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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
"Contemporary Caribbean Writing and Deleuze" maps a new
intellectual and literary history of postcolonial Caribbean writing
and thought spanning from the 1930s surrealist movement to the
present, crossing the region's language blocs, and focused on the
interconnected principles of creativity and commemoration.
Exploring the work of Rene Menil, Edouard Glissant, Wilson Harris,
Derek
The thoroughly contemporary question of the relationship between emotion and reason was debated with such complexity by the philosophers of the 17th century that their concepts remain a source of inspiration for today's research about the emotionality of the mind. The analyses of the works of Descartes, Spinoza, Leibniz, and many other thinkers collected in this volume offer new insights into the diversity and significance of philosophical reflections about emotions during the early modern era. A focus is placed on affective components in learning processes and the boundaries between emotions and reason.
Nietzsche's metaphor of the spider that spins its cobweb expresses his critique of the metaphysical use of language - but it also suggests that we, spiders , are able to spin different, life-affirming, healthier, non-metaphysical cobwebs. This book is a collection of 12 essays that focus not only on Nietzsche's critique of the metaphysical assumptions of language, but also on his effort to use language in a different way, i.e., to create a new language . It is from this viewpoint that the book considers such themes as consciousness, the self, metaphor, instinct, affectivity, style, morality, truth, and knowledge. The authors invited to contribute to this volume are Nietzsche scholars who belong to some of the most important research centers of the European Nietzsche-Research: Centro Colli-Montinari (Italy), GIRN (Europhilosphie), SEDEN (Spain), Greifswald Research Group (Germany), NIL (Portugal). In 2011 Joao Constancio and Maria Joao Mayer Branco edited Nietzsche on Instinct and Language, also published by Walter de Gruyter. The two books complement each other.
Physicalism is a metaphysical thesis easily presented in slogan form - there is nothing over and above the physical - but notoriously difficult to formulate precisely. Understanding physicalism combines insights from contemporary philosophy of mind and metaphysics to present a new account of physical properties and metaphysical dependence and, on this foundation, develop a more rigorous and illuminating formulation of the thesis of physicalism
This is an edition of one of the crucial texts of Renaissance skepticism, Quod nihil scitur, by the Portuguese scholar Franciso Sanches. The treatise, first published in 1581, is a refutation of Aaristotelian dialectics and scientific theory in the search for a true scientific method. This volume provides a critical edition of the original text, an English translation (the first ever published), a substantial introduction, and comprehensive annotation.
For centuries debates about reason and its Other have animated and informed philosophy, art, science and politics throughout Western civilization - but nowhere, arguably as deeply and turbulently as in Germany. Reason, the legacy of the Enlightenment, has been claimed, rejected and redefined by influential German thinkers from Kant to Nietzsche to Habermas. In our own time - more than 200 years after Kant's Critique of Pure Reason - the status of reason and the irrational, what is and what should be excluded from reason, what qualifies as a critique of reason, are all still central philosophical issues in Germany as well as throughout the West.
This volume documents the 17th Munster Lectures in Philosophy with Susan Haack, the prominent contemporary philosopher. It contains an original, programmatic article by Haack on her overall philosophical approach, entitled 'The Fragmentation of Philosophy, the Road to Reintegration'. In addition, the volume includes seven papers on various aspects of Haack's philosophical work as well as her replies to the papers. Susan Haack has deeply influenced many of the debates in contemporary philosophy. In her vivid and accessible way, she has made ground-breaking contributions covering a wide range of topics, from logic, metaphysics and epistemology, to pragmatism and the philosophy of science and law. In her work, Haack has always been very sensitive in detecting subtle differences. The distinctions she has introduced reveal what lies at the core of philosophical controversies, and show the problems that exist with established views. In order to resolve these problems, Haack has developed some 'middle-course approaches'. One example of this is her famous 'Foundherentism', a theory of justification that includes elements from both the rival theories of Foundationalism and Coherentism. Haack herself has offered the best description of her work calling herself a 'passionate moderate'.
The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart's panoramic study of Hegel's deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel's notions of 'alienation' and 'recognition' became the central motifs for the era's thinking; how these concepts spilled over into other fields - like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called 'Hegel's century.' This book is required reading for historians of ideas as well as of philosophy.
