The last twenty years have seen remarkable developments in our understanding of how the ancient Greek thinkers handled the general concept of being and its several varieties. The most general examination of the meaning of the Greek verb 'esti'/'einai'/'on' both in common usage and in the philosophical literature has been presented by Charles H. Kahn, most extensively in his 1973 book The Verb 'Be' in Ancient Greek. These discussions are summarized in Kahn's contribution to this volume. By and large, they show that conceptual schemes by means of which philosophers have recently approached Greek thought have not been very well suited to the way the concept of being was actually used by the ancients. For one thing, being in the sense of existence played a very small role in Greek thinking according to Kahn. Even more importantly, Kahn has argued that Frege and Russell's thesis that verbs for being, such as 'esti', are multiply ambiguous is ill suited for the purpose of appreciating the actual conceptual assumptions of the Greek thinkers. Frege and Russell claimed that a verb like 'is' or'esti' is ambiguous between the 'is' of identity, the 'is' of existence, the copulative 'is', and the generic 'is' (the 'is' of class-inclusion). At least a couple of generations of scholars have relied on this thesis and fre quently criticized sundry ancients for confusing these different senses of 'esti' with each other."

William of Ockham was a medieval English philosopher and theologian (he was born about 1285, perhaps as late as 1288, and died in 1347 or 1348). In 1328 Ockham turned away from 'pure' philosophy and theology to polemic. From that year until the end of his life he worked to overthrow what he saw as the tyranny of Pope John XXII (1316-1334) and of his successors Popes Benedict XII (1334-1342) and Clement VI (1342-1352). This campaign led him into questions of ecclesiology (the study of the nature and structure of the Christian Church, e.g. of the functions and powers of the pope) and political philosophy. The Dialogus purports to be a transcript made by a mature student of lengthy discussions between himself and a university master about the various opinions of the learned on the matters disputed between John XXII and the dissident Franciscans. The student is usually the initiator; he chooses the topics, asks most of the questions and decides when he has heard enough. The master is, so to speak, an expert witness whom the student examines. This volume provides the first critical edition of part 3.2 of the Dialogus and deals with the relation between the empire and the nation-states and engages in the theory of property rights, natural law, and political freedom.

William of Ockham was a leading English philosopher and theologian in the fourteenth century who came into controversy with Pope John XXII. His Dialogus is a survey of a wide range of matters controversial in the Catholic Church in the early fourteenth century. Topics discussed include the concepts of orthodoxy and heresy and the procedures for deciding whether a person is a heretic, the power of the pope within the Church, the power of the Church in relation to secular government, the constitution of the Church, and the constitution of secular government. The Dialogus is an important source of ideas on ecclesiology and political philosophy in the late middle ages. The present volume is concerned with heresy and heretics.

Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist's approach to disegno during and following his formative Roman period (1600-08), this volume highlights Rubens's high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters - the humanist activity then described as a cognate activity to the practice of drawing - a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens's early practice of drawing. Focusing on Rubens's Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens's commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens's intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Ever want to have a bagel with Hegel? Eggs with Bacon? Or spend a day with Socrates, Mill, Herodotus, or Kant, able to pick their brains about the most mundane moments of your life? Former Oxford Philosophy Fellow Robert Rowland Smith thought he would, and so with dry wit and marvelous invention, Smith whisks you through a typical day, injecting a little philosophy into it at every turn. Wake up with Descartes, go to work with Plato and Nietzsche, visit the gym with Kant, have sex with Ovid (or Simone de Beauvoir).

As the day unfolds, Smith grounds complex, abstract ideas in concrete experience, giving you an informal introduction to applying philosophy to everyday life. Not only does "Breakfast with Socrates "cover the basic arguments of philosophy, it brings an irresistible, insouciant charm to its big questions, waking us up to the richest possible range of ideas on how to live. Neither breakfast, lunch, nor dinner will ever be the same again.

