Warren Hahn inherited his family's German work ethic. He knows the meaning of grueling farm labor, the sweat and toil that come from tilling the land, and the endless hours of work that life on an old homestead demands. He's seen many changes in his life, but at the root of everything are the precious seeds of family and history.

In this autobiographical work, Warren honors his family and the many hardships they endured to start a new life in America in the mid-1800s. His family grew from hardy and hardworking German people who risked everything to create a better future for their children. Warren grew up on tales of the difficult and dangerous ocean crossings, love, adventure, ambition, death, disaster, hardship, and hope; he knew that these stories needed to be preserved and celebrated.

His ancestors settled in the harsh frontier lands of Texas and scrambled to create a future in a hostile, unforgiving environment and time. Now younger generations can come to know the price these strong-willed settlers paid for their family. Offering more than just a family history, he shares the story of his own life in modern-day Gillespie County, Texas.

Every person has a story worth telling. In honor of his family's rich history, Warren has gathered many lifetimes of those stories to inspire future generations.

Melanie Smith: Farce and Artifice is the publication that takes up the idea of the exhibition organised by the MACBA, jointly with the MUAC Museo Universitario Arte Contemporaneo and UNAM, in Mexico City, and the Museo Amparo, in Puebla, Mexico. It is the largest organised to date in Europe about the work of an artist who defies easy classification, born in England (Poole, 1965) but active on the Mexican art scene since the nineties.

Henri Matisse (1869 - 1954) is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; fine art and decoration; contemplation and utility; and drawing and colour.

Spanish artist Francisco Goya (1746-1828) was fascinated by reading, and Goya's attention to the act and consequences of literacy-apparent in some of his most ambitious, groundbreaking creations-is related to the reading revolution in which he participated. It was an unprecedented growth both in the number of readers and in the quantity and diversity of texts available, accompanied by a profound shift in the way they were consumed and, for the artist, represented. Goya and the Mystery of Reading studies the way Goya's work heralds the emergence of a new kind of viewer, one who he assumes can and does read, and whose comportment as a skilled interpreter of signs alters the sense of his art, multiplying its potential for meaning. While the reading revolution resulted from and contributed to the momentous social transformations of the late eighteenth and early nineteenth centuries, Goya and the Mystery of Reading explains how this transition can be tracked in the work of Goya, an artist who aimed not to copy the world around him, but to read it.

A pictorial chronology of Professional Fine Artist Sandy Garnett's First 1000 Career Paintings.

In 1971, after buying their acreage in a very remote area of the Colorado Mountains, the Wood family began to develop their dream ranch. The history and wild life of the area provides a fascinating backdrop for their story of adventure and discovery in the wilderness. From the first Americans to the mining era and the building of the railroads, Colorado is steeped in the glorious history of the Wild West. The property was located in the middle of a cow pasture with only marginal access and the closest electrical lines were over twelve miles away. With no means of communication and the closest town twenty-two miles away, the family had their work cut out for them. After surviving a devastating blizzard with thirty people in their home, they understood the importance of understanding survival techniques. Their crazy but true experiences are recounted with frankness and humor. By sharing his experiences and newly-gained knowledge, Wood has saved many of his friends hundreds of dollars, offering his advice on energy systems and the challenges of building in a remote area. Through perseverance and good old-fashioned hard work, he and his family built their dream ranch in the beautiful mountains of Colorado.

Joan Eardley was one of the best-loved Scottish artists of the twentieth century. Her observations of children in the back streets of Glasgow as well as her expressionistic drawings and oils of the elements on the north-east coast of Scotland have caught the imagination of the Scottish public. Eardley is cherished as a painter of the Scottish identity in both town and country, who had a unique ability to sum up a community and the timeless drama of the natural world. This book examines Eardley's ouevre and its place in the international and British context and her reputation. It includes paintings and drawings from private collections, which have not been seen for many years, and works from the collection of the Scottish National Gallery of Modern Art, which also holds the Joan Eardley Archive.

Elegant, haunting and arresting, the film and video works of Jane and Louise Wilson have attracted increasing acclaim and attention, culminating in a nomination for the 1999 Turner Prize. The twins specialise in supremely vivid evocations or a particular spirit-of-place, drawing on cinematic conventions and allusions to conjure a heightened, often uncanny atmosphere. This monograph, which features a specially commissioned essay by Jeremy Millar covers their career to date, encompassing their various short tapes and films as well as the powerful, hypnotic projection installations that have made their names.

Take a fresh look at the world through the lens of a self-confessed nature-obsessed artist. Asuka Hishiki possesses not only a sense of profound awe and wonder at the intricacies of the natural world, but also the talent to communicate it through her paintings. Recalling the Wunderkammer (literally, 'wonder rooms') of 16th and 17th century European collectors, Asuka Hishiki's Botaniphoria: A Cabinet of Botanical Curiosities encompasses subjects as diverse as rotting vegetables, endangered species, mundane weeds and backyard insects - all treasures to her and transformed into objects of intense and fragile beauty through her skill with watercolour. Her work is held in prestigious collections such as The Huntington Library, Art Museum and Botanical Gardens, California, the Royal Botanic Gardens, Kew and the Hunt Institute for Botanical Documentation, Pennsylvania. One of the first people to appreciate her work said about it, 'your work is not to hang upon a wall in a bright living room, but to put in a drawer in the study. Then, alone in the middle of the night, to take out and ponder upon.' In the best traditions of Wunderkammer, this book is an artfully arranged collection intended to be pondered upon. From the interactions of the objects within the paintings, to the quirky choice of subjects and the realism with which they are portrayed, they will bear revisiting again and again. As Asuka admits, painting is her language. She is an extremely adept communicator in it.