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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
MOSHOOD ADEMOLA FAYEMIWO was a newspaper publisher/editor in
Nigeria where he grew up but now lives in Chicago. An alumnus of
University of Lagos, Nigeria, University of South Florida, and
State University of New York, he is author of Who's Who of Africans
in America and four published books.. His next book is; Jonathan;
The Squandering of Good Luck. MARGIE MARIE NEAL is former
university professor, education consultant, and reading coach in
Chicago. An alumna of State University of New York, Chicago State
University, American College of Education, and University of
Illinois at Urbana-Champaign. She is co-author, People Power in
Africa: A Week That Changed Nigeria Forever," and author of; "The
Roles of Professional Organizations in the Effective Teaching of
Reading in Chicago Public School-CPS: The IRA and IRC as Case
Studies," (forthcoming). Praise For ALIKO MOHAMMAD ADNGOTE THE
BIOGRAPHY OF THE RICHEST BLACK PERSON IN THE WORLD "A highly
recommended book to anyone who enjoys learning about how different
people of all walks of life become rich and successful, and what it
takes to get to the top"---Readers Favorite Book (Starred Review),
USA. "A compelling book about a unique personality in
Africa"---Goodreads, USA. "Flawlessly written, Dangote stands out
as a hallmark of excellent artisanship and knowledgeable
chronicling"--- Bookplex Review of Books, Mumbai, India. "Nigerian
Aliko Dangote, the richest black person in the world, is a witness
to the fact that success as a passionate entrepreneur is not
limited by race, ethnicity or national origin"---Congressman Jesse
L. Jackson, Jr.-(D - IL), 2nd Congressional District, U.S. House of
Representatives, Washington, DC, USA. In a land lacking a culture
of independent biography, this is a starting point, and Dangote is
a promising introduction to the fascinating and still largely
unmapped universe of one of the world's richest men."---The
Huffington Post, USA. "Dangote has trumped long held assumptions,
cultural archetypes and stereotypes, to become known as a respected
business man, power broker and philanthropist"---Hon Gloria Hyatt,
Member of the British Empire (MBE), motivational speaker,
education, coach and managing director, Teach Consultancy Limited,
UK. "This is a timely book on Aliko Dangote and the positive
changes that are taking place in Africa,"---Prof. Vijay Mahajan,
The John Harbin Centennial Chair of Business, McCombs School of
Business, University of Texas, Austin USA. Publisher's website:
http: //sbpra.com/MoshoodAdemolaFayemiwoandMargieMarieNeal
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Robert Houle: Red Is Beautiful
(Hardcover)
Robert Houle; Edited by Wanda Nanibush; Text written by Michael Bell; Wanda Nanibush; Text written by Stephen Borys, …
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R1,038
Discovery Miles 10 380
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Ships in 12 - 19 working days
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This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
Pop artist, painter of modern life, landscape painter, master of
color, explorer of image and perception-for six decades, David
Hockney has been known as an artist who always finds new ways of
exploring the world and its representational possibilities. He has
consistently created unforgettable images: works with graphic lines
and integrated text in the Swinging Sixties in London; the famous
swimming pool series as a representation of the 1970s California
lifestyle; closely observed portraits and brightly colored,
oversized landscapes after his eventual return to his native
Yorkshire. In addition to drawings in which he transfers what he
sees directly onto paper, there are multiperspective Polaroid
collages that open up the space into a myriad of detailed views,
and iPad drawings in which he captures light using a most modern
medium-testaments to Hockney's enduring delight in experimentation.
This special edition has been newly assembled from the two volumes
of the David Hockney: A Bigger Book monograph to celebrate
TASCHEN's 40th anniversary. Hockney's life and work is presented
year by year as a dialogue between his works and voices from the
time period, alongside reviews and reflections by the artist in a
chronological text, supplemented by portrait photographs and
exhibition views. Together they open up new perspectives, page
after page, revealing how Hockney undertakes his artistic research,
how his painting develops, and where he finds inspiration for his
multifaceted work. About the series TASCHEN is 40! Since we started
our work as cultural archaeologists in 1980, TASCHEN has become
synonymous with accessible publishing, helping bookworms around the
world curate their own library of art, anthropology, and aphrodisia
at an unbeatable price. Today we celebrate 40 years of incredible
books by staying true to our company credo. The 40 series presents
new editions of some of the stars of our program-now more compact,
friendly in price, and still realized with the same commitment to
impeccable production.
One of the European artists who has best combined text, image, and
movement, Juliao Sarmento's multidisciplinary oeuvre evinces the
tension that exists between image and word, between what is
explicitly biographical and the impossibility of all forms of
narration. Over the past 26 years, Sarmento's work has revealed an
intimate and passionate pre-occupation with desire, explored both
in the realm of the speculative and the gestural. Within his work
there is no chronology, no unfolding narrative, no apparent
logic--simply glimpses of experience that give visual form to
primordial desires, ones felt but not defined. Working with various
media, including paint, print, photography, sculpture, and video,
he determines to define the intangible gap between experience and
memory, now and then.
