This book investigates the experiences of second- and third-generation Italians living in South Africa, exploring how nostalgia for Italy influences their sense of identity and belonging.

The Italian community in South Africa is a unique diaspora, with a complex history, including roots in Italian colonial activities in Africa, and in World War II. This book looks at how the descendants of these early migrants take pride in being Italian and value the Italian language. They also ascribe much importance to their family roots, and have often created a romanticized image of Italy, mostly based on childhood vacation visits. The longing for an imaginary idealized version of Italy is closely linked to their wider search for a sense of identity and belonging against the backdrop of South African society, currently still grappling with its own multicultural identity.

Interdisciplinary by design, this book draws on insights from both cultural studies and psychology in order to shine a light on an important and under-studied diasporic community. The book will be of interest to scholars from across migration studies and the Humanities in general.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Table of Contents

Chapter 1: Situating our work

Chapter 2: Meeting in the diaspora, researching the diaspora

Chapter 3: Theoretical context

Chapter 4: Historical context of the Italian community

Chapter 5: "Our family does everything together": The importance of the family of origin

Chapter 6: "I find it unique and I am proud to be Italian": The relationship with Italy and the larger Italian community in South Africa

Chapter 7: "The point of going to Italy is the sense of belonging": The meaning of visits to Italy

Chapter 8: "There is a lot of pain that I have inherited": Identity through nostalgia

Chapter 9: "I don’t feel Italian there and I don’t feel South African here": Finding belonging in an interliminal space

Chapter 10: Conclusion

Appendix: The participants

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A generously illustrated selection of John Baines's influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.

Drama for Life, University of the Witwatersrand, aims "to enhance the capacity of young people, theatre practitioners and their communities to take responsibility for the quality of their lives in the context of HIV and AIDS in Africa. We achieve this through participatory and experiential drama and theatre that is appropriate to current social realities but draws on the rich indigenous knowledge of African communities." Collected here is a representative set of research essays written to facilitate dialogue across disciplines on the role of drama and theatre in HIV/AIDS education, prevention, and rehabilitation. Reflections are offered on present praxis and the media, as well as on innovative research approaches in an interdisciplinary paradigm, along with HIV/AIDS education via performance poetry and other experimental methods such as participant-led workshops. Topics include: the call for a move away from the binaries of much critical pedagogy; a project, undertaken in Ghana and Malawi with people living with AIDS, to create and present theatre; the contradictions between global and local expectations of applied drama and theatre methodology, in relation to folk media, participation, and syncretism. Three case studies report on mapping as a creative device for playmaking; the methodology of Themba Interactive Theatre; and applying drama with women living with HIV in the Zandspruit Informal Settlement. The essays validate the importance of play in both energizing those in positions of hopelessness and enabling the distancing essential to observe one's situation and enable change. The book stimulates the ongoing investigation of current practice and extends an invitation to further develop innovative approaches.

A timely interdisciplinary, comparative and historical perspective on African childhood migration that draws on the experience of children themselves to look at where, why and how they move - within and beyond the continent - andthe impact of African child migration globally. Children in Africa are heavily involved in migration but we know too little about the circumstances in which they migrate, their motivations and the impact of migration on their welfare, on wider society and in a global context. This book seeks to retrieve the experiences of child migrants, and to examine how child migration differs from adult migration and whether the condition of childhood pushes individuals towards specific migratory trajectories. It also examines the opportunities that child migrants seek elsewhere, the lack of opportunities that make them move elsewhere and to what extent their trajectories and strategies are gendered. Analysing the diversity and complexity of children's experiences of mobility in Ghana, Madagascar, Mali, Nigeria, South Africa, Senegal, Sudan, Togo and Zambia, the authors look at patterns of fosterage, child circulation within Africa and beyond the continent; therole of education, child labour and conceptions of place and "home"; and the place of the child narrator in migrant fiction. Comparing different methodological and theoretical approaches and setting the case studies within the broader context of family migration, transnational families, colonial and postcolonial migration politics, religious encounter and globalization in Africa, this book provides a much-needed examination of this contentious and criticalissue. Elodie Razy is Associate Professor in Social and Cultural Anthropology at the University of Liege (FaSS). She is the co-founder and co-editor of the online journal AnthropoChildren: Ethnographic Perspectivesin Children & Childhood. Marie Rodet is a Senior Lecturer in African History at the School of Oriental and African Studies (University of London). She is currently working on her second monograph on slave resistance in Kayes,Mali.