Translated into English for the first time, the writings of the twentieth-century scholar Annelise Maier on late medieval natural philosophy are here made accessible to a broader audience. The seven selections represent both Maier's earlier and later works. Her perceptions as a trained philosopher, coupled with her familiarity with the full range of primary source material, result in these rare insights into the historical importance of medieval science.

Surveys philosophy from the neo-Platonists to St. Anselm, showing how Greek philosophy took the form in which it was known to its cultural inheritors and how they interpreted it.

This study began as a paper. It got out of hand. It had help doing that. Oswaldo Chateaubriand, Ronald Haver, Paul Horwich, Bernie Katz, Norman Kretzmann, Stanley Martens, Stephen Pink, Michael Stokes, Eleanor Stump, Bill Ulrich, Celia Wolf, and a lot of other people questioned or criticized or helped reformulate one or another of the arguments and interpretations along the way. In spite of (maybe partly because of) their efforts, the book is full of mistakes. At least, induction over previous drafts indicates that irresistibly. But I do not, right now, know of any particular mistakes. All but a couple of the translations are mine (the exceptions are noted). That is not because existing translations are bad, but because some uniformity was essential. The translations often make unpleasant reading. So, often, does Aristotle; I have tried to be literal. A text and translation of the passage on which the book centers is in Appendix III. Footnotes cite literature by author and (sometimes abbreviated) title. Details are in the bibliography. I do not profess to have covered all the literature. An enormous amount of editorial work was done by Margaret Mundy. She was not able to undo the errors that remain. In particular, the footnotes are often numbered oddly: '4', '4a', '4b', etc.

An inquiry into the origins, dissemination, and consequences of the modern belief that humans can solve any problem and overcome any difficulty, given time and resources enough.

This collection of readings with extensive editorial commentary brings together key texts of the most influential philosophers of the medieval era to provide a comprehensive introduction for students of philosophy.
Features the writings of Augustine, Thomas Aquinas, Boethius, John Duns Scotus and other leading medieval thinkers
Features several new translations of key thinkers of the medieval era, including John Buridan and Averroes
Readings are accompanied by expert commentary from the editors, who are leading scholars in the field

Modern physics has accustomed us to consider events which cannot give rise to certainty in our knowledge. A scientific knowledge of such events is nevertheless possible. The method which has enabled us to obtain a stable and exact knowledge about uncertain events consists in a kind of changing of plane and in the replacing of the study of indi vidual phenomena by the study of statistical aggregates to which those phenomena can give rise. A statistical aggregate is not a collection of real phenomena, among which some would happen more often, others more rarely. It is a set of possibilities relative to a certain object or to a certain type of phenomenon. For example, we could consider the differ ent ways in which a die, thrown in given conditions, can fall: they are the possible results of a certain trial, the casting of the die (in the fore seen conditions). The set of those results constitutes effectively a set of possibilities, relative to a phenomenon of a certain type, the fall of the die in specified circumstances. Similarly, it is possible to consider the different velocities which can affect a molecule in a volume of gas; the set of those velocities constitutes effectively a set of possible values which a physical property, namely the velocity of a molecule, can have."

Medieval attitudes to health and treatment revealed in Hildegard's treatise. Hildegard of Bingen [1098-1179], an important figure in her own time, has come increasingly to critical attention in recent years. Cause et Cure, attributed to Hildegard, is both a cosmological text and a medical handbook;it is a densely layered work woven together from diverse threads. It begins with a chapter on cosmology which leads to consideration of the human being as a small-scale copy of the universe. From here the focus shifts to the diseases and disorders which afflict human beings. The sections on treatment which follow provide information on medieval pharmacology and herbal healing. The text discusses the differences between male and female, human sexuality, embryology, sleep and dreams, signs predicting death or survival, astrological influences. The Introduction sketches Hildegard's life and career, and describes the cultural context with emphasis on medieval medicine. The Interpretive Essay discusses the selections presented in translation and alerts the reader to the benefits as well as the limits of medieval health care. MARGRET BERGER, formerly Associate Professor in the Division of Interdisciplinary Studies [German] at Simon Fraser University, has specialised in medieval German literature and Romance philology.

