While the current philosophical debate surrounding Hegel's aesthetics focuses heavily on the philosopher's controversial 'end of art' thesis, its participants rarely give attention to Hegel's ideas on the nature of beauty and its relation to art. This study seeks to remedy this oversight by placing Hegel's views on beauty front and center. Peters asks us to rethink the common assumption that Hegelian beauty is exclusive to art and argues that for Hegel beauty, like art, is subject to historical development. Her careful analysis of Hegel's notion of beauty not only has crucial implications for our understanding of the 'end of art' and Hegel's aesthetics in general, but also sheds light on other fields of Hegel's philosophy, in particular his anthropology and aspects of his ethical thought.

The second part of Hegel's Encyclopaedia of the Philosophical Sciences in outline. Translated, and with an introduction by, MJ Petry.

Descartes is often regarded as the founder of modern philosophy, and is credited with placing at centre stage the question of what we know and how we know it. Descartes: Belief, Scepticism and Virtue seeks to reinsert his work and thought in its contemporary ethical and theological context. Richard Davies explores the much neglected notion of intellectual virtue as it applies to Descartes' inquiry as a whole. He examines the textual dynamics of Descartes' most famous writings in relation to background debates about human endeavour from Plato down to Descartes' own contemporaries. Bringing these materials together in a novel format, Davies argues for a new approach to Descartes' ideas of scepticism and the sciences. The book also offers fresh interpretations of key passages of the Meditations . Descartes: Belief, Scepticism and Virtue offers an original reassessment of some of the most important bodies of work in Western Philosophy.

This study offers a new interpretation of Hegelian recognition focusing on positive ethical behaviours, such as love and forgiveness. Building on the work of Simone de Beauvoir and Jean-Paul Sartre, Disley reassesses Hegel's work on the subject/object dialectic and explores the previously neglected theological dimensions of his work.

Nietzsche's On the Genealogy of Morality is one of the most widely read books of philosophy, by philosophers and non-philosophers alike. Many of the ideas Nietzsche raises such as 'the will to power', the 'slave revolt' in morality and perspectivism - are startling and disturbing and resonate in subjects as diverse as ethics, continental philosophy, literature and religion. Brian Leiter's Nietzsche on Morality is an outstanding introduction to Nietzsche's famous work and is essential reading for any student of Nietzsche. Clearly and compellingly argued, it also caused controversy amongst Nietzsche scholars for its emphasis on naturalism as the key to understanding the Genealogy, and is regarded as one of the most significant works on Nietzsche of recent years. In this second edition Brian Leiter revises and refreshes the book throughout. He has written a new preface; revised sections on key topics such as epiphenomenanlism and consciousness in light of important recent work on Nietzsche; and significantly expands his discussion of agency and free will in relation to Nietzsche's text. He also includes an important postscript on Nietzsche's naturalism in light of recent interpretations of Nietzsche.

First published in 1977 this book is both expository and critical and concentres on Hobbes' ethical and political theory, but also considering the effect on these of his metaphysics. Updated, with a new preface especially for this re-issue, which brings together recent scholarship on Hobbes, a particular useful feature of the book is the new, critical bibliography.

Both an introduction to Nietzsche s moral philosophy, and a sustained commentary on his most famous work, "On the Genealogy of Morality," this book has become the most widely used and debated secondary source on these topics over the past dozen years. Many of Nietzsche s most famous ideas - the "slave revolt" in morals, the attack on free will, perspectivism, "will to power" and the "ascetic ideal" - are clearly analyzed and explained. The first edition established the centrality of naturalism to Nietzsche s philosophy, generating a substantial scholarly literature to which Leiter responds in an important new Postscript. In addition, Leiter has revised and refreshed the book throughout, taking into account new scholarly literature, and revising or clarifying his treatment of such topics as the objectivity of value, epiphenomenalism and consciousness, and the possibility of "autonomous" agency."

