Simon Norfolk's book Afghanistan; chronotopia is now recognised as a classic of photography. It establised Norfolk's reputation as one of the leading photographers in the world and has been exhibited in more than 30 venues worldwide. For the first time since 2001, Simon Norfolk has returned to the country. This time he follows in the footsteps of the Irish photographer John Burke, a superb, yet virtually unknown, war photographer whose eloquent and beautiful photographs of the Second Anglo-Afghan War (1878-1880) form a most extraordinary record. Using unwieldy wet-plate collodion negatives and huge wooden cameras Burke shot landscapes, battlefields, archaeological sites, street scenes, portraits of British officers and ethnological group portraits of Afghans in what amounts to a record of an Imperial encounter. The range of work is tremendously broad and yet suffused with a delicate humanism. These are also the first ever pictures made in Afghanistan. With this book, one hundred and thirty years too late, John Burke's time has at last come. Norfolk's new work looks at what happens when you add half a trillion US war dollars to an impoverished and broken country such as Afghanistan. Very loosely re-photographic in nature, the work is more of an 'Improvisation on a theme' by John Burke, and is presented as an artistic collaboration between Burke and Norfolk. It features photographs by Burke never before published as well as Norfolk's new pictures from Kabul and Helmand.

Two years before the action in Lone Survivor, a Green Berets A Team conducted a very different, successful mission in Afghanistan's notorious Pech Valley. Led by Captain Ronald Fry, the Hammerhead Six mission applied the principles of unconventional warfare to "win hearts and minds" and fight against the terrorist insurgency. In 2003, the Special Forces soldiers entered an area later called "the most dangerous place in Afghanistan." Here, where the line between civilians and armed zealots was indistinct, they illustrated the Afghan proverb: "I destroy my enemy by making him my friend." Fry recounts how they were seen as welcome guests rather than invaders. Soon after their deployment ended, the Pech Valley reverted to turmoil. Their success was never replicated. Hammerhead Six finally reveals how cultural respect, hard work (and the occasional machine-gun burst) were more than a match for the Taliban and Al Qaeda.

Nine men. 2,000 enemies. No back-up. No air support. No rescue. No chance... First in - the official motto of one of the British Army's smallest and most secretive units, 16 Air Assault Brigade's Pathfinder Platoon. Unofficially, they are the bastard son of the SAS. And, like their counterparts in Hereford, the job of the Pathfinders is to operate unseen and undetected deep behind enemy lines. When British forces were deployed to Iraq in 2003, Captain David Blakeley was given command of a reconnaissance mission of such critical importance that it could change the course of the war. It's the story of nine men, operating alone and unsupported, 50 miles ahead of a US Recon Marine advance and heading straight into a hornets' nest, teeming with thousands of heavily armed enemy forces. This is the first account of that extraordinary mission - abandoned by coalition command, left with no option but to fight their way out of the enemy's backyard. And it provides a gripping insight into the Pathfinders themselves, a shadowy unit, just 45 men strong, that plies its trade from the skies. Trained to parachute into enemy territory far beyond the forward edge of battle - freefalling from high altitude breathing bottled oxygen and employing the latest skydiving technology - the PF are unique. Because of new rules introduced since the publication of BRAVO TWO ZERO, there have been no first-hand accounts of British Special Forces waging modern-day warfare for nearly a decade. And no member of the Pathfinders has ever told their story before. Until now. PATHFINDER is the only first-hand account of a UKSF mission to emerge for nearly a generation. And it could be the last.

The inside story of today's Dambusters, 617 Squadron RAF, at war in Afghanistan. In May 1943, 617 Squadron RAF executed one of the most daring operations in military history as bombers mounted a raid against hydro-electric dams in Germany. 617 Squadron became a Second World War legend. Nearly 70 years later, in April 2011, a new generation of elite flyers, now flying supersonic Tornado GR4 bombers, was deployed to Afghanistan - their mission: to provide close air support to troops on the ground. Tim Bouquet was given unprecedented access to 617's pre-deployment training and blistering tour in Afghanistan. From dramatic air strikes to the life-and-death search for IEDs and low-flying shows of force designed to drive insurgents from civilian cover, he tracked every mission - and the skill, resilience, banter and exceptional airmanship that saw 617 through.

