Following the success of A Dog a Day (Pavilion, 2017), Sally Muir returns with a sea of new, but crucially old, faces. Several years ago Sally Muir began a Facebook project, 'A Dog a Day', posting dog art daily. Through the project she was introduced to endless people and their dogs, and the distinct personalities and complex emotions that owners attribute to them. More recently, Sally's project changed focus and she asked the public to send in photographs of their old dogs. Featuring grey muzzles, milky eyes and wobbly legs, as well as tender anecdotes picked up from a whole lifetime of companionship, Sally Muir's paintings of our more senior canines are collected here for the first time. Sally Muir is well known for her portrayal of dogs, with Elderly Dog featuring in the Royal Academy Summer Exhibition in 2018 and Hound following up in the Summer Exhibition in 2019. The popularity of Elderly Dog has fuelled Sally's desire to continue to paint older dogs, and celebrate the ageing process of our favourite pets in grace and style. From loose sketches and lithographs to potato prints and oil paintings, Old Dogs includes a range of mediums that Sally has become known for, and embraces dogs of all shapes and sizes: big, small, pedigree and cross breed.

This notebook features a beautiful cover illustration by acclaimed nature artist Jane Smith. It contains 192 pages of lined paper, head-and-tail bans, a ribbon marker and band to keep it securely fastened.

Award-winning artist Angela Gaughan shares with you a life time's worth of experience in art. This book provides an insight into the distinctive techniques Angela Gaughan uses to achieve her amazingly detailed, life-like wildlife paintings. It is an inspirational guide to painting in acrylics; both for experienced artists who are interested in Angela's methods, and those wishing to improve their skills. Sumptuous colour is at the heart of Angela's vivid, beautiful art work. Her unique techniques combine the advantages of acrylics and oils. In this inspirational book, Angela shares with you a lifetime's worth of experience in art. Learn her unique approach to using acrylics to produce depth and character in your own wildlife artwork, and follow the step-by-step demonstrations as you build up your skills. The book begins with detailed coverage of the materials, tools and media Angela uses. Chapters on colour and light, gathering reference, and composition build upon Angela's working method guiding you through her stages of working, from using photographic references, through completing a tonal drawing, to using transparent washes and opaque colours to create a full painting. The instructional techniques then connect into substantial chapters on colour, composition and finish off with masterwork techniques to help more advanced artists push their artwork further.

Featuring 200 meticulous and anatomically accurate drawings that capture each magnificent owl in multiple poses and from every angle, this reference provides wildlife artists with the tools to draw, paint, sculpt, carve, and study these majestic birds. The comprehensive drawings and color graphs capture the essence of the owls' watchful and predatory nature, and scaled charts allow carvers to create their desired dimensions without sacrificing proportion. With the combination of in-flight and still photographs, everyone from wildlife artists and bird watchers to nature enthusiasts can create these formidable nighttime hunters in minute detail--down to the stripes, speckles, and streaks of their feathers.

Choreographies of the Living explores the implications of shifting from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman reveals the aesthetic impulse itself to be profoundly trans-species, and in doing so she revises our received wisdom about the value and functions of artistic capacities. Countering the long history of aesthetic theory in the West-beginning with Plato and Aristotle, and moving up through the recent claims of "neuroaesthetics"-Rohman challenges the likening of aesthetic experience to an exclusively human form of judgment. Turning toward the animal in new frameworks for understanding aesthetic impulses, Rohman emphasizes a deep coincidence of humans' and animals' elaborations of fundamental life forces. Examining a range of literary, visual, dance, and performance works and processes by modernist and contemporary figures such as Isadora Duncan, D. H. Lawrence, Virginia Woolf, and Merce Cunningham, Rohman reconceives the aesthetic itself not as a distinction separating humans from other animals, but rather as a framework connecting embodied beings. Her view challenges our species to acknowledge the shared status of art-making, one of our most hallowed and formerly exceptional activities.

Playing cards that feature beautiful hummingbird photography This gorgeous deck of playing cards, put together by award-winning nature photographer Stan Tekiela, features 54 striking photographs of North America's hummingbirds, including the Ruby-throated, Black-chinned and Rufous hummingbirds. Anyone who appreciates birds will love having these cards for playing their favorite games.

The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History, vol. 2

Julia Rothman's best-selling illustrated Anatomy series takes a deep dive into the wonders of the sea with Ocean Anatomy. Follow Rothman's inquisitive mind and perceptive eye along shorelines, across the open ocean, and below the waves for an artistic exploration of the watery universe. Through her drawings, discover how the world's oceans formed, why the sea is salty, and the forces behind oceanic phenomena such as rogue waves. Colorful anatomical profiles of sea creatures from crustacean to cetacean, surveys of seafaring vessels and lighthouses, and the impact of plastic and warming water temperatures are just part of this compendium of curiosities that will entertain and educate readers of all ages. Also available in this series: Nature Anatomy, Farm Anatomy, Food Anatomy, and Nature Anatomy Notebook

In Neo-Impressionism and Anarchism in Fin-de-Siecle France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elisee Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Nel Whatmore's 'Up Up and Away'. Nel Whatmore is a fine artist, well known for her floral paintings and abstracts. A contemporary colourist, her paintings are both expressionist and evocative. She seeks to constantly explore mediums and their ability to convey emotion. Her work is varied and encapsulates her interest in expressionist painting.

