The book is a straight forward account of Alexander Russo's adventurous journey in the Naval Reserve, serving with Naval Intelligence and as combat artist during WWII. He was the fi rst and youngest of Naval personnel to volunteer and engage in the landings in Sicily and Normandy, the graphic results of which form part of the Navy's Historical Records of World War II. The book also continues with the development and challenges of the artist in post-war years, which provides valuable insights for anyone pursuing a career in the fi ne arts. The book also continues with the development and challenges of the artist in post-war years, which provides valuable insights for anyone pursuing a career in the fine arts.

As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. -- .

Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-colle experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Joy Postle Blackstone was best known for her vivid murals, often depicting the jubilant wading birds of Florida. When she died in 1989, the world lost a wonderful artist but Joy was much more than a painter. Joy s father died when she was only three; her childhood was spent nurtured by her mother and brother, until she began her career at the Chicago Art Institute.

After graduation, her life changed, as she and her family moved to rural Idaho to live on the family homestead. There, she met her husband, Bob, and so began their three-year honeymoon, in the midst of the Great Depression. Joy painted and Bob promoted. They lived a vagabond life. They eventually settled in Florida, where Joy made friends with the birds who would make her murals legend.

"Joy Cometh in the Morning" traces an artist s life from 1896 through to her death in 1989. Joy Postle Blackstone harbored the psychological scars of abortion, infidelity, childlessness, death, and the eventual limitations of advanced age; yet, as the Bible says, Weeping may endure for a night, but joy cometh in the morning. Through feast or famine, hope or despair, Joy persevered, and she did it with a smile.

A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925-1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist's sketchbooks, and photographs of Mitchell's life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell's admirers and those just discovering her work. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (September 4, 2021-January 17, 2022) Baltimore Museum of Art (March 6-August 14, 2022) Fondation Louis Vuitton (October 5, 2022-February 27, 2023)

Published to celebrate the life of Mike Peyton, 'the world's greatest yachting cartoonist', this second edition features personal tributes from some 12 other successful and well-known sailors (including Sir Robin Knox-Johnston, Sir Ben Ainslie and Tom Cunliffe). They all recognise Mike's observational talent and comment on how sailors see themselves (or their friends) in his cartoons. Along with 80 of his incomparable cartoons, Mike Peyton recounts how he became a yachting cartoonist and his fifty years of sailing. So as well as chuckling at the cartoons themselves there is the opportunity to learn from Peyton's 50 years of experience of sailing different boats, meeting a variety of sailors, and getting into - and out of - some truly hilarious situations.

This book marks the centenary of Marcel Duchamp's Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Zizek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work's significance. The author brings together Duchamp's own statements to argue Fountain's verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms 'The Creative Act.' This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

The time is 1887. From any window in Georgia O'Keeffe's Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, "I want to be an artist." Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia's love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the "Wild West." These views of prairie, plains and sky became Georgia's muses as she embarked on her step-by-step path with her role models--Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887-1945, Nancy Hopkins Reily "walks the Sun Prairie Land," as if in Georgia's day as a prologue to her family's friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia's defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize. The book includes bibliographical references and indes. NANCY HOPKINS REILY was a classic outdoor color portraitist for more than twenty years and has taught portrait workshops at Angelina College in Lufkin, Texas where she had a one-woman show of her portraits. Her advance studies included an invitational workshop with Ansel Adams. Reily graduated from Southern Methodist University and lives in Lufkin, Texas. She is also the author of "Classic Outdoor Color Portraits" and "Joseph Imhof, Artist of the Pueblos," both from Sunstone Press.

Featuring a handsome new package redesigned by the author himself, this edition is a must-have for fans and collectors of Luigi Serafini s art. First published in 1981 in Milan by F.M. Ricci, the book has been hailed as one of the most unusual yet beautiful art books ever made. A visual encyclopaedia of an unknown world written in an unknown language, it has fuelled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, it has now fascinated and enchanted two generations. While its message may be unclear, its appeal is obvious: it is a most exquisite artifact, blurring the line between art book and art object. This edition presents it in a new, unparalleled light complete with 15 new illustrations by the author. With the advent of new forms of communication, continuous streams of information, and social media, the Codex is more relevant and timely than ever. A limited numbered deluxe edition, bound in real cloth and presented in a handsome slipcase, is also available. It includes a signed print of a new illustration made by the author to commemorate the 700th anniversary of the death in 1321 of Dante Alighieri, one of Italy s greatest writers and creator of The Divine Comedy.