In The Jewish Museum: History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem Natalia Berger traces the history of the Jewish museum in its various manifestations in Central Europe, notably in Vienna, Prague and Budapest, up to the establishment of the Bezalel National Museum in Jerusalem. Accordingly, the book scrutinizes collections and exhibitions and broadens our understanding of the different ways that Jewish individuals and communities sought to map their history, culture and art. It is the comparative method that sheds light on each of the museums, and on the processes that initiated the transition from collection and research to assembling a type of collection that would serve to inspire new art.

In Jewish Youth around the World 1990-2010: Social Identity and Values, Erik Cohen offers a rich and multi-faceted picture of Jewish adolescents and young adults today. Based on numerous empirical studies conducted by the author over the course of two decades among various populations in Israel and every major Diaspora country, it considers a range of issues, including: demographics and migration patterns, Jewish identity, involvement in the Jewish community, leisure time activities, values, relationship to Israel and to the global Jewish collective. In-depth analysis of the data uncovers similarities and differences of various sub-populations by nationality, level of religiosity, age, gender and more. The book is pioneering in its comparative approach to Jewish youth around the world.

This book examines Sami shamanism in Norway as a uniquely distinctive local manifestation of a global new religious phenomenon. It takes the diversity and hybridity within shamanic practices seriously through case studies from a Norwegian setting and highlights the ethnic dimension of these currents, through a particular focus on Sami versions of shamanism. The book's thesis is that the construction of a Sami shamanistic movement makes sense from the perspective of the broader ethno-political search for a Sami identity, with respect to connections to indigenous peoples worldwide and trans-historically. It also makes sense in economic and marketing terms. Based on more than ten years of ethnographic research, the book paints a picture of contemporary shamanism in Norway in its cultural context, relating it both to the local mainstream cultures in which it is situated and to global networks. By this, the book provides the basis for a study revealing the development of inventiveness, nuances and polyphony that occur when a global religion of shamanism is merged in a Norwegian setting, colored by its own political and cultural circumstances.