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Abloh-isms
(Hardcover)
Virgil Abloh; Edited by Larry Warsh
2
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R317
Discovery Miles 3 170
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A collection of essential quotations from the renowned fashion
designer, DJ, and stylist Abloh-isms is a collection of essential
quotations from American fashion designer, DJ, and stylist Virgil
Abloh, who was a major creative figure in the worlds of pop culture
and art. Abloh began his career as Kanye West's creative director
before founding the luxury streetwear label Off-White and becoming
artistic director for Louis Vuitton, making Abloh the first
American of African descent to hold that title at a French fashion
house. Defying categorization, Abloh's work has been the subject of
solo exhibitions at museums and galleries, most notably in a major
retrospective at the Museum of Contemporary Art Chicago. Gathered
from interviews and other sources, this selection of compelling and
memorable quotations from the designer reveals his thoughts on a
wide range of subjects, including creativity, passion, innovation,
race, and what it means to be an artist of his generation. Lively
and thought-provoking, these quotes reflect Abloh's unique
perspective as a trailblazer in his fields. Select quotations from
the book: "I believe that coincidence is key, but coincidence is
energies coming towards each other. You have to be moving to meet
it." "Life is collaboration. Where I think art can be sort of
misguided is that it propagates this idea of itself as a solo love
affair-one person, one idea, no one else involved." "Black
influence has created a new ecosystem, which can grow and support
different types of life that we couldn't before."
C. Behind the Black is the story of an artist's struggle with
addiction and the beautiful journey to understand a world lost
inside the throes of creative passion. The author wrote it to gain
a better understanding of just what magic lies behind the creation
of a work of art, what struggles it takes to live the life of a
professional artist, and a few surprises along the way that are
destined to lift and inspire the hearts of a wide array of readers.
This is a journey through the darkness in a struggle to find
balance in the beautiful lights and shadows of truth.
Leiji Matsumoto is one of Japan's most influential myth creators.
Yet the huge scope of his work, spanning past, present and future
in a constantly connecting multiverse, is largely unknown outside
Japan. Matsumoto was the major creative force on Star Blazers,
America's gateway drug for TV anime, and created Captain Harlock, a
TV phenomenon in Europe. As well as space operas, he made manga on
musicians from Bowie to Tchaikovsky, wrote the manga version of
American cowboy show Laramie, and created dozens of girls' comics.
He is a respected manga scholar, an expert on Japanese swords, a
frustrated engineer and pilot who still wants to be a spaceman in
his eighties. This collection of new essays-the first book on
Matsumoto in English-covers his seven decades of comic creation,
drawing on contemporary scholarship, artistic practice and fan
studies to map Matsumoto's vast universe. The contributors-artists,
creators, translators and scholars-mirror the range of his work and
experience. From the bildungsroman to the importance of textual
analysis for costume and performance, from early days in poverty to
honors around the world, this volume offers previously unexplored
biographical and bibliographic detail from a life story as
thrilling as anything he created.
"Stuart Devlin was probably the most original and creative
goldsmith and silversmith of his time, and one of the greats of all
time. His originality of design marked him out as a master
craftsman and his prolific output was a tribute to the width of his
imagination." - Foreword by His Royal Highness The Duke of
Edinburgh. This book gives an idea of Stuart Devlin's extraordinary
creativity, his skill, and the beauty of his work. It comprises
over 500 pages with hundreds of images of Devlin's gold, silver and
coins as well as his jewellery, sculpture and furniture. Many
collectors will recognise pieces that they originally commissioned
or have bought. Also shown are numerous sketches and working
drawings. The short sections of text include concise captions and
reviews from primary sources. Although it has been impossible to
encompass everything ever designed or produced by Devlin, the book
highlights how remarkable it is that this wealth of ideas was
conceived by just one man. Stuart Devlin was a pioneer goldsmith
who rejected the anonymity of corporate design during the 1960s. He
adapted old techniques and devised many new ones. His commissions
included those for the Royal Households, cathedrals, the armed
forces, sporting bodies and universities, as well as abundant
private commissions. He was also a coin and medal designer.
Australian born, recognition came to Devlin after designing the
Australian decimal coinage in 1963. He went on to design coins for
more than 30 countries.
The first monograph on Richard Smith, a key figure in the
development of British art. Richard Smith (1931-2016) was one of
the most original painters of his generation, and one of the most
underrated. As Barbara Rose said of Smith's major Tate Gallery
retrospective in 1975, he was 'at once in and out of touch with the
currents of the mainstream ... au courant and aloof at the same
time.' That he latterly slipped under the radar to some extent is
partly explained by his detachment from the mainstream as well as
by his frequent switching of studios between England and the USA,
although this helped charge his creative batteries. He is the only
artist of his stature who has not been represented by a monograph,
which the dazzling presentation of images in Richard Smith:
Artworks now fulfils. It has been produced with the generous
collaboration of the Richard Smith Foundation. Richard Smith:
Artworks traces Smith's entire career, from the breakthrough
lyrical abstraction of the early Pop-inflected paintings, through
the radical shaped canvases and three-dimensional works that he
produced in the 1960s, to the 'Kite' works beginning in 1972 and,
eventually, his return to the flat canvas. As a Senior Curator at
Tate, Dr Chris Stephens knew Smith well, and he contributes a
wide-ranging introduction to Smith's art and life. Prof David Alan
Mellor investigates and explains the Anglo-American cultural
contexts that drove Smith's art, while Alex Massouras's two themed
essays, 'Young and British' and 'From Motion Pictures to Flight',
explore Smith's originality from fresh perspectives. The book is
completed with an Afterword by its editor, Martin Harrison.