The thought of G. W. F. Hegel (1770 -1831) has had a deep and lasting influence on a wide range of philosophical, political, religious, aesthetic, cultural and scientific movements. But, despite the far-reaching importance of Hegel's thought, there is often a great deal of confusion about what he actually said or believed. G. W. F. Hegel: Key Concepts provides an accessible introduction to both Hegel's thought and Hegel-inspired philosophy in general, demonstrating how his concepts were understood, adopted and critically transformed by later thinkers. The first section of the book covers the principal philosophical themes in Hegel's system: epistemology, metaphysics, philosophy of mind, ethical theory, political philosophy, philosophy of nature, philosophy of art, philosophy of religion, philosophy of history and theory of the history of philosophy. The second section covers the main post-Hegelian movements in philosophy: Marxism, existentialism, pragmatism, analytic philosophy, hermeneutics and French poststructuralism. The breadth and depth of G. W. F. Hegel: Key Concepts makes it an invaluable introduction for philosophical beginners and a useful reference source for more advanced scholars and researchers.

For over one hundred and fifty years G.W.F. Hegel s ghost has haunted theoretical understanding and practice. His opponents first, and later his defenders, have equally defined their programs against and with his. In this way Hegel s political thought has both situated and displaced modern political theorizing.

This book takes the reception of Hegel s political thought as a lens through which contemporary methodological and ideological prerogatives are exposed. It traces the nineteenth century origins of the positivist revolt against Hegel s legacy forward to political science s turn away from philosophical tradition in the twentieth century. The book critically reviews the subsequent revisionist trend that has eliminated his metaphysics from contemporary considerations of his political thought. It then moves to re-evaluate their relation and defend their inseparability in his major work on politics: the" Philosophy of Right." Against this background, the book concludes with an argument for the inherent metaphysical dimension of political theorizing itself. Goodfield takes Hegel s reception, representation, as well as rejection in Anglo-American scholarship as a mirror in which its metaphysical presuppositions of the political are exceptionally well reflected. It is through such reflection, he argues, that we may begin to come to terms with them.

This book will be of great interest to students, scholars, and readers of political theory and philosophy, Hegel, metaphysics and the philosophy of the social sciences."

It is difficult to imagine a world without common sense, the distinction between truth and falsehood, the belief in some form of morality or an agreement that we are all human. But Friedrich Nietzsche did imagine such a world, and his work has become a crucial point of departure for contemporary critical theory and debate. This volume introduces this key thinker to students of literary and cultural studies, offering a lucid account of Nietzsche's thought on:
* anti-humanism
* good and evil
* the Overman
* nihilism
* the Will to Power.
Lee Spinks prepares readers for their first encounter with Nietzsche's most influential texts, enabling them to begin to apply his thought in studies of literature, art and contemporary culture.

Gathering together an impressive array of legal scholars from around the world, this book features essays on Jeremy Bentham's major legal theoretical treatise, Of the Limits of the Penal Branch of Jurisprudence, reassessing Bentham's theories of law as well as his impact on jurisprudence. While offering a suggestive picture of contemporary Bentham studies, the book provides a thorough examination of concepts such as legal discourse, legal norms, legal system, and subjective legal positions. The book compares Bentham's approach with other landmark theories and the works of major legal philosophers including Austin, Hart and Kelsen, and explores Bentham's treatise through major trends in contemporary legal thought, such as the imperative theory of law, deontic logic, Scandinavian and American legal realisms, the pure theory of law, and critical legal thought. Resisting any apologetic stance, the book elucidates how consistent with Bentham's all-encompassing project of utilitarian reform 'Limits' turns out to be, and how this sheds light on contemporary modes of governance. The book will be great use and interest to scholars and students of contemporary jurisprudence, legal theory, 19th century philosophy, and public law.

Hegel's philosophy has witnessed periods of revival and oblivion, at times considered to be an unrivalled and all-embracing system of thought, but often renounced with no less ardour. This book renews the dialogue with Hegel by looking at his legacy as a source of insight and judgement that helps us rethink contemporary economics. This book focuses on a concept of institution which is equally important for Hegel's political philosophy and for economic theory to date. The key contributions of this Hegelian perspective on economics lead us to the synthesis of traditional approaches and new ideas gained in economic experiments and advanced by neuroeconomists, sociologists and cognitive scientists. The proper account of contemporary 'civil society' involves comprehending it as a historically evolving totality of individual minds, ideas and intersubjective structures that are mutually dependent, tied by recognitive relations, and assert themselves as a whole in the ongoing performative movement of 'objective spitit'. The ethics of recognition is paired with the ethics of associations that supports moral principles and gives them true, concrete universality. This unusual constellation of seemingly remote fields suggests that Hegel, read in a pragmatist mode, anticipated the new theories and philosophies of extended mind, social cognition and performativity. By providing a new conceptual apparatus and reformulating the theory of institutions in the light of this new synthesis, this book claims to give new meaning both to Hegel as interpreted from today, and to the social sciences. Seen from this perspective, such phenomena as cooperation in games, personal identity or justice in the version of Amartya Sen's 'realization-focused comparisons' are reinscribed into the logic of institutional theory. This 'Hegel' clearly goes beyond the limits of philosophical discussion and becomes a decisive reference for economists, sociologists, political scientists and other scholars who study the foundations and consequences of human sociality and try to explore and design the institutions necessary for a worthy common life.

