Precisionism is generally regarded as an artistic style that does not indulge in social or political themes, being committed instead to aestheticism. Addressing the role of human beings under increased automation and mechanization, Andrea Diederichs includes the social dimension of the machine age in her investigations. In this way, she undertakes a fundamental revision of the prevailing, one-dimensional reading of Precisionism. It becomes clear that Charles Sheeler's, George Ault's or Niles Spencer's industrial subjects are characterized by ambivalence and ideology-critical tendencies relating to the new conditions of labor under the dictates of the machine, and document the resultant physical and psychological consequences. Re-evaluation of the work of Charles Sheeler and his contemporaries First investigation into the industrial depictions of Precisionism in an industrialpsychological context

Humankind has a special relationship with rain. The sensory experience of water falling from the heavens evokes feelings ranging from fear to gratitude and has inspired many works of art. Using unique and expertly developed art-historical case studies - from prehistoric cave paintings up to photography and cinema - this book casts new light on a theme that is both ecological and iconological, both natural and cultural-historical. Barbara Baert's distinctive prose makes Looking Into the Rain. Magic, Moisture, Medium a profound reading experience, particularly at a moment when disruptions of the harmony among humans, animals, and nature affect all of us and the entire planet. Barbara Baert is Professor of Art History at KU Leuven. She teaches in the field of Iconology, Art Theory & Analysis, and Medieval Art. Her work links knowledge and questions from the history of ideas, cultural anthropology and philosophy, and shows great sensitivity to cultural archetypes and their symptoms in the visual arts.

Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. The unique contribution of this groundbreaking study is that it identifies for the first time these intellectually rich concepts that arise from these fascinating still-life paintings, a genre considered as "low". Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs.

In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk.

True beauty is found in nature, making this the perfect sketch book for your art inspiration! As if being responsible for dazzling sunsets and the aurora borealis were not enough, nature is also guardian to the universal principals of design. With mathematical perfection, its recurring structures seem to magically adapt as they show up in hundreds of ways: the radial star at the center of snowflakes, fruits and flowers, and the arms of starfish; spirals at the heart of nautilus shells, unfurling plants, and swirling storm systems. Borrowing the beauty of nature's forms can help you create beautiful artwork. Observing the structure of nature's forms can help you to be a better designer. The inspiration is limitless. Nature's design magic is a balancing act found in its perfect ratios. The sections of this sketchbook--Star, Branch, Spiral, and Fan--focus on four of those disceptively simple design principles and why they work. Author/artist Yellena James uses her own nature-based drawings to guide readers toward looking closely at each design form and the places where it occurs. Readers will discover ways to use each form in their own artwork, realistically, abstractly, or as motifs in repeat borders and patterns. In a non-academic fashion, the text explains nature's beautiful balances, and the art of using them when you draw and design.

This fantastic book showcases the prestigious Embroiderers' Guild's huge collection of embroidered birds through the ages. Featuring photographs taken especially for the book, items are shown in full along with detailed images that show off the stunning birds at their best.

A garden is more than the sum of its parts--a garden can be anything one wants it to be. What's important is that it have a heart. Through ethereal illustrations, textile designer and artist Virginia Johnson takes the reader on her own garden journey, from blank slate to dreamscape. Over the years, she has transformed a small, narrow city lot into a garden that is personal, carefree, wild, and welcoming. It all began with a fence to allow her children to play freely but safely, and over the years has turned into a city-dweller's "secret garden." Hornbeams, with their elegant shape, are the heroes of her garden, and the overall palette reflects an artist's lens--peonies, hollyhocks, roses, and hydrangeas abound. Johnson explains her process with ease and clarity, bringing her ideas to life through words and illustrations so that readers can be encouraged and empowered to start their own garden journeys. The book is organized into clear chapters--Trees & Shrubs; Vines; Flowers; Seasons; Edibles; and more.

**Winner of the American Horticultural Society Book Award** Japanese gardens are rooted in two traditions: an ancient one in which patches of graveled forest or pebbled beach were dedicated to nature spirits, and a tradition from China and Korea that included elements such as ponds, streams, waterfalls, rock compositions, and a variety of vegetation. This book traces the development and blending of these two traditions, while also providing insight into modern Japanese gardening trends. The Art of the Japanese Garden is a comprehensive collection of the most notable gardens in Japan--including graveled courtyards, early aristocratic villas, palace gardens, esoteric and paradise gardens, Zen gardens, warrior gardens, tea gardens, and stroll gardens. With an impressive amount of new content, including more than 30 images, this updated edition offers inspiring ideas for your own trip to Japan. If you're just dreaming of traveling to Japan, there is also a section on Japanese gardens in other countries--get a taste of Japanese culture and tradition closer to home. Japanese gardening has reached new heights of sophistication, and serves as garden design and landscaping inspiration all over the world. The Art of the Japanese Garden introduces readers to the history, culture, and design behind these large-scale works of art.

