First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

During the early modern era (c. 1600-1800), philosophers formulated a number of new questions, methods of investigation, and theories regarding the nature of the mind. The result of their efforts has been described as the original cognitive revolution . Topics in Early Modern Philosophy of Mind provides a comprehensive snapshot of this exciting period in the history of thinking about the mind, presenting studies of a wide array of philosophers and topics. Written by some of today s foremost authorities on early modern philosophy, the ten chapters address issues ranging from those that have long captivated philosophers and psychologists as well as those that have been underexplored. Likewise, the papers engage figures from the history of ideas who are well-known today (Descartes, Hume, Kant) as well as those who have been comparatively neglected by contemporary scholarship (Desgabets, Boyle, Collins).

This volume will become an essential reference work that graduate students and professionals in the fields of philosophy of mind, the history of philosophy, and the history of psychology will want to own."

This anthology is about the signal change in Leibniz's metaphysics with his explicit adoption of substantial forms in 1678-79. This change can either be seen as a moment of discontinuity with his metaphysics of maturity or as a moment of continuity, such as a passage to the metaphysics from his last years. Between the end of his sejour at Paris (November 1676) and the first part of the Hanover period, Leibniz reformed his dynamics and began to use the theory of corporeal substance. This book explores a very important part of the philosophical work of the young Leibniz. Expertise from around the globe is collated here, including Daniel Garber's work based on the recent publication of Leibniz's correspondence from the late 1690s, examining how the theory of monads developed during these crucial years. Richard Arthur argues that the introduction of substantial forms, reinterpreted as enduring primitive forces of action in each corporeal substance, allows Leibniz to found the reality of the phenomena of motion in force and thus avoid reducing motion to a mere appearance. Amongst other themes covered in this book, Pauline Phemister's paper investigates Leibniz's views on animals and plants, highlighting changes, modifications and elaborations over time of Leibniz's views and supporting arguments and paying particular attention to his claim that the future is already contained in the seeds of living things. The editor, Adrian Nita, contributes a paper on the continuity or discontinuity of Leibniz's work on the question of the unity and identity of substance from the perspective of the relation with soul (anima) and mind (mens).

In the late eighteenth century, German Jews began entering the middle class with remarkable speed. That upward mobility, it has often been said, coincided with Jews' increasing alienation from religion and Jewish nationhood. In fact, Michah Gottlieb argues, this period was one of intense engagement with Jewish texts and traditions. One expression of this was the remarkable turn to Bible translation. In the century and a half beginning with Moses Mendelssohn's pioneering translation and the final one by Martin Buber and Franz Rosenzweig, German Jews produced sixteen different translations of at least the Pentateuch. Exploring Bible translations by Mendelssohn, Leopold Zunz, and Samson Raphael Hirsch, Michah Gottlieb argues that each translator sought a "reformation" of Judaism along bourgeois lines, which involved aligning Judaism with a Protestant concept of religion. Buber and Rosenzweig famously critiqued bourgeois German Judaism as a craven attempt to establish social respectability to facilitate Jews' entry into the middle class through a vapid, domesticated Judaism. But Mendelssohn, Zunz, and Hirsch saw in bourgeois values the best means to serve God and the authentic actualization of Jewish tradition. Through their learned, creative Bible translations, these scholars presented competing visions of middle-class Judaism that affirmed Jewish nationhood while lighting the path to a purposeful, emotionally-rich spiritual life grounded in ethical responsibility.

This title presents a new introduction to Mill, guiding the student through the key concepts of his work by examining the overall development of his ideas. John Stuart Mill was one of the most important and influential British philosophers. When one considers his overall intellectual contributions, Mill is arguably the most important intellectual figure of the nineteenth century. Covering all the key concepts of his work, "Starting with Mill" provides an accessible introduction to the ideas of this hugely significant thinker. Clearly structured according to Mill's key works, the book leads the reader through a thorough overview of the development of his thought, resulting in a more thorough understanding of the roots of his philosophical concerns. Offering coverage of the full range of Mill's ideas, the book explores his contributions to metaphysics and epistemology, logic, psychology, political economy, ethics, utilitarianism, and liberalism. Crucially the book introduces the major thinkers whose work proved influential in the development of Mill's thought, including Jeremy Bentham, James Mill, Adam Smith, John Locke and the other British Empiricists. This is the ideal introduction for anyone coming to the work of this hugely important thinker for the first time. "Continuum's Starting" with...series offers clear, concise and accessible introductions to the key thinkers in philosophy. The books explore and illuminate the roots of each philosopher's work and ideas, leading readers to a thorough understanding of the key influences and philosophical foundations from which his or her thought developed. Ideal for first-year students starting out in philosophy, the series will serve as the ideal companion to study of this fascinating subject.

