In recent years, there has been a remarkable resurgence of interest in classical conceptions of what it means for human beings to lead a good life. Although the primary focus of the return to classical thought has been Aristotle’s account of virtue, the ethics of Aquinas has also received much attention. Our understanding of the integrity of Aquinas’s thought has clearly benefited from the recovery of the ethics of virtue. Understood from either a natural or a supernatural perspective, the good life according to Aquinas involves the exercise not just of the moral virtues, but also of the intellectual virtues. Following Aristotle, Aquinas divides the intellectual virtues into the practical, which have either doing (prudence) or making (art) as an end, and the theoretical or speculative, which are ordered to knowing for its own sake (understanding, knowledge, and wisdom). One of the intellectual virtues, namely, prudence has received much recent attention. With few exceptions, however, contemporary discussions of Aquinas ignore the complex and nuanced relationships among, and comparisons between, the different sorts of intellectual virtue. Even more striking is the general neglect of the speculative, intellectual virtues and the role of contemplation in the good life. In Virtue’s Splendor Professor Hibbs seeks to overcome this neglect, approaching the ethical thought of Thomas Aquinas in terms of the great debate of antiquity and the Middle Ages concerning the rivalry between the active and the contemplative lives, between prudence and wisdom as virtues perfective of human nature. In doing so, he puts before the reader the breadth of Aquinas’s vision of the good life.

In recent years, there has been a remarkable resurgence of interest in classical conceptions of what it means for human beings to lead a good life. Although the primary focus of the return to classical thought has been Aristotle's account of virtue, the ethics of Aquinas has also received much attention. Our understanding of the integrity of Aquinas's thought has clearly benefited from the recovery of the ethics of virtue.Understood from either a natural or a supernatural perspective, the good life according to Aquinas involves the exercise not just of the moral virtues, but also of the intellectual virtues. Following Aristotle, Aquinas divides the intellectual virtues into the practical, which have either doing (prudence) or making (art) as an end, and the theoretical or speculative, which are ordered to knowing for its own sake (understanding, knowledge, and wisdom). One of the intellectual virtues, namely, prudence has received much recent attention. With few exceptions, however, contemporary discussions of Aquinas ignore the complex and nuanced relationships among, and comparisons between, the different sorts of intellectual virtue. Even more striking is the general neglect of the speculative, intellectual virtues and the role of contemplation in the good life.In Virtue's Splendor Professor Hibbs seeks to overcome this neglect, approaching the ethical thought of Thomas Aquinas in terms of the great debate of antiquity and the Middle Ages concerning the rivalry between the active and the contemplative lives, between prudence and wisdom as virtues perfective of human nature. In doing so, he puts before the reader the breadth of Aquinas's vision of the good life.

This is the first comprehensive study of the philosophical achievements of twelfth-century Western Europe. It is the collaboration of fifteen scholars whose detailed survey makes accessible the intellectual preoccupations of the period, with all texts cited, in English translation, throughout. After a discussion of the cultural context of twelfth-century speculation, and some of the main streams of thought--Platonic, Stoic, and Arabic--that quickened it, comes a characterisation of the new problems and perspectives of the period, in scientific inquiry, speculative grammar, and logic. This is followed by a closer examination of the distinctive features of some of the most innovative thinkers of the time, from Anselm and Abelard to the School of Chartres. A final section shows the impact of newly recovered works of Aristotle in the twelfth-century West.

Robert Grosseteste (c.1168-1253) was the initiator of the English scientific tradition, one of the first chancellors of Oxford University, and a famous teacher and commentator on the newly discovered works of Aristotle. In this book, James McEvoy provides the first general, inclusive overview of the entire range of Grosseteste's massive intellectual achievement.

During most of the Christian millennia Aristotle has been the most influential of all philosophers. This selection of essays by the eminent philosopher and Aristotle scholar Anthony Kenny traces this influence through the ages. Particular attention is given to Aristotle's ethics and philosophy of mind, showing how they provided the framework for much fruitful development in the Middle Ages and again in the present century. Also included are some contributions to the most recent form of Aristotelian scholarship, computer-assisted stylometry. All who work on Aristotle and his intellectual legacy will find much to interest them in these Essays on the Aristotelian Tradition.

