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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
This book brings together essays from leading scholars who, rather than taking a strictly exegetical approach, attempt to show how discussions in moral philosophy can benefit from Wittgenstein's later philosophical work. The essays in this volume make the argument that Wittgenstein's relevance for moral philosophy depends not only on his views about ethics, but also on the methods he introduces, on his views on the nature of philosophy and philosophical problems, and on the insights into language developed in his philosophy. They also focus on the 'Wittgensteinian tradition' in moral philosophy and its relation to more mainstream analytic moral philosophy, addressing how several prominent philosophers use these ideas and methods in their work. Ethics in the Wake of Wittgenstein seeks to answer the following question: Can we apply Wittgenstein's ways of dealing with problems in logic, philosophy of language, epistemology, philosophy of mind, and philosophy of mathematics to moral philosophy as well? It will be of interest to Wittgenstein scholars and those working on current debates in moral philosophy, metaethics, and normative ethics.
This is the first volume dedicated solely to the topic of epistemological disjunctivism. The original essays in this volume, written by leading and up-and-coming scholars on the topic, are divided into three thematic sections. The first set of chapters addresses the historical background of epistemological disjunctivism. It features essays on ancient epistemology, Immanuel Kant, J.L. Austin, Edmund Husserl, and Ludwig Wittgenstein. The second section tackles a number contemporary issues related to epistemological disjunctivism, including its relationship with perceptual disjunctivism, radical skepticism, and reasons for belief. Finally, the third group of essays extends the framework of epistemological disjunctivism to other forms of knowledge, such as testimonial knowledge, knowledge of other minds, and self-knowledge. Epistemological Disjunctivism is a timely collection that engages with an increasingly important topic in philosophy. It will appeal to researches and graduate students working in epistemology, philosophy of mind, and philosophy of perception.
Political Philosophy In the Moment uncovers the political power of narrative by both telling and explaining the stories that frame our ability to be "in the moment." In a series of eleven short stories, Jim Josefson presents the history of political philosophy and Hannah Arendt's alternative, an aesthetic form of politics. In the early stories, Josefson recounts how the four main traditions of political philosophy (Platonism, Aristotelianism, liberalism and historicism) promise truth but deny us the freedom available in reality. Then, he reviews the alternative narratives offered by thinkers like Kierkegaard, Nietzsche and Heidegger, which influenced Arendt's view. The final chapters chart Arendt's route back to the Moment, the freedom to read and tell a fuller story about the beauty and horrors that appear in the world. A page-turning book of short stories and a tour through the greatest works of political philosophy, Political Philosophy In the Moment is as approachable, comprehensible and welcoming as a fairy-tale, ideally suited for students of contemporary political theory and anyone interested in political thought.
Critical Theories and the Budapest School brings together new perspectives on the Budapest School in the context of contemporary developments in critical theory. Engaging with the work of the prominent group of figures associated with Georg Lukacs, this book sheds new light on the unique and nuanced critiques of modernity offered by this school, informed as its members' insights have been by first-hand experiences of Nazism, Soviet-type societies, and the liberal-democratic West. With studies of topics central to contemporary critical theory, such as the political and historical consciousness of modernity, the importance of bio-politics, the complexity of the human condition, and the relevance of comedy and friendship to developing critical perspectives, the authors draw on the works of Agnes Heller, Maria Markus, Gyoergy Markus, and Ferenc Feher, demonstrating their enduring relevance to critical theory today and the ways in which these philosophers can inform new perspectives on culture and politics. An innovative reassessment of the Budapest School and the importance of its legacy, this book opens a much-needed and neglected dialogue with other schools and traditions of critical theorizing that will be of interest to scholars of sociology, philosophy, and social theory.