Oxford Studies in Early Modern Philosophy is an annual series, presenting a selection of the best current work in the history of early modern philosophy. It focuses on the seventeenth and eighteenth centuries--the extraordinary period of intellectual flourishing that begins, very roughly, with Descartes and his contemporaries and ends with Kant. It also publishes papers on thinkers or movements outside of that framework, provided they are important in illuminating early modern thought.
The articles in OSEMP will be of importance to specialists within the discipline, but the editors also intend that they should appeal to a larger audience of philosophers, intellectual historians, and others who are interested in the development of modern thought.

The Danish philosopher Kierkegaard (1813-1855) is an enigmatic thinker whose works call out for interpretation. One of the most fascinating strands of this interpretation is in terms of Japanese thought. Kierkegaard himself knew nothing of Japanese philosophy, yet the links between his own ideas and Japanese philosophers are remarkable.. This book examines Kierkegaard in terms of Shinto, Pure Land Buddhism, Zen Buddhism, the Samurai, the famous Kyoto school of Japanese philosophers, and in terms of pivotal Japanese thinkers who were influenced by Kierkegaard.

Hegelian philosophy is now enjoying an enormous renaissance in the English-speaking world. At the very centre of his work is the monumental "Science of Logic." Hegel's theory of subjectivity, which comprises the final third of the "Science of Logic," has been comparatively neglected. This volume collects 15 essays on various aspects of Hegel's theory of subjectivity. For Hegel, "substance is subject." Anyone aspiring to understand Hegel's philosophy cannot afford to neglect this central topic.

Kant denies that Reason is intuitive, but demands that we must - in some way - 'make' Reason intuitive, and follow its guidance, particularly in matters of morality. In this book, a group of scholars attempt to analyze and explore this central paradox within Kantian thought. Each essay explores the question from a different perspective - from political philosophy, ethics and religion to science and aesthetics. The essays thus also reformulate the core question in different forms, for example, how are we to realize the moral good in personal character, political arrangements, or religious institutions?

Literature and Encyclopedism in Enlightenment Britain tells the story of long-term aspirations to comprehend, record, and disseminate complete knowledge of the world. It draws on a wide range of literary and non-literary works from the early modern era and British Enlightenment.

This book is not a merely historical reconstruction of Schelling's thought; its main goal is to provide a contribution for a better comprehension of the importance of the philosophical quest of the young German philosopher from within, which represents a turning point for the whole thought of modernity. I did not describe the various fields of Schelling's work, but I pointed out the central position of his Aesthetics, through the analysis of the inner mechanisms of his concepts. This mechanism, in my opinion, shows the reason why an Aesthetic philosophy is possible, and why its origin can be traced to Kant's Aesthetics (particularly in Kant's Critique of Judgement) and in the speculations of the early post-Kantian philosophy. The young Schelling's philosophical problems precede his encounter with Fichte's philosophy. Schelling discovers these problems, related to Plato, Aristotle, Spinoza, Wolff, Leibniz and Kant, in the protestant college of the Stift in Tubingen. Fichte confirmed the necessity of an urgent reform of transcendental philosophy, and offered to the young philosopher a philosophical dictionary and an orientation. Schelling exploited these resources with a great degree of autonomy, independence and originality. In these years Hoelderlin's influence on Schelling was much greater. Schelling's and Hoelderlin's speculations, in these crucial years, were tightly connected.

The relations between science and philosophy in the early nineteenth century remain one of the most misunderstood topics in modern European intellectual history. By taking the brilliant career of Danish physicist-philosopher Hans Christian A~rsted as their organizing theme, leading international philosophers and historians of science reveal illuminating new perspectives on the intellectual map of Europe in the age of revolution and romanticism. They show how A~rsted, an intrepid traveller and cosmopolitan from the periphery of enlightened Europe, mediated between the great scientists of Germany, France, and Britain and profoundly shaped post-kantian philosophy and the emerging new energy physics of the nineteenth-century.

