How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential.

Anger, Gratitude, and the Enlightenment Writer examines how writers as diverse as Rousseau, Diderot, Marivaux, and Challe discuss the social appropriateness of anger and gratitude in regulating social life. Emotions are social transactions, with rules identifying when and where it is appropriate to express one's feelings and, especially in the case of anger and gratitude, who is allowed or expected to put them on display. Defining the kinds of slight or favor that demand an angry or a grateful response became problematic in eighteenth-century France under the pressure of two contradictory developments which were both crucial to Enlightenment thinking about sociability. The first drew on the ideal of moral equality as it spread beyond the salons to the social world at large. Writers claimed for themselves an entitlement to anger at personal slight that had been hitherto reserved for aristocrats, and a respectful hearing for their indignation at public injustice despite their lack of official standing. The philosophes also argued their writing made them social benefactors in their own right, more deserving of their readers' gratitude than obliged to any patron. The second gave a new twist to longstanding philosophical notions about transcending emotional disturbance and dependence altogether. A personal ideal became a public goal as Enlightenment thinkers imagined a society where all significant social interaction was governed by the impersonal rule of law. Occasions for personal slight or obligation would disappear, and with them reasons for anger and gratitude. Instead of serving as a model of emotional legitimacy, authors would derive their prestige from their rationality and objectivity. By exploring the interplay between these two attitudes toward anger and gratitude this book provides a fresh perspective on the French Enlightenment.

This book offers a new interpretation of the metaphysics of Charles Peirce (1839-1914), the founder of pragmatism and one of America's greatest philosophers. Robert Lane begins by examining Peirce's basic realism, his belief in a world that is independent of how anyone believes it to be. Lane argues that this realism is the basis for Peirce's account of truth, according to which a true belief is one that would be settled by investigation and that also represents the real world. He then explores Peirce's application of his Pragmatic Maxim to clarify the idea of reality, his two forms of idealism, and his realism about generality and vagueness. This rich study will provide readers with a clear understanding of Peirce's thoughts on reality and truth and how they intersect, and of his views on the relation between the mind and the external world.

Understanding the emergence of a scientific culture - one in which cognitive values generally are modelled on, or subordinated to, scientific ones - is one of the foremost historical and philosophical problems with which we are now confronted. The significance of the emergence of such scientific values lies above all in their ability to provide the criteria by which we come to appraise cognitive enquiry, and which shape our understanding of what it can achieve.
The period between the 1680s and the middle of the eighteenth century is a very distinctive one in this development. It is then that we witness the emergence of the idea that scientific values form a model for all cognitive claims. It is also at this time that science explicitly goes beyond technical expertise and begins to articulate a world-view designed to displace others, whether humanist or Christian. But what occurred took place in a peculiar and overdetermined fashion, and the outcome in the mid-eighteenth century was not the triumph of 'reason', as has commonly been supposed, but rather a simultaneous elevation of the standing of science and the beginnings of a serious questioning of whether science offers a comprehensive form of understanding.
The Collapse of Mechanism and the Rise of Sensibility is the sequel to Stephen Gaukroger's acclaimed 2006 book The Emergence of a Scientific Culture. It offers a rich and fascinating picture of the development of intellectual culture in a period where understandings of the natural realm began to fragment.

This book joins the contemporary recovery of Kant's empirical works to highlight the relevance of his concept of culture for understanding the sources of various characteristic modern dilemmas, such as the tension between culture and happiness, the morally ambivalent nature of cultural progress, or the existing conflicts between a factual plurality of cultures and the historical forces pressing toward a universal civilization. The book will be of special interest for Kantian scholars, moral and political philosophers, as well as philosophers of culture.

Philosophy of language has for some time now been the very core of the discipline of philosophy. But where did it begin? Frege has sometimes been identified as its father, but in fact its origins lie much further back, in a tradition that arose in eighteenth-century Germany. Michael Forster explores that tradition. He also makes a case that the most important thinker within that tradition was J. G. Herder. It was Herder who established such fundamental principles in the philosophy of language as that thought essentially depends on language and that meaning consists in the usage of words. It was he who on that basis revolutionized the theory of interpretation ("hermeneutics") and the theory of translation. And it was he who played the pivotal role in founding such whole new disciplines concerned with language as anthropology and linguistics. In the course of developing these historical points, this book also shows that Herder and his tradition are in many ways superior to dominant trends in more recent philosophy of language: deeper in their principles and broader in their focus.

Acclaimed writer and historian Noel Malcolm presents his sensational discovery of a new work by Thomas Hobbes (1588-1679): a propaganda pamphlet on behalf of the Habsburg side in the Thirty Years' War, translated by Hobbes from a Latin original. Malcolm's book explores a fascinating episode in seventeenth-century history, illuminating both the practice of early modern propaganda and the theory of "reason of state."