This volume contains a translation into clear modern English of an unjustly neglected work by Sextus Empiricus, together with introduction and extensive commentary. Sextus is our main source for the doctrines and arguments of ancient Scepticism; in Against the Ethicists he sets out a distinctive Sceptic position in ethics.

This new edition of An Aquinas Reader contains in one closely knit volume representative selections that reflect every aspect of Aquinas's philosophy. Divided into three section - Reality, God, and Man - this anthology offers an unrivaled perspective of the full scope and rich variety of Aquinas's thought. It provides the general reader with an overall survey of one of the most outstanding thinks or all time and reveals the major influence he has had on many of the world's greatest thinkers. This revised third edition of Clark's perennial still has all of the exceptional qualities that made An Aquinas Reader a classic, but contains a new introduction, improved format, and an updated bibliography.

The Cambridge History of Renaissance Philosophy offers a balanced and comprehensive account of philosophical thought from the middle of the fourteenth century to the emergence of modern philosophy at the turn of the seventeenth century. The Renaissance has attracted intense scholarly attention for over a century, but in the beginning the philosophy of the period was relatively neglected and this is the first volume in English to synthesize for a wider readership the substantial and sophisticated research now available. The volume is organized by branch of philosophy rather than by individual philosopher or by school. The intention has been to present the internal development of different aspects of the subject in their own terms and within their historical context. This structure also emphasizes naturally the broader connotations of "philosophy" in that intellectual world.

With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.

This is the first of a three-volume anthology intended as a companion to The Cambridge History of Later Medieval Philosophy. Volume 1 is concerned with the logic and the philosophy of language, and comprises fifteen important texts on questions of meaning and inference that formed the basis of Medieval philosophy. As far as is practicable, complete works or topically complete segments of larger works have been selected. The editors have provided a full introduction to the volume and detailed introductory headnotes to each text; the volume is also indexed comprehensively.

The volume is inspired by Gilles Deleuze's philosophical project, which builds on the critique of European Humanism and opens up inspiring new perspectives for the renewal of the field. The book gathers leading scholars in the field of Deleuze, while also bringing together scholars from Europe and North America (the West), as well from Asia (the East), in order to create a lively academic debate, and contribute to the growth and expansion of the field. it provides both critical and creative insights into some key issues in contemporary social and political thought. More specifically, the volume hopes to start a critical evaluation of the reception and creative adaptation of Deleuze and of other Continental philosophers in the Austral-Asian region, with special focus on China.

In discussions of the works of Donne, Milton, Marvell, and Bunyan, Early Modern Asceticism shows how conflicting approaches to asceticism animate depictions of sexuality, subjectivity, and embodiment in early modern literature and religion. The book challenges the perception that the Renaissance marks a decisive shift in attitudes towards the body, sex, and the self. In early modernity, self-respect was a Satanic impulse that had to be annihilated - the body was not celebrated, but beaten into subjection - and, feeling circumscribed by sexual desire, ascetics found relief in pain, solitude, and deformity. On the basis of this austerity, Early Modern Asceticism questions the ease with which scholarship often elides the early and the modern.

A history of philosophy from 1100-1600 concentrating on the Aristotelian tradition in the Latin Christian West. "will long remain the major guide to later medieval philosophy and related topics. Most of the essays are exciting and challenging, some of them truly brilliant." --Speculum

The Cambridge History of Renaissance Philosophy offers a balanced and comprehensive account of philosophical thought from the middle of the fourteenth century to the emergence of modern philosophy at the turn of the seventeenth century. The Renaissance has attracted intense scholarly attention for over a century, but in the beginning the philosophy of the period was relatively neglected and this is the first volume in English to synthesize for a wider readership the substantial and sophisticated research now available. The volume is organized by branch of philosophy rather than by individual philosopher or by school. The intention has been to present the internal development of different aspects of the subject in their own terms and within their historical context. This structure also emphasizes naturally the broader connotations of "philosophy" in that intellectual world.

