Rocking the Wall explores the epic Bruce Springsteen concert in East Berlin on July 19, 1988, and how it changed the world. Erik Kirschbaum spoke to scores of fans and concert organizers on both sides of the Berlin Wall, including Jon Landau, Springsteen's long-time friend and manager, to unearth this fascinating story. With lively behind-the-scenes details from eyewitness accounts, magazine and newspaper clippings, TV recordings, and even Stasi files, as well as photos and memorabilia, this gripping book transports you back in the middle of those heady times shortly before the Berlin Wall fell and gives you a front-row spot at one of the biggest and most exciting rock concerts ever, anywhere. It takes you to an unforgettable journey with Springsteen through the divided city, to his hotel, and his dressing room at the open air concert grounds in Weissensee, where The Boss, live on stage, delivered a courageous speech against the Wall to a record-breaking crowd of more than 300,000 delirious young East Germans full of joy and hope. Their thunderous reaction to his speech was so intense that it even briefly brought tears to Springsteen's eyes. And their tremendous, powerful cry for freedom became the "final nail in the coffin" of the Communist regime and subsequently helped fuel the uprising that brought down the Wall.

Erik Kirschbaum, a native of New York City and long-time Springsteen fan, has lived in Germany for more than twenty-five years and in Berlin since 1993. He is a correspondent for the Reuters international news agency and has written about entertainment, politics, sports, economics, as well as disasters and climate change in nearly thirty countries. He is a devoted father of four, an enthusiastic cyclist, a solar power entrepreneur and an unabashed crusader for renewable energy. Rocking the Wall is his third book.

Praise for Rocking The Wall

Inside this book is as clear a statement of the power of this music as anyone, ever, has come up with." -Dave Marsh

"An illuminating and impressively detailed examination of a frequently overlooked moment in the nexus of rock music and political liberation. I learned a great deal and enjoyed doing so." -Eric Alterman

"Looking for Calvin and Hobbes" is an affectionate and revealing book about uncovering the story behind this most uncommon trio - a man, a boy and his tiger. From the get-go, it was obvious that this was no ordinary comic strip. Calvin was named after the 16th-century Protestant theologian who believed in predestination, Hobbes after the philosopher a century later who once observed that life is 'nasty, brutish and short'. Watterson injected real philosophical questions into his strip and coupled his commentaries with groundbreaking artwork. His lavish half-page Sunday strips completely re-envisioned the potential of the comics, while never detracting from his poignant humor. Bill Watterson was completely different from most comic strip creators because he never wanted to see Calvin & Hobbes turn into a commercial monolith. A longtime liberal and former political cartoonist, he staunchly refused to have the characters merchandised - a decision which could have netted him millions of additional dollars in income per year - and rarely made public appearances or granted interviews. When Steven Spielberg called him to talk about making an animated Calvin & Hobbes movie, Watterson didn't take the call. As a result, dozens of bootleg items have flooded the market. There were only 3,160 strips ever produced, but Watterson has left behind an impressive legacy. Calvin & Hobbes references litter the pop culture landscape and his fans are as varied as they are numerable.

"Harry's Art" is fine art for the twenty-first century revealed by the artist himself in his own style. This is how he designed his own multifaceted world of art. He brings his own advanced technology for a perfect presentation. This art book is unique because it combines art and architecture. It's a vividly authentic book. For example, "The Citadel" depicts a real-world masterpiece. "We Are One" is a celebration of love. "The ICU Code" is a glimpse at a very painful and personal event in the artist's life. "Synchronized Stretch" depicts the magnificence of the human body while exercising. "Negro" embodies the power of black people, and "The Human Bridge" exemplifies the beautiful balance of art and architecture. The artist invites all passionate art lovers to understand his philosophy in "Harry's Art. "

Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo's art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist's formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall

For fans of big-screen monster films, KAIDA Yuji is a very well known name. Best known for his vivid illustrations of Godzilla and other popular Toho kaiju, some of Mr KAIDA's most beautiful work is presented here in this full-color flexicover volume. This book's 128 pages are packed with lush artwork, including a brand new piece showing Godzilla in London, created especially for this book.Whether you are an admirer of this Japanese master's work or just a fan of monster movie art, this book is an essential purchase!

