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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
Piece together the world of the genius that is Frida Kahlo in this
art history jigsaw puzzle that tells the story of her life, her art
and her career. Taking centre stage is Frida herself surrounded by
iconic elements of her life. Woven into the bustling Mexican scene
are a huge cast of contemporary extras, from Kahlo's family and
famous friends, as well as her various exotic pets. Those with a
keen eye will also spot many references to her art and the
tragedies and triumphs of her career. For those just discovering
Kahlo the included poster guides the puzzler along the journey with
facts about the 25 references found in the jigsaw. Known for her
self-portraits and representation of her Mexican heritage, the
colourful scene in this puzzle conveys the spirit of Kahlo and her
world. Travel through the medical traumas, family, love and loss
that encapsulated Kahlo's life and discover the surrealist artist
in a new light. With 1000 pieces and a keepsake poster, The World
of Frida Kahlo is an art puzzlers dream. Included references: *
Paintings, including Viva la Vida (Long Live Life) and Memory of
the Heart * Medical struggles from contracting polio and a tragic
bus accident * Her iconic traditional Zapotec Mexican dresses as
well as Kahlo's early career gender subverting suits * Her husband
and artist, Diego Rivera * Family relationships and her beloved
pets * Religious and political influences
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Beatrix Potter
- Drawn to Nature
(Hardcover)
Annemarie Bilclough; Contributions by Richard Fortey, Sarah Glenn, Emma Laws, Liz Hunter MacFarlane
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R1,261
R1,031
Discovery Miles 10 310
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This beautiful book explores the beloved writer's achievements as a
storyteller, artist, and naturalist. Beatrix Potter's universe of
characters-Peter Rabbit, Squirrel Nutkin, Jemima Puddleduck-have
delighted audiences for over a century. A creative pioneer and
determined entrepreneur, she combined scientific observation with
imaginative storytelling to create some of the world's best-loved
children's books. This volume showcases Potter's charming
charac-ters against the backdrop of her exquisite botanical
drawings, humorous illustrated letters to friends, Lake District
landscapes, and rarely seen photographs. Beatrix Potter's
endearingly hand-painted world of animals and gardens made her one
of the most celebrated children's book authors of all time, yet
this is but one facet of her creative life. Drawn to the
picturesque English countryside after a London childhood, Potter
had a passion for nature that influenced her many achievements as a
naturalist, artist, storyteller, and later in life as a fervent
conservationist and "gentlewoman" farmer. This book sheds light
upon the connections between her art, entrepreneurial success, and
legacy in preservation.
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Basquiat
(Paperback)
Marc Mayer
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R602
R512
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Jean-Michel Basquiat was only twenty-seven when he died in 1988,
his meteoric and often controversial career having lasted for just
eight years. Despite his early death, Basquiat's powerful A uvre
has ensured his continuing reputation as one of modern art's most
distinctive voices. Borrowing from graffiti and street imagery,
cartoons, mythology and religious symbolism, Basquiat's drawings
and paintings explore issues of race and identity, providing social
commentary that is shrewdly observed and biting. This bestselling
book, now available in a compact edition, celebrates Basquiat's
achievements in the contexts of the key influences on his art. It
not only re-evaluates the artist's principal works and their
meaning, but also explains what keeps his painting relevant today.
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Banksy
(Hardcover)
Stefano Antonelli
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R994
R817
Discovery Miles 8 170
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This monograph gathers and presents the largest assemblage in one
volume about the life, work, and ideas of Banksy - the world's most
discussed artist of recent decades. Featuring hundreds of works -
Girl with Balloon, Mickey Snake, Dismaland, Love is in the Air,
Barcode, Monkey Queen -- the book includes reproductions of
paintings, serigraphs, and stencils. The most iconic works are
here, but so too are numerous installation objects and a selection
of memorabilia all with the official approval of Pest Control, the
group that manages all things Banksy. Banksy is considered the
world's greatest practitioner of street art at work today. His work
has always implied political critiques - of inequality, injustice,
discrimination, consumerism, pollution, and the establishment. But,
Banksy is a ghost -- no one knows his identity. He is an exemplary
case of fame and notoriety built upon absence, anonymity, and the
denial of one's explicit contribution to the public debate if not
in terms of creative activism. Banksy's relationship with the art
market is also complex: at the same time mocking, distant, and
hostile and yet all he does is based upon a marketing logic that
has proven to be among the most effective ever attempted. In short,
an apparent (or real) contradiction between adhesion to the market
and ferocious criticism of the market itself. This volume is
published to coincide with a major traveling exhibition of over one
hundred Banksy works, but it is sure to be a must have for art
lovers and Banksy fans alike for years to come.