'My fingers close around the trigger. I pause for a split second to think about the bullets I am about to spray across the ground. After today, I'll no longer be the new girl.' Captain Charlotte Madison is blonde, beautiful and flies Apache helicopters for a living. She has completed two tours of duty in Afghanistan and is currently fighting on the frontline in her third. DRESSED TO KILL shows us what life is like for a girl in a resolutely male-dominated environment. But she isn't just a woman in a man's world, she's a woman women aspire to be - glamorous as well as brave, and beating the men at their own game. Only a tiny percentage of people can multi-task to the extreme level the aircraft demands, and most airmen who try to qualify as an Apache pilot fail. Full of the exciting, adrenaline-filled action that has made other military memoirs so successful, DRESSED TO KILL is also unique. A highly intelligent and brilliant young woman, Charlotte is Britain's first female Apache pilot, and the first British female pilot to kill in an Apache. We have, quite simply, never seen the landscape of 21st-century frontline conflict from a perspective like hers. DRESSED TO KILL will appeal to anyone interested in current affairs, but it will also speak to a whole generation of young women who will relate to 27-year-old Charlotte in a way they never imagined possible.

The Horse Soldiers is the true, dramatic account of a small band of Special Forces soldiers who entered Afghanistan immediately following September 11, 2001 and, riding to war on horses, defeated the Taliban. Heavily outnumbered, they nonetheless succeed in capturing the strategic Afghan city of Mazar-e Sharif, where they are welcomed as liberators as they ride on horseback into the city, the streets thronged with Afghans overjoyed that the Taliban have been kicked out. The soldiers rest easy, as they feel they have accomplished their mission. Then the action takes a wholly unexpected turn. During a surrender of Taliban troops, the Horse Soldiers are ambushed by the would-be P.O.W.s and, still dangerously outnumbered, they must fight for their lives in the city's ancient fortress known as Qala-I Janghi, or the House of War...

Following the success of his #1 New York Times bestseller Make Your Bed, which has sold over one million copies, Admiral William H. McRaven is back with amazing stories of bravery and heroism during his career as a Navy SEAL and commander of America's Special Operations Forces. Admiral William H. McRaven is a part of American military history, having been involved in some of the most famous missions in recent memory, including the capture of Saddam Hussein, the rescue of Captain Richard Phillips, and the raid to kill Osama bin Laden.Sea Stories begins in 1963 at a French Officers' Club in France, where Allied officers and their wives gathered to have drinks and tell stories about their adventures during World War II-the place where a young Bill McRaven learned the value of a good story. Sea Stories is an unforgettable look back on one man's incredible life, from childhood days sneaking into high-security military sites to a day job of hunting terrorists and rescuing hostages.Action-packed, humorous, and full of valuable life lessons like those exemplified in McRaven's bestselling Make Your Bed, Sea Stories is a remarkable memoir from one of America's most accomplished leaders.

Colonel Stuart Tootal is the first senior commander to provide an account of the fighting in Afghanistan. A gritty portrayal of unforgiving conflict, Danger Close captures the essence of combat, the risks involved and the aftermath. 3 PARA was the first unit into Helmand in 2006. Sent on a peace mission, it became engaged in a level of combat that has not been experienced by the British Army since the end of the Korean War. Undermanned and suffering from equipment shortages, 3 PARA fought doggedly to win the break in battle. Numerous gallantry decorations were awarded, but they were not without cost. On returning from Afghanistan, Tootal fought to get proper treatment for his wounded and feeling frustrated with the Government's treatment of its soldiers, he resigned from the Army. This is a dramatic, and often moving insight into the leadership of soldiers and the sharp end of war.

Deborah L. Jaramillo investigates cable news' presentation of the Iraq War in relation to "high concept" filmmaking. High concept films can be reduced to single-sentence summaries and feature pre-sold elements; they were considered financially safe projects that would sustain consumer interest beyond their initial theatrical run. Using high concept as a framework for the analysis of the 2003 coverage of the Iraq War paying close attention to how Fox News and CNN packaged and promoted the U.S. invasion of Iraq Ugly War, Pretty Package offers a new paradigm for understanding how television news reporting shapes our perceptions of events."

This is a study of the Korean War of 1950-1953 from the inside--the nuts and bolts of armed conflict. The perspective is American, with the principal focus on the relationships of the people involved: Koreans versus Koreans, Americans and Koreans, Americans and Chinese, and the U.S. and its allies. The lives of ordinary soldiers are examined--U.S. forces, with attention paid to the other side as well. A major development in American ranks was the effective elimination of racial segregation. At home, there were surveys of Americans' opinions about the war. The book examines such important aspects of military operations as supplies, equipment and weapons, tactics and strategy, intelligence, and psychological warfare. Also studied is the vexing matter of prisoners of war--on both sides. Finally, there is an effort to fit Korea into the generalities of American military experience in Asia, from the war with Japan to Vietnam.

Bringing together both contemporary and historical just war concepts, Peter Lee shows that Blair's illusion of morality evaporated quickly and irretrievably after the 2003 Iraqinvasion because the ideas Blair relied upon were taken out of their historical context and applied in a global political system where they no longer hold sway.

