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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes > General
Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light. The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man. Text in English and French.
Humans have long believed themselves to be the superior species: we consume other animals for food, experiment on them and slaughter them for sport. But as well as the ethical issues surrounding our treatment of other animals, our attitudes are responsible for massive species loss and extinctions, the extensive destruction of habitats and a growing threat of zoonotic pandemics. Drawing on philosophy and theology, art and history, Between Light and Storm is a penetrating account of our fraught relationship with animals. It is also a timely and necessary plea for a more humane approach to those with whom we share a planet.
"Nature and Its Symbols is the fifth volume in the series A Guide to Imagery, reference guides whose goal is to explain the symbols used in art. This volume includes chapters on plants, flowers, fruits, and animals of the earth, air, and water, as well as fantastical creatures such as centaurs, griffons, and dragons. The vivid illustrations, which include paintings and tapestries from some of the world's premier museums, are accompanied by texts that offer careful analyses of the artists' depictions of the natural world. Each entry discusses the symbolic significance of the particular plant, fruit, or animal portrayed, its mythic or literary origins, and the episodes or individuals associated with it. These salient points are also called out in summary form within each entry, making the information easily accessible. The reader discovers, for example, that the iris can represent Jesus or the purity of the Virgin Mary as well as the kings of France or the city of Florence. The monkey, which can be symbolic of the devil, heresy, or bad temper, is also associated with the three wise men who traveled to Bethlehem to pay homage to the infant Jesus. By bringing to life the natural world as portrayed in art, this book will surely be an indispensable resource for museum visitors, art lovers, and students.
Landscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press
A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers-and settlers-into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos to the immersive environments of Kent Monkman's dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' engagement not only with land and landscape but also with the history of representation itself.
This fun and easy-to-use nature drawing and watercolor guide is perfect for anyone inspired by nature to draw, doodle, ink, and paint colorful flora and fauna. Artist, author, and popular art instructor Peggy Dean presents this nature drawing guide that teaches you how to master drawing and watercolor techniques from sketching and shading to washes and blending. With Peggy's easy and energetic lessons, absolutely anyone--regardless of ability--can learn to draw the natural world. Beginning with delicate cherry blossoms, wildflowers, and lacy ferns, lessons build to composing stunning bouquets of flowers and majestic landscapes. You'll also discover how to draw animals such as colorful fish and birds in flight, as well as mammals like stoic camels and the mighty polar bear. Through the lessons on technique combined with clear, detailed instructions, you'll gain the expertise and confidence that will allow you to quickly build your skills, discover your own personal style, and achieve beautiful botanical and animal illustrations.
As downhill skiing became popular in 20th-century Europe, resorts in the Austrian, German, French, and Swiss Alps commissioned paintings of their ski runs to turn into maps. The best of these paintings are now featured in this book showing the artists' ability to combine technical virtuosity, geographic information, and creative flair. The undoubted master of panoramic map painting is H. C. Berann, and many examples of his works are shown in this beautiful volume, along with a select handful of artists from throughout Europe. Detailing scenes of the Alpine range from Slovenia to France, each of these images was created by hand from aerial photography, mostly shot by the artists on helicopter rides through the mountains. The paintings themselves cleverly combine multiple perspectives so that all trails, terrain, and mountain features are visible. In these exquisite reproductions, the paintings have been stripped of all references to the ski trails, allowing viewers to focus entirely on the beauty of the colours, composition, and detail. A joy to study and savour, these dramatic and vivid paintings recall a time when the human hand was the best means of translating the Alps' towering beauty to the general public.
During his lifetime, Hokusai was one of the most revered artists working in the ukiyo-e school of painting and printmaking. This book gathers the finest examples of Hokusai's breathtaking prints, including his iconic The Great Wave off Kanagawa, views of Mt. Fuji, landscapes, domestic scenes, and painstakingly rendered flora and fauna. An introduction by Matthi Forrer offers a brief biography of Hokusai and commentary on his practice and influence. Each full color poster is backed with a substantial caption that provides insights into the piece's significance and notable characteristics. Printed on heavy coated paper, these detachable posters are suitable for framing, but also taken together create a lasting and illuminating introduction to Hokusai's extraordinary accomplishment.
