Vivid, clear-sighted images of American vernacular signage and architecture encountered along old US highways showcase the early black-and-white work of the acclaimed photographer Jim Dow The American photographer Jim Dow (b. 1942) is renowned for photographs that depict the built environment-he first gained attention for his panoramic triptychs of baseball stadiums-and for his skill at conveying the "human ingenuity and spirit" that suffuse the spaces. This book is the first to focus on Dow's early black-and-white pictures, featuring more than 60 photographs made between 1967 and 1977, a majority of which have never before been published. Indebted to the work of Walker Evans, a key mentor of Dow's, these photographs depict time-worn signage taken from billboards, diners, gas stations, drive-ins, and other small businesses. While still recognizable as icons of commercial Americana, without their context Dow's signs impart ambiguous messages, often situated between documentation and abstraction. Including a new essay by Dow that reveals his own perspective on the development of the work, Signs suggests how these formative years honed the artist's sensibility and conceptual approach. Distributed for The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City, MO (May 7-October 9, 2022)

Thomas Bewick wrote A History of British Birds at the end of the eighteenth century, just as Britain fell in love with nature. This was one of the wildlife books that marked the moment, the first 'field-guide' for ordinary people, illustrated by woodcuts of astonishing accuracy and beauty. But it was far more than that, for in the vivid vignettes scattered through the book Bewick drew the life of the country people of the North East - a world already vanishing under the threat of enclosures. In Nature's Engraver: The life of Thomas Bewick, Jenny Uglow tells the story of the farmer's son from Tyneside who revolutionised wood-engraving and influenced book illustration for a century to come. It is a story of violent change, radical politics, lost ways of life and the beauty of the wild - a journey to the beginning of our lasting obsession with the natural world. Nature's Engraver won the National Arts Writers Award in 2007. Jenny Uglow is the author of, among others, A Gambling Man: Charles II and the Restoration, which was shortlisted for the 2010 Samuel Johnson Prize, Lunar Men and In These Times. 'The most perfect historian imaginable' Peter Ackroyd

Animals, like humans, suffer and die from natural causes. This is particularly true of animals living in the wild, given their high exposure to, and low capacity to cope with, harmful natural processes. Most wild animals likely have short lives, full of suffering, usually ending in terrible deaths. This book argues that on the assumption that we have reasons to assist others in need, we should intervene in nature to prevent or reduce the harms wild animals suffer, provided that it is feasible and that the expected result is positive overall. It is of the utmost importance that academics from different disciplines as well as animal advocates begin to confront this issue. The more people are concerned with wild animal suffering, the more probable it is that safe and effective solutions to the plight of wild animals will be implemented in the future.

"Ask the beast and it will teach thee, and the birds of heaven and they will tell thee." -Job 12:7 In the Middle Ages, the bestiary achieved a popularity second only to that of the Bible. In addition to being a kind of encyclopedia of the animal kingdom, the bestiary also served as a book of moral and religious instruction, teaching human virtues through a portrayal of an animal's true or imagined behavior. In A Jewish Bestiary, Mark Podwal revisits animals, both real and mythical, that have captured the Jewish imagination through the centuries. Originally published in 1984 and called "broad in learning and deep in subtle humor" by the New York Times, this updated edition of A Jewish Bestiary features new full-color renderings of thirty-five creatures from Hebraic legend and lore. The illustrations are accompanied by entertaining and instructive tales drawn from biblical, talmudic, midrashic, and kabbalistic sources. Throughout, Podwal combines traditional Jewish themes with his own distinctive style. The resulting juxtaposition of art with history results in a delightful and enlightening bestiary for the twenty-first century. From the ant to the ziz, herein are the creatures that exert a special force on the Jewish fancy.

In the fourteen years since Sierra Club Books published Theodore Roszak, Mary E. Gomes, and Allen D. Kanner's groundbreaking anthology, Ecopsychology: Restoring the Earth, Healing the Mind, the editors of this new volume--a practicing therapist and a teacher--have often been asked: Where can I find out more about the psyche-world connection? How can I do hands-on work in this area, amidst a culture largely blind to such connections? Ecotherapy was compiled to answer these and other urgent questions. Ecotherapy, or applied ecopsychology, encompasses a broad range of nature-based methods of psychological healing, grounded in the crucial facts that people are inseparable from the rest of nature and nurtured by healthy interaction with the Earth. Leaders in the field, including Robert Greenway, Mary Watkins, and Ralph Metzner, contribute essays that take into account the latest scientific understandings and the deepest indigenous wisdom. Other key thinkers, from Bill McKibben to Richard Louv to Joanna Macy, explore the links among ecotherapy, spiritual development, and restoring community. As mental-health professionals find themselves challenged to provide hard evidence that their practices actually work, and as costs for traditional modes of psychotherapy rise rapidly out of sight, this book offers practitioners and interested lay readers alike a spectrum of safe, effective alternative approaches backed by a growing body of research.

