Hugh Morton has seldom been seen in his adult life without a camera around his neck. Much to the benefit of his beloved home state, he has crisscrossed North Carolina, from highlands to lowlands, recording nearly every step along the way. While many of his photographs of the state's people, places, and events were collected in Hugh Morton's ""North Carolina"", this new book showcases a generous collection of his signature wildlife and nature photography and includes a few of the photographer's favorite pictures of people and events that were not included in the first volume. The scenic and nature photographs are organized geographically, from the mountains to the coast. Revealing Morton's curiosity about and love of the natural world, photographs feature woodland creatures, waterfalls, beaches, and more. Some images will be familiar to those who live or travel in North Carolina. Many of the photographs here have been recovered from deep within Morton's personal archive, bringing to print some long-hidden treasures. Consisting of 162 photographs, this collection is a rich and rewarding display of North Carolina's natural bounty as it has evolved before the eyes of one of the state's most popular photographers.

A woman ahead of her time, Maria Sibylla Merian (1647-1717) was an intrepid explorer, naturalist and scholar, as well as a magnificent artist. This lovely, impeccably designed book tells Merian's incredible life story alongside colourful reproductions of her engravings and watercolours of the butterflies she encountered during her lifetime in Germany and the Netherlands and her seminal trip to the Dutch colony of Surinam. The book recounts Merian's monumental expedition, her work as an advocate for the slave laborers of Surinam and her important studies of the anatomy and life cycle of the butterfly. Author Boris Friedewald employs Merian's favourite insect as a metaphor for the artist's own pioneering evolution from budding entomologist to educator, activist and artist. A visual treasure as well as a satisfying read, this exquisite volume is the perfect gift for anyone interested in Merian's amazing life and groundbreaking body of work.

A bold, compelling, and original study of nonhuman life in Warhol. Like a Little Dog examines a dimension of Andy Warhol that has never received critical attention: his lifelong personal and artistic interest in nonhuman life. With this book, Anthony E. Grudin offers an engaging new overview of the iconic artist through the lens of animal and plant studies, showing that Warhol and his collaborators wondered over the same questions that absorb these fields: What qualities do humans share with other life forms? How might the vulnerability of life and the unpredictability of desire link them together? Why has the human/animal/plant hierarchy been so rigidly, violently enforced? Nonhuman life impassioned every area of Warhol's practice, beginning with his juvenilia and an unusually close creative collaboration with his mother, Julia Warhola. The pair codeveloped a transgressive animality that permeated Warhol's prolific career, from his commercial illustration and erotica to his writing and, of course, his painting, installation, photography, and film. Grudin shows that Warhol disputed the traditional claim that culture and creativity distinguish the human from the merely animal and vegetal, instead exploring the possibility of art as an earthy and organic force, imbued with appetite and desire at every node. Ultimately, by arguing that nonhuman life is central to Warhol's work in ways that mirror and anticipate influential texts by Toni Morrison and Ocean Vuong, Like a Little Dog opens an entirely unexplored field in Warhol scholarship.

Joseph Pennell was born in 1857 and died in 1926. He began his work as an illustrator by selling drawings of south Philadelphia to Scribner's Monthly in 1881. In addition to his extensive sketches of American cities, he went to the Panama Canal and sketched a number of construction sites. He taught etching at the Arts Students' league in New York, wrote several books, served as an art critic on the Brooklyn Eagle, and helped run the New Society of Sculptors, Painters and Engravers. Pennell is considered to have done more than any other one artist of his time to improve the quality of illustration both in the United States and abroad and to raise its status as an art. He produced more than 900 etched and mezzotint plates, some 621 lithographs, and innumerable drawings and water colors.