Our Butterflies QuickNotes collection of full colour notecards are a selection of beautifully reprinted watercolour paintings from the very talented Becca Stadtlander. Our QuickNotes boxed notecards are full colour, collectable greeting / notecards that are blank inside and can be used to convey personal greetings, thank-yous and invitations. 20 5x4 notecards and envelopes 5 cards each of 4 images Packaged in a keepsake box with magnetic lid Measures 140 x 114 x 38mm. We choose the best images from well-known classic and contemporary fine artists, plus talented emerging illustrators and designers from around the globe.

Animals and Artists discusses a selection of modern and contemporary artworks that challenge traditional representations of nonhuman animals, and that expose human viewers to animal otherness. It argues that the individuated and discrete human self in possession of consciousness, rationality, empathy, a voice, and a face, is open to challenge by nonhuman capacities such as distributed cognition, gender ambiguity, metamorphosis, mimicry and avian speech. In traditional philosophy, animals represent all that is lacking in humankind. However, Animals and Artists argues that just because humans frame 'the animal' as a negative term, their binary opposite and everything that they are not, does not mean that animals have no meaning in themselves. Rather, animals in their very unknowability, mark the limits of human thinking. By combining art analysis with poststructuralist, post humanist and animal studies theories as well as scientific research, Elizabeth decentres the human and establishes a new position where differences are embraced. In our current moment of ecological crisis, Animals and Artists brings readers into solidarity with other animal species, among them spiders, silkworms, bees, parrots and octopuses. The book raises empathy for other live forms, drawing attention to the shared vulnerabilities of human and nonhuman animals, and in so doing underlines the power of art to bring about social change. Readers will include animal studies scholars, artists, art historians, Jean Painleve scholars, Surrealist enthusiasts, non-academics who are concerned about the human-animal relationship, the environment or larger identity politics issues.

Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.

Flower painter Pierre-Joseph Redoute (1759-1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon's wife Josephine, he was dubbed "the Raphael of flowers," and is regarded to this day as a master of botanical illustration. This collection brings our best-selling XL-sized edition to a smaller, more convenient format, still gathering some of the finest color engravings from Redoute's illustrations of Roses, Lilies, and Choix des plus belles fleurs et quelques branches des plus beaux fruits (Selection of the Most Beautiful Blooms and Branches with the Finest Fruits). Offering a vibrant overview of Redoute's admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The study of the creation of canine breeds in early modern Europe, especially Spain, illustrates the different constructs against which notions of human identity were forged. This book is the first comprehensive history of early modern Spanish dogs and it evaluates how two of Spain's most celebrated and canonical cultural figures of this period, the artist Diego VelA!zquez and the author Miguel de Cervantes, radically question humankind's sixteenth-century anthropocentric self-fashioning. In general, this study illuminates how Animal Studies can offer new perspectives to understanding Hispanism, giving readers a fresh approach to the historical, literary and artistic complexity of early modern Spain.

Pebble-hunting is a pleasant hobby that makes little demand upon one's patience and still less upon one's physical energy. (You may even enjoy the hunt from the luxurious sloth of a deck chair). One of the true delights of the pebble-seeker is to read the stories in the stones - to determine whence and by what means they came to be there. We must always bear in mind that a pebble is a transient thing. It is in the half-way stage of a long existence . . .

This is a spirited guide to the simple pleasure of pebble spotting. Clarence Ellis is a charming, knowledgeable and witty guide to everything you didn't know there was to know about pebbles. He ruminates on what a pebble actually is, before showing us how they are formed, advising on the best pebble-spotting grounds in the UK, helping to identify individual stones, and giving tips onthe necessary kit. You'll know your chert from your schist, your onyx from your agate and will be on your guard for artificial intruders before you know it. Understanding the humble pebble makes a trip to the beach, lake-side or river bank simply that little bit more fascinating.

A handy illustrated guide to identifying pebbles is included on the reverse of the book jacket.

This book analyses the animal images used in William Hogarth's art, demonstrating how animals were variously depicted as hybrids, edibles, companions, emblems of satire and objects of cruelty. Beirne offers an important assessment of how Hogarth's various audiences reacted to his gruesome images and ultimately what was meant by 'cruelty'.

Now she turns her attention to our mysterious, playful and surprisingly wise feline friends. Every page of this full colour gift book pairs a charming photograph with just the right sentiment, offering an inspiring life lesson we can learn from cats. 'Rub people the right way.' 'Be fearless...but have an escape plan.' 'Stay a little wild.' Whether they are hunting, snoozing, playfully wreaking havoc, or showering us with affection, cats have a lot to teach us about living a full life (after all, with nine lives, they have a lot of experience!). As Copeland reminds us, all we have to do is observe with an open heart and mind. Tender, funny, and warm, Really Important Stuff My Cat Has Taught Me is a loving tribute to the feline spirit.

Kurt Jackson's Botanical Landscape is a new collection of poems, paintings, drawings, sculptures and printmaking by the artist and staunch environmentalist: responses to his engagement with and rich experience within the natural world of flora. From day-to-day plants - weeds, the flowers in the hedge, familiar trees and the vegetable garden - to the more unusual, twisted forms and strange fruit of the undergrowth, Jackson's works celebrate the staggering diversity of the plant kingdom. For the art enthusiast, the naturalist, the gardener and the armchair horticulturist, Kurt Jackson's Botanical Landscape maps a particularly expressive communion with nature and offers a unique and beguiling interpretation of the natural world.