This work explores the long-term evolutionary implications of the "Mobility Imperative:" the foundational nature of mobility for human beings and their societies. The author puts forward a parsimonious but comprehensive model based on Extended Evolutionary Synthesis (EES) rationales. The selected case studies range from the emergence and expansion of humans to cattle domestication and beyond.

An original, rigorously researched volume that questions long-accepted paradigms concerning land ownership and its use in Africa. Islam, Power, and Dependency in the Gambia River Basin draws on new sources to offer an original approach to the study of land in African history. Documenting the impact of Islamization, the development of peanut production, and the institution of colonial rule on people living along the middle and lower Gambia River, the book shows how these waves of changes sweeping the region after 1850 altered local political and social arrangements, with important implications for the ability of elites to control land. Author Assan Sarr argues for a nuanced understanding of land and its historic value in Africa. Moving beyond a recognition of the material value of land, Sarr'sanalysis highlights its cultural and social worth, pointing out the spiritual associations the land generated and the ways that certain people gained privileged access to those spiritual powers. By emphasizing that the land aroundthe Gambia River both inspired and gave form to a cosmology of ritual and belief, the book points to what might be considered an indigenous tradition of ecological preservation and protection. Assan Sarr is assistant professor of history at Ohio University.

The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work. The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather the winds of change in order to change themselves. Divided into six books, The Crock of Gold-no doubt inspired by the Irish oral tradition of storytelling-follows the Philosopher's quest to save the most beautiful woman in the world; his encounter with the gods who have captured her; his return home and arrest for murder (he has been framed by leprechauns incensed at the loss of their crock of gold); and finally, the Thin Woman's quest to find the fabled Three Infinites. James Stephens' The Crock of Gold is perhaps unparalleled in its ability to weave together ancient narrative techniques, mythological sources, and such dominant themes of its day as gender equality and humanity's quest for self-understanding beyond the traditional boundaries of faith and religion. It is also a darkly comic novel, full of ironic political commentary and suspiciously human conversations situated within the animal world. Most popular of Stephens' works, The Crock of Gold conceals in its humorous, irreverent outlook a deeply serious, ultimately reverent love for the human soul-unsurprising for an author whose life was marked with difficulty from the very beginning. With a beautifully designed cover and professionally typeset manuscript, this new edition of James Stephens' The Crock of Gold is a classic of Irish literature reimagined for modern readers.

This volume provides a multidimensional assessment of the diverse ends of the European colonial empires, addressing different geographies, taking into account diverse chronologies of decolonization, and evaluating the specificities of each imperial configuration under appreciation (Portuguese, Belgian, French, British, Dutch).

On April 12, 1980, a group of soldiers led by Master Sergeant Samuel K. Doe executed a bloody coup that put an end to the Americo-Liberian minority regime in Liberia, transforming Africa's first republic into a military dictatorship. In Liberia under Samuel Doe, 1980-1985: The Politics of Personal Rule, Yekutiel Gershoni examines the evolution and effects of Samuel K. Doe's reign in Liberia. Gershoni shows Doe's path to absolute power, corruption, and dictatorship and the economic crises and political turmoil that ensued, even after his murder in 1990. Liberia under Samuel Doe also examines the role of the United States as Liberia's closest ally, detailing how Doe managed to attract American diplomatic and military support due to U.S. interests in the Cold War. Through in-depth research, primary sources, and interviews with diplomats, politicians, and activists, Gershoni carefully details the timeline of Doe's rise to power and the lasting effects of his dictatorial legacy.

This study enriches understanding of East Africa's refugee situation by examining the conditions that gave rise to it and how the refugees themselves sought to reconstruct their lives. Focusing on the 1990s, Veney compares Kenya and Tanzania, two nations that did not generate many refugees, but become important hosts for the general region. Veney argues that the restrictive refugee policies that were adopted in Tanzania and Kenya were a direct product of liberalization and democratization, the result of two nations forced to clarify their refugee policies at a time of immense internal political and socioeconomic transformation.

The essays in this volume provide a comprehensive overview of Atlantic history from c.1450 to c.1850, offering a wide-ranging and authoritative account of the movement of people, plants, pathogens, products, and cultural practices-to mention some of the key agents-around and within the Atlantic basin. As a result of these movements, new peoples, economies, societies, polities, and cultures arose in the lands and islands touched by the Atlantic Ocean, while others were destroyed.