Im Mittelpunkt dieser Untersuchung steht die umfassende Analyse der Seebilder Jacob van Ruisdaels. Dabei wird die kunstlerische Leistung Ruisdaels unter dem Einfluss sowohl der Natur- und Kunstauffassung als auch der gesellschaftspolitischen Entwicklungen des Goldenen Jahrhunderts (der Niederlande des 17. Jh.) berucksichtigt. Gleichzeitig bietet diese Betrachtung einen Loesungsansatz fur die Interpretation bestimmter Bildmotive auf feste Sinnbilder, die in den Meereslandschaften anzutreffen sind. Die Gemalde enthalten emblematische Motive, ahnlich einem Gleichnis, so dass die Bildinhalte und ihre Bedeutung auf vielfaltige Weise interpretiert werden koennen. Daruber hinaus werden weitere spezifische Charakteristika der ruisdaelschen Marinen an den Gemalden selbst exemplarisch herausgearbeitet.
Read all about superstar tennis champion, Emma Raducanu! The incredible winner of the 2021 US Open has shot to fame and straight into the hearts of the world. Emerging as one of the most influential young sports stars not just for her own generation, but for decades, her rise has been meteoric. This former Wimbledon wildcard has the whole planet talking about her as the first British female player to win a Grand Slam title in over 40 years - all without dropping a single set. Emma Raducanu, A Life Story is the perfect way to discover the fascinating facts and inspirational moments from the life of this young star. A Life Story: this gripping series throws the reader directly into the lives of modern society's most influential figures. With striking black-and-white illustration along with timelines and fun facts. Also in the series: Katherine Johnson: A Life Story Stephen Hawking: A Life Story Alan Turing: A Life Story Rosalind Franklin: A Life Story David Attenborough: A Life Story Serena Williams: A Life Story Captain Tom Moore: A Life Story
The island of Ireland is home to one of the world's great literary and artistic traditions. This book reads Irish literature and art in context of the island's coastal and maritime cultures, beginning with the late imperial experiences of Jack and William Butler Yeats and ending with the contemporary work of Anne Enright and Sinead Morrissey. It includes chapters on key historical texts such as Erskine Childers's The Riddle of the Sands, and on contemporary writers including Eilean Ni Chuilleanain and Kevin Barry. It sets a diverse range of writing and visual art in a fluid panorama of liquid associations that connect Irish literature to an archipelago of other times and places. Situated within contemporary conversations about the blue and the environmental humanities, this book builds on the upsurge of interest in seas and coasts in literary studies, presenting James Joyce, Elizabeth Bowen, John Banville, and many others in new coastal and maritime contexts. In doing so, it creates a literary and visual narrative of Irish coastal cultures across a seaboard that extends to a planetary configuration of imagined islands.
This inspiring sketchbook is part of the new "20 Ways "series from
Quarry Books, designed to offer artists, designers, and doodlers a
fun and sophisticated collection of illustration fun. Each spread
features 20 inspiring illustrated examples of 45 themes - tree,
tulip, shell, owl, peacock feather, mushroom, cloud, and much, much
more-over 900 drawings, with blank space for you to draw your take
on "20 Ways to Draw a Tree."This is not a step-by-step technique
book--rather, the stylized flowers, trees, leaves, and clouds are
simplified, modernized, and reduced to the most basic elements,
showing you how simple abstract shapes and forms meld to create the
building blocks of any item that you want to draw. Each of the 20
interpretations provides a different, interesting approach to
drawing a single item, providing loads of inspiration for your own
drawing. Presented in the author's uniquely creative style, this
engaging and motivational practice book provides a new take on the
world of sketching, doodling, and designing.
A countrywoman's illustrated ramble through the seasons on the South Downs. Written over a period of twenty years, as she witnessed the stunning natural world around her, Antonia Dundas' diary records the progress of twelve months over her beloved South Downs. Accompanied with her own beautiful and delicately observed watercolours, this book revels in the passing of the seasons. Her celebration of nature's finery has been lovingly created, and will appeal to anyone with a love of the Downs and the natural world.
The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siecle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt's Manette Salomon (1867), Emile Zola's Therese Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and "Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and Rachilde's L'Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the "artist-animal," an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
Water belongs to our most profound dreams: it evokes motherhood, cleanliness, purity, sensuality, and death. Naturally, this is true for every civilisation, but in Islam this series of ideas found its most profound meaning, turning water into one of the cornerstones of human existence: a cornerstone that is both spiritual as well as social and aesthetic. Statements in the Koran and subsequent literature illustrate the historic development of the many roles and meanings of water and the incarnation of its significance in Islamic art and craftsmanship. This volume tells a story through images, artefacts, books, and miniatures: technology, everyday life, and art, which for centuries mirrored one another in the many ways of enjoying and using water.
