A rich vein of the artist's mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cezanne (1839-1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cezanne's mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L'Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cezanne's other works; their critical interpretations; and their geological and corporeal associations. Faya Causey's essay examines the Provencal context of Cezanne's rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works. Distributed for the Princeton University Art Museum Exhibition Schedule: Princeton University Art Museum

Renowned watercolourist David Bellamy shares his passion for painting seas and shorelines in this inspiring and practical book. There is advice on finding subjects and painting the different moods of the sea; rocks, crags and cliffs; adding figures and animals into your artworks; as well as an in-depth look at the painting and sketching techniques required. David's extensive travels mean that seas and shorelines from all over the world appear in the paintings.

Identifying a beautiful image in nature is easy, but capturing it is often challenging. To truly seize the essence of a photograph shot out of the studio and in the world requires an artistic eye and impeccable set of photographic techniques. John and Barbara Gerlach have been teaching photographers how to master the craft of photographing nature and the outdoors through their workshops and best-selling books for more than twenty years. Now, equipped with brand new images to share and skills to teach, this celebrated photo team is sharing their latest lessons in the second edition of Digital Nature Photography. Notable revisions in this new edition include introducing the concepts of focus stacking and HDR, as well as expanded discussions of multiple exposure, wireless flash, RGB histograms, live view, shutter priority with auto ISO, hand-held shooting techniques, and the author's equipment selections. The inspiring imagery in this book covers a broader range of subjects than before including ghost towns, the night sky, animals, and sports, in addition to the classic nature photographs we expect from this very talented author team. This book is a comprehensive guide to one of the broadest subjects in photography, explained and dymystified by two respected masters.

Birds & Words is a true reflection of Charley Harper, that rare species of a man with twinkling eyes and smile, with wit as infectiously keen and light-hearted as his paintings. Harper the humorist is as captivating in the self composed stories that accompany his serigraphs as Harper the artist. This boxed reissue of the highly collectible 1974 classic is perfect for every bird lover, art collector and Charley Harper fan alike. Specially made cloth wrapped boxes open to reveal a numbered cloth bound book and one of four beautiful silk-screen prints, each estate stamped and hand numbered. A perfect gift for any occasion.

Showcases the work of twenty leading paleoartists who expertly bring these extinct animals to life in exquisite detail. Dinosaurs are endlessly fascinating to people of every age, from the youngest child who enjoys learning the tongue-twisting names to adults who grew up with Jurassic Park and Walking with Dinosaurs. As our knowledge of the prehistoric world continues to evolve and grow, so has the discipline of bringing these ancient worlds to life artistically. Paleoart puts flesh on the bones of long-extinct organisms, and illustrates the world they lived in. Mesozoic Art presents twenty of the best artists working in this field, representing a broad spectrum of disciplines, from traditional painting to cutting-edge digital technology. Some provide the artwork for new scientific papers that demand high-end paleoart as part of their presentation to the world at large; they also work for the likes of National Geographic and provide art to museums around the world to illustrate their displays. Other artists are the new rising stars of paleoart in an ever-growing, ever-diversifying field. Arranged by portfolio, this book brings this dramatic art to a wide, contemporary audience. The art is accompanied by text on the animals and their lives, written by palaeontologist Darren Naish. Paleoart is dynamic, fluid and colourful, as were the beasts it portrays, which are displayed in this magnificent book.

A guide to landscape painting for complete beginners with simple exercises. Hazel Soan is a hugely successful painter and an outstanding teacher and author of art books, which have introduced the wonders of art to a generation of amateur artists. In this book she teaches you how to get to grips with watercolour landscapes in the space of an afternoon. The book explores the basics of watercolour landscapes with lots of simple exercises and step-by-step demonstrations that are perfect for beginners. That life-long ambition of painting somewhere that is important to you can become a possibility with the help of this nifty little book. Topics covered include creating space, composition and focus, light and shadows, colours of the landscape and the mixing of watercolours. Watercolour painting techniques such as painting en plein air, brushwork, creating texture, wet into wet and wet on dry are explained. The book also explores specific landscape themes such as skies, foliage, forests, gardens, seascapes, wilderness, sunsets, urban landscapes, panoramas, sunsets and many more.