The issue of whether the writings of Thomas Aquinas show internal contradictions has not only stirred readers from his earliest, often critical, reception, but also led to the emergence of a literary genre that has crucial relevance to the history of medieval Thomism. Concordances were drawn up which listed Thomas' contradictory statements and, in most cases, tried to disguise the appearance of contradiction by exegesis. But what was at stake in this interpretive endeavor? What role did the concordances play in shaping Thomism? What tensions did they reveal in the works of Thomas? The book aims to investigate these questions and puts the concordance of Peter of Bergamo (1482), which represents the most important example of this type of text, at the center of the investigation. Contributors are Marieke Abram, Kent Emery, Jr., Maarten J.F.M. Hoenen, Isabel Iribarren, Thomas Jeschke, Catherine Koenig-Pralong, Mario Meliado, Silvia Negri, Zornitsa Radeva, and Peter Walter.

This new critique of Aquinas's theory of natural law presents an incisive, new analysis of the central themes and relevant texts in the Summa Theologiae which became the classical canon for natural law. Professor Lisska discusses Aquinas's view of ethical naturalism within the context of the contemporary revival and recovery of Aristotelian ethics, arguing that Aquinas is fundamentally Aristotelian in the foundations of his moral theory. The book looks at the historical development of natural law themes in the twentieth century, and in particular demonstrates the important connections between Aquinas and contemporary legal philosophers. The book should be of considerable interest to scholars of jurisprudence as well as philosophers.

Augustine identified reason and authority as complementary ways of learning the truth, and he employed both to explore such perennial questions as the rationality of faith, the nature of the good life, the problem of evil, and the relation of God and the soul. Eight writings of Augustine represent his application of these two methods to these four topics: On the True Religion, On the Nature of Good, On Free Choice of the Will, On the Teacher, On the Usefulness of Believing, On the Good of Marriage, Enchiridion, and Confessions. In Reason, Authority, and the Healing of Desire in the Writings of Augustine, Mark Boone explains Augustine's theology of desire in this cross-section of his works. Throughout his writings and in many ways, Augustine develops a Platonically informed, yet distinctively Christian account of desire. Human desire should respond to the goodness inherent in things, loving the greatest good above all and great goods more than lesser goods. Above all, we should love God and souls. Sin, an inappropriate desire for lesser goods, is healed by the redemption of Christ.

The early medieval Scottish philosopher and theologian John Duns Scotus shook traditional doctrines of universality and particularity by arguing for a metaphysics of 'formal distinction'. Why did the nineteenth-century poet and self-styled philosopher Gerard Manley Hopkins find this revolutionary teaching so appealing? John Llewelyn answers this question by casting light on various neologisms introduced by Hopkins and reveals how Hopkins endorses Scotus claim that being and existence are grounded in doing and willing. Drawing on modern responses to Scotus made by Heidegger, Peirce, Arendt, Leibniz, Hume, Reid, Derrida and Deleuze, Llewelyn's own response shows by way of bonus why it would be a pity to suppose that the rewards of reading Scotus and Hopkins are available only to those who share their theological presuppositions.

The author analyzes "old masteries," certain notions of freedom, individualism, and control long associated with the Renaissance, in relation to the ideologies of non-mastery that recur in theory today.

