"With each day spent outdoors I am reminded of what a beautiful world we all call home, and the challenges that face ecosystems across the world." - Alfie Bowen "The photographs are outstanding, and the story behind them inspirational. Given the odds stacked against Alfie throughout his life, this book is a significant success and bodes very well for a continued and very inspiring career as a world-class photographer." - Chris Packham Alfie Bowen is an exceptionally talented young autistic photographer and wildlife activist. His latest project offers a glimpse into the private lives of numerous wild animals from across the globe and reveals the highs and lows of living as an autistic environmental campaigner. Bowen's photographs are truly breath-taking. Hours are invested into every piece to ensure the results are exactly as Bowen envisioned, and Bowen conducts in-depth research on every animal he captures, believing it is of the utmost importance to understand his subjects. In this book, Bowen discusses overcoming the limitations of technology and how autism has given him the obsession needed to persevere in often cold, lonely and difficult circumstances. From Bowen's relation of his struggle to capture the perfect picture of a cheetah, to his majestic portraits of some of the most beloved animals on the planet, this book captures the powerful sensory experience Bowen enjoys whenever he immerses himself in nature. Featured animals include: lions, cheetahs, leopards, tigers, snow leopards, Geoffrey's cats, red pandas, chimpanzees, monkeys and colobuses, lemurs, elephants, rhinos, giraffes, zebras, deer, flamingos, eagles and other birds, and koi.

A SUNDAY TIMES BESTSELLER 'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.' DAVID HOCKNEY Praise for Spring Cannot be Cancelled: 'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking' The Times 'Lavishly illustrated... Gayford is a thoughtfully attentive critic with a capacious frame of reference' Guardian 'Hockney and Gayford's exchanges are infused with their deep knowledge of the history of art ... This is a charming book, and ideal for lockdown because it teaches you to look harder at the things around you' Lynn Barber,The Spectator 'Designed to underscore [Hockney's] original message of hope, and to further explore how art can gladden and invigorate ... meanders amiably from Rembrandt, to the pleasure principle, andouillette sausages and, naturally, to spring' Daily Telegraph On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live. With 142 illustrations in colour

This beautiful book explores the beloved writer's achievements as a storyteller, artist, and naturalist. Beatrix Potter's universe of characters-Peter Rabbit, Squirrel Nutkin, Jemima Puddleduck-have delighted audiences for over a century. A creative pioneer and determined entrepreneur, she combined scientific observation with imaginative storytelling to create some of the world's best-loved children's books. This volume showcases Potter's charming charac-ters against the backdrop of her exquisite botanical drawings, humorous illustrated letters to friends, Lake District landscapes, and rarely seen photographs. Beatrix Potter's endearingly hand-painted world of animals and gardens made her one of the most celebrated children's book authors of all time, yet this is but one facet of her creative life. Drawn to the picturesque English countryside after a London childhood, Potter had a passion for nature that influenced her many achievements as a naturalist, artist, storyteller, and later in life as a fervent conservationist and "gentlewoman" farmer. This book sheds light upon the connections between her art, entrepreneurial success, and legacy in preservation.

In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting-especially a landscape painting-replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant's account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential sixth to fourteenth-century theorists and art historians and connoisseurs, the first part explains and discusses qiyun and its conceptual development from a notion mainly applied to figure painting to one that also plays an enduring role in the aesthetics of landscape painting. In the light of Kant's account of genius, the second part examines a range of issues regarding the role of the mind in creating a painting replete with qiyun and the impossibility of teaching qiyun. Through this comparison with Kant, Hu demystifies the uniqueness of qiyun aesthetics and also illuminates some limitations in Kant's aesthetics.

Corvids play an outsize role in the human imagination. We keep ravens in towers, emblazon rooks on banners, find crows in the constellations and make sure to salute solitary magpies. We also see our own behaviour mirrored in this diverse family of birds, who are tricksters and thieves as well as problem-solvers and gift-givers. This beautifully designed book showcases the visual and literary life of the corvid, from Norse legends to Game of Thrones. It includes beautiful and darkly seductive photographs and paintings as well as texts and poems in which they play a starring role and information about the traits that make them so intriguing to us.

With over 70 original illustrations, printmaker Angela Harding invites you to look at how the light changes the world around us, and how that changes us in its turn. "I, like many other people, find great inspiration in the way mornings, evenings or bright midday light changes the way we see the things around us. The bouncing light of a cloud-filled storm sky can change a seascape through a palette of blues, greys, and turquoises. The cool summer moonlight that crosses my back garden sends long shadows that change the mood of the garden from homely to unfamiliar. And whether it's the low light of an English February afternoon or the sharp, bright mid-morning light of the Cornish seaside, the light and dark we experience affects our moods. "But life is busy, and I am guilty as anyone of being too preoccupied by daily life to just stop and look. This book is a collection of illustrations from those moments when I have stopped and looked; when a particular encounter with nature has been highlighted by the time of day or the time of night, becoming a strong image long remembered and one that I wish to illustrate. "I hope you enjoy this journey through 24 hours of my collected memories of the nature that surrounds me."

John James Audubon was an American ornithologist, naturalist, and painter. The Birds of America contains 435 life-size watercolours of North American birds, some of which reproduced here in our QuickNotes notecard set. 20 notecards and envelopes, 5 each of 4 images. Packaged in a sleek, sturdy flip-top box with magnetic closure. Cards printed on coated paper stock to bring out their full colour. Cards and envelopes bundled together with a paper belly band inside each box. Box measurements 143 x 120 x 34mm.