This book completes a trilogy by the anthropologist Wendy James. It is a case study of how the Uduk-speaking people, originally from the Blue Nile region between the 'north' and the 'south' of Sudan, have been caught up in and displaced by a generation of civil war. Some have responded by defending their nation, others by joining the armed resistance of the Sudan People's Liberation Army, and yet others eventually finding security as international refugees in Ethiopia, and even further afield in countries such as the USA. Sudan's peace agreement of 2005 leaves much uncertainty for the future of the whole country, as conflict still rages in Darfur. The Uduk case shows how people who once lived together now try to maintain links across borders and even continents through modern communications, and where possible recreate their 'traditional' forms of story-telling, music, and song.

Proposes a dynamic new approach to the production of knowledge on Africa, one that is global, multiple and heterogeneous, elucidating this through both discursive theoretical chapters and case histories. Knowledge production is a highly political and politicized practice. This book questions the way in which knowledge of and about Africa is produced and how this influences development policy and practice. Rebutting both Euro-and Afrocentric production of knowledge, this collection proposes a multiple, global and dynamic Africa-centredness in which scholars use whatever concepts and research tools are most appropriate to the different African contextsin which they work. In the first part of the book key conceptual themes are raised and the epistemological foundations are laid through questions of gender, literature and popular music. Contributors in the second part apply andtest these tools and concepts, examining the pressures on doctoral students in a South African university, the crisis in knowledge about declining marine fish populations, perplexities around why certain ICT provisions fail, or how some Zimbabwean students, despite being beset by poverty, succeed. The light thrown on the mechanics of how knowledge comes into being, and in whose interests, illuminates one of the key issues in African Studies. Brenda Cooper is an Honorary Research Associate at the University of Manchester. She was for many years the Director of the Centre for African Studies and a Professor in the English department at the University of Cape Town, where she is now Emeritus Professor. Robert Morrell is Coordinator of the Programme for the Enhancement of Research Capacity at the University of Cape Town.

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

From 1927-1948, the Universal Ethiopian Students' Association (UESA) mobilized the African diaspora to fight against imperialism and fascist Italy. Formed by a group of educated Africans, African-Americans, and West Indians based in Harlem and shaped by the ideals of Ethiopianism, communism, Pan-Africanism, Black Nationalism, Garveyism, and the New Negro Movement, the UESA sought to educate the diaspora about its glorious African past and advocate for anti-imperialism and independence. This book focuses on the UESA's literary organ, The African, mapping a constellation of understudied activists and their contributions to the fight for Black liberation in the twentieth century.

From the makers of the major motion picture "Mandela: Long Walk to Freedom, "a completely unique biography and thematic telling of the story of Nelson Mandela. This book, which provided key source material for the film, is an unexpurgated collection of the views and opinions of South Africa's first Black president, and it draws on Danny Schechter's forty-year relationship with "Madiba," as Nelson Mandela is known in his native South Africa.

