Nabil Anani is one of the most prominent Palestinian artists working today. A painter, ceramicist and sculptor, he has built an impressive catalogue of outstanding, innovative and unique art over the past five decades, pioneering the use of local media such as leather, henna, natural dyes, papier-mache, wood, beads and copper. Considered by many as a key founder of the contemporary Palestinian art movement, Anani's development as an artist has run in parallel with major events in recent Palestinian history. His work reflects the lived Palestinian experience, exhibiting distinctive responses to issues of exile, dislocation, conflict, memory and loss. Anani's artistic vision restores and celebrates a denied and often-forgotten reality, his work re-igniting memory. Bringing together more than 150 of Nabil Anani's works, this monograph also includes contributions from acclaimed Palestinian poet Mourid Barghouti as well as from leading Middle Eastern art historians, Rana Anani, Lara Khaldi, Bashir Makhoul, Nada Shabout, Housni Alkhateeb Shehadeh and Tina Sherwell.

'The beginnings of a bitter-sweet commission: a mistle thrust's egg, heralding a brief but very welcome return to spring... This year has been in such a hurry, at times almost tripping over itself in its keenness to reach autumn, and now she's here.' Highly respected illustrator Anna Koska is best known for her drawings of fish and fruit and is widely celebrated by food journalists and restaurateurs. In this mindful, artistic journal, Anna celebrates the natural world; the changing of the seasons, the blossoming of flowers and the ripening of fruit. Working in watercolour, pen and ink, oils and luscious egg tempera, Anna's illustrations are reproduced in beautiful detail and they are accompanied by her musings and observations of objects, engaging us in the everyday realities of her artistic practice. Anna sources inspiration from the flora and fauna in the fields and forests surrounding her home in East Sussex. Her illustrations root us in nature, allowing us to pause to admire and appreciate the beauty and significance of everyday occurrences - whether she is drawing wasps feasting on apples fallen in the orchard, or trying to capture the cerulean blue of a winter sky. In this book, image and narrative text are wedded to create a beautiful journey through the seasons, taking time to appreciate our surroundings. 'It started with my favourite fish, a red mullet, all bronze, copper, gills and scales. Then mackerel, coloured like a Scandi sky. Soon enough, I was seduced by a sketch of figs and Anna's alluring tones.' Allan Jenkins, Observer Food Magazine.

Art Wolfe has been photographing nature and wildlife to wide acclaim for 25 years, but his most recent book takes a new approach. Recognizing the crucial interdependence between animal life and the environment, Wolfe focuses on this relationship. As he says, "An animal ... within its habitat is a vibrant representation of natural selection". The Living Wild offers breathtaking evidence of this.

Wolfe traveled three years to capture these rare, soaring images, from Mongolia to Australia to Iceland and beyond. The result is a rich pictorial tour of a magnificent array of animals, from "charismatic" beasts like the giant panda and the lowland gorilla, to a stunning display of birds, to such unsung contributors to the ecology as insects. Complementing the images are essays by renowned conservationists, such as Jane Goodall, who document the increasingly tenuous state of earth's biodiversity and suggest ways to strengthen it.

Adults and children alike find Julia Rothman's best-selling illustrated guide to the natural world, Nature Anatomy, irresistible, with colorful drawings that awaken curiosity - and invite imitation. With this companion volume, Rothman leads fans deeper into nature observation with her specially designed record pages for tracking daily nature sightings throughout the seasons. Her step-by-step technique tutorials for drawing a flower, a dragonfly, a robin, and much more, along with blank sketchbook pages, will inspire nature lovers and art enthusiasts of all ages to take up their own coloured pencils or favourite pens and create their own unique Nature Anatomy Notebook.

In the fourteen years since Sierra Club Books published Theodore Roszak, Mary E. Gomes, and Allen D. Kanner's groundbreaking anthology, Ecopsychology: Restoring the Earth, Healing the Mind, the editors of this new volume--a practicing therapist and a teacher--have often been asked: Where can I find out more about the psyche-world connection? How can I do hands-on work in this area, amidst a culture largely blind to such connections? Ecotherapy was compiled to answer these and other urgent questions. Ecotherapy, or applied ecopsychology, encompasses a broad range of nature-based methods of psychological healing, grounded in the crucial facts that people are inseparable from the rest of nature and nurtured by healthy interaction with the Earth. Leaders in the field, including Robert Greenway, Mary Watkins, and Ralph Metzner, contribute essays that take into account the latest scientific understandings and the deepest indigenous wisdom. Other key thinkers, from Bill McKibben to Richard Louv to Joanna Macy, explore the links among ecotherapy, spiritual development, and restoring community. As mental-health professionals find themselves challenged to provide hard evidence that their practices actually work, and as costs for traditional modes of psychotherapy rise rapidly out of sight, this book offers practitioners and interested lay readers alike a spectrum of safe, effective alternative approaches backed by a growing body of research.