Despite numbering at just 35, his works have prompted a New York
Times best seller; a film starring Scarlett Johansson and Colin
Firth; record visitor numbers at art institutions from Amsterdam to
Washington, DC; and special crowd-control measures at the
Mauritshuis, The Hague, where thousands flock to catch a glimpse of
the enigmatic and enchanting Girl with a Pearl Earring, also known
as the "Dutch Mona Lisa". In his lifetime, however, the fame of
Johannes Vermeer (1632-1675) barely extended beyond his native
Delft and a small circle of patrons. After his death, his name was
largely forgotten, except by a few Dutch art collectors and
dealers. Outside of Holland, his works were even misattributed to
other artists. It was not until the mid-19th century that Vermeer
came to the attention of the international art world, which
suddenly looked upon his narrative minutiae, meticulous textural
detail, and majestic planes of light, spotted a genius, and never
looked back. This 40th anniversary edition showcases the complete
catalog of Vermeer's work, presenting the calm yet compelling
scenes so treasured in galleries across Europe and the United
States into one monograph of utmost reproduction quality. Crisp
details and essays tracing Vermeer's career illuminate his
remarkable ability not only to bear witness to the trends and
trimmings of the Dutch Golden Age but also to encapsulate an entire
story in just one transient gesture, expression, or look. About the
series TASCHEN is 40! Since we started our work as cultural
archaeologists in 1980, TASCHEN has become synonymous with
accessible publishing, helping bookworms around the world curate
their own library of art, anthropology, and aphrodisia at an
unbeatable price. Today we celebrate 40 years of incredible books
by staying true to our company credo. The 40 series presents new
editions of some of the stars of our program-now more compact,
friendly in price, and still realized with the same commitment to
impeccable production.
Lali Khalid is an immigrant artist grappling with issues of
identity, home, family and diaspora. In her photographs captured
over a span of ten years, she illustrates complex challenges
exploring new ways of retaining her identity in an environment of
changing ideologies and perspectives. Khalid successfully bridges
two ends of spectrum: the fading past and the vague future. The
images viewed without a predetermined perception explain the
evolving narrative through the veiled stories imbedded in them.
By the end of John Cecil Stephenson's art school training - first a
scholarship to Leeds Art School then to The Royal College of Art -
he was in a position to produce still lives, landscapes and
portraits in a professional capacity. Like many painters of his
generation, who had received similarly conventional instruction, he
became a competent teacher, appointed in 1922, as Head of Art at
The Northern Polytechnic. In this mould Stephenson might have
remained a largely undistinguished painter - but in the early 1930s
he found himself at the centre of a group of artists with
avant-garde credentials, and his own art underwent a remarkable
transformation. By 1934 he was exhibiting groundbreaking works such
as Mask (CAT. 7), at the 7 & 5 Society, and in 1937 was a key
contributor to the watershed publication and exhibition Circle,
where his work was showcased alongside that of luminaries such as
Kazimir Malevich, Le Corbusier, Fernand Leger, Alberto Giacometti
and Pablo Picasso. What led Stephenson to become, in the words of
the celebrated art critic Herbert Read, 'one of the earliest
artists in the country to develop a completely abstract style'?
Between March 1919 and November 1965, John Cecil Stephenson lived
in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the
father figure of what Read christened 'a nest of gentle artists',
his next door neighbours included, during the course of the decade
leading up to World War II, Barbara Hepworth, John Skeaping, Ben
Nicholson and Henry Moore. Such fertile ground was further enriched
by visits from artists fleeing persecution - including Piet, Laszlo
Moholy-Nagy and Alexander Calder - just a few of the many
internationally acclaimed artists who, whilst passing through
London, formed part of the art set who congregated around Read's
house at No. 3 Mall Studios.