Kierkegaard's Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard's writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard's thought. Concepts have been selected on the basis of their importance for Kierkegaard's contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

Hegel's debts to ancient philosophy are widely acknowledged by scholars, and by the philosopher himself. Roughly half of his Lectures on the History of Philosophy is devoted to ancient philosophy, and throughout his work Hegel frequently frames his positions in relation to the thinkers and movements of antiquity. This volume presents original essays from leading scholars dealing with Hegel's debts to ancient thinkers, as well as his own, often problematic readings of ancient philosophy. While around half of the chapters discuss Hegel's treatment of Aristotle-a topic that has long been at the forefront of scholarship-the other half explore his relationship to such ancient figures as Xenophanes, Anaxagoras, Socrates, Plato, Sextus Empiricus, and the Stoics. The essays challenge a number of longstanding scholarly assumptions regarding, for example, Hegel's denigration of the "mythical," his developmentalist approach to ancient thought, his conception of the state in relation to the Greek polis, his "hermeneutic" of the Platonic dialogues, and his use of Aristotelian concepts in arguments concerning the psyche, the body, and their unity and distinction.

Encyclopedia of Nineteenth Century Thought provides essential information on, and a critical interpretation of, nineteenth-century thought and nineteenth-century thinkers. The project takes as its temporal boundary the period 1789 to 1914. Encyclopedia of Nineteenth Century Thought primarily covers social and political thinking, but key entries also survey science, religion, law, art, concepts of modernity, the body and health, and so on, and thereby take into account all of the key developments in the intellectual history of the period. The encyclopedia is alphabetically organized, and consists of: * principal entries, divided into ideas (4000 words) and persons (2500 words) * subsidiary entries of 1000 words, which are entirely biographical * informational entries of 500 words, which are also biographical.

By contextualizing Walter Pater's aestheticism alongside Alexandre Kojeve's and Georges Bataille's readings of Hegelianism, this book shows that Pater's aestheticism constitutes both a philosophy of death and at the same time a philosophy of the impossibility of death.

Published in 1971: This book represents the Posthumous works of the author, as well as lectures on Philosophy, Astronomy, and Science.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome II is dedicated to the use of Kierkegaard by later Danish writers. Almost from the beginning Kierkegaard's works were standard reading for these authors. Danish novelists and critics from the Modern Breakthrough movement in the 1870s were among the first to make extensive use of his writings. These included the theoretical leader of the movement, the critic Georg Brandes, who wrote an entire book on Kierkegaard, and the novelists Jens Peter Jacobsen and Henrik Pontoppidan. The next generation of writers from the turn of the century and through the First World War also saw in Kierkegaard important points of inspiration. These included Ernesto Dalgas and Harald Kidde, who used elements of Kierkegaard's thought in their novels. Modern Danish writers such as Karen Blixen, Martin A. Hansen, and Villy SArensen have continued to incorporate Kierkegaard into their works. There can be no doubt that Kierkegaard has indelibly stamped his name on Danish literature.

Comparing Averroes' and Hegel's positions on the relation between philosophy and religion, this book explores the theme of the authorities of faith and reason, and the origin of truth, in a medieval Islamic and a modern Christian context respectively. Through an in-depth analysis of Averroes' and Hegel's parallel views on the nature of philosophical and religious discourse, Belo presents new insights into their perspectives on the relation between philosophical knowledge and religious knowledge, and the differences between philosophy and religion. In addition, Belo explores particular works which have not yet been studied by modern scholarship.

