Flower painter Pierre-Joseph Redoute (1759-1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon's wife Josephine, he was dubbed "the Raphael of flowers," and is regarded to this day as a master of botanical illustration. This collection brings our best-selling XL-sized edition to a smaller, more convenient format, still gathering some of the finest color engravings from Redoute's illustrations of Roses, Lilies, and Choix des plus belles fleurs et quelques branches des plus beaux fruits (Selection of the Most Beautiful Blooms and Branches with the Finest Fruits). Offering a vibrant overview of Redoute's admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Combining ink with dry coloured pencil is an innovative technique that integrates two very different media, resulting in rich and detailed work. This beautiful book looks at different methods of mark-making in ink and a repertoire of coloured pencil techniques, then explains how to work with them together successfully. Drawing on the author's love of the countryside and its plant communities, it shows how the technique can be used to interpret the landscape in a new and highly individual way. Packed with step-by-step sequences and finished examples, this book will encourage beginners to get started and inspire artists looking for a new direction.

Beginning with the very origins of life on Earth, Woolfson considers pre-historic human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She explores our representation of animals in art, our consumption of them for food, our experiments on them for science, and our willingness to slaughter them for sport and fashion, as well as examining concepts of love and ownership. Drawing on philosophy and theology, art and history, as well as her own experience of living with animals and coming to know, love and respect them as individuals, Woolfson examines some of the most complex ethical issues surrounding our treatment of animals and argues passionately and persuasively for a more humble, more humane, relationship with the creatures who share our world.

Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.

Humans have long believed themselves to be the superior species: we consume other animals for food, experiment on them and slaughter them for sport. But as well as the ethical issues surrounding our treatment of other animals, our attitudes are responsible for massive species loss and extinctions, the extensive destruction of habitats and a growing threat of zoonotic pandemics. Drawing on philosophy and theology, art and history, Between Light and Storm is a penetrating account of our fraught relationship with animals. It is also a timely and necessary plea for a more humane approach to those with whom we share a planet.

The fabled Great Bear Rainforest stretches up the rugged Pacific coast from northern Vancouver Island to southern Alaska. A longtime resident of the area, award-winning photographer and conservationist Ian McAllister takes us on a deeply personal journey from the headwaters of the Great Bear Rainforest's unexplored river valleys down to where the ocean meets the rainforest and finally to the hidden depths of the offshore world. Along the way, we meet the spectacular wildlife that inhabits the region. On a not-so-unusual day, McAllister quietly observes twenty-seven bears fishing for salmon, three of which are the famed pure-white spirit bear. McAllister introduces us to the First Nations people who have lived in this area for millennia and to the scientists conducting groundbreaking research and racing against time to protect the rainforest from massive energy projects. Rich with full-color photographs of the wolves, whales, and other creatures who make the rainforest their home, Great Bear Wild is a stunning celebration of this legendary area.

Our relationship with trees is a lengthy, complex one. Since we first walked the earth we have, at various times, worshiped them, felled them and even talked to them. For many of us, though, our first memories of interacting with trees will be of climbing them. Exploring how tree climbers have been represented in literature and art in Europe and North America over the ages, The Tree Climbing Cure unpacks the curative value of tree climbing, examining when and why tree climbers climb, and what tree climbing can do for (and say about) the climber's mental health and wellbeing. Bringing together research into poetry, novels, and paintings with the science of wellbeing and mental health and engaging with myth, folklore, psychology and storytelling, Tree Climber also examines the close relationship between tree climbing and imagination, and questions some longstanding, problematic gendered injunctions about women climbing trees. Discussing, among others, the literary works of Margaret Atwood; Charlotte Bronte; Geoffrey Chaucer; Angela Carter; Kiran Desai; and J.R.R. Tolkien, as well as work by artists such as Peter Doig; Paula Rego; and Goya, this book stands out as an almost encyclopedic examination of cultural representations of this quirky and ultimately restorative pastime.

A fantastic visual voyage into the world of animals, both real and imagined. There is no end to the diverse and unique creatures that Terryl Whitlatch creates for us with her solid knowledge of anatomy and boundless imagination. Especially intriguing are the 100s of anatomical notes that are dispersed among her sketches, educating and enlightening us to the foundation of living bodies and their mechanics.

In this major work on landscape photography, extensively illustrated in colour and black & white, Liz Wells is concerned with the ways in which photographers engage with issues about land, its representation and idealisation. She demonstrates how the visual interpretation of land as landscape reflects and reinforces contemporary political, social and environmental attitudes. She also asks what is at stake in landscape photography now through placing critical appraisal of key examples of work by photographers working in, for example, the USA, in Europe, Scandinavia and Baltic areas, within broader art historical and political concerns. This illuminating book will interest readers in photography and media, geography, art history and travel, as well as those concerned with environmental issues.

Award-winning artist Angela Gaughan shares with you a life time's worth of experience in art. This book provides an insight into the distinctive techniques Angela Gaughan uses to achieve her amazingly detailed, life-like wildlife paintings. It is an inspirational guide to painting in acrylics; both for experienced artists who are interested in Angela's methods, and those wishing to improve their skills. Sumptuous colour is at the heart of Angela's vivid, beautiful art work. Her unique techniques combine the advantages of acrylics and oils. In this inspirational book, Angela shares with you a lifetime's worth of experience in art. Learn her unique approach to using acrylics to produce depth and character in your own wildlife artwork, and follow the step-by-step demonstrations as you build up your skills. The book begins with detailed coverage of the materials, tools and media Angela uses. Chapters on colour and light, gathering reference, and composition build upon Angela's working method guiding you through her stages of working, from using photographic references, through completing a tonal drawing, to using transparent washes and opaque colours to create a full painting. The instructional techniques then connect into substantial chapters on colour, composition and finish off with masterwork techniques to help more advanced artists push their artwork further.