In his preceding work, Soundings in Augustine's Imagination, Father O'Connell outlined the three basic images Augustine employs to frame his view of the human condition. In the present study, he applies the same techniques of image-analysis to the three major "conversions" recounted in the Confessions. Those conversions were occasioned, first, by Augustine's youthful reading of Cicero's Hortensius, then by his reading of what he calls the "books of the Platonists", and finally, most decisively, by his fateful reading in that Milanese garden of the explosive capitulum, or "chapterlet", from St. Paul's Epistle to the Romans. Dissection of Augustine's imagery discloses a chain of striking connections between these conversions. Each of them, for instance, features a return to a woman - now a bridal, now a maternal figure, and finally, a mysterious stand-in for Divine Wisdom, both bridal and maternal. Unsurprisingly, conversion-imagery also provokes a fresh estimate of the sexual component in Augustine's religious biography; but the sexual aspect is balanced by Augustine's insistent stress on the "vanity" of his worldly ambitions. Perhaps most arresting of all is Father O'Connell's analysis showing that the text that Augustine read from Romans consisted of not only two, but four verses: hence the dramatic procession of images which make up the structure of the Confessions, Book VII; hence, too, the presence, subtle but real, of those same image-complexes in the Dialogues Augustine composed soon after his conversion in A.D. 386.

John Buridan was a fourteenth-century philosopher who enjoyed an enormous reputation for about two hundred years, was then totally neglected, and is now being 'rediscovered' through his relevance to contemporary work in philosophical logic. The final chapter of Buridan's Sophismata deals with problems about self-reference, and in particular with the semantic paradoxes. He offers his own distinctive solution to the well-known 'Liar Paradox' and introduces a number of other paradoxes that will be unfamiliar to most logicians. Buridan also moves on from these problems to more general questions about the nature of propositions, the criteria of their truth and falsity and the concepts of validity and knowledge. This edition of that chapter is intended to make Buridan's ideas and arguments accessible to a wider range of readers. The volume should interest many philosophers, linguists and logicians, who are increasingly finding in medieval work striking anticipations of their own concerns.

In 1580 Michel de Montaigne (1533-1592) presented a literary project to the public the type of wich had never before been introduced- a collection of Essays with himself as subject. Never before had a writer attempted a literary self-portrait, and in so doing Montaigne named and defined a new literary form, the essay. Brush's critical study of Essays examines the complex process of writing a self-portrait and showing the ways in which it is an entirely differnt enterprise from writing an autobiography. The author discusses how Montaigne revealed his "mind in motion," and the most remarkable feature of that mind, skepticism. He treats Montaigne's development of a conversational voice and explicates how Montaigne's intense self-examination became an evolutionary process which had consequences in his life and literature. The work concludes with a discussion of how Montaigne's self-assigned task of introspection included the formulation of a view of humanity and its ethics. Brush's work fills a gap in scholarship by critically examining the essential loci of the Essays, namely, the creation of a literary self-portrait. The book makes its points convincingly because of Brush's intimacy and command of the essays. Montaigne's works are cited in English translation, and the subject is presented in terms accessible to the non-specialist.

Mircea Eliade, influential writer and scholar of religion, envisioned a spiritually destitute modern culture coming into renewed meaning through the recovery of archetypal myths and symbols. Eliade foresaw this restoration of meaning bringing about a "new humanism" of existential meaning and cultural-religious unity - but left it ambiguously defined. Cave sets forward a structural description of what this "new humanism" might have meant for Eliade, and what it signifies for modern culture, through a biographical exegesis of Eliade's life and writings from his early years in Romania to his last years as professor of the history of religions at the University of Chicago. Addressing Eliade's political associations and espousals on Romanian politics and culture, theories on myth and symbols, existential and comparative hermeneutics, literature of the fantastic, interpretation of homo religiosus, views on the loss of meaning in modern consciousness and on the cosmic spirituality of archaic humans, as well as other subjects, Cave sets these topics within the totality of Eliade's oeuvre and evaluates them through the lens of the "new humanism". Cave's book is the first to organize and evaluate the whole of Eliade's work around a guiding principle, and on Eliade's own terms. To augment the "new humanism", Cave uses data and themes from the history of religions and draws on philosophy, anthropology, psychology, modern science, and literary studies. The result is a broad and probing overview of this most influential, enigmatic, and frequently controversial man. Cave concludes by endorsing Eliade's radically pluralistic vision which, he argues, offers a key to the revitalization of ourdemythologized and material culture. Cave also repositions previous Eliadean studies, and places the "new humanism" as the paradigm in relation to which future readings of Eliade should be evaluated.