In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources - including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs - Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.

Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.

'A sea breeze wafts up from every page. This book is a delight.' - Nigel Slater Both grounding and uplifting, From Coast & Cove, the new book from author and acclaimed illustrator Anna Koska, walks us through the four seasons on the English coast. Beautifully observed, contemplative and deeply personal, Anna combines emotive and evocative tales of life beside the sea with her exquisitely detailed and intricate illustrations of the plants and wildlife found in the water and along the coastline. Anna and her family moved from East Sussex to Devon in 2020 and she now finds inspiration for her artworks in the ebb and flow of the tide throughout the year, the flotsam and jetsam washed up on the shore and the creatures spotted in the air, on land and tucked away in rockpools - whether it's the haunting cry of the curlew heard while kayaking along the River Dart, the iridescent scales and pointed teeth of a hake, the mussel shells discarded by an oystercatcher, or the kelp, wrack and eelgrass strewn along the beach and pressed for posterity. A love letter to the natural world captured in materials ranging from pencil, pen and ink, watercolour and egg tempera, From Coast & Cove details an artist's year spent beside the sea. A book to savour, and a wonderful celebration of nature's cycles and minutiae.

Artists and naturalists will master their ability to render lifelike depictions of a wide range of wildlife in a variety of still and action poses in this unique instructional. Amberlyn begins by offering a discourse on animal anatomy, basic animal structure and characteristics, and the animals' natural environment. Such details are examined and explored through more than 300 detailed animal studies.
More advanced topics include drawing the three major animal categories: carnivores/omnivores (wolves, coyotes, weasels, raccoons, and bears), hoofed mammals (deer, elk, moose, caribou, and sheep), and small mammals (rabbits, squirrels, mice, beaver, and armadillo). Readers will transform their mediocre interpretations into drawings that truly capture the essence and subtleties of the animal, its mood, and its habitat.

The paintings of Paul Feiler (1918-2013), the focus of this first survey of the artist's life and career, were inspired by the English landscape, particularly the cliffs and inlets of the coast of south-west Cornwall. For his friend Peter Lanyon, Feiler's early works provided him with a sense of 'calm and I mean a sense of pause...To achieve that repose in the landscape I know one has to suffer the opposite.' Feiler's vision was based on the understanding that 'you stand vertically and you look horizontally'; through this he aimed to fulfil Cezanne's requirement that 'a picture should give us...an abyss in which the eye is lost.' He moved from painterly abstraction to an exploration of the elusive nature of space through the effects of narrow bands of colour, silver and gold in a pattern of square and circle, which he varied and developed over more than forty years. Based on full access to the artist's archive of letters, catalogues and photographs, Michael Raeburn describes how Feiler overcame many painful early experiences to achieve the meditative serenity of his deeply spiritual work. For all those interested in the history of modern British painting, this is a much-needed resource.

Stylish retro travel posters bring to mind summer holidays, happiness and fun. Perennially popular as wall art, their strong designs and clean, flat colours are perfect for hobby artists to emulate. A complete guide to producing your own travel-poster art, this book includes guidance on composing a strong design, selecting colours to make sure your artwork pops, and adding lettering for a picture-perfect finished poster. Learn to create key poster elements such as clouds, skies, water and architecture, and discover how to add your own stylized lettering. There are six striking international projects to complete, or you can use your newfound skills to celebrate your own home town or treasured place. This book is packed with examples of Susie West's inspiring artwork and a short history of travel posters. Since 2015, Susie West has been working her way around the UK recreating the upbeat, retro charm of travel posters in the modern world. This book shares her techniques and secrets for producing fun, charming artwork. Suitable for beginners, this is a great way into art for those who want to develop their skills, or for experienced artists wanting to try something new.