Limamou Laye, an Islamic leader from present-day Senegal, has proclaimed himself the reincarnation of Muhammad, with his son later proclaiming himself to be a reincarnation of Jesus Christ. Limamou Laye established a tariqa, or Sufi organization, based upon his claims and the miracles attributed to him. This study analyzes Limamou Laye's goals for his community, his theology; as well as the various elements --- both local and global - that created him and helped him to emerge as a religious leader of significance. This book also explores how the growth of Islamic communities in Senegambia stems from an evolving conflict between the traditional governments and the emerging Islamic communities. Douglas H. Thomas demonstrates that Sufism was the obvious vehicle for the growth of Islam among West Africans, striking a chord with indigenous cultures through an engagement with the spirit world which pre-Islamic Senegambian religions were primarily concerned with.

In A Tapestry of African Histories: With Longer Times and Wider Geopolitics, contributors demonstrate that African historians are neither comfortable nor content with studying continental or global geopolitical, social, and economic events across the superficial divide of time as if they were disparate or disconnected. Instead, the chapters within the volume reevaluate African history through a geopolitically transcendent lens that brings African countries into conversation with other pertinent histories both within and outside of the continent. The collection analyzes the pre- and post-colonial eras within African countries such as Kenya, Malawi, and Sudan, examining major historical figures and events, struggles for independence and stability, contemporary urban settlements, social and economic development, as well as constitutional, legal, and human rights issues that began in the colonial era and persist to this day.

The coral atoll of Diego Garcia (British Indian Ocean Territory) today is a pivotal US naval and air base for all Middle East operations (Afghanistan, Iraq, and potentially, Iran). This book, largely based on hitherto unpublished source material, describes the build-up of the base - starting with a secret US-UK bilateral deal in 1966; the deportation of the native island population in the 1970s; the clouded new role of Diego Garcia as a destination for Guantanamo-style 'renditions'; and the impacts of military construction on the environment of the island - which because of its average elevation of 4 ft above sea-level is at direct risk from climate change

Innovative and challenging study that provides fresh insights on the anthropology of death and postcolonial politics. In 1898, just before she was hanged for rebelling against colonial rule, Charwe Nyakasikana, spirit medium of the legendary ancestor Ambuya Nehanda, famously prophesised that "my bones will rise again". A century later bones, bodies and human remains have come to occupy an increasingly complex place in Zimbabwe's postcolonial milieu. From ancestral "bones" rising again in the struggle for independence, and later land, to resurfacing bones of unsettled wardead; and from the troubling decaying remains of post-independence gukurahundi massacres to the leaky, tortured bodies of recent election violence, human materials are intertwined in postcolonial politics in ways that go far beyond, yet necessarily implicate, contests over memory, commemoration and the representation of the past. In this book Joost Fontein examines the complexities of human remains in Zimbabwe's 'politics of the dead'. Challenging and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of 'traditional' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.

This book is a philosopher's view into the chaotic postcolony of Zimbabwe, delving into Robert Mugabe's Will to Power. The Will to Power refers to a spirited desire for power and overwhelming fear of powerlessness that Mugabe artfully concealed behind performances of invincibility. Nietzsche's philosophical concept of the Will to Power is interpreted and expanded in this book to explain how a tyrant is produced and enabled, and how he performs his tyranny. Achille Mbembe's novel concept of the African postcolony is mobilised to locate Zimbabwe under Mugabe as a domain of the madness of power. The book describes Mugabe's development from a vulnerable youth who was intoxicated with delusions of divine commission to a monstrous tyrant of the postcolony who mistook himself for a political messiah. This account exposes how post-political euphoria about independence from colonialism and the heroism of one leader can easily lead to the degeneration of leadership. However, this book is as much about bad leadership as it is about bad followership. Away from Eurocentric stereotypes where tyranny is isolated to African despots, this book shows how Mugabe is part of an extended family of tyrants of the world. He fought settler colonialism but failed to avoid being infected by it, and eventually became a native coloniser to his own people. The book concludes that Zimbabwe faces not only a simple struggle for democracy and human rights, but a Himalayan struggle for liberation from genocidal native colonialism that endures even after Robert Mugabe's dethronement and death.

This book provides the first comprehensive study of the 'special relationship' between Southern Rhodesia and South Africa. While most studies approach this from the history of British and South African relations or the history of South African territorial expansion, this book offers new insights by examining Southern Rhodesia's relations with South Africa from the former's perspective. Exploring relations through the lens of settler colonialism, the book argues that settler colonialism in the region was marked by a competitive and antagonistic relationship between settler communities, particularly Afrikaner and English communities. The book explores the connections between these countries by examining (high) politics, economic links, and social and cultural ties, highlighting both instances of competition and cooperation. Above all, it argues that economic ties were the cornerstone of the relationship and that these shaped the rest of the ties between the two countries. Drawing on archival records from Britain, South Africa and Zimbabwe, as well as a number of secondary sources, it offers a much more nuanced perspective of this relationship than has been previously offered.