Each chapter of this unique portrait corresponds to a letter of the alphabet, and the letters cover major and minor, unexpected and fascinating themes in Mandela's life and his impact on others: Athlete, Bully, Comrade, Forgiveness, Indigenous, Jailed, Militant, and President, to name a few. The book quotes liberally from Mandela himself, his ex-wives and other family members, global leaders, Mandela's cellmates and guards on Robben Island, the team behind "Mandela: Long Walk to Freedom," former president F. W. de Klerk, members of the South African Police, and his comrades including his successor Thabo Mbeki.
"Madiba A to Z" reveals sides of Nelson Mandela that are not often discussed and angles of the anti-apartheid movement that most choose to brush under the table in order to focus on the happy-ending version of the story. As Schechter reports in the book, according to Mandela's successor as president of South Africa, Thabo Mbeki, "the fundamental problems of South Africa, poverty, inequality, have remained unchanged since 1994." This is partly because, as Schechter writes, "six months before the 1994 elections, when South Africa was being governed jointly by the ANC and the National Party under a Transitional Executive Council (TEC), there were secret negotiations about the economic future."
There are many rarely spoken of revelations in "Madiba A to Z," a book about Mandela's brilliance, his courage, his tremendous impact in saving his country and its people of all races, but one that also shows how far South Africa still has to go.

The ongoing tension and hostility between China and Taiwan in Africa are a continuation of the Chinese Civil War (1927-1949) between the forces of the Chinese Communist Party (CCP) which remained in mainland China, and the Kuomintang (KMT) of the Republic of China (ROC) which fled to the island of Taiwan. In the intervening years, China has claimed Taiwan as part of its territory and through persistent and aggressive political and economic efforts convinced much of the world to accept her as the sole and legitimate seat of the Chinese people and government. Africa-China-Taiwan Relations, 1949-2020 provides a coherent account of why and how China was able to convince African governments to acquiesce to her claims which have resulted in the expulsion of and the diplomatic isolation of Taiwan on the African continent. This volume, edited by Sabella Ogbobode Abidde, also explains Taiwan's unsuccessful efforts at blunting China's maneuvers. It further discusses the endogenous and exogenous factors that swayed African governments to switch their diplomatic allegiance away from Taiwan-a country that was for many years an ally and dependable partner in their quest for growth and development. Finally, the book contains critical assessments of the role and place of China and Taiwan and their current relationship with states and societies on the African continent.

Kwame Nkrumah's Political Kingdom and Pan-Africanism ReInterpreted, 1909-1972 provides an in-depth study of the life of the late Pan-African leader from the former Gold Coast, Kwame Nkrumah. Authors A.B. Assensoh and Yvette M. Alex-Assensoh analyze Nkrumah's life from his birth on the Gold Coast through his studies in the United Kingdom and the United States, his activism and political life, and his exile and death. Throughout, Assensoh and Alex-Assensoh present a twenty-first-century reinterpretation of Nkrumah's Pan-Africanist views in the context of Black unity as well as Black liberation within the African continent and the United States and Caribbean diaspora.

In Chocolate Islands: Cocoa, Slavery, and Colonial Africa, Catherine Higgs traces the early-twentieth-century journey of the Englishman Joseph Burtt to the Portuguese colony of Sao Tome and Principe--the chocolate islands--through Angola and Mozambique, and finally to British Southern Africa. Burtt had been hired by the chocolate firm Cadbury Brothers Limited to determine if the cocoa it was buying from the islands had been harvested by slave laborers forcibly recruited from Angola, an allegation that became one of the grand scandals of the early colonial era. Burtt spent six months on Sao Tome and Principe and a year in Angola. His five-month march across Angola in 1906 took him from innocence and credulity to outrage and activism and ultimately helped change labor recruiting practices in colonial Africa.
This beautifully written and engaging travel narrative draws on collections in Portugal, the United Kingdom, and Africa to explore British and Portuguese attitudes toward work, slavery, race, and imperialism. In a story still familiar a century after Burtt's sojourn, Chocolate Islands reveals the idealism, naivety, and racism that shaped attitudes toward Africa, even among those who sought to improve the conditions of its workers.