Drawing the Natural World is a practical and comprehensive guide for artists of all abilities to celebrate through art the beauty of the flora and fauna that make up our planet. The book is divided into the fundamental concepts of art � colour and tone, pattern, texture, line, shape, form and space � to introduce the essential techniques and demonstrate how they can be used in drawing the natural world through practical projects. Further chapters cover the anatomy of animals to ensure posture and gait can be accurately captured, and the fundamentals of composition. There is also introduction to the different materials and equipment that can be used, and a guide to basics of drawing. Each of the projects in the book includes a fully illustrated step-by-step sequence to follow, plus helpful tips and advice. There's also background information about the featured animals and plants to broaden the reader's awareness of and connection with the natural world.

Highly illustrated, full colour book showcasing what is unique about the North Coast 500. Striking images and descriptive text of the best places to visit are shown along with a simple route map showing locations. 100 of the best places to stop on route including; * Beaches and bays; Sandwood Bay to Red Point Beach * Engineering and architecture; Caledonian Canal to Noss Head Lighthouse * Historic sites; Culloden battlefield to Dunrobin Castle * Off the beaten track; Cape Wrath to Traligill Caves * Urban areas: Ullapool to John o' Groats * Wildlife and nature: Dunnet Head to Suilven A book to help plan your trip around the dramatic North Scotland. An indication of how long to spend at each place is given along with full description and photograph.

Choreographies of the Living explores the implications of shifting from viewing art as an exclusively human undertaking to recognizing it as an activity that all living creatures enact. Carrie Rohman reveals the aesthetic impulse itself to be profoundly trans-species, and in doing so she revises our received wisdom about the value and functions of artistic capacities. Countering the long history of aesthetic theory in the West-beginning with Plato and Aristotle, and moving up through the recent claims of "neuroaesthetics"-Rohman challenges the likening of aesthetic experience to an exclusively human form of judgment. Turning toward the animal in new frameworks for understanding aesthetic impulses, Rohman emphasizes a deep coincidence of humans' and animals' elaborations of fundamental life forces. Examining a range of literary, visual, dance, and performance works and processes by modernist and contemporary figures such as Isadora Duncan, D. H. Lawrence, Virginia Woolf, and Merce Cunningham, Rohman reconceives the aesthetic itself not as a distinction separating humans from other animals, but rather as a framework connecting embodied beings. Her view challenges our species to acknowledge the shared status of art-making, one of our most hallowed and formerly exceptional activities.

Playing cards that feature beautiful hummingbird photography This gorgeous deck of playing cards, put together by award-winning nature photographer Stan Tekiela, features 54 striking photographs of North America's hummingbirds, including the Ruby-throated, Black-chinned and Rufous hummingbirds. Anyone who appreciates birds will love having these cards for playing their favorite games.

In 2008, as the storms of the financial crash blew, Isabelle Fremeaux and Jay Jordan deserted the metropolis and their academic jobs, traveling across Europe in search of post-capitalist utopias. They wanted their art activism to no longer be uprooted. They arrived at a place French politicians had declared lost to the republic, otherwise know as the zad (the zone to defend): a messy but extraordinary canvas of commoning, illegally occupying 4,000 acres of wetlands where an international airport was planned. In 2018, the 40-year-long struggle snatched an incredible victory, defeating the airport expansion project through a powerful cocktail that merged creation and resistance. Fremeaux and Jordan blend rich eyewitness accounts with theory, inspired by a diverse array of approaches, from neo-animism to revolutionary biology, insurrectionary writings and radical art history. Published in collaboration with the Journal of Aesthetics & Protest.

The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History, vol. 2

In Neo-Impressionism and Anarchism in Fin-de-Siecle France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elisee Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

Despite the famously uncooperative Irish weather, John Hinde's postcards of Ireland featured bright sunshine and blue skies, a country seemingly peopled entirely with redheads, happy donkeys carrying turf, and charming cottages that appeared to grow upward from the earth itself. Cars and sweaters were in primary colours, and scarlet rhododendrons sprang up in the unlikeliest of places. John Hinde had a clear vision: 'We need to be uplifted rather than depressed. To me pictures should always convey a positive, good feeling, something which makes people happy, which makes them smile, which makes them appreciate some tenderness.' In these postcards, the world is a sunnier, less complicated and more colourful place. Join Paul Kelly as he returns to John Hinde's Ireland on a photographic pilgrimage, capturing some places that have changed forever, and some that are just the same.

Each exquisite paper flower in this elegant collection blooms with extraordinary detail and color. Eighteenth-century British artist Mary Delany created each piece by cutting and layering tiny pieces of paper on black ink backgrounds. The fine shading and depth are as intricately detailed as a botanical illustration and scientifically accurate as well. Printed on thick, textured paper, the set features sunflowers, rhododendron, cornflower, water lilies, and more. Perfect for any occasion that warrants beauty and sophistication.

Now she turns her attention to our mysterious, playful and surprisingly wise feline friends. Every page of this full colour gift book pairs a charming photograph with just the right sentiment, offering an inspiring life lesson we can learn from cats. 'Rub people the right way.' 'Be fearless...but have an escape plan.' 'Stay a little wild.' Whether they are hunting, snoozing, playfully wreaking havoc, or showering us with affection, cats have a lot to teach us about living a full life (after all, with nine lives, they have a lot of experience!). As Copeland reminds us, all we have to do is observe with an open heart and mind. Tender, funny, and warm, Really Important Stuff My Cat Has Taught Me is a loving tribute to the feline spirit.