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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
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X
(Paperback)
Lieven De Boeck
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R676
Discovery Miles 6 760
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Ships in 10 - 15 working days
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A spirited memoir by artist Aviva Rahmani, offering a relatable
narrative to discuss trigger point theory and the importance of
eco-art activism. Divining Chaos is an intimate personal memoir of
unparalleled transparency into the moments in Rahmani's life that
shaped her as an artist and activist. Detailing the history that
led her to two seminal projects-Ghost Nets, restoring a coastal
town dump to flourishing wetlands, and The Blued Trees Symphony,
which applied her premises to challenge natural gas pipelines with
a novel legal theory about land use-Rahmani shares the decisions
that shaped her life's work and thinking. Her discussions about
trigger point theory argue for how to predict, confront, and
determine outcomes to the ecological challenges we face today.
Most unusually among major painters, Vincent van Gogh (1853-90) was
also an accomplished writer. His letters provide both a unique
self-portrait and a vivid picture of the contemporary cultural
scene. Van Gogh emerges as a complex but captivating personality,
struggling with utter integrity to fulfil his artistic destiny.
This major new edition, which is based on an entirely new
translation, reinstating a large number of passages omitted from
earlier editions, is expressly designed to reveal his inner journey
as much as the outward facts of his life. It includes complete
letters wherever possible, linked with brief passages of connecting
narrative and showing all the pen-and-ink sketches that originally
went with them. Despite the familiar image of Van Gogh as an
antisocial madman who died a martyr to his art, his troubled life
was rich in friendships and generous passions. In his letters we
discover the humanitarian and religious causes he embraced, his
fascination with the French Revolution, his striving for God and
for ethical ideals, his desperate courtship of his cousin, Kee Vos,
and his largely unsuccessful search for love. All of this, suggests
De Leeuw, demolishes some of the myths surrounding Van Gogh and his
career but brings hint before us as a flesh-and-blood human being,
an individual of immense pathos and spiritual depth. Perhaps even
more moving, these letters illuminate his constant conflicts as a
painter, torn between realism, symbolism and abstraction; between
landscape and portraiture; between his desire to depict peasant
life and the exciting diversions of the city; between his uncanny
versatility as a sketcher and his ideal of the full-scale finished
tableau. SinceVan Gogh received little feedback from the public, he
wrote at length to friends, fellow artists and his family, above
all to his brother Theo, the Parisian art dealer, who was his
confidant and mainstay. Along with his intense powers of visual
imagination, Vincent brought to the
Considered on of the most important religious structures of the
twentieth century, the Chapel of the Rosary in Vence was regarded
by Matisse himself as his great masterpiece. He dedicated four
years to the creation of this convent chapel on the French Riviera,
and the result is one of the most remarkable and comprehensive
ensemble pieces of twentieth-century art. Every element of the
chapel bears the artists touch, from the vivid Mediterranean hues
of the stained glass windows to the starkly powerful murals; even
the vestments and altar were designed by Matisse. This beautifully
illustrated volume captures the chapel in exquisite detail,
allowing an unparalleled view of this iconic and sacred space. With
stunning new photography that captures the dramatic effects of the
changing light in the building throughout the day, this book is the
first to present the experience of being within the chapel exactly
as Matisse himself envisaged it, while Marie-Therese Pulvenis de
Selignys authoritative and insightful text explores the
extraordinary story of the chapels creation and the challenges
faced by the 77-year-old artist in realising his great vision."
Enter the fantastic fantasy world of epic doodler Kerby Rosanes in
his creepiest collection yet. From skulls that morph into
butterflies to clockwork dragons and vine-entangled pumpkins -
there's plenty of gothic-inspired scenes and creatures to bring to
life in colour. As an extra challenge, seek out the search items at
the back of the book - there's more to discover within these pages
than you ever dreamed possible. On top of the success of
Animorphia, Imagimorphia and Mythomorphia, Kerby's detailed doodle
skills have already earned him a solid fan base. His Sketchy
Stories Facebook page has more than 1,000,000 likes, he has had
275,000 project views on Behance and his incredible website
(www.kerbyrosanes.com) is getting more hits by the day. Other books
in the colouring series include: 9781910552070 Animorphia
9781910552148 Imagimorphia 9781910552261 Mythomorphia 9781910552926
Geomorphia
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Imperfectualism
(Hardcover)
Lorin Morgan-Richards; Illustrated by Lorin Morgan-Richards
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R861
Discovery Miles 8 610
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Ships in 18 - 22 working days
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Robert Kirkman (b. 1978) is probably best known as the creator of
The Walking Dead. The comic book and its television adaptation have
reinvented the zombie horror story, transforming it from cult
curiosity and parody to mainstream popularity and critical acclaim.
In some ways, this would be enough to justify this career-spanning
collection of interviews. Yet Kirkman represents much more than
this single comic book title. Kirkman's story is a fanboy's dream
that begins with him financing his irreverent, independent comic
book Battle Pope with credit cards. After writing major titles with
Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman
rejected companies like DC and Marvel and publicly advocated for
creator ownership as the future of the comics industry. As a
partner at Image, Kirkman wrote not only The Walking Dead but also
Invincible, a radical reinvention of the superhero genre. Robert
Kirkman: Conversations gives insight to his journey and explores
technique, creativity, collaboration, and the business of comics as
a multimedia phenomenon. For instance, while continuing to write
genre-based comics in titles like Outcast and Oblivion Song,
Kirkman explains his writerly bias for complex characters over
traditional plot development. As a fan-turned-creator, Kirkman
reveals a creator's complex relationship with fans in a comic-con
era that breaks down the consumer/producer dichotomy. And after
rejecting company-ownership practices, Kirkman articulates a vision
of the creator-ownership model and his goal of organic creativity
at Skybound, his multimedia company. While Stan Lee was the most
prominent comic book everyman of the previous era of comics
production, Kirkman is the most prominent comic book everyman of
this dynamic, evolving new era.
With Barry Flanagan is a vivid account of a friendship that evolved
into a working relationship when Richard McNeff became 'spontaneous
fixer' (Flanagan's description) of the sculptor's show held in June
1992 at the Museum of Contemporary Art on Ibiza, where they were
both living. McNeff was to gain a privileged insight into the
sculptor's singular personality and eccentric working methods,
learning to decipher his memorably surreal turns of phrase and to
parry his fascinating, if at times unsettling, pranksteresque
quirks . In September 1992 Flanagan and McNeff took the show to
Majorca, resulting a lively visit to the celebrated Spanish artist
Miquel Barcelo. The following year McNeff was involved in
Flanagan's print- making venture in Barcelona and in his Madrid
retrospective. Flanagan rescued him from a rough landing in England
in 1994 by commissioning a tour of stone quarries there.
Subsequently McNeff ran into a fourteen- year-old profoundly deaf
girl who turned out to be his unknown daughter. She had a talent
for art and the superbly generous sculptor was instrumental in
helping with her studies. Late in 2008 Barry was diagnosed with
motor neurone disease. By June 2009 he was wheelchair- bound. Two
months later he died, and McNeff read the lesson at his funeral.
Fleshed out with biographical detail, much of it supplied by the
sculptor himself, supplemented by photographs and details of the
work, this touching memoir is the first retrospective of a major
Welsh-born artist. With Barry Flanagan captures the spirit of this
remarkable Merlinesque figure in a moving portrait that reveals a
true original.
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