The final edition of the late Tom Phillips's 'defining masterpiece of postmodernism'. In 1966 the artist Tom Phillips discovered A Human Document (1892), an obscure Victorian romance by W.H. Mallock, and set himself the task of altering every page, by painting, collage or cut-up techniques, to create an entirely new version. Some of Mallock's original text remains intact and through the illustrated pages the character of Bill Toge, Phillips's anti-hero, and his romantic plight emerges. First published in 1973, A Humument - as Phillips titled his altered book - quickly established itself as a cult classic. From that point, the artist worked towards a complete revision of his original, adding new pages in successive editions. That process is now finished. This final edition presents an entirely new and complete version of A Humument. It includes a revised Introduction by the late artist, in which he reflects on the 50-year project, and 92 new illustrated pages.

The 1000 piece World of Yayoi Kusama jigsaw puzzle by Laurence King Publishing is an art puzzlers dream. Jigsaw puzzles are back as a wellness trend and this beautifully illustrated one is sure to help you relax while immersing yourself in the life of Yayoi Kusama.

From 1960s New York to today's Tokyo, there's a huge cast of extras - her friends, lovers and collaborators. Discover references to her artworks and her love of the polka dot. Once complete why not frame the artwork or keepsake poster to keep forever.

1000-PIECE PUZZLE:
The 1000-piece colourful jigsaw puzzle features the world of Yayoi Kusama in mind-blowing detail. Piece together the intricate illustrations by Laura Callaghan

FUN, COLOURFUL ILLUSTRATIONS:
Spot the famous figures, fellow artists and references to her polka dot artwork as you build this colourful jigsaw puzzle.

POSTER INCLUDED:
Includes a fun facts about Kusama's life and work in a fold out keepsake poster (A2)

EASY HANDLING:
The 1000 puzzle pieces are thick and sturdy, and the back sides are a white matte finish. The completed puzzle measures A2 in size and the jigsaw puzzle box measures 267 x 267 x 48mm. GIFT: The perfect gift for people who love art and want to spend time away from their screens while building this jigsaw puzzle

Generously illustrated essays consider Isa Genzken's remarkable body of work, from her early elegant floor pieces to her later explosive assemblages. Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974) * Birgit Pelzer: Axiomatics Subject to Withdrawal (1979) * Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992) * Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014) * Isa Genzken: Sketches for a Feature Film (1993) * Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996) * Diedrich Diederichsen: Subjects at the End of the Flagpole (2000) * Pamela M. Lee: The Skyscraper at Ear Level (2003) * Benjamin H. D. Buchloh: All Things Being Equal (2005) * Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003) * Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006) * Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007) * Lawrence Weiner: Isa Genzken Again (2010) * Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007) * Yve-Alain Bois: The Bum and the Architect (2007) * Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009) * Hal Foster: Fantastic Destruction (2014)

First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.

This magnificent volume, featuring more than 750 illustrations, is the first definitive account of the Tonalist movement. Based on original research, it tells the fascinating story of how the progressive Tonalist landscape first dethroned the Hudson River School in the late 1870s and went on to become the dominant school in American art until World War I. More provocatively, it also situates Tonalism at the beginnings of American modernism, revealing how the movement's later exponents laid the groundwork for the artists of the Stieglitz Circle, and subsequently Milton Avery, Mark Rothko, Adolph Gottlieb, Barnett Newman, and Wolf Kahn. A History of American Tonalism places the key figures of the movement - such as George Inness, James McNeill Whistler, and John Henry Twachtman - in their cultural context, which was influenced by such thinkers as Ralph Waldo Emerson, Henry David Thoreau, John Burroughs, and William James. It also examines the lives and careers of more than 60 other Tonalist painters, lesser known but highly talented. This new edition of A History of American Tonalism is augmented with more than 100 new illustrations, as well as a new overview of the stylistic principles of Tonalism. It will continue to be essential in understanding not only the Tonalist movement but American art as a whole.

Women artists have made a huge contribution to contemporary mainstream art, and their rise to international prominence has accompanied the development of feminism, feminist theory and history of art. Jo Anna Isaak's important new study of the work of women artists discusses the work of individual women artists in the context of contemporary art practices and in relation to key feminist issues in art history.
Isaak looks at the work of a diverse range of artists including women from the United States, the former Soviet Union and the United Kingdom - discussing, among others, the work of Barbara Kruger, Cindy Sherman and the Guerilla Girls. Isaak discusses work by 20th century Soviet women artists, providing a fascinating case study of the production of art in non-Western economic, political and ideological circumstances.