An authoritative critical edition, based on fresh collation of the seventeenth century texts and documented in an extensive textual apparatus, of Francis Bacon's (1561-1626) The Advancement of Learning, the principal philosophical work in English announcing his comprehensive programme to restore and advance learning.

Re-reads Marx in light of the contemporary critical interrogation of subjectivity. What is the relation between the economy, or the mode of production, and culture, beliefs, and desires? How is it possible to think of these relations without reducing one to the other, or effacing one for the sake of the other? To answer these questions. The Micro-Politics of Capital re-reads Marx in light of the contemporary critical interrogations of subjectivity in the works of Althusser, Deleuze, Guattari, Foucault, and Negri. Jason Read suggests that what characterizes contemporary capitalism is the intimate intersection of the production of commodities with the production of desire, beliefs, and knowledge.

Besides his more famous works of philosophy--"Discourse on Method, Meditations on First Philosophy, and "Principles of Philosophy--Descartes devoted a great deal of time and thought to the study of physiology and anatomy. An account of his activities in 1629 reports that he visited butcher shops on an almost daily basis to study specific animal organs. In the 1630s, he assisted in the dissection of human cadavers--all to satisfy his intense curiosity about how bodies, animal and human, work. The fruits of this research can be found in his "Treatise of Man, a work that he decided not to publish for fear of suffering the same fate as Galileo. Consequently, this fascinating treatise did not appear until twelve years after his death. Among its many intriguing features are his detailed descriptions of the nervous system and its interactions with the muscles to create movement in response to stimulus. Though we now know that many of these details are wrong, Descartes' understanding that much of the body functions as a mechanism was a stroke of genius. He is the first to describe the reflex arc, anticipating Pavlov and the behaviorists by almost 300 years. The idea of the body as a kind of animal machine that functions according to physical laws was an immense advance over the previous scholastic notions based on Aristotle, which merely begged the question of how the various organs of the body work by stating that it is in their nature to perform their specific functions. This is a landmark work that students of history, medicine, biology, and the history of science will find richly rewarding.

"Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Jean-Jacques Rousseau was one of the most engaging yet enigmatic philosophers of the eighteenth century. He wrote with a flair and directness unique among great thinkers, yet beneath the surface of his works there is an extraordinarily complex theory of human nature and society. His diverse body of writing often leaves students struggling to find a coherent philosophical outlook. "Rousseau: A Guide for the Perplexed" is a clear and thorough account of Rousseau's major works and ideas, providing an ideal guide to the complicated thought of this key philosopher. The book covers the whole range of Rousseau's life and work, offering a detailed review of his landmark philosophical texts, including "The Social Contract" and "Emile", together with examination of his influential contribution to the social sciences. The book provides a cogent and reliable survey of the famous paradoxes in his philosophy and shows how they fit together into a coherent and important theory of culture and politics. This book is the ideal companion to the study of this most influential and challenging philosopher.

Rasmussen offers a novel interpretation of the relationship between religious concern and artistic creativity in the works of the self-styled "Christian poet and thinker" Soren Kierkegaard (1813-1855). Although Kierkegaard articulated neither a "Christology" in the sense that the term has for systematic theology, nor a generic "theory of poetry" in the sense that phrase has for literary criticism, this study makes the case that Kierkegaard's writings nevertheless do advance a "Christomorphic poetics," a tertium quid that resists conventional distinctions between theology and literature. The term "Christomorphic" signals that Kierkegaard's Christian view of the incarnation of God in Christ shapes his poetics in a fundamental way and that, therefore, Kierkegaard's authorship and his incarnational view of God in Christ should be understood together. Arguing that Kierkegaard's poetics takes shape in conversation with many of the major themes of early German Romanticism (irony, imaginative creativity, paradox, the relativization of imitation [mimesis], and erotic love), this book offers a fresh appreciation of the depth of Kierkegaard's engagement with Romanticism, and of the contours of his alternative to that literary movement. Chapter one analyzes Kierkegaard's reception of romantic irony, and demonstrates that the romantic tendency to fantasize subjective existence (at least on Kierkegaard's reading) motivates the critique of romantic poetry in Kierkegaard's early works. Chapters two and three identify and explicate Kierkegaard's alternative to romantic poetics, elucidating his distinctive Christomorphic poetics in terms of his view of God as divine poet. The fourth chapter demonstrates the way Kierkegaard's emphasis on the "imitation of Christ" challenges the romantic relativization of "mimesis," and signals a reversal of the romantic celebration of the ironic imagination. Finally, chapter five constructs a typology of Kierkegaard's three senses of the term "poet." By showing how these different senses of the one term function within Kierkegaard's larger poetics, this chapter makes clear the manner in which Kierkegaard as a "religious poet" distinguishes himself from the "secular poet" of romantic irony by fostering what he considers authentic Christian "witness" in the world according to the "Word" of the divine poet embodied in Christ.

