Julia Rothman's best-selling illustrated Anatomy series takes a deep dive into the wonders of the sea with Ocean Anatomy. Follow Rothman's inquisitive mind and perceptive eye along shorelines, across the open ocean, and below the waves for an artistic exploration of the watery universe. Through her drawings, discover how the world's oceans formed, why the sea is salty, and the forces behind oceanic phenomena such as rogue waves. Colorful anatomical profiles of sea creatures from crustacean to cetacean, surveys of seafaring vessels and lighthouses, and the impact of plastic and warming water temperatures are just part of this compendium of curiosities that will entertain and educate readers of all ages. Also available in this series: Nature Anatomy, Farm Anatomy, Food Anatomy, and Nature Anatomy Notebook

Kurt Jackson's Botanical Landscape is a new collection of poems, paintings, drawings, sculptures and printmaking by the artist and staunch environmentalist: responses to his engagement with and rich experience within the natural world of flora. From day-to-day plants - weeds, the flowers in the hedge, familiar trees and the vegetable garden - to the more unusual, twisted forms and strange fruit of the undergrowth, Jackson's works celebrate the staggering diversity of the plant kingdom. For the art enthusiast, the naturalist, the gardener and the armchair horticulturist, Kurt Jackson's Botanical Landscape maps a particularly expressive communion with nature and offers a unique and beguiling interpretation of the natural world.

Ranunculus offers advice on how to care for and propagate these colourful cultivated members of the buttercup family. Naomi Slade explores a wide range of ranunculus species and cultivars, all beautifully photographed by Georgianna Lane in their technicolour glory from palest pink to deep burgundy via white, orange, red and yellow. Pert as a rosebud and blousy as a dahlia, Ranunculus asiaticus is the flower of the moment. From ancestors that grew wild in the eastern Mediterranean, these Persian buttercups have been bred and selected to create fully double blooms; with layers of delicate, tissue-paper petals sculpted to perfection and available in a range of colours to suit any occasion. The buttercup family is a huge and diverse one, however, and the genus Ranunculus contains not just these exotic florists' darlings, but a whole range of their close relatives too. Some are familiar: when fields and lawns are sprinkled with golden meadow buttercups, we can be sure that spring has arrived. Yet there are also rare mountain blooms, perched on crags and fed by the melting snow, and forms of Ranunculus that thrive in pond margins or flourish in fast-flowing streams. Naomi Slade explores the world of buttercups, from their wild origins to their most successfully cultivated and most popular forms. Some are easy to grow, some less so, and this book offers tips and advice to help the reader embrace not just those near-wild forms that lend themselves to naturalistic planting schemes, and the exquisite, collectible alpines, but also the brilliant, desirable, Persian buttercups that are so perfect for cutting and arranging.

Modernism on Sea brings together writing by some of today's most exciting seaside critics, curators, filmmakers and scholars, and takes the reader on a journey around the coast of Britain to explore the rich artistic and cultural heritage that can be found there, from St Ives to Scarborough. The authors consider avant-garde art, architecture, film, literature and music, from the early twentieth century to the present, setting the arrival of modernism against the background of seaside tradition. From the cheeky postcards marvelled at by George Orwell to austere modernist buildings such as the De La Warr Pavilion; from the Camden Town Group's sojourn in Brighton to John Piper's 'Nautical Style'; from Paul Nash's surrealist benches on the promenade in Swanage to the influence of bunting and deckchairs on the Festival of Britain - Modernism on Sea is a sweeping tour de force which pays tribute to the role of the seaside in shaping British modernism.