A group of primarily Scottish artists (mainly William York Macgregor, Joseph Crawhall, George Henry, Edward Atkinson Hornel, Sir John Lavery and Arthur Melville), the Glasgow Boys were active around the turn of the 20th Century. Though they painted in a number of different styles, they are connected by their rejection of classic Victorian painting. Inspired by the luminous techniques of James McNeil Whistler, they harnessed Impressionistic brushwork and livid realism in their work, trying new methods and everyday settings to create stunning works of art. With over 100 images, and broad introduction, this is a fine addition to Flame Tree's ever-increasing series on painting and illustration, Masterpieces of Art.

Artist, activist, and influencer Laetitia Ky, known for sculpting her own hair to create powerful and joyful artwork that embraces the beauty of Black hair and style, the fight for social justice, and the journey toward self-love, tells her personal story that fans have been waiting for, through words and photos. Laetitia Ky is a self-described polyvalent artist and a one-of-a-kind creative voice-an up-and-coming model, activist, fashion designer, and visual artist, as well as a hugely popular Instagram and TikTok influencer. Ky uses her own hair (with the help of some extensions, wool, wire, and thread) to make unique and compelling sculptures that celebrate her African heritage, the beauty of Black natural hair, and the power of activism. Love and Justice is Ky's first book, showcasing 125 remarkable photographs interwoven with stories about her Ivory Coast childhood, her strong family ties, her embrace of her African roots, her own journey toward self-love, and her desire to lift up other women-especially Black women. As a passionate advocate for social justice, Ky shines a light on the pressing issues of our time: gender and racial oppression, harmful beauty standards, shame and its corrosive effect on mental health, and more. Part memoir,part art book, part feminist manifesto, Love and Justice is joyful and life-affirming: Ky's striking words and images honestly celebrate women's sexuality and the female body, and call for women's empowerment-extending a generous invitation for us all to love ourselves and to work toward a more just world.

Jo Spence was one of Britain's pioneering photographers. Born into a working-class London family, she worked for many years as a studio photographer. Her political concerns led to documentary photography. Soon after completing her degree in the theory and practice of photography, she discovered she had breast cancer. Through her struggle to come to terms with the illness, to find non-invasive treatments and to share her experience with others, she developed unique ways of using photography.
"Cultural Sniping" brings together a wide range of Jo Spence's photographs and writings for the first time. Through images and texts she explores complex issues of gender, class, health and the body, and their impact on her understanding of personal history and the construction of identity.
"Cultural Sniping" includes images from Spence's early work in documentary photography and from her pioneering photo-therapy projects, undertaken in collaboration with other photographers. In her later work Spence faces up to the experience of illness and dying, and "Cultural Sniping" reproduces work from her "Return to Nature" and "Death Mask" series, in which she tries to come to terms with the reality of death. Jo Spence's commitment to engaging with personal experience, political understanding and critical theory make her writing and photography a vital contribution to our understanding of the politics of representation.

Bonjour Mr Inshaw is a homage by the award-winning poet Peter Robinson to David Inshaw, the celebrated painter, whom he first met during the artist's years as Creative Arts Fellow at Trinity College, Cambridge, in the mid-1970s. Largely produced in an unexpected burst of inspiration after a visit to the painter's studio early in 2019, these poems combine memories of Inshaw's paintings, or characteristic landscapes, with experiences of his company and conversation. Showing a formal flexibility and deftness characteristic of this poet's work, they reflect on the role of art in a time of political and cultural division. Presented in an en face format, Bonjour Mr Inshaw beautifully illustrates its ekphrastic encounters and allows us to reflect in turn on this contemporary example of the centuries-old dialogue between the arts of poetry and painting. `Following the visionary traditions of such quintessentially English predecessors as Samuel Palmer ... or Stanley Spencer ... Inshaw's paintings discover the mystical in what could just as easily be overlooked as the mundane.' - Rachel Campbell-Johnston, art critic for The Times `Robinson is the finest poet alive when it comes to the probing of shifts in atmosphere, momentary changes in the weather of the mind, each poem an astonishingly fine-tuned gauge for recording the pressures and processes that generate lived occasions' - Adam Piette in The Reader

Get Your Shit Together is the first book that exclusively features recent artwork in color by beloved British artist David Shrigley. This volume celebrates Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text. Organized by chapters with titles such as Stupid, Nonsense, Dirt, Fear, Paranoia, Love, and Self Delusion, this collection is sure to delight die-hard Shrigley fans and new ones alike. This is the largest-format book to date on Shrigley's prolific work, and features design details such as a ribbon marker with one of his mordant sayings printed on it, as well as hand-written, humorous essays throughout.