Few books have had a greater impact than A Sand County Almanac, which many credit with launching a revolution in land management. Written as a series of sketches based principally upon the flora and fauna in a rural part of Wisconsin, the book, originally published by Oxford in 1949, gathers informal pieces written by Leopold over a forty-year period as he traveled through the woodlands of Wisconsin, Iowa, Arizona, Sonora, Oregon, Manitoba, and elsewhere; a final section addresses the philosophical issues involved in wildlife conservation. Beloved for its description and evocation of the natural world, Leopold's book, which has sold well over 2 million copies, remains a foundational text in environmental science and a national treasure.

Photographer Bill Lea?known for his artistic documentation of deer and bear behavior, the various moods of the Great Smoky Mountains, and southern ecosystems?has captured in stunning photographs the essence of Great Smoky Mountains wildlife. From rare red-cheeked salamanders, ruby-throated hummingbirds, and playful otters to graceful whitetails, regal elk, and inquisitive black bears, Great Smoky Mountains Wildlife Portfolio is more than a collection of beautiful wildlife photography; it is an inspired and sensitive tribute to one of the world's most spectacular landscapes and the wide variety of unique creatures that reside there.

This title was first published in 2003. Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 60s. A prominent St Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo; his work also has affinities with abstract expressionism. Lanyon's career started just as the study of drawing was being liberated from 19th-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this study, Margaret Garlake explores Lanyon's theory and practice of drawing; the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.

Title first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.

Susan Herbert's delightful feline reimaginings of famous scenes from art, theatre, opera, ballet and film have won her a devoted following. This unprecedented new compilation of her best paintings provides an irresistible introduction to her feline world. An array of cat characters take the starring roles in a variety of instantly recognizable settings. The masterpieces of Western art retain their distinctive styles while being cleverly filled with furry faces and pussycat tails. Cats then take to the stage in Shakespearean dramas and lavishly staged opera productions. The final stop is Hollywood, where cats are cast in everything from big-budget epics to cult classics, emulating the timeless glamour of the golden age of cinema. From Botticelli's Birth of Venus through Puccini's Tosca to James Dean and Lawrence of Arabia, Susan Herbert's brilliantly observed feline dramatis personae are a joy to discover.

This notebook features a beautiful cover illustration by acclaimed nature artist Jane Smith. It contains 192 pages of lined paper, head-and-tail bans, a ribbon marker and band to keep it securely fastened.

This notebook features a beautiful cover illustration by acclaimed nature artist Jane Smith. It contains 192 pages of lined paper, head-and-tail bans, a ribbon marker and band to keep it securely fastened.

Birds & Words is a true reflection of Charley Harper, that rare species of a man with twinkling eyes and smile, with wit as infectiously keen and light-hearted as his paintings. Harper the humorist is as captivating in the self composed stories that accompany his serigraphs as Harper the artist. This boxed reissue of the highly collectible 1974 classic is perfect for every bird lover, art collector and Charley Harper fan alike. Specially made cloth wrapped boxes open to reveal a numbered cloth bound book and one of four beautiful silk-screen prints, each estate stamped and hand numbered. A perfect gift for any occasion.

From the Zoroastrian sculpture of a 100-kilo mastiff to the portrait of a coiffured lap dog, Dogs in Art presents humanity's best friend like never before. Through a wide range of genres, fashions and cultures, from Roman mosaics to pop art, video, impressionism and photography, this book brings together more than 200 breathtaking canine images to tell the story of dogs in art from ancient times to the present. Susie Green considers the artist's often very personal motives behind their work, the vastly different cultural raison d'etres, and the reasons why these sentient, emotional beings are loved and trusted by hundreds of millions of people, including artists such as Hogarth, William Wegman and Lucien Freud. The perfect gift for the many dog lovers around the world, this beautifully illustrated volume offers a dynamic new perspective on our relationship with this much cherished animal.

Following in the success of internationally acclaimed artist Hunt Slonem, Butterflies is the third book in his art/nature series, following Bunnies and Birds (also published by G Editions). This is an extraordinary presentation in terms of the oversized format, vast amount of artworks included, five-color printing throughout, a ribbon marker, edging on the three exterior sides of the book block, and an acetate jacket that can be removed so that consumers can have a "painting" without text on their coffee table. It is important to note that Butterflies follows two very successful publications that are mainstay collaborations between author and publisher. According to Tank Magazine: "Hunt Slonem is unabashedly in love with his subjects...and it shows."