Carl Peters (1856-1918) ranked among Germany's most prominent imperialists in the nineteenth century. He became known as the founder of Deutsch-Ostafrika, a region many Germans saw as the pearl of their overseas possessions, and his memory was revered in Nazi Germany. This biography reveals his role in Germany's colonial expansion.

Imperialism, Decolonization and Africa honours John Hargreaves and reflects his academic interests. Three studies concern imperial questions in Africa in the nineteenth century (the Krio and the British, the kingdom of Asante and the prelude to the partition of East Africa) and two more discuss international aspects of decolonization in the twentieth century in relation to the French in Africa and the British in the Middle East. There is also a note on John Hargreaves and a bibliography of his publications.

This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History. -- .

'One of the most exciting and provocative books that I've read in a long time' - Mike Davis, author of Planet of the Slums Can people who live in shantytowns, shacks and favelas teach us anything about democracy? About how to govern society in a way that is inclusive, participatory and addresses popular needs? This book argues that they can. In a study conducted in dozens of South Africa's shack settlements, where more than 9 million people live, Trevor Ngwane finds thriving shack dwellers' committees that govern local life, are responsive to popular needs and provide a voice for the community. These committees, called 'amakomiti' in the Zulu language, organise the provision of basic services such as water, sanitation, public works and crime prevention especially during settlement establishment. Amakomiti argues that, contrary to common perception, slum dwellers are in fact an essential part of the urban population, whose political agency must be recognised and respected. In a world searching for democratic alternatives that serve the many and not the few, it is to the shantytowns, rather than the seats of political power, that we should turn.

For thirty years Sudan has been a country in crisis, wracked by near-constant warfare between the north and the south. But on July 9, 2011, South Sudan became an independent nation. As Sudan once again finds itself the focus of international attention, former special envoy to Sudan and director of USAID Andrew Natsios provides a timely introduction to the country at this pivotal moment in its history. Focusing on the events of the last 25 years, Sudan, South Sudan, and Darfur: What Everyone Needs to Know(r) sheds light on the origins of the conflict between northern and southern Sudan and the complicated politics of this volatile nation. Natsios gives readers a first-hand view of Sudan's past as well as an honest appraisal of its future. In the wake of South Sudan's independence, Natsios explores the tensions that remain on both sides. Issues of citizenship, security, oil management, and wealth-sharing all remain unresolved. Human rights issues, particularly surrounding the ongoing violence in Darfur, likewise still clamor for solutions. Informative and accessible, this book introduces readers to the most central issues facing Sudan as it stands on the brink of historic change.
What Everyone Needs to Know(r) is a registered trademark of Oxford University Press

Written by two senior scholars, A History of Africa introduces students to the history of the world's second largest continent. While it is not possible to discuss every event that ever happened in African history, the book comprises an historical narrative emphasizing key trends and processes illustrated by detailed examples. It represents a chronological and empirical history based on scholarly research and reconstructions of Africa's past. As a continental history, it seeks to cover all regions of Africa including North Africa, a region often seen as culturally and historically distinct. Furthermore, the narrative summarizes changing views and academic debates concerning aspects of African history. Richly illustrated with numerous maps and photographs, A History of Africa is the most comprehensive story of the place all humans call home. A History of Africa is available in a combined print or eBook volume, or in split eBook volumes (Volume One: to 1880 and Volume Two: since 1870).

This second volume of research emanating from Drama for Life, University of the Witwatersrand, explores the transformative and healing qualities of the arts in South Africa, Botswana, Cameroon, Kenya, Rwanda, and Zimbabwe. Essays on arts for social change illuminate the difficulties of conflict-resolution (in war-scarred countries, tertiary institutions, and child-offender programmes) to promote broader understanding of diversity and difference. Further essays focus on arts and healing, in which music therapy diagnoses, repairs, sustains, and enhances collective health. Intervention theatre - in prisons, fieldwork, and the ethics and politics of storytelling - is examined as a basis for collaboration with children and youth. The musical theatre traditions of Botswana's San people are investigated, as well as the benefits of arts counselling with educators to alleviate psycho-social stress in classrooms. Important insights are provided into ways of applying the arts and raise questions of ethics, effectiveness, and apposite usage. Also treated is the role of aesthetics in the effectiveness of art, particularly in social contexts. Included are overviews of the ways in which the aesthetics of drama have changed over the past four decades and of the cohesive potential of the arts. How can arts practitioners engage in inter-cultural dialogue to facilitate healing? The energy and inventiveness of the playful mode engender new ways of contending with social issues, whereby the focus is on how theatre affects an audience and on how communication in applied theatre and drama can reach audiences more effectively. These essays provide an insight into the application of the arts for transformation across Africa. Through their juxtaposition in this volume they speak to the variety and purposes of arts approaches and offer fresh perspectives on and to the field.