The Intellectual Origins of Modernity explores the long and winding road of modernity from Rousseau to Foucault and its roots, which are not to be found in a desire for enlightenment or in the idea of progress but in the Promethean passion of Western humankind. Modernity is the Promethean passion, the passion of humans to be their own master, to use their insight to make a world different from the one that they found, and to liberate themselves from their immemorial chains. This passion created the political ideologies of the nineteenth century and made its imprint on the totalitarian regimes that arose in their wake in the twentieth. Underlying the Promethean passion there was modernity-humankind's project of self-creation-and enlightenment, the existence of a constant tension between the actual and the desirable, between reality and the ideal. Beneath the weariness, the exhaustion and the skepticism of post-modernist criticism is a refusal to take Promethean horizons into account. This book attests the importance of reason, which remains a powerful critical weapon of humankind against the idols that have come out of modernity: totalitarianism, fundamentalism, the golem of technology, genetic engineering and a boundless will to power. Without it, the new Prometheus is liable to return the fire to the gods.
The first introduction to the notoriously difficult Principia Ethica The text not only provides the reader with the historical background but comprehensively examines the arguments surrounding Moore's theories. Situates Moore and Principia Ethica in an historical context, especially important given that without a guidebook such as this students would have to learn about Moore through the writings of other philosophers Assesses the contribution of Moore to contemporary thought which is relevant because of the current revivial of nonnaturalism which has bought Moorean doctrines back to the centre of metaethical debates.
This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself. That the contributors are from a variety of fields indicates the extent to which Deleuze's work can and will impact theory far beyond the discipline of philosophy.
This collection of essays on Jacques Derrida, first published in 2004, spans nearly thirty years of critical thinking about Derrida's work. The articles selected here have never previously been collected, yet they are significant contributions that illuminate difficult and important aspects of Derrida's writings. While not seeking to be comprehensive, the volume ranges over the entirety of Derrida's published output and addresses a number of crucial topics, including literature, iterability, the signature, time, alterity, Judaism, metaphor and death. Reprinted here in chronological order of first publication, the essays are complemented by an introduction by Ian MacIachlan which discusses the significance of Derrida's work for our critical thinking.
This title was first published in 2000. Contemporary continental philosophy is a widely-used, but in many ways a highly problematic, term and its exact frame of reference is not always clear. In its more recent French manifestations in particular, it continues to arouse considerable controversy and create bitter divisions, with particularly hostile reactions to the work of Derrida and others. Much work in the recent continental tradition can be fitted into a longer-running philosophical tradition of scepticism, and scepticism has always had the power to provoke and unsettle the philosophical establishment. Presenting an overview of the philosophical landscape of the continental tradition since the 1940s, this book traces the establishment of the new, super-scepticism as an intellectual paradigm with the power to threaten and disorientate existing world-views and more traditional styles of philosophical discourse - marking the continental divide. Exploring how contemporary continental philosophy from existentialism to postmodernism can be characterised as this new, more resistant form of scepticism, Sim identifies a clutch of key themes - including "difference", "the subject", "antifoundationalism", "dialectics" - which have been obsessively worked over by key thinkers in the Existentialist-Postmodernist period and demonstrates how these have contributed to the development of a super-sceptical outlook. Presenting a new theme-led approach to provide an entry into current debates in continental philosophy, Stuart Sim reintegrates the work of Sartre into the more recent continental tradition, and suggests that something qualitatively different is now occurring in French philosophy.
This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.
This title was first published in 2001. Derrida's work testifies to the problematic state of contemporary thought. Questioning Derrida offers new explorations into Derrida's contribution to philosophy. Presenting contributions from prominent philosophers worldwide, this book explores many aspects of Derrida's philosophical perspective. With contributors commenting on a particular topic or defending alternative viewpoints, this book examines the work of Plato, Hegel, Aristotle, Heidegger and also the philosophy of science. Focusing on 'problematology' - a conception of philosophy as questioning - the contributors explore this new way of 'doing' philosophy. Including a concluding chapter from Derrida himself, this book presents Derrida in question and Derrida and his answers and opens new debate for readers across the fields of philosophy and literature, particularly those exploring the work of Derrida, issues in continental philosophy, and the theory of questioning. Michel Meyer is Director of the Revue Internationale de Philosophie journal and based at Universite Libre de Bruxelles, Belgium. He is also the series editor of Ashgate's Philosophy in Question series which is published in association with Revue Internationale de Philosophie from which the volumes in the series evolve.
