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Books > Social sciences > Politics & government > Political control & freedoms > Political control & influence > Political oppression & persecution > General
Even before its dissolution in 1991, the Soviet Union was engaged in an ambivalent struggle to come to terms with its violent and repressive history. Following the death of Stalin in 1953, entrenched officials attempted to distance themselves from the late dictator without questioning the underlying legitimacy of the Soviet system. At the same time, the Gulag victims to society opened questions about the nature, reality, and mentality of the system that remain contentious to this day. "The Gulag Survivor" is the first book to examine at length and in-depth the post-camp experience of Stalin's victims and their fate in post-Soviet Russia. As such, it is an essential companion to the classic work of Alexander Solzhenitsyn. Based on extensive interviews, memoirs, official records, and recently opened archives, "The Gulag Survivor" describes what survivors experienced when they returned to society, how officials helped or hindered them, and how issues surrounding the existence of the returnees evolved from the fifties up to the present. Adler establishes the social and historical context of the first wave of returnees who were "liberated" into exile in Stalin's time. She reviews diverse aspects of return including camp culture, family reunion, and the psychological consequences of the Gulag. Adler then focuses on the enduring belief in the Communist Party among some survivors and the association between returnees and the growing dissident movement. She concludes by examining how issues surrounding the survivors reemerged in the eighties and nineties and the impact they had on the failing Soviet system. Written and researched while Russian archives were most available and while there were still survivors to tell their stories, "The Gulag Survivor" is a groundbreaking and essential work in modern Russian history. It will be read by historians, political scientists, Slavic scholars, and sociologists.
From the book: 'The pit I was ordered to dig had the precise dimensions of a casket. The NKVD officer carefully designed it. He measured my size with a stick, made lines on the forest floor, and told me to dig. He wanted to make sure I'd fit well inside'. In 1941 Janusz Bardach's death sentence was commuted to ten years' hard labor and he was sent to Kolyma - the harshest, coldest, and most deadly prison in Joseph Stalin's labor camp system - the Siberia of Siberias. The only English-language memoir since the fall of communism to chronicle the atrocities committed during the Stalinist regime, Bardach's gripping testimony explores the darkest corners of the human condition at the same time that it documents the tyranny of Stalin's reign, equal only to that of Hitler. With breathtaking immediacy, a riveting eye for detail, and a humanity that permeates the events and landscapes he describes, Bardach recounts the extraordinary story of this nearly inconceivable world. The story begins with the Nazi occupation when Bardach, a young Polish Jew inspired by Soviet Communism, crosses the border of Poland to join the ranks of the Red Army. His ideals are quickly shattered when he is arrested, court-martialed, and sentenced to death. How Bardach survives an endless barrage of brutality - from a near-fatal beating to the harsh conditions and slow starvation of the gulag existence - is a testament to human endurance under the most oppressive circumstances. Besides being of great historical significance, Bardach's narrative is a celebration of life and a vital affirmation of what it means to be human.
One of the most terrible legacies of our century is the concentration camp. Countless men and women have passed through camps in Nazi Germany, Communist China, and the Soviet bloc countries. In Voices from the Gulag, Tzvetan Todorov singles out the experience of one country where the concentration camps were particularly brutal and emblematic of the horrors of totalitarianism -- communist Bulgaria. The voices we hear in this book are mostly from Lovech, a rock quarry in Bulgaria that became the final destination for several thousand men and women during its years of operation from 1959 to 1962. The inmates, though drawn from various social, professional, and economic backgrounds, shared a common fate: they were torn from their homes, by secret police, brutally beaten, charged with fictitious crimes, and shipped to Lovech. Once there, they were forced to endure backbreaking labor, inadequate clothing, shelter, and food, systematic beatings, and institutionalized torture. We also hear from guards, commandants, and bureaucrats whose lives were bound together with the inmates in an absurd drama. Regardless of their grade and duties, all agree that those responsible for these "excesses" were above or below them, yet never they themselves. Accountability is thereby diffused through the many strata of the state apparatus, providing legal defenses and "clear" consciences. Yet, as the concluding section of interviews -- with the children and wives of the victims -- reminds us, accountability is a moral and historical imperative. The testimonies in Voices from the Gulag were written specifically for this volume or have been published in the Bulgarian press or on Bulgarian television.Todorov compiled them for this book and has written an introductory essay -- a lucid and troubling analysis of totalitarianism and the role that terror and the concentration camp play in such a world. He reflects upon his own experience living in Bulgaria during the years when Lovech was in operation. It is through that experience that Todorov has sought to understand the totalitarian horrors of our century. Although Lovech and the other camps of Soviet Russia and Eastern Europe have been closed down, concentration camps still exist in the countries whose communist regimes remain in power -- Vietnam, China, North Korea, and Cuba. The voices in this book remind us that we are never completely safe from the threat of totalitarianism, a threat that we all must face. As Todorov writes, "I cannot say that these stories do not concern me."