When we look at the landscape, what do we see? Do we experience the view over a valley or dappled sunlight on a path in the same way as those who were there before us? We have altered the countryside in innumerable ways over the last thousand years, and never more so than in the last hundred. How are these changes reflected in - and affected by - art and literature? Spirit of Place offers a panoramic view of the British landscape as seen through the eyes of writers and artists from Bede and the Gawain-poet to Gainsborough, Austen, W. G. Sebald and Barbara Hepworth. Shaped by these distinctive voices and evocative imagery, Susan Owens describes how the British landscape has been framed, reimagined and reshaped by each generation. Each account or work of art, whether illuminated in a manuscript, jotted down in a journal or constructed from sticks and stones, holds up a mirror to its maker and their world. With 80 illustrations

Zen Buddhist priest Shunmyo Masuno understands that today's busy world leaves little time or space for self-reflection, but that a garden--even in the most urban of spaces--can provide some respite. In his words, "The garden is a special spiritual place where the mind dwells." With this in mind, Masuno has designed scores of spectacular Japanese gardens and landscapes with the aim of helping people achieve a balanced life in the 21st century. This book explores Masuno's design process and ideas, which are integral to his daily Zen training and teachings. It features 15 unique gardens and contemplative landscapes completed in six countries over as many years--all thoughtfully described and documented in full-color photos and drawings. Readers will also find insights on Masuno's philosophy of garden design and a conversation between the designer and famed architect Terunobu Fujimori. Zen Garden Design provides an in-depth examination of Masuno's gardens and landscapes--not just as beautiful spaces, but as places for meditation and contemplation.

In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources - including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs - Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.

In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk.

Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology, yet there has been little consensus about how to understand the relationship between landscape and art. This book brings together more than fifty scholars from these multiple disciplines to establish new ways of thinking about landscape in art.

In Neo-Impressionism and Anarchism in Fin-de-Siecle France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elisee Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

The Kitty McCall Toucan Paint By Number Kit from Galison includes line-drawing floral art on canvas from Nigerian-born, UK-based artist, Kitty McCall. This paint by numbers piece is designed for anyone to replicate McCall's stunning artwork. Influenced by the natural world around her, along with the vibrant landscape of her early childhood in Nigeria, Kitty McCall has developed a signature style of bold colors, overlaid patterns, and shapes to create geometric designs and floral landscapes for interiors, and accessories. * Box Size: 8.25 x 10.25 x 1.75", 210 x 260 x 45 mm * One Canvas: 8 x 10", 203 x 254 mm * Color guide / Instruction Sheet * One Wooden Easel, Two Paint Brushes * 6 Acrylic Paints

An epic visual story of wildlife photography's pioneers and world firsts. From some of the very first pictures of wild lions and tigers on record and the first-ever underwater colour photograph, right up to the spectacular images from the wildest corners of the earth that modern-day technology allows, Into the Wild is an extraordinary collection of over 250 images and 150 years of our efforts to document the natural world. Now, more than ever, these are the photographs and stories that matter. "Gemma Padley takes us on a fascinating journey through 150 years of the wildlife photography that has informed and delighted us. The text tells us not only about the images themselves, but describes how cameras gradually got faster shutter speeds, longer lenses, greater resolution and are now mostly digital. But it is the patience and endurance of the photographer who waits for hours or even days in tropical heat or arctic freeze to capture these special shots: taken at just the right moment in just the right light and from just the right angle. Into the Wild is a must-have coffee table book." Dr. Jane Goodall, DBE Founder of the Jane Goodall Institute & U.N. Messenger of Peace

The Impressionists are world renowned for their vibrant depictions of the atmospheric effects and shimmering beauty of the French countryside. These paintings, often produced in Paris, found an enthusiastic market in the city. The inhabitants of that hub of modernity had an apparently paradoxical interest in the mythologies of rural living. As the city became more and more the motive force of social change so the country was understood as the anchor of changelessness and nostalgia. The essayists in this volume examine the complex relationship between country and city. Their work draws widely on the contemporary culture exploring folklore and children's literature, anarchism and urbanism, and offers significant new insights into the work of major artists and writers including Courbet, Millet, Monet, Van Gogh and Zola.