A fantastic visual voyage into the world of animals, both real
and imagined. There is no end to the diverse and unique creatures
that Terryl Whitlatch creates for us with her solid knowledge of
anatomy and boundless imagination. Especially intriguing are the
100s of anatomical notes that are dispersed among her sketches,
educating and enlightening us to the foundation of living bodies
and their mechanics.
This is the first edited collection of essays entirely devoted to
the women of the Pre-Raphaelite movement. Inspired by the
Pre-Raphaelite Sisters exhibition and conference of 2019-20, the
individual essays present new research into the wide-ranging
creativity of the Pre-Raphaelite women. Artistic subjects include
Evelyn De Morgan's goldwork paintings and her experiments with
automatic writing. Barbara Leigh Smith Bodichon, Mary Seton Watts
and Eleanor Fortescue-Brickdale are also examined. Elizabeth
Siddal's relationship with her sister-in-law Christina Rossetti is
explored, as is her appropriation of the Pre-Raphaelite principle
of "truth to nature". Women's writing is addressed, extracting
Georgiana Burne-Jones from the memoir of her husband and
reassessing the book of fairy tales she planned with Siddal.
Fashion history informs an analysis of the sartorial practices of
Jane Morris and Siddal, while the influence exerted by the
Siddal-Rossetti relationship on a prominent Czech artist
demonstrates how women initiated the spread of Pre-Raphaelite
ideals in Europe. More personalised accounts of engaging with and
recovering women in history include the painstaking genealogical
research undertaken by the great-grandson of model Fanny Eaton and
the curation of a Siddal exhibition at Wightwick Manor. This book
is essential reading for anyone interested in the Pre-Raphaelites.
This sweeping overview of Rembrandt's extraordinary achievement as
a draughtsman fills a gap in the otherwise enormous literature on
the artist. Beautifully illustrated, mostly in colour, the more
than 150 drawings - culled from a corpus of some 800 - are
discussed in detail. The drawings span Rembrandt's entire
productive life as an artist, from early self-portraits in the
1620s to late drawings from the 1660s of the victim of an
execution, a state coach, and historical and mythological images.
The scope of the book allows readers to delve into the very broad
range of Rembrandt's oeuvre of drawings.
What does it mean to create, not in "a room of one's own" but in a
domestic space? Do children and genius rule each other out? In The
Baby on the Fire Escape, award-winning biographer Julie Phillips
traverses the shifting terrain where motherhood and creativity
converge. With fierce empathy and vivid prose, Phillips evokes the
intimate struggles of brilliant artists and writers, including
Doris Lessing, who had to choose between her motherhood and
herself; Ursula K. Le Guin, who found productive stability in
family life; Audre Lorde, whose queer, polyamorous union allowed
her to raise children on her own terms and Alice Neel, who once, to
finish a painting, was said to have left her baby on the fire
escape of her New York apartment. A meditation on maternal identity
and artistic greatness, The Baby on the Fire Escape illuminates
some of the most pressing conflicts in contemporary women's lives.
This is the most thorough and detailed monograph on the artwork of
Raymond Jonson. He is one of many artists of the first half of the
twentieth-century who demonstrate the richness and diversity of an
under-appreciated period in the history of American art.
Visualizing the spiritual was one of the fundamental goals of early
abstract painting in the years before and during World War I.
Artists turned to alternative spirituality, the occult, and
mysticism, believing that the pure use of line, shape, color, light
and texture could convey spiritual insight. Jonson was steadfastly
dedicated to this goal for most of his career and he always
believed that modernist and abstract styles were the most effective
and compelling means of achieving it.
Ivon Hitchens (1893-1979) is widely regarded as the outstanding
English landscape painter of the 20th century. Immediately
recognisable by its daring yet subtle use of colour and brushmark
to evoke the spirit of place, his work is to be found in public and
private collections throughout the world. This is the definitive
study of Hitchens' life and work. Peter Khoroche draws on the
painter's published writings, correspondence and conversation to
create a critical reappraisal of Hitchens' theory and practice. He
surveys the entire oeuvre (still-lifes, flower pieces, nudes,
interiors and large-scale murals besides the landscapes), a huge
legacy of work spanning sixty years, and charts the journey from
conventional beginnings to 'figurative abstraction'. A selection of
over 100 colour images, examples of Hitchens' best and most
characteristic painting in all genres, provide a retrospective
exhibition covering the artist's entire career. These
illustrations, singled out for praise by reviewers of the hardback
edition, demonstrate the artist's outstanding talents and reinforce
his standing as a key figure in the history of British art.
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