An investigation into how landscape drawing informed a new Dutch identity in the sixteenth and seventeenth centuries Throughout the sixteenth and seventeenth centuries, amid enormous expansion in global commerce and colonization, landscape drawing played a key role in forging Dutch national identity. Featuring works on paper by Rembrandt, Bruegel, and Ruisdael, among dozens of other artists, this study examines how a hyperlocal impulse in many of these drawings inspired domestic pride and a sense of connection to the land, as they also reflected aspects of the broader ecological and social change taking place. Incisive essays offer close readings that push our understandings of these artists and their work in important new directions, including eco-criticism, land use and environmentalism, race, and class. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (May 21-August 14, 2022)

The French Revolution had a marked impact on the ways in which citizens saw the newly liberated spaces in which they now lived. Painting, gardening, cinematic displays of landscape, travel guides, public festivals, and tales of space flight and devilabduction each shaped citizens' understanding of space. Through an exploration of landscape painting over some 40 years, Steven Adams examines the work of artists, critics and contemporary observers who have largely escaped art historical attention to show the importance of landscape as a means of crystallising national identity in a period of unprecedented political and social change.

'Armed with this intrepid survey, we can see a brave new world down there on the beach ... Exquisite revelation, of the most wonderful, watery kind.' - Philip Hoare For many, the highlights of seaside holidays are rockpooling and gathering the glorious array of shells left strewn on the beach after the receding tide. Attracted by the infinite variety of shapes and colours, visitors can never resist making a souvenir collection of their own - but little do they suspect the fascinating lives of the animals who once occupied them. What if each shell had a story of its own to tell us, if only we knew the language? Mr Street's delightful, informative guide uncovers the secret history of each common shell, revealing not only which marine creature once inhabited it but the unique challenges of its watery habitat it had to solve. From barnacles to oysters, cockles to sea slugs, winkles to carnivorous snails, molluscs and lesser-known members of the octopus family, Shell Life on the Seashore is the essential primer for recognising and collecting both these curious specimens and the 'empties' they leave behind - and will greatly increase the old-fashioned pleasures of a coastal holiday for all the family.

Hugh Morton has seldom been seen in his adult life without a camera around his neck. Much to the benefit of his beloved home state, he has crisscrossed North Carolina, from highlands to lowlands, recording nearly every step along the way. While many of his photographs of the state's people, places, and events were collected in Hugh Morton's ""North Carolina"", this new book showcases a generous collection of his signature wildlife and nature photography and includes a few of the photographer's favorite pictures of people and events that were not included in the first volume. The scenic and nature photographs are organized geographically, from the mountains to the coast. Revealing Morton's curiosity about and love of the natural world, photographs feature woodland creatures, waterfalls, beaches, and more. Some images will be familiar to those who live or travel in North Carolina. Many of the photographs here have been recovered from deep within Morton's personal archive, bringing to print some long-hidden treasures. Consisting of 162 photographs, this collection is a rich and rewarding display of North Carolina's natural bounty as it has evolved before the eyes of one of the state's most popular photographers.

Kurt Jackson's Botanical Landscape is a new collection of poems, paintings, drawings, sculptures and printmaking by the artist and staunch environmentalist: responses to his engagement with and rich experience within the natural world of flora. From day-to-day plants - weeds, the flowers in the hedge, familiar trees and the vegetable garden - to the more unusual, twisted forms and strange fruit of the undergrowth, Jackson's works celebrate the staggering diversity of the plant kingdom. For the art enthusiast, the naturalist, the gardener and the armchair horticulturist, Kurt Jackson's Botanical Landscape maps a particularly expressive communion with nature and offers a unique and beguiling interpretation of the natural world.

