It is always based on what I see, what is touching me.' For more than fifty years, Klaus Moje devoted his life to the art of glass. He called it the 'most seductive' medium, and in his hands it had the power to delight and amaze collectors around the world. His lifetime's work changed the practice and appreciation of contemporary glass. Moje's philosophy of 'working into the hopeful' and his passion for the colour and geometry he saw in the natural world shone through his kilnformed glass works, a technique he pioneered. Moje was both artist and educator. After an apprenticeship in his father's small glass-cutting and glass-grinding business and a masters degree at the Glasfachschule Hadamar, Moje established his Hamburg studio. In 1982, he moved to Australia to set up the Glass Workshop at the Canberra School of Art, one of the most successful glass education programs in the world. Following 10 years teaching, Moje returned to full-time studio work. His life and art inspired many who chose to work with this medium. In Glass: The Life and Art of Klaus Moje, art historian Nola Anderson celebrates the creativity and artistic spirit of this remarkable artist.

W. Heath Robinson is best known for his hilarious drawings of zany contraptions, though his work ranged across a wide variety of topics covering many aspects of British life in the decades following the First World War. Starting out as a watercolour artist, he quickly turned to the more lucrative field of book illustration and developed his forte in satirical drawings and cartoons. He was regularly commissioned by the editors of Tatler and The Sketch and in great demand from advertising companies. Collections of his drawings were subsequently published in many different editions and became so successful as to transform Heath Robinson into a household name, celebrated for his eccentric brand of British humour. Presenting such innovations as the 'Zip-Opening Bonnet', the 'Duo-car for the Incompatible' and the handy 'New Rear Wheel Gear for Turning the Car in One Movement', this volume of Heath Robinson illustrations with commentary by K.R.G. Browne will appeal to 'everybody who is ever likely to drive, be driven in, or get run over by a mechanically propelled vehicle'.

Enter the fantastic fantasy world of epic doodler Kerby Rosanes in his creepiest collection yet. From skulls that morph into butterflies to clockwork dragons and vine-entangled pumpkins - there's plenty of gothic-inspired scenes and creatures to bring to life in colour. As an extra challenge, seek out the search items at the back of the book - there's more to discover within these pages than you ever dreamed possible. On top of the success of Animorphia, Imagimorphia and Mythomorphia, Kerby's detailed doodle skills have already earned him a solid fan base. His Sketchy Stories Facebook page has more than 1,000,000 likes, he has had 275,000 project views on Behance and his incredible website (www.kerbyrosanes.com) is getting more hits by the day. Other books in the colouring series include: 9781910552070 Animorphia 9781910552148 Imagimorphia 9781910552261 Mythomorphia 9781910552926 Geomorphia

The first monograph and only substantial publication on the work of Patrick George (born 1923), this book will reveal to a largely unsuspecting public the lyrical paintings of a rare and original talent. George is better known as a teacher; he taught for forty years at the Slade School of Fine Art, University College, London before eventually becoming Director there. He has only shown his work infrequently, yet perceptive commentators have identified him as a School of London painter, to be viewed in the same context as Lucian Freud (a friendly rival), Frank Auerbach (a strong supporter of George's work), and Euan Uglow (George's close friend and colleague). For too long dismissed as a follower of Coldstream, Patrick George is in fact very much his own man, a Northern European landscape and figure painter, working in the tradition of Gainsborough and Constable. In this book, his unique contribution to the development of contemporary landscape painting is for the first time examined and evaluated.