NEW PAPERBACK EDITION ' Salmon' s vivid use of recollections and dramatic quotes brings alive an unjustly forgotten conflict' Time Out With even World War II now just on the edges of living memory, and with British forces now engaged in a lengthy, brutal and attritional old-fashioned war in Afghanistan, historical attention is starting to turn to the Korean War of the early 1950s. And remarkably, the most notorious and celebrated battle in that conflict, from a British point of view, has never previously been written about at length. Andrew Salmon' s book, which has garnered excellent reviews and sold out two hardback printings already, has filled that gap. This is the story of the Battle of the Imjin River, when the British 29th Infantry Brigade, and above all the " Glorious Glosters" of the Gloster Regiment, fought an epic last stand against the largest communist offensive of the war. It lasted three days, of bitter hand-to-hand combat. By the end of it one battalion of the Glosters - some 750 men - had been reduced to just 50 survivors. Andrew Salmon' s definitive history, which gained excellent reviews in hardback and sold very steadily, is very much in the Antony Beevor mould: accessible, pacy, narrative, and painting a moving and exciting picture through the extensive use of eyewitness accounts of veterans, of whom he has tracked down and interviewed dozens. Andrew Salmon is a Seoul-based journalist who writes for The Times, The Washington Times, and Forbes magazine. He first became fascinated by the battle in 2001 when he met British veterans returning to the Imjin River to mark the 50th anniversary.

It was supposed to be quick and easy. The Bush Administration even promised that it wouldn't cost American taxpayers a thing - Iraqi oil revenues would pay for it all. But billions and billions of dollars and thousands of lives later, the Iraqi reconstruction is an undeniable failure. Iraq pumps out less oil now than it did under Saddam. At best, Iraqis average all of twelve hours a day of electricity. American soldiers lack body armour and adequate protection for their motor vehicles. Increasingly worse off, Iraqis turn against us. Increasingly worse off, our troops are killed by a strengthening insurgency. As T. Christian Miller reveals in this searing and timely book, the Bush Administration has fatally undermined the war effort and our soldiers by handing out mountains of cash not to the best companies for the reconstruction effort, but to buddies, cronies, relatives and political hacks - some of whom have simply taken the money and run with it.

In Gulf War Reparations and the UN Compensation Commission: Environmental Liability, experts who held leadership positions and worked directly with the UNCC draw on their experience with the institution and provide a comprehensive view of the United Nations Compensation Comission and its work in the aftermath of the Gulf War.
In this volume, the first of two on the UNCC's work, the authors explain that the United Nations Security Council established the ad hoc compensation commission to address reparations as a component of the ceasefire following Iraq's 1990-91 invasion and occupation of Kuwait. The authors also describe how the work of the United Nations Compensation Commission addressed important questions of state responsibility, environmental liability, mass claims processing, international law, and dispute settlement institutions in the post-armed conflict context. Readers will also learn that the scope and the scale of the UNCC was extraordinary, since almost 2.7 million claims from 80-plus countries were submitted to the Commission (which awarded in excess of $55 billion and has paid out more than half of that total), and that this led to the development of innovative procedural, institutional and managerial approaches in handling mass, environmental, and corporate claims at a scale that is unparalleled. Additionally, the books note that the Commission also contributed to the evolution of international jurisprudence in these areas.

Within the pages of this book you will see how cement structures, intended for barriers, are transformed into pictorial walls that identify military units and honor service members who gave their lives for freedom in the Gulf War. They provide an esprit de corps for their unit members who are forward deployed from their home base, post, or camp. The unit colors and insignias displayed on these walls become the thoughts and memories of the men and women who have fought, and for those who have died for freedom. Memorial walls proclaim in silence the ultimate sacrifice of service. This artwork represents Coalition Soldiers, Sailors, Airmen, Marines, Coast Guard, and D.O.D. Civilians who answered the call of freedom and deployed far from home and family. When these walls decay and are turned to rubble, this book will become a lasting legacy to those who have served in Kuwait and Iraq.

In the run-up to, during and after the invasion of Iraq a large number of literary texts addressing that context were produced, circulated and viewed as taking a position for or against the invasion, or contributing political insights. This book provides an in-depth survey of such texts to examine what they reveal about the condition of literature.

This collection of essays, inspired by the author s experience teaching ethics to Marine and Navy chaplains during the Iraq War, examines the moral and psychological dilemmas posed by war. The first section deals directly with Dr. Peter A. French s teaching experience and the specific challenges posed by teaching applied and theoretical ethics to men and women wrestling with the immediate and personal moral conflicts occasioned by the dissonance of their duties as military officers with their religious convictions. The following chapters grew out of philosophical discussions with these chaplains regarding specific ethical issues surrounding the Iraq War, including the nature of moral evil, forgiveness, mercy, retributive punishment, honor, torture, responsibility, and just war theory. This book represents a unique viewpoint on the philosophical problems of war, illuminating the devastating toll combat experiences take on both an individual s sense of identity and a society s professed moral code.