J. B. Schneewind presents a selection of his published essays on ethics, the history of ethics and moral psychology, together with a new piece offering an intellectual autobiography. The volume ranges across the seventeenth, eighteenth, and nineteenth centuries: it includes Schneewind's early anti-foundationalist "Moral Knowledge and Moral Principles," the classic "The Misfortunes of Virtue," and other early essays on Kant's relation to pre-Kantian moral philosophy; also a long piece on "The Active Powers," and Schneewind's own interpretation of Kant's moral philosophy. These writings provide excellent introductions to Schneewind's two long books, and supplement them in important ways.

Milton and the Ineffable offers a comprehensive reassessment of Milton's poetic oeuvre in light of the literary and conceptual problem posed by the poet's attempt to put into words that which is unsayable and beyond representation. The struggle with the ineffability of sacred or transcendental subject matter in many ways defines Milton's triumphs as a poet, especially in Paradise Lost, and goes to the heart of the central critical debates to engage his readers over the centuries and decades. Taking an interdisciplinary conceptual approach, this study sheds fresh light on many of these debates by situating Milton's poetics of ineffability in the context of the intellectual cross-currents of Renaissance humanism and Protestant theology. The book plots an ongoing narrative in Milton's poetry about silence and ineffable mystery which forms the intellectual framework within which Milton continually shapes and reshapes his poetic vision of the created universe and the elect man's singular place within it. From the free paraphrase of Psalm 114 to Paradise Regained, the presence of the ineffable insinuates itself into Milton's poetry as both the catalyst and check for his poetic creativity, where the fear of silence and ineffable mystery on the one hand, and the yearning to lose himself and his readers in unspeakable rapture on the other, becomes a struggle for poetic self-determination and finally redemption.

Studies of Kant's moral and political philosophy have increasingly focused on his last major work in ethics, "The Metaphysics of Morals". This work is here discussed in 17 essays by leading contemporary Kant scholars, most of them specially written for this volume. They cover a broad range of topics, including Kant's views on rights, punishment, contract, practical reasoning, revolution, freedom, virtue, legislation, happiness, moral judgement, love, respect, duties to oneself, and motivation. Focusing solely on "Metaphysics of Morals" the book is intended as a significant contribution to contemporary moral and political philosophy.

Russell Hardin presents a new explication of David Hume's moral and political theory. With Hume, he holds that our normative views can be scientifically explained but they cannot be justified as true. Hume argued for the psychological basis of such views. In particular, he argued for sympathy as the mirroring of the psychological sensations and emotions of others. By placing Hume in the developing tradition of social science, as a strong forerunner of his younger friend Adam Smith, Hardin demonstrates Hume's strong strategic sense, his nascent utilitarianism, his powerful theory of convention as a main source of social and political order, and his recognition of moral and political theory as a single enterprise.

A bold and beautifully written exploration of the "afterlife" of God, showing how apparently secular habits of mind in fact retain the structure of religious thought. Once in the West, our lives were bounded by religion. Then we were guided out of the darkness of faith, we are often told, by the cold light of science and reason. To be modern was to reject the religious for the secular and rational. In a bold retelling of philosophical history, Michael Rosen explains the limits of this story, showing that many modern and apparently secular ways of seeing the world were in fact profoundly shaped by religion. The key thinkers, Rosen argues, were the German Idealists, as they sought to reconcile reason and religion. It was central to Kant's philosophy that, if God is both just and assigns us to heaven or hell for eternity, we must know what is required of us and be able to choose freely. In trying to live moral lives, Kant argued, we are engaged in a collective enterprise as members of a "Church invisible" working together to achieve justice in history. As later Idealists moved away from Kant's ideas about personal immortality, this idea of "historical immortality" took center stage. Through social projects that outlive us we maintain a kind of presence after death. Conceptions of historical immortality moved not just into the universalistic ideologies of liberalism and revolutionary socialism but into nationalist and racist doctrines that opposed them. But how, after global wars and genocide, can we retain faith in any conception of shared moral progress and, if not, what is to become of the idea of historical immortality? That is our present predicament. A seamless blend of philosophy and intellectual history, The Shadow of God is a profound exploration of secular modernity's theistic inheritance.

Flix Ravaissons seminal philosophical essay, Of Habit, was first published in French in 1838. It traces the origins and development of habit and proposes the principle of habit as the foundation of human nature. This metaphysics of habit steers a path between materialism and idealism in one of the best and most sophisticated treatments of the topic. Ravaissons work was pivotal in the development of European thought and has had a significant influence on such key thinkers as Proust, Bergson, Heidegger, Merleau-Ponty, Derrida, and Deleuze. This edition makes this remarkable and hugely important work available to an English-speaking audience for the first time. Clare Carlisle and Mark Sinclair provide a comprehensive introduction to Ravaissons life, works and enduring influence that clearly situates Ravaissons text within the European philosophical tradition. The translation also includes a thorough commentary on the text that illuminates its arguments and its context.