James Sowerby (1757-1822) was an outstanding artist and natural historian, renowned for his discoveries and prodigious output of beautiful, scientific books of plants, fungi, animals, fossils and minerals, all at a key historical time; the age of Enlightenment in Great Britain. Beautifully illustrated with artwork and letter and manuscript extracts, this first full biography of Sowerby is a fascinating artistic and historical account, which extends beyond that of one key player.

Following on from Dinosaur Art, this new volume showcases 10 amazing artists whose work represents the cutting edge of paleoart. Many are rising stars in the field; others have embraced digital technology and continue to assert long-standing reputations as leaders in the discipline. This volume also includes state-of-the-art modellers, allowing the reader to explore restoring prehistoric animals in three as well as two dimensions. All accompanied by insights into the cutting of paleontological researcher and the very latest discoveries, with commentaries by respected scientists at the top of their fields.

In 1865, the American landscape painter Frederic Edwin Church and his wife, Isabel, traveled to Jamaica on a sojourn of recovery after the tragic deaths of their two young children Herbert and Emma. A time to mourn and escape from the constant reminders found at their home, Olana, the Churches' trip to Jamaica also provided ample inspiration for Frederic.

The Olana Collection includes eight oil sketches, an ink drawing, and a pencil drawing Church made in Jamaica. Five of these oil sketches on paper Church chose to mount to canvas and frame for his and Isabel's enjoyment; over the years they have hung in different rooms at Olana. From these works, and others held by the Cooper-Hewitt, Church created two major studio oils, The Vale of St. Thomas, Jamaica, 1867 (the Wadsworth Atheneum) and The After Glow, 1867 (the Olana Collection). Within Church's oeuvre the studies of Jamaican sunsets, mountains, and foliage are particularly lovely. Church wrote of Jamaica: "The scenery is superb. . . . I have accomplished a great amount of work but there is so much to do that I am at a loss to decide day by day what to paint."

The 2010 exhibit at Olana will help explain Church's working process by showing Sunset Jamaica and the resulting studio work The After Glow together; it will include five works never before exhibited and reveal Church's interesting use of his photography collection both as an aide-memoire and as substrate for sketching. Fern Hunting among Picturesque Mountains includes forty-eight color illustrations, as well as essays by Elizabeth Mankin Kornhauser (on Church's Jamaica work) and Katherine Manthorne (about Church's friends and fellow artists who also traveled to Jamaica to paint)."

The rise in sea level is a visible and remorseless indicator of global warming, the consequences of which can be experienced worldwide - in contrast to other effects of climate change that are not yet noticeable at a larger scale. The book illustrates, in an impressive way, the ecological, commercial, and social impact associated with the rise in sea levels, taking the examples of the American East Coast and the Gulf of Mexico: the author has documented this region from his Cessna between 2005 and 2018 using large-format aerial photography. The pictures illustrate the different conditions of the areas documented at different times of the year, before and after major weather events, and thereby provide evidence of how dramatically the geography and landscape are altered due to climate change.

Puget Sound's rich abundance of life - from mammals to birds - can be attributed to the fact that the region is far more than just a body of water. Edged by an extraordinary range of habitats, this region is visited and occupied year-round by species that are finely tuned to exploit the resources here that are necessary for their survival. Birds are among the most obvious occupants of these communities, and witnessing their dynamic lives has been a source of inspiration for artist and naturalist Tony Angell. For nearly fifty years Angell has used Puget Sound's natural diversity as his artist's palette. In this book, he describes the living systems within the Sound and shares his observations and encounters with the species that make up the complex communities of the Sound's rivers, tidal flats, islands, and beaches: the fledging flight of a young peregrine, an otter playfully herding a small red rockfish, the grasp of a curious octopus. Angell goes on to explain the methods he uses in his art. The shapes, movements, patterns, and even temperatures and smells that he experiences in the field are all brought to bear on his work. His drawings bring clarity to his visual and emotional memories, and his sculptures allow him to approach a memory from many directions and retain that memory in his hands. In all of his work, he lets the passion and excitement of his discoveries drive his artistic expression. Angell augments his descriptions of the wildlife of the Puget Sound region and his working methods with two appendices listing guides and references to this and other regions by other artists and naturalists. These resources not only put wildlife viewers in touch with the times and places to view particular species, but also speak to the patience and willingness to be delighted that are necessary to increasing the understanding of our wild neighbors. See Tony Angell on YouTube: http://www.youtube.com/watch?v=jCemt7hVK_4

Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world. This is the definitive study of Hitchens' life and work. Peter Khoroche draws on the painter's published writings, correspondence and conversation to create a critical reappraisal of Hitchens' theory and practice. He surveys the entire oeuvre (still-lifes, flower pieces, nudes, interiors and large-scale murals besides the landscapes), a huge legacy of work spanning sixty years, and charts the journey from conventional beginnings to 'figurative abstraction'. A selection of over 100 colour images, examples of Hitchens' best and most characteristic painting in all genres, provide a retrospective exhibition covering the artist's entire career. These illustrations, singled out for praise by reviewers of the hardback edition, demonstrate the artist's outstanding talents and reinforce his standing as a key figure in the history of British art.

Thread, Paint & Inspiration - the Sky's the Limit! * Create unique and impressive landscape quilts from photos you take - includes tips on taking good pictures, how to combine elements of several photos into one design, and how to use color effectively * Yes, you can create stunning pictorial effects using step-by-step techniques! * Learn how to paint your own fabrics and create striking silhouettes Let your inner artist out! Capture the glory of a sunrise or sunset, the stark outline of a tree against the sky, the placid surface of the ocean. Gloria has assembled a repertoire of techniques to give all your pictorial quilts breathtaking impact, from working with photographs to painting fabric, creating silhouettes, constructing backgrounds, and embellishing with stitching. Try one of three projects, or use the techniques in your own designs. *Important Note about PRINT ON DEMAND Editions: This title will be printed after purchase and will arrive separately from any in-stock items. Please allow approximately 2 weeks for USA delivery, with an additional 2 weeks for international shipments. Expedited shipping is not available on POD Editions. The printing quality in this copy will vary from the original offset printing edition and may look more saturated due to printing on demand by a high-quality printer on uncoated (non-glossy) paper. The information presented in this version is the same as the most recent printed edition. Any pattern pullouts have been separated and presented as single pages.

John James Audubon (1785-1851) was for half a century America's dominant wildlife artist. His seminal Birds of America, a collection of 435 life-size prints, is still a standard work, and the name Audubon remains synonymous with birds and bird conservation the world over. Born in Haiti, the illegitimate son of a French sea-captain, he was raised in France and sailed to America at the age of 18 where he went into business and began his study of birds. In 1819 he was briefly jailed for bankruptcy; with no other prospects, he set off on his epic quest to depict America's avifauna, with nothing but his gun, artist's materials, and a young assistant. Floating down the Mississippi, he lived a rugged hand-to-mouth existence while his devoted wife, Lucy, earned money as a tutor to wealthy plantation families. In 1826 he sailed with his partly finished collection to England. Lionized as the 'American woodsman', he hit just the right Romantic note for the era, and was an overnight success, finding printers for his book first in Edinburgh, then London. It was a classic American tale of triumph over adversity. Here are vivid 'bird biographies', his correspondence with Lucy, journal accounts of his dramatic river journeys and hunting trips with the Osage Indians, and a generous sampling of brief stories that have long been out of print, 'The Burning of the Forests' and 'Kentucky Barbecue on the Fourth of July' among them. The Audubon Reader is an unforgettable encounter with early America: with its wildlife and birds, with its people and its primordial wilderness.

That Ireland is picturesque is a well-worn cliche, but little is understood of how this perception was created, painted, and manipulated during the long 18th century. This book positions Ireland at the core of the picturesque's development and argues for a far greater degree of Irish influence on the course of European landscape theory and design. Positioned off-axis from the greater force-field, and off-shore from mainland Europe and America, where better to cultivate the oblique perspective? This book charts the creation of picturesque Ireland, while exploring in detail the role and reach of landscape painting in the planning, publishing, landscaping and design of Ireland's historic landscapes, towns, and tourist routes. Thus it is also a history of the physical shaping of Ireland as a tourist destination, one of the earliest, most calculated, and most successful in the world. Published for the Paul Mellon Centre for Studies in British Art