"This is a ground-breaking book on a subject of capital importance, and I think it] should start a debate about modern literature with a rich potential for further development." Michael Scammell

Return from the Archipelago is the first comprehensive historical survey and critical analysis of the vast body of narrative literature about the Soviet gulag. Leona Toker organizes and characterizes both fictional narratives and survivors memoirs as she explores the changing hallmarks of the genre from the 1920s through the Gorbachev era. Toker reflects on the writings and testimonies that shed light on the veiled aspects of totalitarianism, dehumanization, and atrocity. Identifying key themes that recur in the narratives-arrest, the stages of trial, imprisonment, labor camps, exile, escapes, special punishment, the role of chance, and deprivation.Toker discusses the historical, political, and social contexts of these accounts and the ethical and aesthetic imperative they fulfill. Her readings provide extraordinary insight into the prisoners experiences of the Soviet penal system. Special attention is devoted to the writings of Varlam Shalamov and Aleksandr Solzhenitsyn, but many works that are not well known in the West, especially those by women, are addressed. Consideration is also given to events that recently brought many memoirs to light years after they were written. A pioneering book on an important subject, Return from the Archipelago is an authoritative resource for scholars in Russian history and literature."

The Inspiration Behind The Golden Globe —Winning Film

"An engrossing and memorable tale."Jewish Book World

"The sheer emotion of telling the tale is palpable. The whole is moving, and strange beyond belief." —The Times (London)

International acclaim for Solomon Perel's Europa Europa

"The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth.

"It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." —Glasgow Herald

"Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." —Book Report

"Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." —London Jewish News

"A most remarkable story . . . extraordinary." —The Australian

"This book will move human hearts." —Berliner Morgenpost

"Wyman's book is the only one that comprehensively, and sensitively, depicts the plight of the postwar refugees in Western Europe." M. Mark Stolarik, University of Ottawa "This is a fascinating and very moving book." International Migration Review "Wyman has written a highly readable account of the movement of diverse ethnic and cultural groups of Europe's displaced persons, 1945-1951. An analysis of the social, economic, and political circumstances within which relocation, resettlement, and repatriation of millions of people occurred, this study is equally a study in diplomacy, in international relations, and in social history. . . . A vivid and compassionate recreation of the events and circumstances within which displaced persons found themselves, of the strategies and means by which people survived or did not, and an account of the major powers in response to an unprecedented human crisis mark this as an important book." Choice "Wyman interviewed some eighty DPs as well as employees of various agencies who served them; he cites a broad range of published primary sources, secondary sources, and some archival material. . . . This book presents a useful overview and should stimulate further research." Journal of American Ethnic History"

This important new study is an inquiry into the origins and purposes of downwardly directed violence by economic and political elites in Brazil-violence that has led to the invention and tacit approval of contemporary death squads.

Antonio Gramsci is one of the great European Marxists, hailed by Eric Hobsbawm as 'an extraordinary philosopher ... probably the most original communist thinker of twentieth-century Europe'. Gramsci developed Marx's ideas with an emphasis on culture rather than economics. This classic work reveals his thinking through letters to friends and family written whilst he was in prison. His primary contribution has been in his insistence on an understanding of popular culture in the battle to create a revolutionary consciousness. It is this humanitarian aspect of his thinking that illuminates the vivid personal testimony of his prison letters, written between 1926 and 1937.

The twentieth century has seen people displaced on an unprecedented scale and has brought concerns about refugees into sharp focus. There are forty million refugees in the world--1 in 130 inhabitants of this planet. In this first interdisciplinary study of the issue, fifteen scholars from diverse fields focus on the worldwide disruption of "trust" as a sentiment, a concept, and an experience. Contributors provide a rich array of essays that maintain a delicate balance between providing specific details of the refugee experience and exploring corresponding theories of trust and mistrust. Their subjects range widely across the globe, and include Palestinians, Cambodians, Tamils, and Mayan Indians of Guatemala. By examining what individuals experience when removed from their own culture, these essays reflect on individual identity and culture as a whole.

'I have lived, alone, in a cell, 157,852,800 seconds of solitude and fear. Cause for screaming! They sentence me to live yet another 220,838,400 seconds! To live them or to die from them' - from "The Silent Escape". Victim of Stalinist-era terror, Lena Constante was arrested on trumped-up charges of 'espionage' and sentenced to twelve years in Romanian prisons. "The Silent Escape" is the extraordinary account of the first eight years of her incarceration - years of solitary confinement during which she was tortured, starved, and daily humiliated. The only woman to have endured isolation so long in Romanian jails, Constante is also one of the few women political prisoners to have written about her ordeal. Unlike other more political prison diaries, this book draws us into the practical and emotional experiences of everyday prison life. Candidly, eloquently, Constante describes the physical and psychological abuses that were the common lot of communist-state political prisoners. She also recounts the particular humiliations she suffered as a woman, including that of male guards watching her in the bathroom. Constante survived by escaping into her mind - and finally by discovering the 'language of the walls', which enabled her to communicate with other female inmates. A powerful story of totalitarianism and human endurance, this work makes an important contribution to the literature of 'prison notebooks'.