Before Marcuse and Laing, before Heidegger and Sartre, even before Freud, the way was prepared for the anarcho-psychological critique of economic man, of all codes of ideology or absolute morality, and of scientific habits of mind. First published in 1974, this title traces this philosophical tradition to its roots in the nineteenth century, to the figures of Stirner, Nietzsche and Dostoevsky, and to their psychological demolition of the two alternative axes of social theory and practice, a critique which today reads more pertinently than ever, and remains unanswered. To understand this critique is crucial for an age which has shown a mounting revulsion at the consequences of the Crystal Palace, symbol at once of technologico-industrial progress and its rationalist-scientist ideology, an age whose imaginative preoccupations have telescoped onto the individual, and whose interest has switched from the social realm to that of anarchic, inner, 'psychological man'.

One of the most iconoclastic philosophers of all time, Nietzsche dramatically rejected notions of good and evil, truth and God. Beyond Good and Evil demonstrates that the world is steeped in false piety and infected with a 'slave morality'. With wit and subversive energy, Nietzsche demands that the individual impose their own 'will to power' upon the world.

Marco Sgarbi tells a new history of epistemology from the Renaissance to Newton through the impact of Aristotelian scientific doctrines on key figures including Galileo Galilei, Thomas Hobbes, Rene Descartes, John Locke, Gottfried Wilhelm Leibniz and Isaac Newton. This history illuminates the debates philosophers had on deduction, meditation, regressus, syllogism, experiment and observation, the certainty of mathematics and the foundations of scientific knowledge. Sgarbi focuses on the Aristotelian education key philosophers received, providing a concrete historical framework through which to read epistemological re-definitions, developments and transformations over three centuries. The Age of Epistemology further highlights how Aristotelianism itself changed over time by absorbing doctrines from other philosophical traditions and generating a variety of interpretations in the process.

Soren Kierkegaard (1813-1855) was first and foremost a Christian thinker who is perhaps best known for his devastating attack upon Christendom or the established order of his time. Not since Luther has there been a Protestant thinker who has so uncompromisingly sought to define and present Christianity in its utmost integrity. Characterizing Christianity as an 'existence-communication' rather than a doctrine, Kierkegaard sought to portray what it means to be a Christian in the strictest sense in the interest of reintroducing authentic Christianity as an existential possibility for every individual in the modern age. Sylvia Walsh explores Kierkegaard's understanding of Christianity and the existential mode of thinking theologically appropriate to it in the context of the intellectual, cultural, and socio-political milieu of his time. She contrasts his approach with objective ways of doing theology which in his view falsify Christianity and the believer's relation to it. The study begins with a biographical overview of the personal and intellectual influences, theological upbringing, important events, and phases of authorship in Kierkegaard's life. Walsh highlights some of his most important contributions to Christian thought concerning the Christian understanding of God; our human condition in anxiety, sin, and despair and the task of becoming a self before God; Christ as the absolute paradox, redeemer, and prototype; the Christian life of faith, hope, and love; and the relation of religion, culture, and society."

What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliche and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the most sublime hysteric , he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.

This volume explores Nietzsche's decisive encounter with the ancient philosopher, Epicurus. The collected essays examine many previously unexplored and underappreciated convergences, and investigate how essential Epicurus was to Nietzsche's philosophical project through two interrelated overarching themes: nature and ethics. Uncovering the nature of Nietzsche's reception of, relation to, and movement beyond Epicurus, contributors provide insights into the relationship between suffering, health and philosophy in both thinkers; Nietzsche's stylistic analysis of Epicurus; the ethics of self-cultivation in Nietzsche's Epicureanism; practices of eating and thinking in Nietzsche and Epicurus; the temporality of Epicurean pleasure; the practice of the gay science, and Epicureanism and politics. The essays also provide creative comparisons with the Stoics, Hobbes, Mill, Guyau, Buddhism, and more. Nietzsche and Epicurus offers original and illuminating perspectives on Nietzsche's relation to the Hellenistic thinker, in whom Nietzsche saw the embodiment of the practice of philosophy as an art of existing.

More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings.
Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Throughsophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.