'Think of this atlas as the beginning of a journey and a kind of island guidebook, a rough guide to far-flung places, a Baedeker of make-believe, and a new page waiting to be filled. The cycle of Crusoes continues' Huw Lewis-Jones A new atlas of imaginary islands conjured up by an international gathering of illustrators, including work by Coralie Bickford-Smith, Bill Bragg, Marion Deuchars, Chris Riddell, Maisie Paradise Shearring, Herve Tullet, Ausra Kiudulaite and more. Islomania is a recognized affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari - literally the 'island books'. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of literature and an instant bestseller. Defoe's tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling. To celebrate the tercentenary of Robinson Crusoe's publication, a truly international range of leading illustrators imagine they too have been washed up on their own remote island. In a specially created map they visualize what it looks like, what it's called and what can be found on its mythical shores. In a panoply of astonishingly creative and often surprising responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers and dreamers alike.

Tommy Kane brings together, for the first time, a collection of contemporary vegan artists whose works grapple with one of the biggest issues of our century and confront our conflicted relationship with animals. With diverse contributions, Vegan Art combines a passion for art as a language with the rebellion against animal abuse and exploitation, with the belief that art should be a mechanism for social change. The complex visual language of the book is purposefully graphic and controversial. From utopian depictions of a world that vegans are fighting for, to dark dystopian impressions and brutal, bloody mutilations of non-human animals in industrial agriculture, the project tests the potential of our humanity and asks for equality for all species. With violent imagery and references to major food corporations - such as McDonalds - the project is unflinching in its advocation of veganism and animal rights. Vegan Art engenders a sense of humility with a shared view that art has the power to move people to be informed consumers. Featuring artworks by Tommy Kane, Andrew Tilsley, Milk DoNg Comics, Dan Piraro, Melinda Hegedus, Tommy Flynn and Cynical Coyote.

Nature and Illusion is the first extended treatment of the portrayal of nature in Byzantine art and literature. In this richly illustrated study, Henry Maguire shows how the Byzantines embraced terrestrial creation in the decoration of their churches during the fifth to seventh centuries but then adopted a much more cautious attitude toward the depiction of animals and plants in the middle ages, after the iconoclastic dispute of the eighth and ninth centuries. In the medieval period, the art of Byzantine churches became more anthropocentric and less accepting of natural images. The danger that the latter might be put to idolatrous use created a constant state of tension between worldliness, represented by nature, and otherworldliness, represented by the portrait icons of the saints. The book discusses the role of iconoclasm in affecting this fundamental change in Byzantine art, as both sides in the controversy accused the other of "worshipping the creature rather than the Creator." An important theme is the asymmetrical relationship between Byzantine art and literature with respect to the portrayal of nature. A series of vivid texts described seasons, landscapes, gardens, and animals, but these were more sparingly illustrated in medieval art. Maguire concludes by discussing the abstraction of nature in the form of marble floors and revetments and with a consideration of the role of architectural backgrounds in medieval Byzantine art. Throughout Nature and Illusion, medieval Byzantine art is compared with that of Western Europe, where different conceptions of religious imagery allowed a closer engagement with nature.

Sophie Corrigan evokes everyone's inner zoologist in this charmingly illustrated and wittily worded menagerie. Each critter featured in this fun book is tagged with totally fictitious yet comically accurate anatomical labels, from a tree frog's "clingy jazz hands" and a raccoon's "sneaky bandito mask" to a velociraptor's "disembowly prowlies" and many more. Rife with animal puns, eye-catching bonus art, interesting animal facts, and laugh-out-loud labels that beg to be shared, Animal Anatomy will bring smiles to animal lovers of all ages.

Fill your home with original, professional art - and learn to paint at the same time. This innovative new series is a poster book, an art pad and a step-by-step painting book all rolled into one! Each of the five A3 posters are ready to pull out, frame and display. In addition, you can enjoy the calming pursuit of painting each of the pictures yourself using the pre-printed outlines - so no drawing required. The large, landscape format of the book allows each stage of painting to be clearly and comprehensively explained with an innovative annotation approach. Simply pull out the simple, stage-by-stage tutorial pages and pin them to your easel, then paint directly onto the watercolour outline for fantastic results. In this title, Country Scenes, learn to paint a range of inspiring landscapes: journey to a tranquil New Forest stream, a rolling Tuscan hillside and a snowy mountain river, and enjoy 5 masterclasses in landscape painting.