"Revelatory and sublime...Her work remains conceptually open enough
for viewers to draw their own conclusions, insert their own meaning
and feel transported to other glorious worlds." -The New York Times
One of the most inventive artists of the twentieth century, Hilma
af Klint was a pioneer of abstraction. Her first forays into her
imaginative non-objective painting long preceded the work of
Kandinsky and Mondrian and radically mined the fields of science
and religion. Deeply interested in spiritualism and philosophy, af
Klint developed an iconography that explores esoteric concepts in
metaphysics, as demonstrated in Tree of Knowledge. This rarely seen
series of watercolors renders orbital, enigmatic forms, visual
allegories of unification and separateness, darkness and light,
beginning and end, life and death, and spirit and matter. Published
on the occasion of the exhibition Hilma af Klint: Tree of Knowledge
at David Zwirner New York in 2021 and David Zwirner London in 2022,
this catalogue features a text by the art historian Susan Aberth
examining af Klint's spiritual and anthroposophical influences.
With a conversation between the curator Helen Molesworth and the US
Poet Laureate Joy Harjo discussing connections between Tree of
Knowledge and native theories about plant knowledge, the
publication broadens the scope of philosophical interpretations of
af Klint's timeless work. Also included is a newly commissioned
essay by the celebrated af Klint scholar Julia Voss, a contribution
by the artist Suzan Frecon, and a text by art historian Max
Rosenberg that further develops the conversation around why af
Klint's work was not recognized in its time.
The creator of the worldwide bestselling coloring books is back
with a new book to unlock that inner creative lurking in us all, a
guide that encourages comfort, pushes us to experiment, and above
all, empowers us to discover joy in our own lives In 30 Days of
Creativity, colorist Johanna Basford takes you on a journey of
imaginative prompts and inspiring ideas that will kick-start your
creativity. A mix of whimsical doodle pages, expert artistic
advice, and simple step-by-step drawing guides, the book celebrates
the things that bring us comfort and joy, from scrumptious ice
cream cones to flourishing potted plants. And of course, there's
plenty of pages to color when you find yourself in flow and want to
remain in the creative bubble a little longer. For those of us who
struggle to make time for self-care, the prompt to pick up your
book each day will soon become a creative habit that allows a
little calm into your life.
Frank Bowling (b.1934, Bartica, Guyana) is attracting ever-growing
international recognition as an abstract painter. This is the first
publication to examine Bowling's art and ideas in relation to
sculpture. Lavishly illustrated, it features an extended essay by
curator Sam Cornish charting Bowling's interactions with sculpture
since the 1960s. The book asks how seeing Bowling's sculpture, and
thinking about sculpture more broadly, may extend our understanding
of his pictorial language. Considering this relationship also
highlights the importance of sculpture to High Modernism, from
within which Bowling's mature art emerged. Also included are an
in-conversation between Allie Biswas and sculptor Thomas J. Price,
and a poem dedicated to Bowling by sculptor and author Barbara
Chase-Riboud.
Andre Kertesz is one of four new titles being published in Autumn
2007 in Thames & Hudson's acclaimed 'Photofile' series. Each
book brings together the best work of the world's greatest
photographers in an attractive format and at an easily affordable
price. Handsome and collectable, the books are printed to the
highest standards. Each one contains some sixty full-page
reproductions printed in superb duotone, together with a critical
introduction and a full bibliography.
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Abloh-isms
(Hardcover)
Virgil Abloh; Edited by Larry Warsh
2
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R378
R301
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A collection of essential quotations from the renowned fashion
designer, DJ, and stylist Abloh-isms is a collection of essential
quotations from American fashion designer, DJ, and stylist Virgil
Abloh, who was a major creative figure in the worlds of pop culture
and art. Abloh began his career as Kanye West's creative director
before founding the luxury streetwear label Off-White and becoming
artistic director for Louis Vuitton, making Abloh the first
American of African descent to hold that title at a French fashion
house. Defying categorization, Abloh's work has been the subject of
solo exhibitions at museums and galleries, most notably in a major
retrospective at the Museum of Contemporary Art Chicago. Gathered
from interviews and other sources, this selection of compelling and
memorable quotations from the designer reveals his thoughts on a
wide range of subjects, including creativity, passion, innovation,
race, and what it means to be an artist of his generation. Lively
and thought-provoking, these quotes reflect Abloh's unique
perspective as a trailblazer in his fields. Select quotations from
the book: "I believe that coincidence is key, but coincidence is
energies coming towards each other. You have to be moving to meet
it." "Life is collaboration. Where I think art can be sort of
misguided is that it propagates this idea of itself as a solo love
affair-one person, one idea, no one else involved." "Black
influence has created a new ecosystem, which can grow and support
different types of life that we couldn't before."