ANDY GOLDSWORTHY: TOUCHING NATURE DESCRIPTION

A new and revised edition of our best-selling book on Andy Goldsworthy. A completely rewritten exploration of the sculptor, updated to include recent works such as Night Path (2002) and Chalk Stones (2003) in Sussex, Three Cairns (2002) on the American East and West coasts, Stone Houses (2004) and Garden of Stones (2003) in Gotham, Passage (2005) in London, and Slate Domes (2005) in Washington, DC.

Known as a land, earth, nature or environmental artist, Andy Goldsworthy works with(in) nature. He uses natural materials in natural shapes and forms often set in natural contexts (but also in cities, towns, parks, sculpture parks, and many spaces created or adapted by people). FROM THE INTRODUCTION

In the 1990s, Andy Goldsworthy s art began to rise in popularity: the glossy coffee table book Stone became a bestseller (bear in mind it was then priced at $55). In 1994 Goldsworthy took over some West End galleries with a large one-man show. In 1995 he was part of an intriguing group show at the British Museum (Time Machine), creating sculptures, along with Richard Deacon, Peter Randall-Page and others, in amongst the monumental statuary of the famous Egyptian Hall. Also in 1995, Goldsworthy designed a set of Royal Mail stamps (and again in 2003). Digne in France became an increasingly important Goldsworthy location, with shows in 1995, 1997 and 2000). Prestigious commissions occurred in the US from the mid-1990s onwards. For instance: the giant Wall at Storm King Art Center in 1998; the Three Cairns on the East and West Coasts and Iowa in 2001-02; the stone houses at the Metropolitan Museum in Gotham in 2004; the monument to the Holocaust (also in New York) in 2003; and the slate domes in Washington, DC in 2005. Goldsworthy continues to work in countries such as Japan, Australia, Holland, Canada, North America and France (with France and the US becoming primary centres of Goldsworthy activity), but his home ground of Dumfriesshire in Scotland remains (at) the heart of his work.

AUTHOR BIOGRAPHY

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas s books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

Bruno Munari was one of the most important and eclectic twentieth-century European artists. Dubbed the "Leonardo and Peter Pan" of contemporary art, he pioneered what would later be labelled kinetic art, playing a key role in the constitution and definition of the aesthetic programmes of groups such as Movimento Arte Concreta and Programmed Art. He became an internationally recognized name in the field of industrial design, winning the prestigious "Compasso d'Oro" prize four times, while also being a prominent figure in Italian graphic design, working for magazines such as Tempo and Domus, as well as renowned publishing companies such as Einaudi and Bompiani. He left an indelible mark as an art pedagogue and popularizer with his famous 1970s artistic laboratories for children and was the author of numerous books, ranging from essays on art and design to experimental books. Capturing a resurgent interest in Munari at the international level, the exceptional array of critical voices in this volume constitutes an academic study of Munari of a depth and range that is unprecedented in any language, offering a unique analysis of Munari's seven-decade-long career. Through original archival research, and illuminating and generative comparisons with other artists and movements both within and outside Italy, the essays gathered here offer novel readings of more familiar aspects of Munari's career while also addressing those aspects that have received scant or no attention to date.

This is the first comprehensive overview of the career to date of British artist Hurvin Anderson (b.1965). Anderson is known for painting loosely rendered 'observations' of scenes and spaces loaded with personal or communal meaning. Anderson's painting style is notable for the ease with which he slips between figuration and abstraction, playing with the tropes of earlier landscape traditions and 20th-century abstraction. His paintings of barbershop interiors, country tennis clubs and tropical roadsides teem with rich brushwork and multitudes of decorative patterns or architectural features, at once obscuring and adding to underlying ruminations on identity and place. Drawing on interviews with the artist, Michael J. Prokopow offers a critical assessment of Hurvin Anderson's painting practice to date that will be enlightening for all students, dealers and collectors of contemporary painting.

