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Books > Humanities > Religion & beliefs > Non-Christian religions > Judaism > General
Thoroughly updated and revised for 2024, JERUSALEM: THE BIOGRAPHY is the history of the Middle East through the lens of the Holy City and the Holy Land, from King David to the wars and chaos of today.
The history of Jerusalem is the story of the world: Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths. The Holy City and Holy Land are the battlefields for today's multifaceted conflicts and, for believers, the setting for Judgement Day and the Apocalypse.
How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East? Why is the Holy Land so important not just to the region and its many new players, but to the wider world too? Drawing on new archives and a lifetime's study, Montefiore reveals this ever-changing city and turbulent region through the wars, love affairs and revelations of the kings, empresses, amirs, sultans, caliphs, presidents, autocrats, imperialists and warlords, poets, prophets, saints and rabbis, conquerors and whores who created, destroyed, chronicled, and believed in Jerusalem and the Holy Land.
A classic of modern literature, this is not only the epic story of 3,000 years of faith, slaughter, fanaticism, co-existence, power and myth, but also a freshly updated, carefully balanced history of the Middle East, from King David to the new players and powers of the twenty-first century, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict and the mayhem of today.
This is how today's Middle East was forged, how the Holy Land became sacred and how Jerusalem became Jerusalem - the only city that exists twice - in heaven and on earth.
In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day. While still living amid the most brutal and dehumanising of circumstances, they were also made to give weekly concerts for Nazi officers, and individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.
What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba traces these tangled questions of deep moral complexity with sensitivity and care.
From Alma Rosé, the orchestra's main conductor, niece of Gustav Mahler and a formidable pre-war celebrity violinist, to Anita Lasker-Wallfisch, its teenage cellist and last surviving member, Sebba draws on meticulous archival research and exclusive first-hand accounts to tell the full and astonishing story of the orchestra, its members and the response of other prisoners for the very first time.
This book offers a novel approach for the study of law in the
Judean Desert Scrolls, using the prism of legal theory. Following a
couple of decades of scholarly consensus withdrawing from the
"Essene hypothesis," it proposes to revive the term, and suggests
employing it for the sectarian movement as a whole, while
considering the group that lived in Qumran as the Yahad. It further
proposes a new suggestion for the emergence of the Yahad, based on
the roles of the Examiner and the Instructor in the two major legal
codes, the Damascus Document and the Community Rule. The
understanding of Essene law is divided into concepts and practices,
in order to emphasize the discrepancy between creed, rhetoric, and
practices. The abstract exploration of notions such as time, space,
obligation, intention, and retribution, is then compared against
the realities of social practices, including admission, initiation,
covenant, leadership, reproof, and punishment. The legal analysis
yields several new suggestions for the study of the scrolls: first,
Amihay proposes to rename the two strands of thought of Jewish law,
formerly referred to as "nominalism" and "realism," with the terms
"legal essentialism" and "legal formalism." The two laws of
admission in the Community Rule are distinguished as two different
laws, one of an association for a group as a whole, the other as an
admission of an individual. The law of reproof is proven to be an
independent legal procedure, rather than a preliminary stage of
prosecution. The methodological division in this study of thought
and practice provides a nuanced approach for the study of law in
general, and religious law in particular.
Shalom Sadik interrogates the nature of Maimonides' religious
philosophy through examination of secrets in the philosopher's
Guide for the Perplexed, the role of dialectic in his philosophy,
the relationship between natural law and God's commandments, and
the question of free will.
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