Wilhelm Kuhnert was a pioneer. He was one of the first European artists to travel to the largely unexplored savannahs and jungles of the German colonies in North and East Africa. Under hazardous conditi ons he documented at close quarters the fascinating animal and plant world and then created in his Berlin studio monumental paintings which were much sought - after on the art market. Like no other artist of his time Wilhelm Kuhnert (1865 - 1926) has moulded our image of Africa. In his seductively realistic drawings, watercolours and paintings he recorded with almost scientific accuracy the characteristics of the animals and their habitat. It is not surprising, therefore, that his pictures illustrated on the o ne hand legendary reference works like Brehms Tierleben and adorned on the other the popular collector cards of the chocolate manufacturer Stollwerck. The volume shows a comprehensive, exciting portrait of Kuhnert's unusual life and works and takes into account at the same time the current debate on attitudes to Germany's colonial past.

When Georgia O'Keeffe: One Hundred Flowers was first published in 1987, it caused a sensation in the worlds of art and publishing. With its giant scale, unprecedented quality of reproduction fidelity, and hitherto unseen masterpieces of O'Keeffe's flower paintings, it became one of the most beloved and biggest-selling art books of all time, with over one million copies sold in its various editions across five languages. Long out of print, this new 30th Anniversary Edition of Georgia O'Keeffe: One Hundred Flowers is more glorious than ever. Elegantly packaged with a slipcase, this book showcases the most extraordinary reproductions of Georgia O'Keeffe's mesmerizing flower paintings. This gorgeous Anniversary volume is the result of the best of state-of-the-art printing technologies combined with consummate traditional craftsmanship. The perfect gift, the book will introduce an entire new generation to O'Keeffe's perennially popular work, and is sure to delight connoisseurs of modern art, design, and fine books everywhere.

A beautifully illustrated and informative anthology of coastal wildlife throughout the year. They say that no one in the British Isles lives more than an hour or two from the coast, a coastline of contrasts with scenery that changes from estuaries, shingle beaches, saltmarshes and sand dunes, to rocky shores, rugged cliffs, machair and bustling harbours. Our shores are teeming with wildlife, be it in the water, on the tideline, clinging to cliffs or in the skies above them, and this beautiful book you can learn more about familiar and favourite coastal species and some intriguing lesser-known marine creatures. Season by season, Celia Lewis's wonderful illustrations show the flowers, birds, animals, fish and insects found at that time of year. Her craft projects, using driftwood, pebbles and shells, are suitable for all ages and will encourage you to put beachcombed mementos to surprising uses. Or get creative with food and work some foraged ingredients into tasty recipes by Celia and many of our best seafood chefs. We all love spending time near the water's edge, so next time you feel like stretching your legs along a coastal path, fancy a day trip to the seaside or are planning balmy summer holidays, dip into An Illustrated Coastal Year and be inspired by the incredible diversity of wildlife to be found around our little archipelago.

Precisionism is generally regarded as an artistic style that does not indulge in social or political themes, being committed instead to aestheticism. Addressing the role of human beings under increased automation and mechanization, Andrea Diederichs includes the social dimension of the machine age in her investigations. In this way, she undertakes a fundamental revision of the prevailing, one-dimensional reading of Precisionism. It becomes clear that Charles Sheeler's, George Ault's or Niles Spencer's industrial subjects are characterized by ambivalence and ideology-critical tendencies relating to the new conditions of labor under the dictates of the machine, and document the resultant physical and psychological consequences. Re-evaluation of the work of Charles Sheeler and his contemporaries First investigation into the industrial depictions of Precisionism in an industrialpsychological context

Humankind has a special relationship with rain. The sensory experience of water falling from the heavens evokes feelings ranging from fear to gratitude and has inspired many works of art. Using unique and expertly developed art-historical case studies - from prehistoric cave paintings up to photography and cinema - this book casts new light on a theme that is both ecological and iconological, both natural and cultural-historical. Barbara Baert's distinctive prose makes Looking Into the Rain. Magic, Moisture, Medium a profound reading experience, particularly at a moment when disruptions of the harmony among humans, animals, and nature affect all of us and the entire planet. Barbara Baert is Professor of Art History at KU Leuven. She teaches in the field of Iconology, Art Theory & Analysis, and Medieval Art. Her work links knowledge and questions from the history of ideas, cultural anthropology and philosophy, and shows great sensitivity to cultural archetypes and their symptoms in the visual arts.