The Camelopard, The Monstrous Pig, The Famous Porcupine, Durer's Rhinoceros: these are but a few of the beautiful and bizarre creatures that feature in this delightful book. In the visual arts of the fifteenth to the early nineteenth centuries in Europe, animals were understood in relation to the human world, whether as animals of the farm, estate or household, beasts of burden or as diversions in menageries and travelling shows. At the same time, rapidly increasing investigation of the natural world engaged artists in the problems of accurate representation: prints were particularly important in distributing natural historical information (or misinformation) across a wide, international audience. This beautifully illustrated book explores perceptions of the natural world as seen through the eyes of imaginative artists: works by Goya, Stubbs and Bewick stand alongside prints by lesser-known artists, each selected for its graphic strength, charm and narrative interest. Featured are natural history studies, masterpieces from the British Museum's exceptional collection of classical old master prints, book illustrations, satires and popular prints to beautifully capture the diversity and appeal of early modern print culture. Visually stunning, entertaining and intriguing, this book explores humankind's enduring curiosity about the animal world.

'This is, I think, the best book on drawing animals I've seen. The sheer breadth of the coverage and the amount of detail that Tim goes into is breathtaking.' Henry Malt, Artbookreview.net 'Tim is a genius in every respect and this really could be the only book on animal drawing you'll ever need.' Paint Magazine Artist Tim Pond's lively and engaging book fuses science with art, providing you with the skills, techniques and knowledge you need to create sketches of animals filled with life and movement. Tim shows you how to observe and draw animals in zoos, farms, wildlife parks and aquariums, teaching you some fascinating facts about the animals along the way and ultimately bringing you closer to nature. One of the challenges with sketching wildlife is that animals are constantly moving. However, having some basic understanding of biology can help you capture the form, movement and ultimately the spirit of the animal in question. This combination of scientific knowledge and practical guidance is key to creating lively drawings and Tim's ability to convey this in an accessible and engaging way makes this a unique and inspiring guide.

Best known for his depictions of the human form, Schiele was also interested in portraying the beauty and structure of the world he inhabited. In fact, Schiele's paintings of the countryside and his native Vienna comprise a large proportion of his body of work. Nearly one hundred of the artist's landscapes are exquisitely reproduced in this handsome book and presented alongside photographs of the scenes he depicted, taken from the vantage point of the original works. This volume proves that Schiele's mastery extends beyond his radical renditions of the human figure and reveals themes that appear throughout his work. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting.

An exquisitely illustrated, one-of-a-kind celebration of the hidden beauty of nature and the ingenuity of birds Susan Ogilvy started painting bird nests almost by accident. One day, while tidying up her garden after a storm, she found a chaffinch nest - a strange, sodden lump on the grass under a fir tree. She carried it inside and placed it on a newspaper; over the next few hours, as the water drained out of it, the sodden lump blossomed into a mossy jewel. She was amazed, and dropped everything to make a painting of the nest at exact life size. This was the start of an obsession; Ogilvy has since painted more than fifty bird nests from life, each time marvelling at its ingenious construction. Every species of bird has its own vernacular, but sources its materials - most commonly twigs, roots, grasses, reeds, leaves, moss, lichen, hair, feathers and cobwebs, less usually, mattress stuffing and string - according to local availability. Ogilvy would, of course, never disturb nesting birds; instead she relies upon serendipity, which is why all her nests have either been abandoned after fulfilling their purpose, or displaced by strong winds. Although Nests showcases the specimens she has found near her homes in Somerset and on the Isle of Arran, its subject matter is by no means only British, since these same birds can be found all over Europe, Scandinavia and as far afield as Russia, Turkey and North Africa. This wondrous book is all the more special for its rarity. Few modern books exist specifically on the subject of bird nests; the most recent among the author's reference works was published in 1932. Exquisitely designed and packaged, Nests will be an essential addition to the libraries of all nature lovers.

Art Wolfe has been photographing nature and wildlife to wide acclaim for 25 years, but his most recent book takes a new approach. Recognizing the crucial interdependence between animal life and the environment, Wolfe focuses on this relationship. As he says, "An animal ... within its habitat is a vibrant representation of natural selection". The Living Wild offers breathtaking evidence of this.