This collection of original essays brings together a world-class lineup of philosophers to provide the most comprehensive critical treatment of Ted Honderich's philosophy, focusing on three major areas of his work: (1) his theory of consciousness; (2) his extensive and ground-breaking work on determinism and freedom; and (3) his views on right and wrong, including his Principle of Humanity and his judgments on terrorism. Grote Professor Emeritus of the Philosophy of Mind and Logic at University College London, Honderich is a leading contemporary philosopher of mind, determinism and freedom, and morals. The collection begins with a comprehensive introduction written by Honderich followed by fourteen original chapters separated into three sections. Each section concludes with a set of remarks by Honderich. Contributors include Noam Chomsky, Paul Snowdon, Alastair Hannay, Barbara Gail Montero, Barry Smith, Derk Pereboom, Paul Russell, Kevin Timpe, Gregg D. Caruso, Mary Warnock, Paul Gilbert, Richard J. Norman, Michael Neumann, and Saul Smilansky.
American Philosophy Past and Present offers the first historically framed introduction to the tradition of American philosophy and it contemporary engagement with the world.Born out of the social and political turmoil of the Civil War, American philosophy was a means of dealing with conflict and change. In the turbulence of the 21st century, this remains as relevant as ever. Placing the work of present-day American philosophers in the context of a history of resistance through a philosophical tradition marked by a commitment to pluralism, fallibilism and liberation, this book tells the story of a philosophy shaped by major events that call for philosophical reflection and illustrates the ways in which philosophy is relevant to lived experience. The book presents a survey of the historical development of American philosophy, as well as coverage of key contemporary issues in America including race theory, feminism, indigenous peoples, and environmentalism. It is the ideal introduction to the work of the major American thinkers, past and present, and the sheer breadth of their ideas and influence.
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Bunuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scene. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.
This book presents a posthumous collection of previously uncollected works of political theory written by Whittle Johnston. Johnston believed that both the liberal tradition of political thought and the realist tradition of international thought had contributed much to humanity's store of political wisdom, but that each had limitations that could most easily be recognized by its encounter with the other. His method of accomplishing this task was to examine the liberal conception of political life in general and international political life in particular and then to explore the realist critique of the liberal view, particularly as it was expressed by three great twentieth-century realist thinkers, all of whom were, in their various ways, skeptical of liberal assumptions: Reinhold Niebuhr, Hans Morgenthau, and E. H. Carr. In doing so, Johnston reveals the power of the realist outlook, but also the areas in which it remains insufficient, and insufficient particularly where it underestimates the complexity and prudence that liberalism is capable of displaying. There have been studies of both liberalism and realism, but no other work has put them into conversation with each other in the way that this book does.
This book provides the first comprehensive account of Hume's conception of objects in Book I of "A" "Treatise of Human Nature." What, according to Hume, are objects? Ideas? Impressions? Mind-independent objects? All three? None of the above? Through a close textual analysis, Rocknak shows that Hume thought that objects are imagined ideas. But, she argues, he struggled with two accounts of how and when we imagine such ideas. On the one hand, Hume believed that we always and universally imagine that objects are the causes of our perceptions. On the other hand, he thought that we only imagine such causes when we reach a "philosophical" level of thought. This tension manifests itself in Hume's account of personal identity; a tension that, Rocknak argues, Hume acknowledges in the Appendix to the "Treatise." As a result of Rocknak's detailed account of Hume's conception of objects, we are forced to accommodate new interpretations of, at least, Hume's notions of belief, personal identity, justification and causality.
As an analyst, philosopher and militant, Felix Guattari anticipated decentralized forms of political activism that have become increasingly evident around the world since the events of Seattle in 1999. Lines of Flight offers an exciting introduction to the sometimes difficult and dense thinking of an increasingly important 20th century thinker. An editorial introduction by Andrew Goffey links the text to Guattari's long-standing involvement with institutional analysis, his writings with Deleuze, and his consistent emphasis on the importance of group practice - his work with CERFI in the early 1970s in particular. Considering CERFI's work on the 'genealogy of capital' it also points towards the ways in which Lines of Flight anticipates Guattari's later work on Integrated World Capitalism and on ecosophy. Providing a detailed and clearly documented account of his micropolitical critique of psychoanalytic, semiological and linguistic accounts of meaning and subjectivity, this work offers an astonishingly fresh set of conceptual tools for imaginative and engaged thinking about capitalism and effective forms of resistance to it.
Michael Payne introduces the principal writings of Roland Barthes, Michael Foucault and Louis Althusser by means of a detailed focus on their common interest in the forms and conditions of knowledge. His careful reading reveals their profound commitment to a critical understanding of how truth, meaning, and value are constituted in language and in non-verbal texts. In his first three chapters, Payne examines in considerable detail brief texts by Barthes, Foucault, and Althusser that seem to be their own strategically designed introductions to their projects. The next three chapters take up the most important books by each of these writers: Foucault's "The Order of Things," Barthes's "S/Z," and Althusser's "Reading Capital." Chapter 7 examines a specific text by each author writing on one of the visual arts, in an effort to investigate the assumption that knowledge - whether as theory, enlightenment, vision, illumination, or insight - is in some sense visual. The last chapter briefly examines the work of Gilles Deleuze. Payne writes here with the same lucidity and acuity to be found in his highly successful companion to this volume, "Reading Theory: An Introduction to Lacan, Derrida, and Kristeva" (1993).
