desk, bureau, and closet rod cost about the same as a comparable size bureau alone (excluding the mattress of course). This is do-able for many people. Just follow the instructions and choose wisely. You can do it

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Frederick Litchfield created an enduring classic study of functional art with his Illustrated History of Furniture. This reprinting is presented out of a deep appreciation for the excellent scholarship and many illuminating insights that he so generously shared. The first chapter, which refers to Ancient Furniture and covers a period of several centuries, is introductory to those that follow, rather than a serious attempt to examine the history of the furniture during that space of time. The fourth chapter, which deals with a period of some hundred and fifty years, from the time of King James the First until that of Chippendale and his contemporaries, and the last three chapters, are more fully descriptive than some others, partly because trustworthy information to these times was more accessible, and partly because it is probable that English readers will feel greater interest in the furniture of which they are the subject. The French meubles de luxe, from the latter half of the seventeenth century until the Revolution, are also treated more fully than the furniture of other periods and countries, on account of the interest which has been manifested in this description of the cabinet maker's and metal mounter's work. Evidence of this appreciation may be found in the enormous prices realized at notable auction sales, when such furniture has been offered for competition to wealthy connoisseurs. Such furniture cannot be cheap certainly, but the real cost is sometimes borne by the artist who produces, rather than by the man who may happen to buy it. It is often forgotten that the price paid is that of the lives and sustenance of the workers and their families.

Visionary furniture design from Vienna In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day - not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design. A new history of Viennese furniture design, with 27 detailed biographies Numerous previously unpublished photographs and sketches Including works by Friedl Dicker-Brandeis, Martin Eisler, Josef Frank, Friedrich Kiesler, Richard Neutra, Bruno Pollak, Margarete Schutte-Lihotzky, Franz Singer, Ernst Schwadron, among others

For around 300 years, the harpsichord was the leading domestic musical instrument and often a highly fashionable piece of furniture as well. Usurped by the piano at the beginning of the nineteenth century, it was taken up again with the first revival of early music at the beginning of the twentieth century. Over the past 40 years, makers have been getting closer to reproducing examples from the historical past. Now, " The Art of Making a Harpsichord" gives its readers the chance to discover this challenging and rewarding pursuit in a way that is rarely possible without working with an established builder. Beginning with an overview of the instrument, its schools and workshop traditions, the author--himself an experienced maker and researcher--explores the various models and types before leading the reader through the manufacture of an Italian-style instrument, while describing historically-based working methods which are applicable to all traditions. Just as in the seventeenth or eighteenth century, there is no need to rely on large power-tools. This book has been designed to provide assistance to all harpsichord makers, whatever model they choose to make. It is lavishly illustrated with line drawings and photographs, the latter taken--wherever possible--from antique examples that give the reader as full an understanding as possible of the quality of these beautiful instruments.

Learn to sew your own stunning lampshades using this comprehensive step-by-step guide from the founder of the Traditional Upholstery School, Joanna Heptinstall. The book contains 18 fully illustrated step-by-step projects, featuring tailored, pleated, faux-pleated and loose-cover designs. Each technique is covered in detail, from measuring your fabric, choosing a frame shape, calculating your seams, creating a shade, adding trims and choosing a stand. The projects require few specialist tools, can be easily customised to suit your home decor, and cover a range of styles, sizes and fabrics. The book is bursting with inspirational images, along with tips and tricks of the trade that Joanna has acquired over her successful career in upholstery.

Brings together a superb collection of over 650 detailed examples English furniture and needlework from 1600 to 1760 These volumes are dedicated to one of the finest collections of early English furniture and needlework, formed by Percival D. Griffiths (1861-1937). Together with the noted authority, Robert W. Symonds, Griffiths assembled a pioneering collection of early English decorative arts: furniture, domestic needlework and related objects all dating to the seventeenth and first half of the eighteenth centuries. The book illustrates nearly 700 pieces owned by Griffiths and includes images of his interiors, and biographical data on Griffiths. Catalogue entries provide color images, exhibition histories, references, and provenance. These volumes present a wealth of new information that will aid both the amateur and connoisseur alike.

"Abandoned, forgotten form is reborn in the arms of an all-embracing nature, an envelope within which the origin of the human being, of a society gives us a sensibility, a presence of a fertility." - Vincent Dubourg A graduate of the Ecole nationale superieure des Arts Decoratifs in Paris, Vincent Dubourg is a designer and a plastic artist. In 2004, he caught the eye of Julien Lombrail, founder of the Carpenters Workshop Gallery, where he has been exhibiting since 2006. Present at major salons and shows - the Pavillon des Arts et du Design, Paris; Design Miami Basel - he has received many public commissions from institutions such as Galeries Lafayette, Swarovski, Vienna, the musee de la chasse et de la nature, Paris, and the Sketch restaurant in London, among others. Vincent says that he feeds himself on the capitals like Paris and New York, which he regularly visits, and digests them in his isolated studio in the Creuse department in France. There, he questions contemporary furniture through the prism of nature and the five elements, like a perfect control of metal. With him, buffet, table and chairs become hallucinatory objects shifting between sculpture and functional furniture. A major exhibit will be devoted to him at the Carpenters Workshop Gallery in New York in late 2017. Solo Show, Carpenters Workshop Gallery, New York, November 2017.