This charming book revolves around the two journals Bates produced during his groundbreaking travels in the Amazon, and his classic work The Naturalist on the River Amazons. Alongside specially selected excerpts from his book are facsimile reproductions of the pages from his journals demonstrating his talents as an artist as well as a scientist. Bates, a trusted companion of Alfred Russel Wallace, travelled with him to the Amazon in 1848. There he became fascinated by close similarities in appearance between unrelated butterflies. He found that so-called tasty species - those that are sought after by predators - had evolved to look like toxic species to escape being attacked. This idea became known as Batesian mimicry. Bates spent a total of 11 years in the Amazon, exploring the vast network of largely unvisited major rivers and their tributaries, set in the world's largest area of tropical rain forest in South America. By the time he returned to England in 1859, still only 34 years old, Bates had collected, by his own estimate, some 712 species of mammals, reptiles, birds, fishes and molluscs, and about 14,000 species of insects, of which no less than 8,000 were previously unknown.
Flower painter Pierre-Joseph Redoute (1759-1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon's wife Josephine, he was dubbed "the Raphael of flowers," and is regarded to this day as a master of botanical illustration. This collection brings our best-selling XL-sized edition to a smaller, more convenient format, still gathering some of the finest color engravings from Redoute's illustrations of Roses, Lilies, and Choix des plus belles fleurs et quelques branches des plus beaux fruits (Selection of the Most Beautiful Blooms and Branches with the Finest Fruits). Offering a vibrant overview of Redoute's admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.
An illustrated flight across the Southeast Birdlife invites readers into the lives of birds we often meet in the southeastern United States. Writer, scientist, and illustrator Todd Ballantine presents the habits and habitats, colorings, migratory paths, and songs of nearly one hundred birds of the Southeast that he has come to know so well. He wings us across diverse landscapes, along the coasts of states from Virginia to Texas, and in elds and forests in between, providing keen insights and tips for recognizing birds on the branch, on the beach, or in the air. Along the coast and estuaries, you will meet the double-crested cormorant and the herring gull; near marshes and wetlands, the American coot and the great blue heron; in elds and open areas, the killdeer and the savannah sparrow. In the brush and at the wood's edge, you will encounter the dark-eyed junco and the white-eyed vireo, and in the forest-if you are lucky-you might hear the evocative call of the nocturnal Chuckwill's-widow. Birdlife delights with Ballantine's own artistic and precise illustrations, hand-lettered text, easy-to-follow presentations, and memorable descriptions. His black-and-white bird renderings provide easy identi cation of shape and form. A unique book to enjoy in nature's habitats, high and low, Birdlife is a must-have companion for birding enthusiasts and anyone intrigued by the lives of birds.
Jack Hamm makes drawing easier, offering simplified techniques accompanied by hundreds of illustrations and many hints, in this step by step manual.
Individuals from all walks of life have devoted their time, energy, and money to restoring the state's lost wetlands. Clare Howard and David Zalaznik take readers into the marshes, bogs, waterways, and swamps brought back to life by these wetland pioneers. Howard's storytelling introduces grassroots conservators dedicated to learning through trial and error, persistence, and listening to the lessons taught by wetlands. They undertake hard work inspired by ever-increasing floods and nutrient runoff, and they reconnect the Earth's natural rhythms. Zalaznik's stunning black and white photos illuminate changes in the land and the people themselves. Seeds sprout after lying dormant for one hundred years. Water winds through ancient channels. Animals and native plants return. As the forgiving spirit of a wetland emerges, it nurtures a renewed landscape that alters our view of the environment and the planet. An inspiring document of passion and advocacy, In the Spirit of Wetlands reveals the transformative power of restoration.
The man behind the paintings: the extraordinary life of J. M. W Turner, one of Britain's most admired, misunderstood and celebrated artists J. M. W. Turner is Britain's most famous landscape painter. Yet beyond his artistic achievements, little is known of the man himself and the events of his life: the tragic committal of his mother to a lunatic asylum, the personal sacrifices he made to effect his stratospheric rise, and the bizarre double life he chose to lead in the last years of his life. A near mythical figure in his own lifetime, Franny Moyle tells the story of the man who was considered visionary at best and ludicrous at worst. A resolute adventurer, he found new ways of revealing Britain to the British, astounding his audience with his invention and intelligence. Set against the backdrop of the finest homes in Britain, the French Revolution and the Industrial Revolution, this is an astonishing portrait of one of the most important figures in Western art and a vivid evocation of Britain and Europe in flux.
This new book offers a single, encompassing view of the development of landscape painting, photography, and land art in Britain from the eighteenth through to the late twentieth century. It reveals the strong continuity between British landscape art of today and that of over 250 years ago, with works by J.M.W. Turner, John Constable, Thomas Gainsborough, John Piper, David Nash, and Richard Long, amongst many others. Tim Barringer is Paul Mellon Professor of the History of Art, Yale University. Oliver Fairclough is Keeper of Art, National Museum of Wales.
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