The study of furniture and its production is a window into both the social position of its owner and the techniques and social organization of the craftsmen. This book comprises an examination and analysis of chairs, stools and footstools of the New Kingdom (ca.1550-1069 B.C.) which are preserved in the Cairo Egyptian Museum. The first chapter is dedicated to woodworking processes and techniques of manufacturing chairs and stools. The second chapter analyses the chairs, stools, and fragments that constitute the main corpus of this study (131 pieces in total). The third chapter focuses primarily on two-dimensional scenes and how these can increase our understanding of the study objects. The fourth chapter is devoted to a lexicographical analysis of the terms used to designate different types of chairs, stools and footstools. This is followed by a typological study of chairs and stools in the New Kingdom based on actual pieces of furniture that my corpus includes and those preserved in other collections.

Featuring 30 designs by leading designer-makers from around the world DIY Furniture shows you how to use simple techniques to make stunning designer furniture from scratch. All the projects can be easily assembled using the step-by-step guides from common materials which can be found at the local hardware store. Along with designs for seating and storage, the book also features projects for making your own bed, wardrobe, lighting and garden furniture. Each project features hand-drawn diagrams with short, easy-to-follow instructions on how to build the piece. Whether building from scratch or customising existing designs, DIY Furniture allows you to create unique designer pieces at a fraction of the normal cost. Brief biographies of all the featured designers are included at the end of the book.

Way More Than A Bed On Stilts is written for the person or family who is living in a crowded living space. It shows them more options to cope with their pressing needs, through creative and practical furnishings. If a strategy of life improvement includes basic needs, plus education, organization and discipline, we must accommodate those continually. Of course we need a bed, but we also need to store our clothes in a ready to wear condition. Yes, we need education, but we also need a place to study and an organized way to store and access our study materials. If we lack a clothes closet, or bureau, or a desk, organized storage, or the space for it, we handicap ourselves Way More Than A Bed On Stilts can help people overcome these types of limitations. This book contains a 21st century loft bed design. When built and used as designed, it is safe; it exceeds all applicable safety standards. Please read those standards and evaluate for yourself. This loft bed design is very durable. It won't become shaky in a year or two. The frame should serve for many years. It can be disassembled and reassembled repeatedly to accommodate moving. This loft bed system is incredibly useful: it features multiple options for built in desks, shelving, drawers and containers. It accommodates clothes storage, books, files, supplies, games and lighting. The design is modular; the accessory options fit together in several combinations. On top of all this, more than one may fit in a room This system is designed for most of the electronic accoutrements of modern life. This is the 21st century. Way More Than A Bed On Stilts is a do-it-yourself project. If you are at all handy, you can build this, while saving money. The sample configuration loft bed with a desk, bureau, and closet rod cost about the same as a comparable size bureau alone (excluding the mattress of course). This is do-able for many people. Just follow the instructions and choose wisely. You can do it

Frederick Litchfield created an enduring classic study of functional art with his Illustrated History of Furniture. This reprinting is presented out of a deep appreciation for the excellent scholarship and many illuminating insights that he so generously shared. The first chapter, which refers to Ancient Furniture and covers a period of several centuries, is introductory to those that follow, rather than a serious attempt to examine the history of the furniture during that space of time. The fourth chapter, which deals with a period of some hundred and fifty years, from the time of King James the First until that of Chippendale and his contemporaries, and the last three chapters, are more fully descriptive than some others, partly because trustworthy information to these times was more accessible, and partly because it is probable that English readers will feel greater interest in the furniture of which they are the subject. The French meubles de luxe, from the latter half of the seventeenth century until the Revolution, are also treated more fully than the furniture of other periods and countries, on account of the interest which has been manifested in this description of the cabinet maker's and metal mounter's work. Evidence of this appreciation may be found in the enormous prices realized at notable auction sales, when such furniture has been offered for competition to wealthy connoisseurs. Such furniture cannot be cheap certainly, but the real cost is sometimes borne by the artist who produces, rather than by the man who may happen to buy it. It is often forgotten that the price paid is that of the lives and sustenance of the workers and their families.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A fresh look at the Arts and Crafts Movement, charting its origins in reformist ideals, its engagement with commercial culture, and its ultimate place in everyday households In its spread from Britain to the United States, the Arts and Crafts Movement evolved from its roots in individual craftsmanship to a mainstream trend increasingly adapted for mass production by American retailers. Inspired by John Ruskin in Britain in the 1840s in response to what he saw as the corrosive forces of industrialization, the movement was profoundly transformed as its tenets of simple design, honest use of materials, and social value of handmade goods were widely adopted and commodified by companies like Sears, Roebuck and Co. The movement grew popular in early 20th-century America, where it was stripped of its reformist ideals by large-scale manufacturing and merchandising through department stores and mail-order catalogues. This beautiful book is illustrated with stunning furniture and designs by William Morris, Gustav Stickley, and Elbert Hubbard's Roycroft community, among many others, along with such ephemera as the catalogues, sales brochures, and magazine spreads that generated popular interest. This perspective offers a new understanding of the Arts and Crafts idea, its geographical reach, and its translation into everyday design. Published in association with the Harry Ransom Center at The University of Texas at Austin Exhibition Schedule: Harry Ransom Center at The University of Texas at Austin (02/09/19-07/14/19)