From the moment, on November 10, 1995, that the Nigerian military government executed dissident writer Ken Saro-Wiwa along with eight other activists, Nigeria became an outcast in the global village. The events that led up to Saro-Wiwa's execution mark Nigeria's decline from a post-colonial success story to its current military dictatorship, and few writers have been more outspoken in decrying and lamenting this decline than Nobel Prize laureate and Nigerian exile Wole Soyinka. In The Open Sore of a Continent, Soyinka, whose own Nigerian passport was confiscated 1994, explores the history and future of Nigeria in a compelling jeremiad that is as intense as it is provocative, learned, and wide-ranging.
This impressive volume is actually three histories in one: of the legal procedures, personnel, and institutions that shaped the inquisitorial tribunals from Rome to early modern Europe; of the myth of "The Inquisition," from its origins with the anti-Hispanists and religious reformers of the sixteenth century to its embodiment in literary and artistic masterpieces of the nineteenth century; and of how the myth itself became the foundation for a "history" of the inquisitions.
The USSR's Writer's Union, a form of cultural and political organization unknown in the West, has ruled every aspect of Russian writers' private and professional lives from the time of Stalin to the present day. This book shows how the union has operated over the last five decades.
WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2019 The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path' left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history.
The story of the victorious battle to defeat the political frame-up of Mark Curtis, a union activist and socialist sentenced in 1988 to twenty-five years in prison on trumped up charges of attempted rape and burglary. The pamphlet describes what happened to Curtis on the day of his arrest, the fight to defend immigrant rights he was a part of, and the international campaign that finally won his freedom in 1996.
Part of an eight volume set which collates articles written on the history of the Jewish people in America, this volume, in two parts, charts the manifestations of anti-semitism in all areas of American life, from academia during the Civil War and from the political arena to the American South. Articles also cover such areas as social discrimination around the turn of the century, Jews as portrayed in American caricature and the origins of black anti-semitism in America.
This book unravels the ethnic history of California since the late
nineteenth-century Anglo-American conquest and institutionalization
of "white supremacy" in the state. Almaguer comparatively assesses
the struggles for control of resources, status, and political
legitimacy between the European American and the Native American,
Mexican, African-American, Chinese, and Japanese populations.
Drawing from an array of primary and secondary sources, he weaves a
detailed, disturbing portrait of ethnic, racial, and class
relationships during this tumultuous time.
Set in Fordsburg between the 1950s and 1990s against the backdrop of apartheid, A Home on Vorster Street invites us into the life of Razina Theba and the vibrant community to which she and her characterful Indian-Muslim family belongs. The book offers an intimate, vividly told narrative of a family bound by loyalty to their culture, religion and each other. At times laugh-out-loud funny, and at others emotional, painful and tender-hearted, Theba’s memoir is a spirited exploration of the themes of family, racism, cultural heritage and identity.
Death is a fact of life, but the experience of grief is unique to each of us. This poignant and thought-provoking anthology gives us portraits of grief as seen through the eyes of writers and poets. The contributions range from the deeply personal: a poet chronicles her relationship with her troubled, abusive father, a World War II survivor – to the political: an investigator from the Missing Persons Task Team draws us into the ongoing search for the remains of activists who were murdered by the apartheid state between 1960 and 1994 – to the philosophical: a writer ponders the ethics of killing small animals. Perhaps grief never truly ends but these stories transform the pain of death into something beautiful so that we can find ways to live with loss. Featuring contributions by Sisonke Msimang, Mary Watson, Karin Schimke, Hedley Twiddle, Ishtiyaq Shukri, Dawn Garisch, Shubnum Khan, Malika Ndlovu, Toni Stuart, Stacy Hardy and more. |
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