This Element provides an account of Thomas Aquinas's moral philosophy that emphasizes the intrinsic connection between happiness and the human good, human virtue, and the precepts of practical reason. Human beings by nature have an end to which they are directed and concerning which they do not deliberate, namely happiness. Humans achieve this end by performing good human acts, which are produced by the intellect and the will, and perfected by the relevant virtues. These virtuous acts require that the agent grasps the relevant moral principles and uses them in particular cases.

With selections of philosophers from Plotinus to Bruno, this new anthology provides significant learning support and historical context for the readings along with a wide variety of pedagogical assists. Featuring biographical headnotes, reading introductions, study questions, as well as special "Prologues" and "Philosophical Overviews," this anthology offers a unique set of critical thinking promtps to help students understand and appreciate the philosophical concepts under discussion. "Philosophical Bridges" discuss how the work of earlier thinkers would influence philosophers to come and place major movements in a contemporary context, showing students how the schools of philosophy interrelate and how the various philosophies apply to the world today. In addition to this volume of Medieval Philosophy, a comprehensive survey of the whole of Western philosophical history and other individual volumes for each of the major historical eras are also available for specialized courses.

This volume re-examines some of the major themes at the intersection of traditional and contemporary metaphysics. The book uses as a point of departure Francisco Suarez's Metaphysical Disputations published in 1597. Minimalist metaphysics in empiricist/pragmatist clothing have today become mainstream in analytic philosophy. Independently of this development, the progress of scholarship in ancient and medieval philosophy makes clear that traditional forms of metaphysics have affinities with some of the streams in contemporary analytic metaphysics. The book brings together leading contemporary metaphysicians to investigate the viability of a neo-Aristotelian metaphysics.

The early medieval Scottish philosopher and theologian John Duns Scotus shook traditional doctrines of universality and particularity by arguing for a metaphysics of 'formal distinction'. Why did the nineteenth-century poet and self-styled philosopher Gerard Manley Hopkins find this revolutionary teaching so appealing? John Llewelyn answers this question by casting light on various neologisms introduced by Hopkins and reveals how Hopkins endorses Scotus claim that being and existence are grounded in doing and willing. Drawing on modern responses to Scotus made by Heidegger, Peirce, Arendt, Leibniz, Hume, Reid, Derrida and Deleuze, Llewelyn's own response shows by way of bonus why it would be a pity to suppose that the rewards of reading Scotus and Hopkins are available only to those who share their theological presuppositions.

Uncovers the interplay of the physical and the aesthetic that shaped Viennese modernism and offers a new interpretation of this moment in the history of the West. Viennese modernism is often described in terms of a fin-de-siecle fascination with the psyche. But this stereotype of the movement as essentially cerebral overlooks a rich cultural history of the body. The Naked Truth, an interdisciplinary tour de force, addresses this lacuna, fundamentally recasting the visual, literary, and performative cultures of Viennese modernism through an innovative focus on the corporeal. Alys X. George explores the modernist focus on the flesh by turning our attention to the second Vienna medical school, which revolutionized the field of anatomy in the 1800s. As she traces the results of this materialist influence across a broad range of cultural forms--exhibitions, literature, portraiture, dance, film, and more--George brings into dialogue a diverse group of historical protagonists, from canonical figures such as Egon Schiele, Arthur Schnitzler, Joseph Roth, and Hugo von Hofmannsthal to long-overlooked ones, including author and doctor Marie Pappenheim, journalist Else Feldmann, and dancers Grete Wiesenthal, Gertrud Bodenwieser, and Hilde Holger. She deftly blends analyses of popular and "high" culture, laying to rest the notion that Viennese modernism was an exclusively male movement. The Naked Truth uncovers the complex interplay of the physical and the aesthetic that shaped modernism and offers a striking new interpretation of this fascinating moment in the history of the West.