Examines decadence in our language, especially that language which leads to dehumanization and degradation of human beings. Powerful illustrations may be found in the fact that, for instance, Hitler's "Final Solution" appeared "reasonable" once the Jews were successfully labelled by the Nazis as sub-humans, "parasites," "vermin," or "bacilli." So, too, the subjugation of the American Indian was "defensible" since they were defined as "barbarians" and "savages." The author of this engrossing text that was originally published in 1974 by Public Affairs Press successfully identifies and critically comments on the racist, sexist, and ethnic slurs still predominant in society today, with the hope that this decadence will be cured. Winner of the 1983 George Orwell Award from the Committee on Doublespeak of the NCTE.

WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2019 The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path' left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history.

Heinz R. Boehme has been collecting artworks of the Lost Generation for more than twenty years. The main focus of his private collection in Salzburg is the recognition of more than eighty artists whose creative work was massively restricted under the National Socialist regime. Large-format illustrations, extensive biographies and a clearly structured list of the pictures in the collection, which currently contains over 350 works, document impressively the achievements of these artists, who were once ostracised and defamed as "degenerate". Expanded by an interview with the collector, Heinz R. Boehme, and an art-historical and historical overview, the publication traces the fate and life's work of an almost-forgotten generation of painters and thus permits the general public to rediscover these pioneering artistic positions. and tells a new, exciting history of the modern age Through her artworks.

Post-1994, South Africa’s traditional leaders have fought for recognition, and positioned themselves as major players in our political landscape. Yet their role in a democracy is contested, with leaders often accused of abusing power, disregarding human rights, expropriating resources and promoting tribalism. Some argue that democracy and traditional leadership are irredeemably opposed and cannot co-exist.

Meanwhile, shifts in the political economy of the former bantustans - the introduction of platinum mining in particular - have attracted new interests and conflicts to these areas, with chiefs often designated as custodians of community interests. This edited volume explores how chieftaincy is practised, experienced and contested in contemporary South Africa. It explores how those living under the authority of chiefs, in a modern democracy, negotiate or resist these politics in their respective areas.

Chapters in this book are organised around three major sites of contest in the area of traditional leadership: leadership, land and law.

Shortlisted for the Palestine Book Awards 2018 Thousands of Palestinians, including children, are building and working on illegal Israeli settlements. Their bitter toil entails a daily rejection of their rights and subjects them to dangerous working conditions. Employing the Enemy is a deeply moving narrative that paints a faithful portrait of these workers and their families. Matthew Vickery explores not only the rationale, emotions and consequences of such employment but also why and how people collude with their own oppression. In doing so he draws attention to a previously neglected aspect of the Palestinian experience, exposing these practices as a new, insidious form of state-sponsored forced labour.

"McCaffrey's outstanding analysis movingly narrates the community's longstanding anguish and accurately situates the Vieques movement in the larger context of U.S. military policy in the Caribbean and Puerto Rico's unresolved status quandary. Those interested in understanding the Vieques crisis will find Military Power and Popular Protest an indispensible work." --Amilcar Antonio Barreto, author of Vieques, the Navy, and Puerto Rican Politics Residents of Vieques, a small island just off the east coast of Puerto Rico, live wedged between an ammunition depot and live bombing range for the U.S. Navy. Since the 1940s when the navy expropriated over two-thirds of the island, residents have struggled to make a life amid the thundering of bombs and the rumbling of weaponry fire. Like the army's base in Okinawa, Japan, the facility has drawn vociferous protests from residents who challenged U.S. security interests overseas. In 1999, when a local civilian employee of the base was killed by a stray bomb, Vieques again erupted in protests that have mobilized tens of thousands of individuals and have transformed this tiny Caribbean island into the setting for an international cause celebre. Katherine T. McCaffrey gives a complete analysis of the troubled relationship between the U.S. Navy and island residents. She explores such topics as the history of U.S. naval involvement in Vieques; a grassroots mobilization--led by fisherman--that began in the 1970s; how the navy promised to improve the lives of the island residents--and failed; and the present-day emergence of a revitalized political activism that has effectively challenged naval hegemony. Military bases overseas act as lightning rods for anti-American sentiment, thus threatening his country's image and interests abroad. By analyzing this particular, conflicted relationship, the book also explores important lessons about colonialism and postcolonialism and the relationship of the United States to the countries in which it maintains military bases. Katherine T. McCaffrey is an assistant professor of anthropology at Montclair State University, New Jersey.