John Stuart Mill's thought has been central in recent (as well as older) works of political theory discussing the relationship between liberal democratic politics and nationality or nationalism -- which is far from surprising, given his undisputed influence on liberal attitudes towards nationality from the 1860s to the present. This book provides the first thorough critical study of the attitude of this pillar of the liberal tradition towards nationality, nationhood, patriotism, cosmopolitanism, intervention/non-intervention, and international politics more generally. Based on exhaustive research in a great range or writings by Mill, as well as by his contemporaries and later students, it establishes for the first time clearly and subtly where exactly Mill stood with regard to nationhood, nationalism, patriotism, cosmopolitanism, national self-determination, intervention/non-intervention and other important issues in international ethics. It thus exposes and challenges all sorts of misconceptions, half-truths, or myths surrounding Mill's views on, and attitude towards, nationality and related issues in a vast literature from the mid-nineteenth to the beginning of the twenty-first century. At the same time, it offers a timely contribution to contemporary debates among political theorists on the relationship between liberal democratic values and nationalism, patriotism and cosmopolitanism, not least through its articulation of a distinct sense in which patriotism and cosmopolitanism can be compatible and mutually reinforcing (based on Varouxakis's interpretation of Mill's thought on this question). The reader will find critical discussions of the pronouncements on some of the issues examined (or on Mill's contributions to them) of some of the most important late-twentieth-century political theorists as well as of contemporaries or near-contemporaries of Mill.

The arguments advanced in the second chapter of On Liberty (1859) have become the touchstone for practically every discussion of freedom of speech, yet the broader development of John Stuart Mill's ideas concerning intellectual liberty has generally been neglected. This work attempts to fill that lacuna by looking beyond On Liberty, in order to understand the evolution of Mill's ideas concerning freedom of thought and discussion.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables and allegories. The present volume documents this influence in the different language groups and traditions. Tome III investigates the works of Swedish and Norwegian writers and artists inspired by Kierkegaard. In Sweden the novelist Victoria Benedictsson made use of Kierkegaard during the period of the so-called Modern Breakthrough, as did the playwright August Strindberg. Later Swedish writers have continued to draw on his thought, such as Selma Lagerlof, Lars Ahlin, Lars Gyllensten, and Carl-Henning Wijkmark. The Norwegian reception of Kierkegaard also began remarkably early and was shaped by the leading names in Norwegian cultural life. Despite his coy responses to questions about his relation to Kierkegaard, Henrik Ibsen clearly seems to have been inspired by the Dane in works such as Brand. Norwegian writer and poet Bjornstjerne Bjornson, who was influenced by the Modern Breakthrough movement, was also deeply inspired by Kierkegaard. Finally, the celebrated Norwegian artist Edvard Munch (1863-1944) closely studied key Kierkegaardian concepts such as anxiety, and his influence is notable in his iconic paintings such as The Scream.

Both Hegel's philosophy and psychoanalytic theory have profoundly influenced contemporary thought, but they are traditionally seen to work in separate rather than intersecting universes. This book offers a new interpretation of Hegel's Phenomenology of Spirit and brings it into conversation the work of two of the best-known contemporary psychoanalysts, Christopher Bollas and Andre Green. Hegel and Psychoanalysis centers a consideration of the Phenomenology on the figure of the Unhappy Consciousness and the concept of Force, two areas that are often overlooked by studies which focus on the master/slave dialectic. This book offers reasons for why now, more than ever, we need to recognize how concepts of intersubjectivity, Force, the Third, and binding are essential to an understanding of our modern world. Such concepts can allow for an interrogation of what can be seen as the profoundly false and constructed senses of community and friendship created by social networking sites, and further an idea of a "global community," which thrives at the expense of authentic intersubjective relations.

The essence of Hume's eighteenth-century philosophy was that all the sciences were 'dependent on the science of man', and that the foundations of any such science need to rest on experience and observation. This title, first published in 1932, examines in detail how Hume interpreted 'the science of man' and how he applied his experimental methodology to humankind's understanding, passions, social duties, economic activities, religious beliefs and secular history throughout his career. Particular attention is paid to the English, French and Latin sources that shaped Hume's theories. This is a full and fascinating title, of particular relevance to students with an interest in the philosophy of Hume specifically, as well as the philosophy of human nature and the methodologies applied to its study more generally.

The Immanent Word establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the "expressive" appropriation of Hamann and Herder by Christina Lafont and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy's uncritical championing of Schlegel's ideological position.