During the 19th century, New York City's grand mansions on Fifth and Madison Avenues boasted sumptuous interiors, often with each room decorated in a different historic style. Financier, art collector, and philanthropist Henry Gurdon Marquand famously commissioned eminent British painter Sir Lawrence Alma-Tadema (1836-1912) to create the Greco-Pompeian music room for his home. This beautiful publication documents and examines the celebrated design, which included an elaborately decorated Steinway grand piano, a large suite of matching furniture, and an embroidery scheme for the upholstery and coordinated curtains. Alma-Tadema secured Frederic Leighton to create a major painting for the room's ceiling and Sir Edward Poynter to paint the piano's fallboard. One of Alma-Tadema's most famous paintings, A Reading from Homer, was painted for this room. For the first time since Marquand's death in 1902, the contents of this exceptional room have been brought together and considered in light of Marquand's patronage, Alma-Tadema's career, the firm that manufactured the furniture, and the social function of the music room. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute (06/04/17-09/04/17)

The first comprehensive study of Knoll's innovative textile designs and the company's role within the history of interior design In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll added a third division, Knoll Textiles, which brought textile production in line with a modern sensibility that used color and texture as primary design elements. In the early years, the company hired leading proponents of modern design as well as young, untried designers to create textile patterns. The division thrived in the late 1940s through 1960s and, in the following decade, adopted a more international outlook as design direction shifted to Europe. In the late 1970s and 1980s, Knoll tapped fashion designers and architects to bolster its brand. The pioneering use of new materials and a commitment to innovative design have remained Knoll's hallmarks to the present day. With essays by experts, biographies of about eighty designers, and images of textiles, drawings, furniture, and ephemera, Knoll Textiles, 1945-2010 is the first comprehensive study devoted to a leading contributor to modern textile design. Highlighting the individuals and ideas that helped shape Knoll Textiles over the years, this book brings the Knoll brand and the role of textiles in the history of design to the forefront of public attention. Published for the Bard Graduate Center: Decorative Arts, Design History, Material Culture Exhibition Schedule: The Bard Graduate Center, New York (05/18/11-07/31/11)

In recent years, there has been a real revival and appraisal of the works of the mid-century modern movement among architects and interior designers: the furniture, lighting and objects designed by Alvar Aalto, Charles & Ray Eames, Eileen Gray, Poul Henningsen, Arne Jacobsen, Pierre Jeanneret, Finn Juhl, Vladimir Kagan, Poul Kjaerholm, Florence Knoll, Le Corbusier, Ludwig Mies van der Rohe, Borge Mogensen, Serge Mouille, George Nakashima, George Nelson, Verner Panton, Ico Parisi, Charlotte Perriand, Gio Ponti, Jean Prouve, Sergio Rodrigues, Jean Royere, Eero Saarinen, Arne Vodder, Jules Wabbes, Ole Wanscher, Hans J. Wegner, Jorge Zalszupin and many others is integrated in their most exclusive projects and their best pieces are sold at record prices at Christies, Philipps, Sotheby's... In the U.S., the mid-century modern movement in interiors, product and graphic design and architecture was a reflection of the International and Bauhaus movements including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Brazilian and Scandinavian architects were very influential, with a style characterised by clean simplicity and integration with nature. In Europe, the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by the Scandinavian Moderns and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects and the movement known as New Brutalism. This chic, over-sized coffee table book is an essential object for all mid-century design aficionados, interior designers with a passion for the modernist 1950s and for refined readers seeking inspiration for their own interiors. In 20 reports, interior designers and passionate collectors of mid-century furniture, lighting, objects and artworks show how carefully selected touches of high-end mid-century modernism can contribute to a unique living environment.