Cats playing a quiet game of cards, cats at the ballet, cats having a leisurely lunch on the grass, cats boating on the river... Here are the quintessential Impressionist cats, painted with vivid, joyous colours in their favourite haunts, at their ease in various ordinary activities. With their pensive, brooding expressions, cats lend themselves perfectly to reimagining the great works of the Impressionist masters, whether strolling among Monet's wild poppies, sitting in Mary Cassatt's loge at the opera, or even enjoying a Sunday dance at Renoir's Bougival. They can be charming or steeped in mute despair, vulgar or lovingly maternal, bourgeois or intellectual - but they are always Impressionist cats, caught as if by the camera, spontaneous and unprepared.

A paleoartist is an illustrator who specialises in the science and art of reconstructing ancient animals and their world. In Dinosaur Art, ten of the top contemporary paleoartists reveal a selection of their work and exclusively discuss their working methods and distinct styles. Filled with breathtaking artwork - some never before seen - and cutting edge paleontology, this is a treasure trove for dinosaur enthusiasts, art lovers and budding illustrators.

For this book of cats in costume, Susan Herbert turns from masterpieces of fine art to masterpieces of theater. Painting in her familiar and highly popular style, this imaginative artist presents an irresistible array of well-known characters in the great Shakespearean plays, from the tragic Romeo and Juliet to the mischievous Titania, from the beautiful Cleopatra to the roguish Falstaff. In thirty-two entrancing paintings, Susan Herbert opens up an unsuspected world of Shakespeare interpreted by cats with all their winning ways. Her many devoted admirers will find this collection full of the charm and humor of her earlier books; and newcomers to her art will be surprised and enchanted by the finesse she brings to this portrait gallery of cats in unusual guises.

The British Museum's vast collections include wonderful images of birds from all over the world. Some are primarily decorative, whereas Thomas Bewick and the Japanese artist Kitagawa Utamaro chose to show birds in realistic detail, going about their daily lives. Other artists concentrate on scientific accuracy. The endless variety of birds, their freedom of sky, land and water, and especially their song have also inspired writers through the ages. Each striking image in this beautiful anthology is matched with a poem about the same species. Some were composed by our best-loved writers - including Shakespeare, Chaucer and Tennyson - and others have been selected from less familiar or even anonymous voices around the world. Now in a fresh new paperback format, this is an irresistible gift for anyone who loves birds.

Gray Malin is the artist of the moment for the Hollywood and fashion elite. His awe-inspiring aerial photographs of beaches around the world are shot from doorless helicopters, creating playful and stunning celebrations of light, shape, and perspective, as well as summer bliss. Combining the spirit of travel, adventure, luxury and artistry, Malin built his eponymous lifestyle brand from a deep passion for photography and interior design. His work forges the synergy between wanderlust and adventure, creating the ultimate visual escape. Beaches features more than twenty cities across six continents: Australia: Sydney; North America: Santa Monica, Miami, San Francisco, Kaua'i, Chicago, The Hamptons, and Cancun; South America: Rio de Janeiro; Europe: Capri, Rimini, Forte dei Marmi, Viareggio, Amalfi Coast, Barcelona, Lisbon and Saint-Tropez; Africa: Cape Town; Asia: Dubai

With the imagination of a writer and the eye of an artist, Michael Korda doodled on the backs of old manuscripts in his tackroom while his wife, Margaret, was out riding. They loved and acquired cats-a habit written about previously in their book, Cat People-and the few in residence at this time would serve as inspiration for the drawings. These are no ordinary cat illustrations, though. Korda's cats read newspapers and books; go ice skating in the small country town where they live; comfort Margaret's horse, Monty, after a stressful vet visit; sell fried mice at the Farmer's Market, and undertake (on paper, at least) whatever fanciful endeavours their keeper conjures up. The result is a collection of magical pieces, filled with joy, that represent a year in the life of a couple in love with one another, and certainly with their cats.

In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources - including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs - Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.

Captivating black-and-white photographs of the world's most majestic ancient trees.
Beth Moon's fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs.
This handsome volume presents nearly seventy of Moon's finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews--some more than a thousand years old--that grow in English churchyards; the baobabs of Madagascar, called "upside-down trees" because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon's-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa.
Moon's narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon's unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.