This Handbook provides a comprehensive and authoritative analysis of the philosophical dimensions of German Romanticism, a movement that challenged traditional borders between philosophy, poetry, and science. With contributions from leading international scholars, the collection places the movement in its historical context by both exploring its links to German Idealism and by examining contemporary, related developments in aesthetics and scientific research. A substantial concluding section of the Handbook examines the enduring legacy of German romantic philosophy. Key Features: * Highlights the contributions of German romantic philosophy to literary criticism, irony, cinema, religion, and biology. * Emphasises the important role that women played in the movement's formation. * Reveals the ways in which German romantic philosophy impacted developments in modernism, existentialism and critical theory in the twentieth century. * Interdisciplinary in approach with contributions from philosophers, Germanists, historians and literary scholars. Providing both broad perspectives and new insights, this Handbook is essential reading for scholars undertaking new research on German romantic philosophy as well as for advanced students requiring a thorough understanding of the subject.

John Stuart Mill's On Liberty is widely regarded as one of the most influential and stirring pieces of political philosophy ever written. Ever relevant in our increasingly surveillance dominated culture, the essay argues strongly in favour of the moral rights of individuality, including rights of privacy and of freedom of expression. The Routledge Guidebook to Mill's On Liberty introduces the major themes in Mill's great book and aids the reader in understanding this key work, covering: the context of Mill's work and the background to his writing each separate part of the text in relation to its goals, meanings and impact the reception the book received when first seen by the world the relevance of Mill's work to modern philosophy. With further reading included for each chapter, this text is essential reading for all students of philosophy and political theory, and all those wishing to get to grips with this classic work of political philosophy.

This book is a consideration of Hegel's view on logic and basic logical concepts such as truth, form, validity, and contradiction, and aims to assess this view's relevance for contemporary philosophical logic. The literature on Hegel's logic is fairly rich. The attention to contemporary philosophical logic places the present research closer to those works interested in the link between Hegel's thought and analytical philosophy (Stekeler-Weithofer 1992 and 2019, Berto 2005, Rockmore 2005, Redding 2007, Nuzzo 2010 (ed.), Koch 2014, Brandom 2014, 1-15, Pippin 2016, Moyar 2017, Quante & Mooren 2018 among others). In this context, one particularity of this book consists in focusing on something that has been generally underrated in the literature: the idea that, for Hegel as well as for Aristotle and many other authors (including Frege), logic is the study of the forms of truth, i.e. the forms that our thought can (or ought to) assume in searching for truth. In this light, Hegel's thinking about logic is a fundamental reference point for anyone interested in a philosophical foundation of logic.

John Locke (1632-1704) was a prolific correspondent and left behind him over 3,600 letters, a collection almost unmatched in pre-modern times. A man of insatiable curiosity and wide social connections, his letters open up the cultural, social, intellectual, and political worlds of the later Stuart age. Spanning half a century, they mark the transition from the era of revolutionary Puritanism to the dawn of the Enlightenment. Locke is chiefly known as a philosopher, a theorist of empiricism in his Essay Concerning Human Understanding, a theorist of liberalism in his Two Treatises of Government, and a theorist of religious toleration in his Letter concerning Toleration. But his interests extended further still, to education, medicine, finance, theology, empire, and the natural world. He was a Fellow of the early Royal Society. He received letters from scholars in Paris and Amsterdam, from colonial administrators in Virginia, from aristocrats and shopkeepers, from children, from tenants, from politicians, from philosophic women, from astronomers, chemists, and physicists. He is one of the first people whose correspondence is as far flung as North America, India, and China. A friend of Anglican archbishops and of freethinking anticlericals, of Isaac Newton and Robert Boyle, of William Molyneux the 'virtuoso' of Dublin, of Jean LeClerc of Amsterdam, and of Damaris Masham, Locke stood in the midst of the 'Republic of Letters'. This book brings together 245 of the most important and revealing letters. Half of them are letters written by Locke (twelve per cent of the total number surviving), the other half are letters written to him. If Locke's place is already secure among those who explore philosophy and political ideas, these letters will give Locke a new presence among those who are interested in the social and cultural worlds of seventeenth-century Britain.

David and Mary Norton present the definitive scholarly edition of Hume's Treatise, one of the greatest philosophical works ever written. This set comprises the two volumes of texts and editorial material, which are also available for purchase separately. David Hume (1711 - 1776) is one of the greatest of philosophers. Today he probably ranks highest of all British philosophers in terms of influence and philosophical standing. His philosophical work ranges across morals, the mind, metaphysics, epistemology, religion, and aesthetics; he had broad interests not only in philosophy as it is now conceived but in history, politics, economics, religion, and the arts. He was a master of English prose. The Clarendon Hume Edition will include all of his works except his History of England and minor historical writings. It is the only thorough critical edition, and will provide a far more extensive scholarly treatment than any previous editions. This edition (which has been in preparation since the 1970s) offers authoritative annotation, bibliographical information, and indexes, and draws upon the major advances in textual scholarship that have been made since the publication of earlier editions - advances both in the understanding of editorial principle and practice and in knowledge of the history of Hume's own texts.