This book proposes a pragmatist methodological framework for generating practically relevant political philosophy. It draws on John Dewey's social and political philosophy to develop an "experimentalist" method, thus charting a middle course between idealism and realism in political philosophy. Deweyan experimentalism promises to balance civic deliberation, empirical facts, and moral considerations by reconstructing Dewey's pragmatist conceptions of 'philosophy' and 'democracy' from the perspective of social action. While some authors have taken the steps to articulate Dewey's experimentalism, they have focused on institutional rather than methodological implications. This book is original in the ways in which it situates the role of ideas in political practice and contemporary political problems. Additionally, it underlines the similarities between today and the historical context in which Dewey wrote, connects Dewey's social and political philosophy to Greek and Roman mythology, and concludes with a timely case study in which the author's methodological insights are applied. The result is a book that offers a focused reconstruction of Dewey's work and shows its relevance for engaging with contemporary issues in political philosophy and political theory.
This volume consists of a selection of scholarly essays from literature, philosophy and history on the conception of reality as understood by Rabindranath Tagore and Albert Einstein. The nature of reality has been a long-debated issue among scientists and philosophers. Tagore (1861-1941) met Einstein (1879-1955) at the latter's house in Kaputh, Germany on 14 July 1930 and had a long conversation on this issue. This conversation has been widely quoted and discussed by scientists, philosophers and scholars from the literary world. The important question that Tagore and Einstein discussed was whether the world is a unity dependent on humanity, or the world is a reality independent of the human factor. Einstein believed that reality is independent of the mind and the human factor. On the other hand, Tagore adopted the opposite view. Nevertheless, both Einstein and Tagore claimed to be realists - their conceptions of reality were obviously fundamentally different. Where does the difference lie? Can it be harmonized at a deeper level? This volume brings together for the first time a gamut of views on this subject from eminent scholars. It presents some key reflections on reality, language, poetry, truth, science, personality, human sciences, virtue ethics, intelligibility and creativity. It will be useful to scholars and researchers of philosophy, literature, history and political studies, as also to those interested in Tagore.
Heidegger's Shadow is an important contribution to the understanding of Heidegger's ambivalent relation to transcendental philosophy. Its contention is that Heidegger recognizes the importance of transcendental philosophy as the necessary point of entry to his thought, but he nonetheless comes to regard it as something that he must strive to overcome even though he knows such an attempt can never succeed. Engelland thoroughly engages with major texts such as Kant and the Problem of Metaphysics, Being and Time, and Contributions and traces the progression of Heidegger's readings of Kant and Husserl to show that Heidegger cannot abandon his own earlier breakthrough work in transcendental philosophy. This book will be of interest to those working on phenomenology, continental philosophy, and transcendental philosophy.
McTaggart's argument for the unreality of time, first published in 1908, set the agenda for 20th-century philosophy of time. Yet there is very little agreement on what it actually says-nobody agrees with the conclusion, but still everybody finds something important in it. This book presents the first critical overview of the last century of debate on what is popularly called "McTaggart's Paradox". Scholars have long assumed that McTaggart's argument stands alone and does not rely on any contentious ontological principles. The author demonstrates that these assumptions are incorrect-McTaggart himself explicitly claimed his argument to be dependent on the ontological principles that form the basis of his idealist metaphysics. The result is that scholars have proceeded to understand the argument on the basis of their own metaphysical assumptions, duly arriving at very different interpretations. This book offers an alternative reading of McTaggart's argument, and at the same time explains why other commentators arrive at their mutually incompatible interpretations. It will be of interest to students and scholars with an interest in the philosophy of time and other areas of contemporary metaphysics.