This book upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno - not least amongst them, his supposed fatalism. Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today. On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world - above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God. By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.
Derrida's work is controversial, its interpretation hotly contested. Derrida: Ethics Under Erasure offers a new way of thinking about ethics from a Derridean perspective, linking the most abstract theoretical implications of his writing on deconstruction and on justice and responsibility to representations of the practice of ethical paradoxes in everyday life. The book presents the development of Derrida's thinking on ethics by demonstrating that the ethical was a focus of Derrida's work at every stage of his career. In connecting Derrida's earlier work on language with the ethics implicated in his later work on justice and responsibility, Nicole Anderson traverses literary, linguistic, philosophical and ethical interpretative movements, thus recontextualising Derrida's entire oeuvre for a contemporary readership. She explores the positive ethical implications of Derrida's work for representation and practice and asks the reader to consider how this new ethical reading of Derrida's work might be applied to concrete instances of his or her own ethical experience.
The volume collects papers on central aspects of Alexius Meinong's Gegenstandstheorie (Theory of Objects) and its transformation in contemporary logic, semantics and ontology covering the impact of his views on grasping and representation, the status of nonexistent or inconsistent objects and their incorporation in theories like Noneism and Possible-World-Semantics. In addition it presents studies on Meinong's notion of probability and on Auguste Fischer, a student and collaborator of Meinong.
This book is the first critical genealogy of Jacques Derrida's philosophy of technology. It traces the evolution of what Derrida calls "originary technicit"' via an appraisal of his own philosophy of technology together with that of key interlocutors including Marx, Freud, Lacan, Heidegger and Bernard Stiegler.
This book challenges liberals and conservatives alike. Hook pierces to the heart of momentous issues: human rights, racial equality, cultural freedom, and the separation of ethical behaviour from religious belief.
This book is the first collection of essays to discuss Oscar Wilde's love and vast knowledge of philosophy. Over the past few decades, Oscar Wilde scholars have become increasingly aware of Wilde's love and intimate knowledge of philosophy. Wilde's "Oxford Notebooks" and his soon-to-be-published "Notebook on Philosophy" all point to Wilde not just as an aesthete, but also as a serious philosophical thinker. The aim of this collection is not to make the statement that Wilde was a philosopher, or that his works were philosophical tracts. Rather, it provides a space to explore any and all linkages between Wilde's works and philosophical thought. Addressing a broad spectrum of philosophical matter, from classical philology to Daoism, ethics to aestheticism, this collection enriches the literature on Wilde and philosophy alike.
The papers in this volume present some of the most recent results of the work about contradictions in philosophical logic and metaphysics; examine the history of contradiction in crucial phases of philosophical thought; consider the relevance of contradictions for political and philosophical actuality. From this consideration a common question emerges: the question of the irreducibility, reality and productive force of (some) contradictions.
Ayn Rand was an American novelist, philosopher, playwright, and screenwriter. She is known for her two best-selling novels, The Fountainhead and Atlas Shrugged, and for developing a philosophical system known as Objectivism.In the 1930s, Rand was asked to adapt her first novel, We the Living, for the theatre. We the Living is a story of life in post-revolutionary Russia and Rand's first statement against communism. It was not a commercial success when it was published, but has gone on to sell over 3 million copies. The first substantial fiction of Rand to appear in over twenty years, this important volume contains two never-before published versions of the play - the first and last versions (the latter entitled The Unconquered). With a preface that places the work in its historical and political context, an essay on the history of the theatrical adaptation by Jeff Britting, the curator of the Ayn Rand Archives, and two alternative endings, this book is a must-have for anyone interested in Rand's philosophy.
This is the first collection of original essays entirely devoted to a detailed study of the Pyrrhonian tradition. The twelve contributions collected in the present volume combine to offer a historical and systematic analysis of the form of skepticism known as "Pyrrhonism". They discuss whether the Pyrrhonist is an ethically engaged agent, whether he can claim to search for truth, and other thorny questions concerning ancient Pyrrhonism; explore its influence on certain modern thinkers such as Pierre Bayle and David Hume; and examine Pyrrhonian skepticism in relation to contemporary analytic philosophy. |
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