"The first biography of this important American Indian artist"

Artist, teacher, and Red Progressive, Angel De Cora (1869-1919) painted "Fire Light" to capture warm memories of her Nebraska Winnebago childhood. In this biography, Linda M. Waggoner draws on that glowing image to illuminate De Cora's life and artistry, which until now have been largely overlooked by scholars.

One of the first American Indian artists to be accepted within the mainstream art world, De Cora left her childhood home on the Winnebago reservation to find success in the urban Northeast at the turn of the twentieth century. Despite scant documentary sources that elucidate De Cora's private life, Waggoner has rendered a complete picture of the woman known in her time as the first "real Indian artist." She depicts De Cora as a multifaceted individual who as a young girl took pride in her traditions, forged a bond with the land that would sustain her over great distances, and learned the role of cultural broker from her mother's Metis family.

After studying with famed illustrator Howard Pyle at his first Brandywine summer school, De Cora eventually succeeded in establishing the first "Native Indian" art department at Carlisle Indian School. A founding member of the Society of American Indians, she made a significant impact on the American Arts and Crafts movement by promoting indigenous arts throughout her career.

Waggoner brings her broad knowledge of Winnebago culture and history to this gracefully written book, which features more than forty illustrations. "Fire Light" shows us both a consummate artist and a fully realized woman, who learned how to traverse the borders of Red identity in a white man's world.

The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. Work Book is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.

This book provides an informal biography of the wunderkind who became one of America's greatest living artists and most well-known architects. Many are familiar with the art and architectural design work of Maya Lin, but the compelling details of her personal background are less well known. This book not only focuses upon Lin's substantial achievements throughout her life, but also presents Maya Lin's "prehistory," describing family events in China that led to her parents' flight to the United States. Author Donald Langmead guides readers through Lin's ancestry and family connections in precommunist China; her childhood and youth in Athens, Ohio; the story behind the Vietnam Veterans Memorial in Washington, DC; her career after 1982 (by decades); and emphasis on environmental conservation. Written for a young adult and general readership, Maya Lin: A Biography provides an up-to-date description of how she became one of the most famous and respected artists in America. Provides a timeline of Maya Lin's significant life events, artworks, and exhibitions Includes various photographs to accompany the text Contains a bibliography organized by types of sources, including writings by Maya Lin, books, monographs and catalogues, transcripts of interviews, and videos Includes an index of important people and artworks

Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.

As an American comic book writer, editor, and businessman, Jim Shooter (b. 1952) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protege of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman's villain the Parasite, and jointly devised the first race between the Flash and Superman. When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marveldominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne's run on the Uncanny X-Men, Byrne's work on the Fantastic Four, Frank Miller's Daredevil stories, Walt Simonson's crafting of Norse mythology in Thor, and Roger Stern's runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant andBroadway Comics. Interviews collected in this book span Shooter's career. Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, anextensive, original interview encompasses Shooter's full career.

Author Lynn Barnes admits she's known all along that she'd been a little different in ways she can't explain. In her memoir, The Last Exit before the Toll, she examines her life and tries to make sense of who and what she is and how her being affects her existence.

She reflects on growing up as an only child and her life now as a single, surrealist artist and Poe aficionado. Barnes recalls the events that have greatly impacted her, including the deaths of her mother and father and the suicide of her best friend, Marc. But it was the discovery that she has undiagnosed Asperger's syndrome that helped piece together the puzzle that has been her life and allowed her to come to terms with the troubling personality traits she has experienced all her life.

An insightful and creative look at Barnes's life, The Last Exit before the Toll provides a glimpse into the sometimes frustrating and unknown world of someone who lives with Asperger's syndrome.

Tony Narducci fell in love with Tennessee Williams's poetry when he was fourteen years old. For Narducci, Williams was the genius who redefined theater in America, most accomplished modern playwright, and perhaps one of the greatest artists of the twentieth century. So when thirty-three-year-old Narducci met Williams at a Key West bar in February 1982, the encounter was more than coincidence. It was destiny.

In In the Frightened Heart of Me, Narducci narrates the story of how, after that first meeting, he was drawn deep into Williams's life and work-a journey that would change Narducci's life in every way. Companions until Williams's death in February 1983, this biography shares how their time together was an odyssey of adventure, emotional entanglement, and insight.

While providing a glimpse into the Key West of the early 1980s, In the Frightened Heart of Me blends the events and sorrows of Williams's last year on earth with Narducci's life-changing story and the effects of their relationship. It tells how 1983 was the year Narducci evolved from a floundering, young aspiring artist to a focused business entrepreneur. It was the year he watched his literary hero, a titan of literature, become a frightened, dying old man-and the year AIDS took the lives of many of his loved ones. It was the year that defined his life.