You may be familiar with Old Master paintings; you may even be familiar with cats inserting themselves into Old Master paintings - but you've never seen them in three-dimensional pop-up form. Cats in Art: A Pop-up Book celebrates the work of Susan Herbert, whose paintings have been delighting the world since her very first collection, A Cats Gallery of Art, was published in 1990. Since then, her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from operas, Shakespearean plays and films, all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation of her work, six of the all-time best-known and loved works of art, spanning the 15th to the 19th centuries are transformed into three-dimensional form by renowned paper engineer Corina Fletcher. Each of these clever and charming feline tableaux is accompanied by engaging and lively text, telling a mini-story of the drama unfolding on the page.

Look Again is a new series of short books from Tate Publishing, opening up the conversation about British art over the last 500 years, and exploring what art has to tell us about our lives today. Written by leading voices from the worlds of literature, art and culture, each book sheds new light on some of the most well-known, best-loved and thought-provoking artworks in the national collection, and asks us to look again. Author Philip Hoare takes us on an exploration of the sea and the way it has provided a deep source of inspiration for artists featured in the Tate collection, from William Blake to Maggi Hambling. Artists have always seen the sea as a mirror of their anxieties and desires; an endless resource for their creativity and their dreams. Under our human sway, the sea has shifted in meaning, from creation myth to economic wealth, from mystic wonder to modern exploitation. Look Again: The Sea dives into the breadth of historical and contemporary works in Britain's national collection of art, as well as the beloved literature they have inspired. By reframing them within a social and political perspective rather than a chronological or art-historical one, prize-winning author Philip Hoare shows how art has continually borne witness to the power and allure of the sea.

This beautiful box set is drawn from the unrivalled collection of images at the Natural History Museum, London. It includes exquisitely crafted works from some of the most famous natural history artists ever published including Audubon, Gould, MacGillivray and Bauer. They are complemented by Jonathan Elphick's detailed text, which interweaves ornithological science, art history, biography and travel to create a vivid picture of the lives of both the artists and the birds they painted. Jonathan Elphick's book is accompanied by 36 stunning frameable prints (333 x 260 mm), pictured below, which have been reproduced directly from the original artworks held by the Museum.

Explore the national parks in this relaxing coloring book for nature lovers Featuring 34 of the most popular and scenic parks and recreation sites across the country including the Everglades, the Grand Canyon, Yellowstone, Zion, the Badlands and more, Coloring the National Parks provides hours of coloring fun and relaxation for creatives who love the outdoors. Add your creative touch to nature scenes as diverse as the parks themselves, from mountains to caves to glaciers, Saguaros, redwoods, elk, bears, and many more.

These interdisciplinary essays focus on animals as symbols, ideas or images in medieval art and literature. Representing the broad spectrum of work in the field, contributors discuss how the bestiary mirrored values of medieval society, explore the the development of composite creatures in the bestiary, and examine the Greek text Physiologus in depth.

Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.

Drawing the Natural World is a practical and comprehensive guide for artists of all abilities to celebrate through art the beauty of the flora and fauna that make up our planet. The book is divided into the fundamental concepts of art � colour and tone, pattern, texture, line, shape, form and space � to introduce the essential techniques and demonstrate how they can be used in drawing the natural world through practical projects. Further chapters cover the anatomy of animals to ensure posture and gait can be accurately captured, and the fundamentals of composition. There is also introduction to the different materials and equipment that can be used, and a guide to basics of drawing. Each of the projects in the book includes a fully illustrated step-by-step sequence to follow, plus helpful tips and advice. There's also background information about the featured animals and plants to broaden the reader's awareness of and connection with the natural world.

In The Enlightenment's Animals Nathaniel Wolloch takes a broad view of changing conceptions of animals in European culture during the long eighteenth century. Combining discussions of intellectual history, the history of science, the history of historiography, the history of economic thought, and, not least, art history, this book describes how animals were discussed and conceived in different intellectual and artistic contexts underwent a dramatic shift during this period. While in the seventeenth century and the first half of the eighteenth century the main focus was on the sensory and cognitive characteristics of animals, during the late Enlightenment a new outlook emerged, emphasizing their conception as economic resources. Focusing particularly on seventeenth-century Dutch culture, and on the Scottish Enlightenment, Wolloch discusses developments in other countries as well, presenting a new look at a topic of increasing importance in modern scholarship.