Wolfe traveled three years to capture these rare, soaring images, from Mongolia to Australia to Iceland and beyond. The result is a rich pictorial tour of a magnificent array of animals, from "charismatic" beasts like the giant panda and the lowland gorilla, to a stunning display of birds, to such unsung contributors to the ecology as insects. Complementing the images are essays by renowned conservationists, such as Jane Goodall, who document the increasingly tenuous state of earth's biodiversity and suggest ways to strengthen it.

Nuno Oliveira began his riding career with maestro Jonquin Gonzales de Miranda, Master of the Horse to the King of Portugal. In the 1940's he opened his own riding school and soon became an international name in the world of classical equitation. In the 1950s and 1960s he gave exhibitions in Geneva, Brussels, Paris and London, followed by clinics in Saumur, Belgium, Holland, Italy, Australia and the USA. His pupils include the most talented dressage riders, officers of the Cadre Noir, and riders of the Portuguese School. First published in France in 1957, it was translated into English by Phyllis Field in 1976. Times change but classical principles remain. Over 30 years may have passed, but this book remains one of the most relevant descriptions of Nuno Oliveira's work.

This book debates the concept of landscape and explores particular periods and national traditions over the past 500 years of Western Landscape Art in painting, photography, garden design, Land Art, and other forms of expression. It aims to stimulate a rethinking of assumptions about landscape and art; it is partly a stock-taking, in reviewing and discussing recent theorization about landscape, and it highlights the extent to which landscape aesthetics involve a wide range of non art-historical disciplines.

Hokusai's series depicting Mount Fuji is widely considered to be the pinnacle of his career. This beautiful boxed accordion- fold edition comprises the full set of forty-six prints (the original thirty-six and ten more that were completed later) and features a luxurious silken binding along with a separate explanatory booklet. The book and booklet are packaged in an elegant slipcase. Devoted entirely to landscapes, Hokusai's series shows Mount Fuji from various viewpoints, framed in different ways. An indefatigable traveler who was passionate about nature, Hokusai explored every vantage point and season at the volcano. He presented it both as a solitary and majestic snow-capped peak and as a smaller object on a distant horizon. Hokusai also portrayed the mountain as an element in Japanese daily life and as an imposing force of nature that can be peaceful and beneficent, or ferocious and unforgiving. These impeccably reproduced prints invite readers to examine Hokusai's virtuosic use of color and composition, his talent for contrasting perspectives, and his interest in the dueling roles of man and nature. An exquisite objet d'art, this volume is the perfect vehicle for appreciating Hokusai's crowning achievement in all its lasting and subtle beauty.

Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.

*One of The Times Best Art Books of the Year* 'Looking to Sea is a remarkable and compelling book... I loved it.' Edmund de Waal 'In her first, transporting book, Lily Le Brun sweeps the beaches of the past century of British art, collecting treasures from sea, shingle and shore... A book to pack in your picnic basket for shivering dips, heatwave day trips and ice-cream Sundays' The Times An alternative history of modern Britain, Looking to Sea is an exquisite work of cultural, artistic and philosophical storytelling. Looking to Sea considers ten pivotal artworks, from Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s, which raised controversial questions of class. Each of the startlingly different pieces, created between 1912 and 2015, opens a window onto big ideas, from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. In this astonishingly perceptive portrait of the twentieth century, art critic Lily Le Brun brings a fresh eye to a vast idea, offering readers an imaginative new way of seeing our island nation. 'Le Brun's writing is at once bold and delicate, far-reaching and fine-tuned. Her book explores the inexhaustible variety of human perception.' Alexandra Harris 'A smart and clear-eyed set of meditations on marine gaze, made with a painterly touch worthy of the chosen artists. Empathy and intelligence lift memoir into cultural history.' Iain Sinclair

A compendium of step-by-step drawing exercises from the best-selling Draw 50 series that features easy-to-follow lessons for rendering animals including cats, dogs, horses, prehistoric creatures, and more. With exercises taken from the animal drawing instruction titles in Lee J. Ames's beloved Draw 50 series, Draw 200 Animals brings you the best of Draw 50 Animals, Draw 50 Cats, Draw 50 Dogs, Draw 50 Horses, and Draw 50 Dinosaurs and Other Prehistoric Animals in a must-have collection of easy-to-follow, step-by-step visual lessons on sketching and rendering all kinds of furry, feathered, and finned critters. These classic lessons show you how to draw everything from pets to wild animals, including birds, insects, elephants, tigers, and more, in styles ranging from realistic to cartoony.