More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designer. The particular curve of a backrest, or the twist of a leg, the angle of a seat or the color of the entire artifact; each element reflects the stylistic consciousness of an era. From Gerrit Rietveld and Alvar Aalto to Verner Panton and Eva Zeisel, from Art Nouveau to International Style, from Pop Art to Postmodernism, the history of the chair is so complex that it requires a comprehensive encyclopedic work to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. Early designers and pioneers of the modern chair are presented alongside the most recent innovations in seating. This dedicated compendium displays each chair as pure form, along with biographical and historical information about the pieces and their designers. An illuminating tome for design aficionados and an essential reference for collectors! About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Emille Galle was one of the leading figures of the Art Nouveau movement in France, and founder of the famous Ecole de Nancy. A polymath and committed social activist, he was best known for his glasswork and faience. Furniture became his third discipline after experimenting with the manufacture of wooden bases on which he could mount his glass vases. Galle ardently followed the French tradition of furniture decoration known as marqueterie. His work is characterized by its meticulous decorative veneers, stained with subtle organic dyes; its panels inlaid with stunningly intricate country scenes and flowers. This book outlines all of Galle's major works of furniture, from the unique pieces that were designed for an exclusive clientele, to those displayed between 1889 and 1904 at the annual Paris Salons and two World Expositions. The recent emergence of many of his objets de luxe enables the reader to understand many of his pieces for the first time. Written by Decorative Arts specialist Alastair Duncan, the book documents the history of Galle s furniture production from his favorite motifs to the ways in which he used furniture design to express his social and political ideals. Duncan includes an encyclopedic range of models created in the Galle Workshops both during and after his lifetime. Beautifully illustrated, and containing translations of Galle s Notes to the juries of the World Expositions, this stunning publication will leave the reader captivated by this decadent expression of the new art that changed the European aesthetic forever.

Visionary furniture design from Vienna In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day - not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design. A new history of Viennese furniture design, with 27 detailed biographies Numerous previously unpublished photographs and sketches Including works by Friedl Dicker-Brandeis, Martin Eisler, Josef Frank, Friedrich Kiesler, Richard Neutra, Bruno Pollak, Margarete Schutte-Lihotzky, Franz Singer, Ernst Schwadron, among others

Learn to sew your own stunning lampshades using this comprehensive step-by-step guide from the founder of the Traditional Upholstery School, Joanna Heptinstall. The book contains 18 fully illustrated step-by-step projects, featuring tailored, pleated, faux-pleated and loose-cover designs. Each technique is covered in detail, from measuring your fabric, choosing a frame shape, calculating your seams, creating a shade, adding trims and choosing a stand. The projects require few specialist tools, can be easily customised to suit your home decor, and cover a range of styles, sizes and fabrics. The book is bursting with inspirational images, along with tips and tricks of the trade that Joanna has acquired over her successful career in upholstery.

An exhilarating look at Art Deco design in 1920s America, using jazz as its unifying metaphor Capturing the dynamic pulse of the era's jazz music, this lavishly illustrated publication explores American taste and style during the golden age of the 1920s. Following the destructive years of the First World War, this flourishing decade marked a rebirth of aesthetic innovation that was cultivated to a great extent by American talent and patronage. Due to an influx of European emigres to the United States, as well as American enthusiasm for traveling to Europe's cultural capitals, a reciprocal wave of experimental attitudes began traveling back and forth across the Atlantic, forming a creative vocabulary that mirrored the ecstatic spirit of the times. The Jazz Age showcases developments in design, art, architecture, and technology during the '20s and early '30s, and places new emphasis on the United States as a vital part of the emerging marketplace for Art Deco luxury goods. Featuring hundreds of full-color illustrations and essays by two leading historians of decorative arts, this comprehensive catalogue shows how America and the rest of the world worked to establish a new visual representation of modernity.

Influenced by the currently very popu-lar do-it-yourself movement, the contemporary design scene is increasingly shaped by a creative fusion of production and consumption. When it comes to the development of a self-made furniture culture, this book project combines for the first time design history research and consumerism theory with numerous historical and contemporary construction instructions and interior design recommendations. Across five chapters, design history and everyday culture are vividly and closely examined. What are their ori- gins? Which media and channels are used to pass on experiences and prac-tical instructions? Who exchanges in-formation with whom and under what circumstances? And what has changed since the advent of the era of digital modernity?

The comprehensive guide to furniture design-- expanded and updated

Furniture designers draw on a range of knowledge and disciplines to create their work. From history to theory to technology, "Furniture Design" offers a comprehensive survey of the essential craft- and practice-related aspects of furniture design.

Generously illustrated with photographs and drawings--including a new color section--this "Second Edition" features updated coverage of material specifications, green design, digital design, and fabrication technologies. It also features twenty-five case studies of furniture design that represent a broad selection of works, designers, and techniques, including recent designs produced within the last decade.

The book explores: Furniture function and social useForm, spatial organization, and typological ordersStructural integrity and compositionAccessibility, universal design, human factors, and ergonomicsThe design process, from schematics through fabricationMaterials, processes, and methods of fabricationProfessional practice and marketingThe history of furniture design, from prehistory to the digital age

Complete with a glossary of terms and a comprehensive bibliography, "Furniture Design, Second Edition" is a one-stop resource that furniture designers will turn to regularly for the advice, guidance, and information needed to perform their craft.