The early 1980s saw a revolution in mainstream comics--in subject matter, artistic integrity, and creators' rights--as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown (b. 1960) quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983-1994). Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. It also includes original annotations from Chester Brown, provided especially for this book, in which he adds context, second thoughts, and other valuable insights into the interviews. Brown was among a new generation of artists whose work dealt with decidedly nonmainstream subjects. By the 1980s comics were, to quote a by-now well-worn phrase, ""not just for kids anymore,"" and subsequent censorious attacks by parents concerned about the more salacious material being published by the major publishers--subjects that routinely included adult language, realistic violence, drug use, and sexual content--began to roil the industry. Yummy Fur came of age during this storm and its often-offensive content, including dismembered, talking penises, led to controversy and censorship. With Brown's highly unconventional adaptations of the Gospels, and such comics memoirs as The Playboy (1991/1992) and I Never Liked You (1991-1994), Brown gradually moved away from the surrealistic, humor oriented strips toward autobiographical material far more restrained and elegiac in tone than his earlier strips. This work was followed by Louis Riel (1999-2003), Brown's critically acclaimed comic book biography of the controversial nineteenth-century Canadian revolutionary, and Paying for It (2011), his best-selling memoir on the life of a john.

Devoted wife and mother. Acclaimed novelist, illustrator, and interpreter of the American West. At a time when society expected women to concentrate on family and hearth, Mary Hallock Foote (1847-1938) published twelve novels, four short story collections, almost two dozen stories and essays, and innumerable illustrations. In "Mary Hallock Foote, " Darlis A. Willer examines the life of this gifted and spirited woman from the East as she adapted herself and her artistic vision to the West.

Foote's images of the American West differed sharply from those offered by male artists and writers of the time. She depicted a more gentle West, a domestic West of families and settlements rather than a Wild West of soldiers, American Indians, and cowboys. Miller examines how Foote's career was molded by the East-West tensions she experienced throughout her adult life and by society's expectations of womanhood and motherhood.

This biography recounts Foote's Quaker upbringing; her education at the School of Design for Women at Cooper Union, New York; her marriage to Arthur De Wint Foote, including his alcohol problems; her life in Boise, Idaho, and later Grass Valley, California; her grief over the early death of daughter Agnes Foote; and the previously unexplored last two decades of her life.

Miller has made extensive use of every major archive of letters and documents by and about Foote. She sheds light on Foote's numerous stories, essays, and novels. And examines all pertinent sources on Foote's life and works.

Anyone interested in the American West, women's history, or life histories in general will find Miller's biography of Mary Hallock Foote fascinating,

One of the most distinctive voices in mainstream comics since the 1970s, Howard Chaykin (b. 1950) has earned a reputation as a visionary formal innovator and a compelling storyteller whose comics offer both pulp-adventure thrills and thoughtful engagement with real-world politics and culture. His body of work is defined by the belief that comics can be a vehicle for sophisticated adult entertainment and for narratives that utilize the medium's unique properties to explore serious themes with intelligence and wit.

Beginning with early interviews in fanzines and concluding with a new interview conducted in 2010 with the volume's editor, "Howard Chaykin: Conversations" collects widely ranging discussions from Chaykin's earliest days as an assistant for such legends as Gil Kane and Wallace Wood to his recent work on titles including "Dominic Fortune," "Challengers of the Unknown," and "American Century." The book includes 35 line illustrations selected from Chaykin, as well. As a writer/artist for outlets such as DC Comics, Marvel Comics, and "Heavy Metal," he has participated in and influenced many of the major developments in mainstream comics over the past four decades. He was an early pioneer in the graphic novel format in the 1970s, and his groundbreaking sci-fi satire "American Flagg " was an essential contribution to the maturation of the comic book as a vehicle for social commentary in the 1980s.

Frank Lloyd Wright is one of the 20th century's best-known architects. Over 40 years after his death, historical and critical comment and debate are increasing and controversy continues to surround him. This volume is a chronologically arranged, annotated bibliography of English- and foreign-language sources including over 3,500 primary entries, with thousands more connected references, presented alphabetically by decades and genres. The book documents not only the literature on Wright from 1886 to the present, but also his own extensive writings. It covers source books, monographs, anthologies, exhibition catalogues, book and exhibition reviews, periodical articles, and obituaries. All references are indexed by personal names, buildings, and projects. There is also a photo-essay comprised entirely of images published here for the first time, and a comprehensive chronology of the architect's life and career, which spanned 70 years and produced about 450 buildings and almost 550 unrealized architectural projects. The book will be of great value to scholars, students, and practitioners.