2014 bronze medal winner eLit Awards, 2013 gold medal winner Living Now Awards, March 2014 #1 book of the month Stevo's Internet Reviews, June 2013 book of the month Pacific Book Review. Wild Among Us: true adventures of a female photographer who stalks bears, wolves, mountain lions, wild horses and other elusive wildlife is a fascinating series of autobiographical stories by Pat Toth-Smith. The story telling pulls you into her perilous world, where you share the strange and sometimes dangerous situations she navigates as she travels the highways and wilderness areas of North America. In the end it all seems worth it when we see the results of her labors, the stunning wildlife photos, the vivid observations of the animal s behavior and the hard earned knowledge gleaned from learning on the job. Wild Among Us is unique in that it has the aesthetic beauty of a fine art photo book combined with the powerful stories of pursuit, danger and life-threatening wildlife encounters, that push the author to face her fears and rely on her intuition to survive and become stronger for it."

Mary Fedden (1915-2012) is one of Britain's most popular artists. The focus of this acclaimed book, newly available in paperback in celebration of her life's achievement, is the artist's creative process in various different media - oil, gouache, pencil and collage.While Fedden is often considered almost exclusively a still-life painter, still life was far from being her only preoccupation, as this book shows. Fantasy and imagination always also played a strong part, as is particularly evident in her small gouaches. A quietly surreal, enigmatic streak runs through much of her work.Fedden's collages are a witty and affectionate homage to the work of her husband, Julian Trevelyan. They lived, worked and travelled together from 1949 to 1988. The book re-emphasises her debt to him, but also her independence, even during their early life together when he stimulated her move into Modernism. In an engaging text, which draws on numerous conversations with the artist during her final years, Christopher Andreae considers why Fedden has always had such a popular following, looks at the English quality of her work, and talks about the commercialisation of her art and her attitudes to the art market. Fedden is shown to be an original, serious and prolific artist, a draftsman of unusual sensitivity and prowess, and a colourist of power and subtlety.Profusely illustrated with works from private and public collections, this is a book for Mary Fedden's existing devotees as well as newcomers to her work.

Willard Gayheart, a pencil artist from eastern Kentucky who now lives in southwestern Virginia, presents the history, people, and culture of the Appalachian region. This book combines a biography of Gayheart with a portfolio of his work and his comments on his inspirations and techniques. His art has its roots in his childhood and his memories of that time inspire him today. Gayheart is also known for his portrayals of Appalachian musicians and ways of life, and many such drawings are reproduced here.

Edmund de Waal is a world-famous ceramicist. Having spent thirty years making beautiful pots―which are then sold, collected, and handed on―he has a particular sense of the secret lives of objects. When he inherited a collection of 264 tiny Japanese wood and ivory carvings, called netsuke, he wanted to know who had touched and held them, and how the collection had managed to survive.

And so begins The Hare with Amber Eyes, this extraordinarily moving memoir and detective story as de Waal discovers both the story of the netsuke and of his family, the Ephrussis, over five generations.

A nineteenth-century banking dynasty in Paris and Vienna, the Ephrussis were as rich and respected as the Rothchilds. Yet by the end of the World War II, when the netsuke were hidden from the Nazis in Vienna, this collection of very small carvings was all that remained of their vast empire.

Turner's work is famous throughout the world. He transformed British landscape painting from a minor art to a highly respected one with huge power and range.. This beautifully illustrated guide looks at the man and his influences, and takes a route though Europe and Britain as his artistic life flowers and matures. Look out for more Pitkin Guides on the very best of British art, history, heritage and travel.

As the creator of Tintin, Herge (1907-1983) remains one of the most important and influential figures in the history of comics. When Herge, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the ""clear line"" in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. The book opens with Herge's aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of action. Broad views of his career describe how Herge navigated changing ideas of air travel, while precise accounts of his life during Nazi occupation explain how the demands of the occupied press transformed his understanding of what a comics page could do. The next section considers a subject with which Herge was himself consumed: the fraught lines between high and low art. By reading the late masterpieces of the Tintin series, these chapters situate his artistic legacy. A final section considers how the clear line style has been reinterpreted around the world, from contemporary Francophone writers to a Chinese American cartoonist and on to Turkey, where Tintin has been reinvented into something meaningful to an audience Herge probably never anticipated. Despite the attention already devoted to Herge, no multi-author critical treatment of his work exists in English, the majority of the scholarship being in French. With contributors from five continents drawing on a variety of critical methods, this volume's range will shape the study of Herge for many years to come.

Artist, activist, and influencer Laetitia Ky, known for sculpting her own hair to create powerful and joyful artwork that embraces the beauty of Black hair and style, the fight for social justice, and the journey toward self-love, tells her personal story that fans have been waiting for, through words and photos. Laetitia Ky is a self-described polyvalent artist and a one-of-a-kind creative voice-an up-and-coming model, activist, fashion designer, and visual artist, as well as a hugely popular Instagram and TikTok influencer. Ky uses her own hair (with the help of some extensions, wool, wire, and thread) to make unique and compelling sculptures that celebrate her African heritage, the beauty of Black natural hair, and the power of activism. Love and Justice is Ky's first book, showcasing 125 remarkable photographs interwoven with stories about her Ivory Coast childhood, her strong family ties, her embrace of her African roots, her own journey toward self-love, and her desire to lift up other women-especially Black women. As a passionate advocate for social justice, Ky shines a light on the pressing issues of our time: gender and racial oppression, harmful beauty standards, shame and its corrosive effect on mental health, and more. Part memoir,part art book, part feminist manifesto, Love and Justice is joyful and life-affirming: Ky's striking words and images honestly celebrate women's sexuality and the female body, and call for women's empowerment-extending a generous invitation for us all to love ourselves and to work toward a more just world.

Born in Berlin in 1931 to Jewish parents, the eight-year-old Auerbach was sent to England in 1939 to escape the Nazi regime. His parents stayed behind and died in a concentration camp in 1943. Now in his eighties, Auerbach is still producing his distinctly sculptural paintings of friends, family and surroundings in north London, where he has made his home since the war. The art historian and curator Catherine Lampert has had unique access to the artist since 1978 when she first became one of his sitters. With an emphasis on Auerbach's own words, culled from her conversations with him and archival interviews, she provides a rare insight into his professional life, working methods and philosophy. Auerbach also reflects on the places, people and inspirations that have shaped his life. These include his experiences as a refugee child, finding his way in the London art world of the 1950s and 1960s, his friendships with Lucian Freud, Francis Bacon and Leon Kossoff, among many others, and his approaches to looking and painting throughout his career. For anyone interested in how an artist approaches his craft or his method of capturing reality this is essential reading.