Agrarian Landscapes in Transition researches human interaction with the earth. With hundreds of acres of agricultural land going out of production every day, the introduction, spread, and abandonment of agriculture represents the most pervasive alteration of the Earth's environment for several thousand years. What happens when humans impose their spatial and temporal signatures on ecological regimes, and how does this manipulation affect the earth and nature's desire for equilibrium?
Studies were conducted at six Long Term Ecological Research sites within the US, including New England, the Appalachian Mountains, Colorado, Michigan, Kansas, and Arizona. While each site has its own unique agricultural history, patterns emerge that help make sense of how our actions have affected the earth, and how the earth pushes back. The book addresses how human activities influence the spatial and temporal structures of agrarian landscapes, and how this varies over time and across biogeographic regions. It also looks at the ecological and environmental consequences of the resulting structural changes, the human responses to these changes, and how these responses drive further changes in agrarian landscapes.
The time frames studied include the ecology of the earth before human interaction, pre-European human interaction during the rise and fall of agricultural land use, and finally the biological and cultural response to the abandonment of farming, due to complete abandonment or a land-use change such as urbanization.

The Landscape Painter's Workbook is the definitive hands-on guide to the time-honored techniques and essential elements of landscape painting. Written by celebrated landscape artist, instructor, and author Mitchell Albala, this richly informative and beautifully illustrated volume leads you step by step through his approach to the genre, from establishing a composition using basic shapes to applying time-tested color strategies, with all-new lessons, practical exercises, and special topics, including: The Complete Color Strategy. What are the three aspects of color contrast that guide a painting's strategy? Notan. Explore this special type of compositional study, which identifies the underlying shapes and patterns of a composition. Picture Formats. How does the picture format-horizontal, vertical, or square-affect the composition? What are the pros and cons of each? Color Grouping. A full chapter details this special practice, which helps maintain harmony by organizing colors into a limited number of groups. Composition. An in-depth review of variation, movement, and active negative space, with illustrations that diagram the action in each example. Workshop Exercises. Instead of demonstrations that show how the author paints, The Landscape Painter's Workbook includes 10 skill-building workshop exercises to help you work through essential lessons on your own. With examples of work by 45 contemporary landscape painters-more than 80 paintings in all- in oil, acrylic, pastel, and watercolor, the lessons are suitable for all mediums. Each painting is thoroughly analyzed in terms of shape, composition, or color, with supporting diagrams, thumbnails, and photographs. The Landscape Painter's Workbook inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the majesty and subtlety of the natural world. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

In this interdisciplinary work, philosophers from different specialisms connect with the notion of the wild today and interrogate how it is mediated through the culture of the Anthropocene. They make use of empirical material like specific artworks, films and other cultural works related to the term 'wild' to consider the aesthetic experience of nature, focusing on the untamed, the boundless, the unwieldy, or the unpredictable; in other words, aspects of nature that are mediated by culture. This book maps out the wide range of ways in which we experience the wildness of nature aesthetically, relating both to immediate experience as well as to experience mediated through cultural expression. A variety of subjects are relevant in this context, including aesthetics, art history, theology, human geography, film studies, and architecture. A theme that is pursued throughout the book is the wild in connection with ecology and its experience of nature as both a constructive and destructive force.

Paul Talbot-Greaves proves painting in watercolour doesn't have to be time-comsuming. He presents 27 vibrant paintings, each one broken down into technique and the amount of time to dedicate to the process.

The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. Work Book is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.