Let the art of nature and the magical kingdom of mushrooms inspire your own observations and writing with this beautiful softcover notebook. GREAT SIZE TO TAKE ON THE GO: With a 6" x 8" size, these portable notebooks are perfect use at home, school, the office, or on the go. INCLUDES 240 PAGES: Featuring collage art by Amy Ross, this high-quality notebook has plenty of space for you to collect your thoughts.

Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.

Focusing on three celebrated northern European still life painters"Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem"this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.

Distributed by the University of Nebraska Press for Michael Forsberg Photography ". . . and the sky blackened with dark, gray bodies. In the blurry confusion, John lost Mary." So begins Have You Seen Mary?, Jeff Kurrus's fictional account of one sandhill crane's faithful search during spring migration for his lost mate. Set on Nebraska's Platte River, this tenderly woven story of love is also a stirring introduction to these majestic birds, replete with Michael Forsberg's radiant color photographs. This book will appeal to all ages, for it both entertains and educates readers about sandhill cranes.

A beautifully illustrated and informative anthology of coastal wildlife throughout the year. They say that no one in the British Isles lives more than an hour or two from the coast, a coastline of contrasts with scenery that changes from estuaries, shingle beaches, saltmarshes and sand dunes, to rocky shores, rugged cliffs, machair and bustling harbours. Our shores are teeming with wildlife, be it in the water, on the tideline, clinging to cliffs or in the skies above them, and this beautiful book you can learn more about familiar and favourite coastal species and some intriguing lesser-known marine creatures. Season by season, Celia Lewis's wonderful illustrations show the flowers, birds, animals, fish and insects found at that time of year. Her craft projects, using driftwood, pebbles and shells, are suitable for all ages and will encourage you to put beachcombed mementos to surprising uses. Or get creative with food and work some foraged ingredients into tasty recipes by Celia and many of our best seafood chefs. We all love spending time near the water's edge, so next time you feel like stretching your legs along a coastal path, fancy a day trip to the seaside or are planning balmy summer holidays, dip into An Illustrated Coastal Year and be inspired by the incredible diversity of wildlife to be found around our little archipelago.

"Swiss explorer and photographer Stefan Forster admits that he is no stranger to dodging alligators and hiking for weeks in pursuit of the perfect photo. And an impressive new photobook shows that his efforts pay off handsomely." - Sarah Holt, Mail Online "This tome is a potential classic in the making and a masterclass in how straightforward landscape imagery should be done." - Amateur Photographer "Stunning pictures...luminous images..." - Examiner "Unbelievable...just amazing..." - WGN TV Chicago Captured in vivid colour and magnificent quality, the unique moments that photographer Stefan Forster discovers in out-of-the-way places in nature take place on adventurous backcountry trips far from civilisation, with Forster lugging up to 80 pounds in camera gear and camping equipment. With enormous enthusiasm and prepared for anything, he often hikes through remote areas for weeks at a time on his search for the extraordinary. He has taken long solo kayak expeditions along Greenland's west coast, hopped from island to island in Micronesia, and slogged through the swamps of Louisiana and Texas to find the area's most beautiful cypress trees, dodging alligators all the while. The results are unique and fascinating photos. This book presents this young photographer's most beautiful experiences to date, including everything from rare rainstorms in the world's driest desert and the Northern Lights shimmering through icebergs to spectacular shots of the Rocky Mountains. Forster was one of the first photographers to use state-of-the-art quadcopter drones, giving his pictures fresh, new perspectives. Stefan Forster published some of these aerial shots for the first time in Above the World - Earth Through a Drone's Eye, released by teNeues in September 2016. The following locations are included in the book: Switzerland Iceland Greenland Antarctica Peninsula Utah Colorado South Dakota Louisiana Washington Namibia Westcoast, Scotland Uganda New Zealand Seychelles La Gomera Tasmania Philippines Australia Indonesia Text in English, French and German.

The role of the visual arts in the assertion of European colonial power has been the subject of much recent investigation and redefinition. This book takes as a ground for discussion the representation of Indian scenery and architecture by British artists in the late eighteenth and early nineteenth centuries. It includes the work of a diversity of artists from the Daniells to Edward Lear, but central to the study is a particular focus on William Hodges, a pioneer in the field who enjoyed a close association with Britain's first Governor General in India, Warren Hastings, and whose impressive body of work as draughtsman, painter and writer formed a crucial legacy for later artists. The book includes many of his paintings and drawings rarely or never previously published, and analyses his art and writing in relation to the intellectual and aesthetic ideas of his time. The paintings and drawings discussed here are shown to be complex objects, standing in a necessarily complex relationship with historical events and ideas. This relationship is explored and defined fully, to present a new intervention in post-colonial cultural theory.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.