It was the British victory at the Battle of El Alamein in November 1942 that inspired one of Winston Churchill's most famous aphorisms: 'This is not the end, it is not even the beginning of the end, but it is, perhaps, the end of the beginning'. And yet the significance of this episode remains unrecognised. In this thrilling historical account, Jonathan Dimbleby describes the political and strategic realities that lay behind the battle, charting the nail-biting months that led to the victory at El Alamein in November 1942. It is a story of high drama, played out both in the war capitals of London, Washington, Berlin, Rome and Moscow, and at the front in Egypt, Libya, Tunisia, Morrocco and Algeria and in the command posts and foxholes in the desert. Destiny in the Desert is about politicians and generals, diplomats, civil servants and soldiers. It is about forceful characters and the tensions and rivalries between them. Drawing on official records and the personal insights of those involved at every level, Dimbleby creates a vivid portrait of a struggle which for Churchill marked the turn of the tide - and which for the soldiers on the ground involved fighting and dying in a foreign land. Now available in paperback in time, Destiny in the Desert, which was shortlisted for the Hessell-Tiltman prize 2012-13, is required reading for anyone with an interest in the Desert War.

The media tends to portray Africa in a manner that grossly distorts reality. The picture they paint is intended to make people of African descent feel ashamed of their past and their identity. This is unacceptable and must change. It is therefore a moral imperative for all those who can make themselves heard, to speak out. These texts reflect the point of view of an African intellectual who has selected them for this volume because they were all born out of the desire to tell the truth as it is.

Applies new approaches to the study of a small, densely populated region of West Africa, integrating them into a regional history that analyzes interactions between localities and the modern state. Constructions of Belonging provides a history of local communities living in Southeastern Nigeria since the late nineteenth century, examining the processes that have defined, changed, and re-produced these communities. Harneit-Sievers explores both the meanings and the uses that the community members have given to their particular areas, while also looking at the processes that have shaped local communities, and have made them work and continue tobe relevant, in a world dominated by the modern territorial state and by worldwide flows of people, goods, and ideas. Axel Harneit-Sievers is a Research Fellow at the Center for Modern Oriental Studies, and Director ofthe Nigeria Office of the Heinrich Boell Foundation in Lagos.

Swaziland-recently renamed Eswatini-is the only nation-state in Africa with a functioning indigenous political system. Elsewhere on the continent, most departing colonial administrators were succeeded by Western-educated elites. In Swaziland, traditional Swazi leaders managed to establish an absolute monarchy instead, qualified by the author as benevolent and people-centred, a system which they have successfully defended from competing political forces since the 1970s. This book is the first to study the constitutional history of this monarchy. It examines its origins in the colonial era, the financial support it received from white settlers and apartheid South Africa, and the challenges it faced from political parties and the judiciary, before King Sobhuza II finally consolidated power in 1978 with an auto-coup d'etat. As Hlengiwe Dlamini shows, the history of constitution-making in Swaziland is rich, complex, and full of overlooked insight for historians of Africa.

This book provides a social interpretation of written South African translation history from the seventeenth century to the present, considering how trends involving various languages have reflected ideologies and unequal power relations and focusing attention on translation's often hidden social operation. Translation is investigated in relation to colonial mercantilism, scientific knowledge of extraction, Christian missionary conversion, Islamic education, various nationalisms, apartheid oppression and the anti-apartheid struggle, neoliberalism, exclusion and post-apartheid social transformation by employing Niklas Luhmann's social systems theory. This book will be an essential resource for scholars, graduate students, and general readers who are interested in or work on the history and practice of translation and its cultural agents in the South African context.

The Russian Revolution of 1917 was not just a world-historical event in its own right, but also struck powerful blows against racism and imperialism, and so inspired many black radicals internationally. This edited collection explores the implications of the creation of the Soviet Union and the Communist International for black and colonial liberation struggles across the African diaspora. It examines the critical intellectual influence of Marxism and Bolshevism on the current of revolutionary 'black internationalism' and analyses how 'Red October' was viewed within the contested articulations of different struggles against racism and colonialism. Challenging European-centred understandings of the Russian Revolution and the global left, The Red and the Black offers new insights on the relations between Communism, various lefts and anti-colonialisms across the Black Atlantic - including Garveyism and various other strands of Pan-Africanism. The volume makes a major and original intellectual contribution by making the relations between the Russian Revolution and the Black Atlantic central to debates on questions relating to racism, resistance and social change. -- .