Ten graded lessons to tackle beautiful color in stunning botanical compositions. This practical introduction to the color and composition in botanical illustration is formed of ten graded lessons, where each teaches you new skills to build upon the last. From red tulips and pink roses to blackberries and green foliage; once you've completed these lessons you will have all the techniques you need in order to tackle far more complex arrangements. An experienced teacher of botanical illustration, Valerie Price shows even the uninitiated illustrator how to produce accurate and beautiful results, with her step-by-step instructions on how to tackle each individual project.

Now available in paperback! Andrew Forkner's book provides you with all you need to paint a range of birds in acrylics; taking in birds of prey, songbirds and waterbirds from all over the world. It contains information on the materials and preparation you will need to capture the delicacy and majesty of the subjects.

Drawing animals is easy! Cute and cuddly, fuzzy and finned--animals come in all shapes and sizes, and this big book will teach you how to draw everything from dogs and cats to horses, lions and hammerhead sharks. No experience necessary! More than 90 easy to follow step-by-step demonstrations break down how to draw your favorite pets, wildlife and poses from start to finish. All you need is a pencil and paper to transform simple shapes and basic lines into realistic renditions of oodles of animals, with bonus tips and tricks for expanding your ability beyond the book. Great for beginners or anyone who likes to draw for fun!

The first edition of this book, published in 1994, reshaped the direction of landscape studies by considering landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This second edition adds not only a new preface, but five new essays--from Edward Said, W. J. T. Mitchell, Jonathan Bordo, Michael Taussig, and Robert Pogue Harrison-extending the scope of the book in remarkable ways.

Landscape photography has traveled far from its origins in the picturesque or pastoral. It is at the cutting edge of contemporary image-making with leading photographers creating work that transcends definitions of art or documentary. This is the first truly international survey of a vibrant, burgeoning field of photography, its masterful image-makers, and their work. William A. Ewing has selected more than 230 photographs by over 100 photographers, ranging from renowned figures such as Susan Derges, Edward Burtynsky, and Simon Norfolk, to younger rising stars including Pieter Hugo, Olaf Otto Becker, and Penelope Umbrico. Each of them represents an individual viewpoint of a shared concernfor our changing landscape and environment. Organized into ten themes Sublime; Pastoral; Artefacts; Rupture; Playground; Scar; Control; Enigma; Hallucination; and Reverie Landmark is an intelligent and poetic survey which captures a genre of photography to perfection."

A lavish showcase of paleoartist Jay Matternes's spectacular murals and sketches For half a century, the artwork of Jay Matternes adorned the fossil halls of the Smithsonian National Museum of Natural History. These treasured Matternes murals documenting mammal evolution over the past 56 million years and dioramas showing dinosaurs from the Mesozoic Era are significant works of one of the most influential paleoartists in history. Simultaneously epic in size and scope and minutely detailed, they also provide a window into the study and interpretation of vertebrate paleontology and paleoecology. Visions of Lost Worlds presents these unparalleled works of art, and also includes the sketches and drawings Matternes prepared as he planned the murals. Known for his technical genius and eye for detail, Matternes sketched from skeletons in museum collections and added muscle, skin, and fur to bring mammals and dinosaurs from prehistory to vivid life. This book offers a close look at these works of art, a peek inside the artist's process, and an examination of the works' impact and legacy.

Known for his use of luminous color, Albert Handell, whose lush landscapes light up these pages, provides lucid instructions to help first-time pastelists achieve impressive results as soon as they begin working with the medium. After reviewing pastel supplies, the author discusses landscape composition and how to establish large shapes first, abstract certain areas, develop a focal point, work from dark to light, and capture the illusion of reality through color. Stepped demonstrations isolate specific landscape aspects, showing how the pastelist depicts skies, trees, buildings, water, rocks, woods, snow, and light.