Now available in paperback! Andrew Forkner's book provides you with all you need to paint a range of birds in acrylics; taking in birds of prey, songbirds and waterbirds from all over the world. It contains information on the materials and preparation you will need to capture the delicacy and majesty of the subjects.

This book highlights a century of landscape art inspired by the Mount Assiniboine area of the Canadian Rockies from 1899 to 2006. The book includes a preface by Robert Sandford and an introduction discussing the history of exploration of the region, early ascents of Mount Assiniboine, the development of tourism, and the significant art this majestic peak has inspired. Illustrations in the introduction include four black-and-white archival photos, along with five colour reproductions of Mary Vaux Walcott's stunning watercolours of wildflowers sketched in the area. The main text presents 42 colour plates illustrating a wide variety of styles and media from 23 artists including A P Coleman, Carl Rungius, James Simpson, Belmore Browne, Barbara and A C Leighton, Catharine and Peter Whyte, W J Phillips and A Y Jackson.Of these, only seven have been previously published. The colour plates are organised into three sections: approaching Assiniboine from the northwest; east of Assiniboine; and Mount Assiniboine itself. Each section is introduced with a black-and-white archival photograph and a quotation. The book concludes with a list of artists, endnotes, a full bibliography and an index.

The story of the canine has been fundamentally entwined with that of humanity since the earliest times, and this ancient and fascinating story is told in Susan McHugh's Dog, now available in B-format. The book unravels the debate about whether dogs are descended from wolves, and moves on to deal with canines in mythology, religion and health, dog cults in ancient and medieval civilizations as disparate as Alaska, Greece, Peru and Persia, and traces correspondences between the histories of dogs in the Far East, Europe, Africa and the Americas. Dog also examines the relatively recent phenomenon of dog breeding and the invention of species, as well as the canine's role in science fact and fiction; from Laika, the first astronaut, and Pavlov's famous conditioned dogs, through to science fiction novels and cult films such as A Boy and his Dog. Susan McHugh shows how dogs today contribute to human lives in a huge number of ways, not only as pets and guide dogs but also as sources of food in Asia, entertainment workers, and scientific and religious objects. Dog reveals how we have shaped these animals over the millennia, and in turn, how dogs have shaped us.

Landscapes of Extraction explores the art of mining, the transformative industry of the American West, competing in sublimity and striking color with the natural scenic landscape on its own terms. These landscapes of enterprise altered the natural environment on a spectacular scale, with open pit mines, coal tipples, and oil rigs. How artists portrayed the mining industry in the American West is explored in the book with four scholarly essays. Artworks were inspired by the multiple landscapes created by large-scale mining, specifically the mines themselves, the towns that grew up around them, and the miners and their families who lived and worked there. The industry shaped communities and landscapes throughout the West: Arizona, California, Colorado, Montana, New Mexico, Nevada, Oklahoma, Texas, and Utah. Landscapes of Extraction explores a powerful regional narrative that is a fundamental element of national identity played out on a vast geographical scale.