Herbert Spencer (1820-1903) is remembered today only as an alleged Social Darwinist who applied the theory of the survival of the fittest to society. Yet he was among the most influential and widely-read philosophers of the nineteenth century. There were few Victorian thinkers and scientists who did not know his work, and who did not formulate their own positions partly in reaction to his. Michael Taylor's book provides the only detailed and reliable modern survey of the whole corpus of Spencer's thought. Taylor introduces a Spencer very different to his posthumous reputation: not primarily a political philosopher, but the architect of a comprehensive philosophical system that aimed to demonstrate the inevitability of human perfection through universal natural laws. He also locates the Synthetic Philosophy firmly in its place and time by showing how it developed out of the concerns of a group of like-minded British writers and thinkers during the 1850s. This book will be of interest to historians of philosophy and of science, to social scientists, to scholars and students of nineteenth century literature, and to anyone who wishes to understand one of most important figures in Victorian intellectual life.

What is the je-ne-sais-quoi? How-if at all-can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He describes the rise and fall of the expression as a noun and as a topic of debate, examines its cluster of meanings, and uncovers the scattered traces of its 'pre-history'. The je-ne-sais-quoi is often assumed to belong purely to the realm of the literary, but in the early modern period it serves to articulate problems of knowledge in natural philosophy, the passions, and culture, and for that reason it is approached here from an interdisciplinary perspective. Placing major figures of the period such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, Scholar argues that the je-ne-sais-quoi serves above all to capture first-person encounters with a 'certain something' that is as difficult to explain as its effects are intense. When early modern writers use the expression in this way, he suggests, they give literary form to an experience that twenty-first-century readers may recognize as something like their own.

Addressing the perennial question: why should we be moral? this book argues that we can only give a truly and morally satisfying answer to that question by radically reconfiguring our conception of the self and the way it relates to others.

Chance ordained that Denis Diderot (1713-1784) was not only a philosopher, playwright and writer, but also a salonnier. In other words, an art critic. In 1759, his friend Grimm entrusted him with a project that forced him to acquire "thoughtful notions concerning painting and sculpture" and to refine "art terms, so familiar in his words yet so vague in his mind."

Diderot wrote artistic reviews of exhibitions - Salons - that were organized bi-annually at the Louvre by the Academie Royale de Peinture et de Sculpture. These reviews, published in the Correspondence Litteraire, were Diderot's unique contribution to art criticism in France. He fulfilled his task of salonnier on nine occasions, despite occasional dips in his enthusiasm and self-confidence.

Compiled and presented by Jean Szenec, this anthology helps the contemporary reader to familiarize himself with Diderot's aesthetic thought in all its greatness. It includes eight illustrations and is followed by texts from Jean Starobinski, Michel Delon, and Arthur Cohen.

'On Art and Artists' is translated by John Glaus, professor of French and an amateur expert of the XVIIIth century."

Friedrich Wilhelm Joseph Von Schelling (1775GCo1854) was a colleague of Hegel, Holderlin, Fichte, Goethe, Schlegel, and Schiller. Always a champion of Romanticism, Schelling advocated a philosophy which emphasized intuition over reason, which maintained aesthetics and the creative imagination to be of the highest value. At the same time, SchellingGCOs concerns for the self and the rational make him a major precursor to existentialism and phenomenology. The New Schelling brings together a wide-ranging set of essays which elaborate the connections between Schelling and other thinkersGCosuch as Marx, Nietzsche, Freud, Sartre, Deleuze, and LacanGCoand argue for the unexpected modernity of SchellingGCOs work. Contributors: Manfred Frank, J++rgen Habermas, Iain Hamilton Grant, Joseph Lawrence, Odo Marquand, Judith Norman, Alberto Toscano, Michael Vater, Alistair Welchman, Slavoj +a Zi+azek.