Bring the magic of the rainforest to your doorstep by drawing this collection of colourful animals and birds. Prolific author and artist Susie Hodge teaches you to transform simple shapes into mysterious jaguars, shy butterflies or endangered orangutans in easy-to-follow stages. Choose from a sleepy sloth, a noisy toucan and much more. There are 28 different animals to create, in a variety of poses and styles. Each project starts with a few basic outlines and progresses into a finished tonal drawing, and a final coloured version shows you how to develop your drawing even further. Perfect for beginners, as well as budding artists, you'll be amazed how easily you too can draw rainforest animals with this inspiring guide.

A humorous and informative book, debunking a range of commonly held myths about animals. Camels store water in their humps and magpies love to steal shiny objects. Or do they? A must-read in the Everything you Know series, this book debunks a range of old-cod stories about animals in author Matt Brown's inimitable humorous and fascinating style. Covering everything from the myth that lemmings throw themselves off cliffs in suicide (they don't, but on occasion some just fall off) to the one about bats being blind (they're not, and they can see but use the more sophisticated echolocation for certain hunting). From head in the sand ostriches to cats landing on their feet, a wealth of information on our beloved pets to creepy crawlies and wild giants, this book will set the marvel of the animal word straight. Plus, there are special features on the odd diets of animals and how wrongly they are portrayed in the movies. All the old stories and myths about animals we've had since childhood are gleefully debunked in a hugely entertaining book.

A survey of 21 contemporary artists who specialise in painting gardens. The artists come from the United Kingdom as well as Europe and the United States. They work in a wide range of media including watercolour, acrylics, oils and tempera. For each artist, there is a brief biographical thumbnail sketch, reproductions of a variety of their work, and comments from the artists on their painting styles and working practices. The result is a intriguing look at this fascinating subject. A beautiful book with a foreword by Sir Roy Strong.

In 1975, David Shepherd wrote The Man Who Loves Giants - an autobiography. Even though he was only forty-four, he had already achieved more than most could have in three lifetimes. In the intervening years, until his death in 2017, he painted a huge variety of subjects; founded the David Shepherd Wildlife Foundation; renovated and restored everything from steam engines to dolls' houses; and appeared on both radio and television. 'Being the extrovert I am,' he once said, 'I like things large and exciting ... especially elephants ...' However, this enthusiasm wasn't restricted to animals; it extended to his love and ownership of several full-sized steam engines, including locomotive number 92203, otherwise known as Black Prince. David's friends ranged from showbiz celebrities to well-known sportsmen and women; and British and European royalty to internationally influential politicians and presidents. He was awarded the Order of the Golden Ark by Prince Bernhard of the Netherlands for his services to conservation in Zambia, and the Order of Distinguished Service, First Class, by President Kaunda. Her Majesty The Queen presented David with the OBE and CBE. David's first gallery successes were not of the African wildlife for which he is now best known. London scenes, planes, boats and trains have long featured in his portfolio - as do English landscapes and bygone rural life. Since David's autobiography, no book has dealt so comprehensively with his life, painting, and conservation work as this biography by J. C. Jeremy Hobson, professional author and David's youngest son-in-law. With access to family archives and photographs, private diaries and reminiscences, this is a unique portrait of a remarkable man.

An illustrated, comprehensive guide to botanical painting written by the Society of Botanical Artists. In this new book the Society of Botanical Artists provides a comprehensive guide to the different styles and methods of botanical painting, harvesting the talent of both Members and Distance Learning Diploma Course students around the world, past and present. Botanical Painting features techniques and materials for all levels and demonstrates how these skills can be used to develop your own expertise. There are chapters on drawing with graphite and metal point, coloured pencil, body and watercolour in plant portraiture and illustration as well as 'The Mixed Bunch'. The inclusion of the historic methods used for egg tempera and metal point, as well as the technique required for working on vellum, makes this a valuable source of advice on subjects not readily available elsewhere. An inspirational gallery of paintings at the end of the book provides a guided walk around an SBA exhibition. The book is beautifully illustrated throughout, with comprehensive critiques on the artworks and step-by-step demonstrations. It will be an invaluable and inspirational addition to the library of the more experienced botanical painter.

The rise in sea level is a visible and remorseless indicator of global warming, the consequences of which can be experienced worldwide - in contrast to other effects of climate change that are not yet noticeable at a larger scale. The book illustrates, in an impressive way, the ecological, commercial, and social impact associated with the rise in sea levels, taking the examples of the American East Coast and the Gulf of Mexico: the author has documented this region from his Cessna between 2005 and 2018 using large-format aerial photography. The pictures illustrate the different conditions of the areas documented at different times of the year, before and after major weather events, and thereby provide evidence of how dramatically the geography and landscape are altered due to climate change.

The follow-up to the internationally bestselling sensation The Lost Words, The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.

Since its publication in 2017, The Lost Words has enchanted readers with its poetry and illustrations of the natural world. Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults. The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers' minds. Robert Macfarlane's spell-poems and Jackie Morris's watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection.

To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.