This volume analyses Virginia Woolf's novels through a philosophical lens, providing an interpretive overview of her works through Hans-Georg Gadamer's hermeneutic ontology. The text argues that interpretation itself is the central subject matter of Woolf's novels: in order to understand these novels in all of their complexity and depth, it is both useful and helpful to comprehend the interpretive pillars that inform these narratives. Indeed, interpretation became a central theme during the Modernist movement, and Woolf's novels took part in this conversation. For his part, Gadamer was in important voice in these discussions, dedicating his life's work to the concept of interpretation. Gadamer focused on the universality of interpretation, arguing that it is inescapable and irrevocably bound up with existence. In many ways, Woolf's novels represent an enactment of Gadamer's philosophy, as they emphasize the radical questionability of the world-what this interpretive imperative requires of its participants and the potential yield that may result. On the other end, Gadamer's philosophy acquires a concrete praxis when applied to Woolf's novels. His philosophy hinges on the universality of interpretation as it manifests itself in daily existence; the literary text and its interpretation participate in this universality and is shaped by it.
Winner of the 2020 Symposium Book Award by the Canadian Society for Continental Philosophy Stella Gaon provides the first fully philosophical account of the critical nature of deconstruction, and she does so by turning in an original way to psychoanalysis. Drawing on close readings of Freud and Laplanche, Gaon argues that Derridean deconstruction is driven by a normative investment in reason's psychological force. Indeed, deconstruction is more faithful to the principle of reason than the various forms of critical theory prevalent today. For if one pursues the classical demand for rational grounds vigilantly, one finds that claims to ethical or political legitimacy cannot be rationally justified, because they are undone by logical undecidability. Gaon's argument is borne out in the cases of Kantian deontology, Deweyan pragmatism, progressive pedagogy, Habermasian moral theory, Levinasian ethics and others. What emerges is the groundbreaking demonstration that deconstruction is impelled by a quasi-ethical critical drive, and that to read deconstructively is to radicalize the emancipatory practice of reason as self-critique. This important volume will be of great value to critical theorists as well as to Derrida scholars and researchers in social and political thought.
This volume addresses the issue of freedom in the philosophy of Deleuze and Guattari. This is all the more challenging in that Deleuze-Guattari almost never use the term freedom, preferring instead, the concept of the refrain. The essays collected in the volume show that freedom has been understood in a remarkably narrow sense and that in fact freedom operates as the refrain in every realm of thought and creation. The motivating approach in these essays is Deleuze-Guattari's emphasis on the irreality of media and capitalistic sign regimes, which they perceive to have taken over even the practices of philosophy, the arts, and science. By offering a clear and engaging treatment of the underexplored issue of freedom, this volume moves the discussion of Deleuze-Guattari's philosophy forward in ways that will appeal to researchers in Continental philosophy and a wide range of other disciplines.
Why, since the financial crisis of 2008, has neoliberal capitalism remained seemingly impregnable? Why, when it is shown as no longer capable of delivering on its economic promises does its logic pervade all facets of contemporary life? How has it seduced us? This book examines the seductive appeal of neoliberalism by understanding it as a fundamentally counter-cultural logic. Unlike earlier modes of capitalism, neoliberalism is infused by spirit of rebellion and self-creation, with the idealised neoliberal subject overturning traditional morality whilst creating new modes of being based on risk and excess. Tracing the development of the logic of neoliberalism from its beginnings in the thought of Friedrich Hayek in the wake of the post-war period, through the work of neoconservative writers overcoming and moving beyond what they perceived as the nihilism of both the counter-culture and capitalism of the 1960s and 70s, to its establishment as a new moral order underpinning the economic system from the 1980s onwards, the author argues that it is only through a clear understanding of the seduction of neoliberalism that it can be overcome by reimagining our relationships to work and society.
David (D. M.) Armstrong is one of Australia's greatest philosophers. His chief philosophical achievement has been the development of a core metaphysical programme, embracing the topics of universals, laws, modality and facts: a naturalistic metaphysics, consistent with a scientific view of the natural world. It is primarily through his work that Australian philosophy, and Australian metaphysics in particular, enjoys such a high reputation in the rest of the world. In this book Stephen Mumford offers an introduction to the full range of Armstrong's thought. Mumford begins with a discussion of Armstong's naturalism, his most general commitment, and his realism about universals. He then examines his theories of laws, modality and dispositions, which make up the basics of Armstrong's core theory. With this in place, Mumford explores his ideas on perception, mind and belief before returning to metaphysics in the last two chapters, looking at truth and the new view of instantiation. The book is a dispassionate, fair and unbiased account of Armstrong's thought. Although Armstong's is a body of work that Mumford regards highly and of real significance, he nevertheless highlights areas of weakness and issues about which there is room for further debate.