Attempting to indoctrinate the public into a new society, the Bolsheviks staged show trials--legal trials that incorporated theatrical elements such as coached defendants, memorized scripts for confession, and grueling interrogatory rehearsals. The genre of legal spectacle, whose origins lay in Soviet theater and cinema of the 1920s, moved from mass public spectacles to the courtroom, as the Bolsheviks sought to effect ever- greater social change.
In this intriguing interdisciplinary study, literature scholar Cassiday shows how Soviet show trials deliberately used avant-garde drama and cinema to educate the citizenry about the new social order. She examines how elements of theater and film were incorporated into Soviet courtrooms, turning public trials into vehicles for propaganda. Drawing on a variety of popular media from the 1920s, she reveals the origins of the show trials.

From the book: 'The pit I was ordered to dig had the precise dimensions of a casket. The NKVD officer carefully designed it. He measured my size with a stick, made lines on the forest floor, and told me to dig. He wanted to make sure I'd fit well inside'. In 1941 Janusz Bardach's death sentence was commuted to ten years' hard labor and he was sent to Kolyma - the harshest, coldest, and most deadly prison in Joseph Stalin's labor camp system - the Siberia of Siberias. The only English-language memoir since the fall of communism to chronicle the atrocities committed during the Stalinist regime, Bardach's gripping testimony explores the darkest corners of the human condition at the same time that it documents the tyranny of Stalin's reign, equal only to that of Hitler. With breathtaking immediacy, a riveting eye for detail, and a humanity that permeates the events and landscapes he describes, Bardach recounts the extraordinary story of this nearly inconceivable world. The story begins with the Nazi occupation when Bardach, a young Polish Jew inspired by Soviet Communism, crosses the border of Poland to join the ranks of the Red Army. His ideals are quickly shattered when he is arrested, court-martialed, and sentenced to death. How Bardach survives an endless barrage of brutality - from a near-fatal beating to the harsh conditions and slow starvation of the gulag existence - is a testament to human endurance under the most oppressive circumstances. Besides being of great historical significance, Bardach's narrative is a celebration of life and a vital affirmation of what it means to be human.

Paul Lendvai, born a Hungarian Jew, was arrested by the Nazis as a teenager, became a young communist activist in post-war Budapest, was arrested by the communists, again survived as one of the country's youngest political prisoners, and on his release was blacklisted as a journalist by the communist regime. After fleeing to Vienna following the 1956 Revolution, Lendvai was to become a leading journalist and commentator on eastern Europe. In this prize-winning memoir, he paints a picture of ethnic hatred, political turbulence and murderous anti-Semitism, as well as the swings between treachery and compromise which have characterized the history of 20th-century central Europe. There are descriptions of encounters with killers, torturers, onlookers and victims, traitors and heroes. In preparing the book, Lendvai had access to many previously unseen secret police files of Czechoslovakia, East Germany and Hungary.

From the moment, on November 10, 1995, that the Nigerian military government executed dissident writer Ken Saro-Wiwa along with eight other activists, Nigeria became an outcast in the global village. The events that led up to Saro-Wiwa's execution mark Nigeria's decline from a post-colonial success story to its current military dictatorship, and few writers have been more outspoken in decrying and lamenting this decline than Nobel Prize laureate and Nigerian exile Wole Soyinka. In The Open Sore of a Continent, Soyinka, whose own Nigerian passport was confiscated 1994, explores the history and future of Nigeria in a compelling jeremiad that is as intense as it is provocative, learned, and wide-ranging.

This impressive volume is actually three histories in one: of the legal procedures, personnel, and institutions that shaped the inquisitorial tribunals from Rome to early modern Europe; of the myth of "The Inquisition," from its origins with the anti-Hispanists and religious reformers of the sixteenth century to its embodiment in literary and artistic masterpieces of the nineteenth century; and of how the myth itself became the foundation for a "history" of the inquisitions.

The USSR's Writer's Union, a form of cultural and political organization unknown in the West, has ruled every aspect of Russian writers' private and professional lives from the time of Stalin to the present day. This book shows how the union has operated over the last five decades.

Growing up in 'White' South Africa is a delightful journey back into the past that brings alive an era that should resonate with those who lived through it, and fascinate those who didn’t. The author captures the sounds, smells, nuances, events and special characteristics of a post war age that remain etched in his memory. His poignant recounting of the period of his youth against the background of a world that was rapidly undergoing change both at home and abroad is imbued with touches of humour, that comes with a retrospective view of the follies of youth.