The Bird explores the fascinating world of eighteenth- and nineteenth-century ornithological illustration. This was a period of scientific, artistic and geographic discovery, when people began to fully appreciate the immense variety of form and colour within the natural world. This book celebrates this beauty through the lavish illustrations produced at that time. Each chapter focuses on a category of birds, from shorebirds to birds of prey. Feature sections on key ornithological artists such as John James Audubon, Elizabeth Gould and Edward Lear demonstrated how technology, travel and ambition shaped these amazing images, and how their work transformed our understanding of the wonderful world of birds.

The book examines the roles that rare and exotic animals played in the cultural self-fashioning and the political imaging of the Medici court during the family's reign, first as Dukes of Florence (1532-1569) and subsequently as Grand Dukes of Tuscany (1569-1737). The book opens with an examination of global practices in zoological collecting and cultural uses of animals. The Medici's activities as collectors of exotic species, the menageries they established and their deployment of animals in the ceremonial life of the court and in their art are examined in relation to this wider global perspective. The book seeks to nuance the myth promoted by the Medici themselves that theirs was the most successful princely serraglio in early modern Europe.

These poems reflect a journey from a past delineated by racism, trauma and violence towards a present life of peace and intense natural beauty. Permeated with nostalgia and loss; songs of an immigrant community alienated in their own land, but pierced with fierce hope, faith in redemption, and a determination that we should all belong.

Each exquisite paper flower in this elegant collection blooms with extraordinary detail and color. Eighteenth-century British artist Mary Delany created each piece by cutting and layering tiny pieces of paper on black ink backgrounds. The fine shading and depth are as intricately detailed as a botanical illustration and scientifically accurate as well. Printed on thick, textured paper, the set features sunflowers, rhododendron, cornflower, water lilies, and more. Perfect for any occasion that warrants beauty and sophistication.

'Chris Beetles' book is a joy, an inspiration and as thorough a document into understanding the life and times of Louis Wain as one could hope to read' - Benedict Cumberbatch 'Louis Wain invented a cat style, a cat society, a whole cat world'. Broadcast in 1925 by H.G. Wells, these words characteristically foretold the future of the Wain cat which has, once more, become the century's most recognisable image in cat art. During their heyday, in the time before the First World War, Louis Wain's cats, dressed as humans, portrayed that stylish Edwardian world having fun: at restaurants and tea parties, going to the Race and the Seaside, celebrating at Christmas and Birthdays, and disporting themselves with exuberant games of tennis, bowls, cricket and football. This is a titillating world of cats at play, uninhibited and slightly dangerous, with most group activities likely to turn into mishap, mayhem and catastrophe. This is Wain's world, funny, edgy and animated: a whole cat world. The first comprehensive exhibition of Wain's work was held at the Victoria and Albert Museum in London in 1972 and, since then, Louis Wain has steadily become more fashionable, and collected worldwide. This biography contains 300 plates of richness and variety, all of which are reproduced faithfully from the original artwork.

The Landscape Painter's Workbook is the definitive hands-on guide to the time-honored techniques and essential elements of landscape painting. Written by celebrated landscape artist, instructor, and author Mitchell Albala, this richly informative and beautifully illustrated volume leads you step by step through his approach to the genre, from establishing a composition using basic shapes to applying time-tested color strategies, with all-new lessons, practical exercises, and special topics, including: The Complete Color Strategy. What are the three aspects of color contrast that guide a painting's strategy? Notan. Explore this special type of compositional study, which identifies the underlying shapes and patterns of a composition. Picture Formats. How does the picture format-horizontal, vertical, or square-affect the composition? What are the pros and cons of each? Color Grouping. A full chapter details this special practice, which helps maintain harmony by organizing colors into a limited number of groups. Composition. An in-depth review of variation, movement, and active negative space, with illustrations that diagram the action in each example. Workshop Exercises. Instead of demonstrations that show how the author paints, The Landscape Painter's Workbook includes 10 skill-building workshop exercises to help you work through essential lessons on your own. With examples of work by 45 contemporary landscape painters-more than 80 paintings in all- in oil, acrylic, pastel, and watercolor, the lessons are suitable for all mediums. Each painting is thoroughly analyzed in terms of shape, composition, or color, with supporting diagrams, thumbnails, and photographs. The Landscape Painter's Workbook inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the majesty and subtlety of the natural world. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

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London's Natural History Museum holds the oldest and most important entomology collection in the world - with over 34 million insect and arachnid specimens. Interesting Insects showcases the weird, wonderful, and often surprisingly beautiful world of bugs, from shimmering stag beetles to dazzling dragonflies. For each stunning specimen there is a close-up photograph and accompanying text describing its appearance, lifestyle, distribution and size, together with its key characteristics.

In Tangle-inspired Botanicals, author and artist Sharla Hicks guides you in exploring and developing your own style of botanical, landscapes, lush foliage, and mixed-media color enhancers. It's not hard to see why drawing tangles continues to grow years after tangles first hit the scene. These types of drawings are easy to pick up, and can be drawn on just about anything. With a focus on simple mark making as well as drawing with the intention to relax and be creative, tangle drawing is a powerful tool for people looking to tap into their inner artist. Tangle-Inspired Botanicals guides you in exploring and developing your own personal style of tangle-inspired botanicals, land and seascapes, leafy foliage, and mixed-media color enhancers. Artist Sharla Hicks uses nature photographs and monoprints embossed with flowers, leaves, and grasses for her inspiration. Tangle-Inspired Botanicals includes more than 200 illustrations, including many finished artworks, along with written instruction.