This book offers a comprehensive sociological study of the nature and dynamics of the modern world, through the use of a series of anthropological concepts, including the trickster, schismogenesis, imitation and liminality. Developing the view that with the theatre playing a central role, the modern world is conditioned as much by cultural processes as it is by economic, technological or scientific ones, the author contends the world is, to a considerable extent, theatrical - a phenomenon experienced as inauthenticity or a loss of direction and meaning. As such the novel is revealed as a means for studying our theatricalised reality, not simply because novels can be understood to be likening the world to theatre, but because they effectively capture and present the reality of a world that has been thoroughly 'theatricalised' - and they do so more effectively than the main instruments usually employed to analyse reality: philosophy and sociology. With analyses of some of the most important novelists and novels of modern culture, including Rilke, Hofmannsthal, Kafka, Mann, Blixen, Broch and Bulgakov, and focusing on fin-de-siecle Vienna as a crucial 'threshold' chronotope of modernity, Permanent Liminality and Modernity demonstrates that all seek to investigate and unmask the theatricalisation of modern life, with its progressive loss of meaning and our deteriorating capacity to distinguish between what is meaningful and what is artificial. Drawing on the work of Nietzsche, Bakhtin and Girard to examine the ways in which novels explore the reduction of human existence to a state of permanent liminality, in the form of a sacrificial carnival, this book will appeal to scholars of social, anthropological and literary theory.
At present, 'naturalism' is arguably the dominant trend in both Anglo-American and European philosophy. Owing to the influence of the works of W.V.O. Quine, Wilfred Sellars, and Hillary Putnam, among others, naturalism both as a methodological and ontological position has become one of the mainstays of contemporary analytic approaches to knowledge, mind and ethics. From the early 1990s onward, European philosophy in the English-speaking world has been witnessing a turn from the philosophies of the subjects of phenomenology, hermeneutics and existentialism and a revival of a certain kind of vitalism, whether Bergsonian or Nietzschean, and also of a certain kind of materialism that is close in spirit to Spinoza's Ethics and to the naturalism and monism of the early Ionian thinkers. This book comprises essays written by experts in both the European and the Anglo-American traditions such as John Sallis, David Papineau, David Cerbone, Dan Zahavi, Paul Patton, Bernhard Weiss, Jack Reynolds and Benedict Smith, who explore the limit of naturalism and the debate between naturalism and phenomenology. This book also considers the relation between Deleuze's philosophy and naturalism as well as the critique of phenomenology by speculative realism. This book was originally published as a special issue of the International Journal of Philosophical Studies.
Is there such a thing as human nature? Here Sean Sayers defends the controversial theory that human nature is in fact an historical phenomenon. He gives an ambitious and wide ranging defence of the Marxist and Hegelian historical approach and engages with a wide range of work at the heart of the contemporary debate in social and moral philosophy.
Isaiah Berlin made a now classic distinction between negative and positive conceptions of freedom. This book, first published in 2005, introduces a fresh way of looking at these conceptions and presents a new defence of the positive conception of freedom. Revealing how the internal debate between various versions of negative freedom give rise to hybrid conceptions of freedom which in turn are superseded by various versions of the positive conception of freedom, Silier concludes that Marx's concrete historical account of positive freedom resolves many of the key debates in this area and provides a fruitful framework to evaluate the freedoms and unfreedoms that are specific to capitalism.
This book, first published in 1968, examines the complicated issues which surround the problem of freewill. Although it reaches a libertarian conclusion, its focus is largely on other questions. What ultimately is at stake in this debate? What difference would it make whether we had freewill or not? Why must disagreement persist, and why do philosophes each opposed conclusions with such confidence? The answers to these questions open new perspectives. |
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