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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
Considered on of the most important religious structures of the
twentieth century, the Chapel of the Rosary in Vence was regarded
by Matisse himself as his great masterpiece. He dedicated four
years to the creation of this convent chapel on the French Riviera,
and the result is one of the most remarkable and comprehensive
ensemble pieces of twentieth-century art. Every element of the
chapel bears the artists touch, from the vivid Mediterranean hues
of the stained glass windows to the starkly powerful murals; even
the vestments and altar were designed by Matisse. This beautifully
illustrated volume captures the chapel in exquisite detail,
allowing an unparalleled view of this iconic and sacred space. With
stunning new photography that captures the dramatic effects of the
changing light in the building throughout the day, this book is the
first to present the experience of being within the chapel exactly
as Matisse himself envisaged it, while Marie-Therese Pulvenis de
Selignys authoritative and insightful text explores the
extraordinary story of the chapels creation and the challenges
faced by the 77-year-old artist in realising his great vision."
The Lammermuir Hills have been an important trade route between
Scotland and England for generations, as well as an effective
barrier when necessary. Drawn by the long history of south-eastern
Scotland and the many conflicting elements in play in its natural
environment - among them wind farms, pylons, forestry plantations,
grouse moors and sheep - the distinguished Scottish painter and
printmaker Barbara Rae CBE RA has made numerous studies of these
wild expanses. This handsome volume reproduces a wide selection of
her intensely colourful images with accompanying photographs and
maps, and texts by the art critic Duncan Macmillan, Emeritus
Professor of the History of Scottish Art at the University of
Edinburgh, and Maureen Barrie, who worked for many years at
National Museums Scotland.
Author Michael Chabon described Ben Katchor (b. 1951) as "the
creator of the last great American comic strip." Katchor's comic
strip Julius Knipl, Real Estate Photographer: Stories, which began
in 1988, brought him to the attention of the readers of alternative
weekly newspapers along with a coterie of artists who have gone on
to public acclaim. In the mid-1990s, NPR ran audio versions of
several Julius Knipl stories, narrated by Katchor and starring
Jerry Stiller in the title role. An early contributor to RAW,
Katchor has contributed to Forward, New Yorker, Slate, and weekly
newspapers. He edited and published two issues of Picture Story,
which featured his own work, with articles and stories by Peter
Blegvad, Jerry Moriarty, and Mark Beyer. In addition to being a
dramatist, Katchor has been the subject of profiles in the New
Yorker, a recipient of a MacArthur "Genius Grant" and a Guggenheim
Fellowship, and a fellow at both the American Academy in Berlin and
the New York Public Library. Katchor's work is often described as
zany or bizarre, and author Douglas Wolk has characterized his work
as "one or two notches too far" beyond an absurdist reality. And
yet the work resonates with its audience because, as was the case
with Knipl's journey through the wilderness of a decaying city,
absurdity was only what was usefully available; absurdity was the
reality. Julius Knipl, Real Estate Photographer: Stories presaged
the themes of Katchor's work: a concern with the past, an interest
in the intersection of Jewish identity and a secular commercial
culture, and the limits and possibilities of urban life.
"The first biography of this important American Indian
artist"
Artist, teacher, and Red Progressive, Angel De Cora (1869-1919)
painted "Fire Light" to capture warm memories of her Nebraska
Winnebago childhood. In this biography, Linda M. Waggoner draws on
that glowing image to illuminate De Cora's life and artistry, which
until now have been largely overlooked by scholars.
One of the first American Indian artists to be accepted within
the mainstream art world, De Cora left her childhood home on the
Winnebago reservation to find success in the urban Northeast at the
turn of the twentieth century. Despite scant documentary sources
that elucidate De Cora's private life, Waggoner has rendered a
complete picture of the woman known in her time as the first "real
Indian artist." She depicts De Cora as a multifaceted individual
who as a young girl took pride in her traditions, forged a bond
with the land that would sustain her over great distances, and
learned the role of cultural broker from her mother's Metis
family.
After studying with famed illustrator Howard Pyle at his first
Brandywine summer school, De Cora eventually succeeded in
establishing the first "Native Indian" art department at Carlisle
Indian School. A founding member of the Society of American
Indians, she made a significant impact on the American Arts and
Crafts movement by promoting indigenous arts throughout her
career.
Waggoner brings her broad knowledge of Winnebago culture and
history to this gracefully written book, which features more than
forty illustrations. "Fire Light" shows us both a consummate artist
and a fully realized woman, who learned how to traverse the borders
of Red identity in a white man's world.
Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans
David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge,
landskappe, genrestukke, portrette, blomstudies en stillewes,
interieurs, dierestudies en grafiese werk. Geen moeite is ontsien
om hierdie boek so volledig en betroubaar moontlik te maak nie.
Argivale bronne in die Kunsargief van die Universiteit van
Pretoria, die Argief van die Johannesburg Kunsmuseum en die
Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra
tot die toevoeging van inligting oor hierdie kunstenaar wat nie
voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang
lesing met detailinligting oor Oerder se vroee lewe deur mev.
Lorimer in die Kunsargief van die Universiteit van Pretoria het
bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie
belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog
was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot
dusver is nog geen volledige geskiedenis van sy deelname aan die
oorlog geskryf nie. In hierdie boek word Oerder se
Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig
moontlik afgedruk en beskryf.
As an American comic book writer, editor, and businessman, Jim
Shooter (b. 1952) remains among the most important figures in the
history of the medium. Starting in 1966 at the age of fourteen,
Shooter, as the young protege of verbally abusive DC editor Mort
Weisinger, helped introduce themes and character development more
commonly associated with DC competitor Marvel Comics. Shooter
created several characters for the Legion of Super-Heroes,
introduced Superman's villain the Parasite, and jointly devised the
first race between the Flash and Superman. When he later ascended
to editor-in-chief at Marvel Comics, the company, indeed the medium
as a whole, was moribund. Yet by the time Shooter left the company
a mere decade later, the industry had again achieved considerable
commercial viability, with Marveldominating the market. Shooter
enjoyed many successes during his tenure, such as Chris Claremont
and John Byrne's run on the Uncanny X-Men, Byrne's work on the
Fantastic Four, Frank Miller's Daredevil stories, Walt Simonson's
crafting of Norse mythology in Thor, and Roger Stern's runs on
Avengers and The Amazing Spider-Man, as well as his own successes
writing Secret Wars and Secret Wars II. After a rift at Marvel,
Shooter then helped lead Valiant Comics into one of the most iconic
comic book companies of the 1990s, before moving to start-up
companies Defiant andBroadway Comics. Interviews collected in this
book span Shooter's career. Included here is a 1969 interview that
shows a restless teenager; the 1973 interview that returned Shooter
to comics; a discussion from 1980 during his pinnacle at Marvel;
and two conversations from his time at Valiant and Defiant Comics.
At the close, anextensive, original interview encompasses Shooter's
full career.
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