This book reveals that Pablo Picasso wasn't simply a figurehead of
the Modern Age. He grew up in the 19th century: the extraordinary
mixture of values that was fin de siecle Europe penetrated deep
into his personality, remaining with him through his life. While he
was the quintessential Modern in so many ways, he was also a
Victorian, and this duality explains the complexity of his genius.
He was simultaneously looking forwards and backwards, and feeding
off the efforts of others, before developing his own idioms for
depicting the contemporary world. The young artist recognised that
society was increasingly in a process of transformation, not in a
transitory or temporary way, but permanently, under the inexorable
pressures of modernisation. He realised that the emergence of
Modern art through the last quarter of the century was a product of
this transformation. Throughout his life, Picasso would feel the
tension between modernity and the histories it replaced. He would
also struggle with the role of the individual, and subjectivity, in
this new environment. Each chapter shows how the young artist
embraced successive styles at large in the art world of his time.
By the age of 14 well capable of drawing in a highly competent
Beaux Arts mode, he drew in a Classicist manner of redolent of
Ingres, or early Degas. He then moved through various forms of
Impressionism, Symbolism, and Post-Impressionism, before arriving
in his early twenties at his first wholly individual style, the
Blue period, albeit that all these earlier sources were still
evident. The Rose period followed, after which the artist began a
truly seminal period of experimentation which culminated in the
development of Cubism. By 1910, Cubism had become a fully mature
vision, practiced by a wide range of artists. It was to provide the
springboard for much Modern art across the disciplines, and it
positioned Picasso as perhaps the single most important artist of
the new century.
The intimate, human memories regarding Charles M. Russell, his
genius and eccentricities, which Frank Linderman set down shortly
after the death of his good friend, constitute a miscellany of
personal insights for which any of Russell's biographers ought to
have given his eyeteeth. But in none of the increasingly frequent
Russell commentaries, apparently, has use ever been made of these
prime source materials.When Russell and Linderman met, it was to be
expected a close friendship would result. Their interests,
experiences, and natural inclinations were of the same cloth. They
loved untrammeled people in virgin country; they had high regard
for the old-time Indian and his mores; they held the encroachments
upon the old West of civilization's less laudable aspects in mutual
disdain; and, finally, Linderman with words and Russell with paint
and clay were professional artists concerned in the re-creation of
a beloved time fast slipping away. These recollections of their
shared campfires, trails, conversations, and fun constitute the
finest portrait extant of Charley Russell, the human being, pulsing
with personality, quip, and many of his well-known tall tales.
Rembrandt Harmenszoon van Rijn was the leading painter and graphic
artist of the 'Golden Age of Dutch Art'. He excelled in imbuing his
art with the 'deepest and most lifelike emotion', with rich detail
and stunning lighting. This richly enjoyable book gives the reader
an illuminating overview of the life, work and influences of the
artist, before going on to showcase the most stunning and varied
examples of his oeuvre, broken down into themes - Portraits,
Landscape & Narrative, Self-portraits, and Etchings &
Drawings. Discover his versatility in the range of works selected,
from the electric The Storm on the Sea of Galilee to the treasured
The Night Watch, with its triumph in chiaroscuro and energy. A
visual feast, it will underline the artist's status as a true
master.
Forbes' "The Best Graphic Novels of 2022" list Cartoonist Zoe
Thorogood records 6 months of her own life as it falls apart in a
desperate attempt to put it back together again in the only way she
knows how. IT'S LONELY AT THE CENTRE OF THE EARTH is an intimate
and metanarrative look into the life of a selfish artist who must
create for her own survival.
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