The journey moves from the secure environment of his early youth to adventures in the Rhodesian (Zimbabwean) bushveld after leaving school, and then onto London at the height of the Beat era in the late 50s, eventually returning to South Africa and university life in the swinging 60s, where his membership of an eccentric literary sect called the Druids contrasts with his political activities as an executive member of the student representative council and NUSAS that challenged the draconian laws of apartheid. Threading through all this are the many romantic relationships that earned him, much to his consternation, the reputation of being somewhat of a Casanova until he meets the girl with whom he is destined to continue the next stage of his life’s journey.

The underlying subtext is a political narrative of a divided country where its people are systematically racially categorized and separated into allotted group areas, and how the author’s social and political awareness develops and changes during his growing up years as the apartheid system becomes increasingly harsh and evil. From being a purely passive observer and beneficiary of a privileged minority group, he begins to take an active stand in opposing the system.

Explosively personal account by a British lawyer who defends Death Row prisoners and Guantanamo Bay detainees. Clive Stafford Smith is the 46-year-old human-rights lawyer who has famously - some would say notoriously - spent more than twenty years in the United States representing prisoners on Death Row. His clients include many detainees in Guantanamo Bay in Cuba, and he established the London-based charity Reprieve, developed to defending human rights in 1999. His book is quite simply, devastating, and many will laugh and cry reading it: laugh in disbelief, and cry in despair at the utter inhumanity and lack of imagination wrapped up in hypocrisy so enormous that it beggars understanding. Yet even in the face of insurmountable odds, Clive Stafford Smith remains an optimist. Few could maintain his capacity for work and his commitment to his clients if he allowed frustration or despair to divert him. His experiences, graphically recounted in this book, have enabled him to shine a bright, unblinking light into the darkest corners of illegality that are being justified by governments in the name of the War on Terror.

In 2006, four years after the illegal prison in Guantanamo Bay opened, the Pentagon finally released the names of the 773 men held there, as well as 7,000 pages of transcripts from tribunals assessing their status as 'enemy combatants'. Andy Worthington is the only person to have analysed every page of these transcripts and this book reveals the stories of all those imprisoned in Guantanamo. Deprived of the safeguards of the Geneva Conventions, and, for the most part, sold to the Americans by their allies in Afghanistan and Pakistan, the detainees have struggled for five years to have their stories heard. Looking in detail at the circumstances of their capture, and at the coercive interrogations and unsubstantiated allegations that have been used to justify their detention. Stories of torture in Afghanistan and Guantanamo are uncovered, as well as new information about the process of 'extraordinary rendition' that underpins the US administration's 'war on terror'. Who will speak for the 773 men who have been held in Guantanamo? This passionate and brilliantly detailed book brings their stories to the world for the first time.

James B. Given analyzes the inquisition in one French region in order to develop a sociology of medieval politics. Established in the early thirteenth century to combat widespread popular heresy, inquisitorial tribunals identified, prosecuted, and punished heretics and their supporters. The inquisition in Languedoc was the best documented of these tribunals because the inquisitors aggressively used the developing techniques of writing and record keeping to build cases and extract confessions.Using a Marxist and Foucauldian approach, Given focuses on three inquiries: what techniques of investigation, interrogation, and punishment the inquisitors worked out in the course of their struggle against heresy; how the people of Languedoc responded to the activities of the inquisitors; and what aspects of social organization in Languedoc either facilitated or constrained the work of the inquisitors. Punishments not only inflicted suffering and humiliation on those condemned, he argues, but also served as theatrical instruction for the rest of society about the terrible price of transgression. Through a careful pursuit of these inquires, Given elucidates medieval society's contribution to the modern apparatus of power.

The story of the victorious battle to defeat the political frame-up of Mark Curtis, a union activist and socialist sentenced in 1988 to twenty-five years in prison on trumped up charges of attempted rape and burglary. The pamphlet describes what happened to Curtis on the day of his arrest, the fight to defend immigrant rights he was a part of, and the international campaign that finally won his freedom in 1996.

Set in Fordsburg between the 1950s and 1990s against the backdrop of apartheid, A Home on Vorster Street invites us into the life of Razina Theba and the vibrant community to which she and her characterful Indian-Muslim family belongs.

The book offers an intimate, vividly told narrative of a family bound by loyalty to their culture, religion and each other.

At times laugh-out-loud funny, and at others emotional, painful and tender-hearted, Theba’s memoir is a spirited exploration of the themes of family, racism, cultural heritage and identity.