Hakol Kol Yaakov: The Joel Roth Jubilee Volume contains articles dedicated to Rabbi Joel Roth, written by colleagues and students. Some are academic articles in the general area of Talmud and Rabbinics, while others are rabbinic responsa that treat an issue of contemporary Jewish law. These articles reflect the unique and integrated voice and vision that Joel Roth has brought to the American Jewish community.

What role does, could or should theology play in current discussions about our political realities? Is there a place for theological worldviews in the public conversation about policy making? Should theology critically unmask the underlying theological and metaphysical sources of contemporary politics? The contributors to this volume reflect on new questions in public and political theology, inspired by the theology of Edward Schillebeeckx. They discuss a variety of theological traditions and theories that could offer substantial contributions to current political challenges, and debate whether theology should contribute to the liberation of communities of poor and suffering people.

For generations, early Franciscan thought has been widely regarded as unoriginal: a mere attempt to systematize the longstanding intellectual tradition of Augustine in the face of the rising popularity of Aristotle. This volume brings together leading scholars in the field to undertake a major study of the major doctrines and debates of the so-called Summa Halensis (1236-45), which was collaboratively authored by the founding members of the Franciscan school at Paris, above all, Alexander of Hales, and John of La Rochelle, in an effort to lay down the Franciscan intellectual tradition or the first time. The contributions will highlight that this tradition, far from unoriginal, laid the groundwork for later Franciscan thought, which is often regarded as formative for modern thought. Furthermore, the volume shows the role this Summa played in the development of the burgeoning field of systematic theology, which has its origins in the young university of Paris. This is a crucial and groundbreaking study for those with interests in the history of western thought and theology specifically.

Challenging Bruce McCormack's paradigm of post-Kantian Barth scholarship, this book builds on the interpretative model that Sigurd Baark developed in 2018. This model interprets Barth's innovative adoption of an Anselmian mode of theological speculation, against the intellectual-historical background of the idealist tradition of speculative metaphysics that culminated in Hegel. This book argues that Barth adopted the Anselmian mode of speculation in which immediate self-identity between subject, object, and act is found in the triune God alone, while the speculative identity that enables human knowledge of God is none other than the identity between God-in-and-for-Godself and God-for-us. Exploring the nationalistic dimension of speculative metaphysics in 19th-century Germany, Tseng identifies this as an important aspect of the context of Barth's development of a Christocentric form of speculative theology.

The Re-enchantment of the World is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Gordon Graham takes as his starting point Max Weber's idea that contemporary Western culture is marked by a "disenchantment of the world"--the loss of spiritual value in the wake of religion's decline and the triumph of the physical and biological sciences. Relating themes in Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to topics in contemporary philosophy of the arts, Graham explores the idea that art, now freed from its previous service to religion, has the potential to re-enchant the world. In so doing, he develops an argument that draws on the strengths of both "analytical" and "continental" traditions of philosophical reflection.
The opening chapter examines ways in which human lives can be made meaningful as a background to the debates surrounding secularization and secularism. Subsequent chapters are devoted to painting, literature, music, architecture, and festival with special attention given to Surrealism, 19th-century fiction, James Joyce, the music of J. S. Bach and the operas of Wagner. Graham concludes that that only religion properly so called can "enchant the world," and that modern art's ambition to do so fails.

The Knowledge of God turns to consider the knowledge of God revealed in the Word of God, with several essays addressing the doctrine of God, then the person of Christ, and finally the miracle of the church. Michael Allen shows the exegetical shape of historical and dogmatic reasoning as well as the significance of thinking about these topics in their interrelationships with a range of other Christian themes, not least the doctrine of the living and true God. In each of these topics, the theme of the promise and nature of God's presence (whether in his own life or then in the economy of the incarnation and of the church) proves to be a unifying thread. The gospel is shown to be rooted backward in God's own life and to have consequence forward for the ongoing life of Christ displayed in his church. This volume explores what it means to learn of and come to know God, who has life in himself and then shares his life with us in the coming of his Son and the ongoing presence amidst his body, the church of Christ.