The war story that needs to be told: a Washington Post reporter follows five courageous National Guard soldiers as they deploy to Iraq, survive combat, and come home to pick up the pieces The Iraq War radically transformed the typical "one weekend a month, two weeks a year" commitment of many National Guard soldiers around the country into lengthy, grueling tours of duty in Iraq. Little has been written about the tens of thousands of guardsmen and women sent to Iraq and the unique challenges these citizen-soldiers have faced in serving their country--and then coming home to the civilian world. Washington Post reporter Christian Davenport was embedded with the Virginia National Guard's 2-224th Aviation Regiment and witnessed the hardship and heroism of its members firsthand, from their sudden call-up, through their return from overseas, to new battles faced on the home front as they struggle to rebuild their lives after the war. He tells the story of five of these remarkable soldiers--a teacher, a 50-something Vietnam vet, a sorority-girl-turned-door-gunner, a born leader, and a young woman unable to find her place in the world. By continuing to follow these soldiers, and their families, for more than a year after their tour, Davenport chronicles the difficulties they face returning home: lost jobs, financial woes, and the inability to relate to a society that has never been so divorced from the war its country was fighting. Depicting these soldiers as heroes, not victims, As You Were reveals a hidden dimension of the war, and provides an intimate look at the patriotism and courage that inspire those who have fought in it--and the rest of us as well. Christian Davenport (Washington, DC) is a reporter for the Washington Post. He was embedded with the Virginia National Guard's 2-224th Regiment, and his work covering the military helped uncover some of the iconic photographs of the Abu Ghraib prison scandal.

Hailed as a classic of war writing in the U.K., "The Junior Officers' Reading Club" is a revelatory first-hand account of a young enlistee's profound coming of age. Attempting to stave off the tedium and pressures of army life in the Iraqi desert by losing themselves in the dusty paperbacks on the transit-camp bookshelves, Hennessey and a handful of his pals from military academy form the Junior Officers' Reading Club. By the time he reaches Afghanistan and the rest of the club are scattered across the Middle East, they are no longer cheerfully overconfident young recruits, hungering for action and glory. Hennessey captures how boys grow into men amid the frenetic, sometimes exhilarating violence, frequent boredom, and almost overwhelming responsibilities that frame a soldier's experience and the way we fight today.
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No foreign policy decision in recent history has had greater repercussions than President George W. Bush's decision to invade and occupy Iraq. It launched a new doctrine of preemptive war, mired the American military in an intractable armed conflict, disrupted world petroleum supplies, cost the United States hundreds of billions of dollars, and damaged or ended the lives of hundreds of thousands of Americans and Iraqis. Its impact on international politics and America's standing in the world remains incalculable.
The Iraq Papers offers a compelling documentary narrative and interpretation of this momentous conflict. With keen editing and incisive commentary, the book weaves together original documents that range from presidential addresses to redacted memos, carrying us from the ideology behind the invasion to negotiations for withdrawal. These papers trace the rise of the neoconservatives and reveal the role of strategic thinking about oil supplies. In moving to the planning for the war itself, the authors not only provide Congressional resolutions and speeches by President Bush, but internal security papers, Pentagon planning documents, the report of the Future of Iraq Project, and eloquent opposition statements by Senator Robert Byrd, other world governments, the Non-Aligned Movement, and the World Council of Churches. This collection addresses every aspect of the conflict, from the military's evolving counterinsurgency strategy to declarations by Iraqi resisters and political figures-from Coalition Provisional Authority orders to Donald Rumsfeld's dismissal of the insurgents as "dead-enders" and Iraqi discussions of state- and nationbuilding under the shadow of occupation. The economics of petroleum, the legal and ethical questions surrounding terrorism and torture, international agreements, the theory of the "unitary presidency," and the Bush administration's use of presidential signing statements all receive in-depth coverage.
The Iraq War has reshaped the domestic and international landscape. The Iraq Papers offers the authoritative one-volume source for understanding the conflict and its many repercussions.

After graduating from Princeton, Donovan Campbell joined the service, realising that becoming a Marine officer would allow him to give back to his country, engage in the world, and learn to lead. In this immediate, thrilling, and inspiring memoir, Campbell recounts a timeless and transcendent tale of brotherhood, courage, and sacrifice. As commander of a forty-man infantry platoon called"Joker One", Campbell had just months to train and transform a ragtag group of brand-new Marines into a first-rate cohesive fighting unit, men who would become his family: Sergeant Leza, the house intellectual who read Che Guevara; Sergeant Mariano Noriel, the "Filipino ball of fire" who would become Campbell's closest confidant and friend; Lance Corporal William Feldmeir, a narcoleptic who fell asleep during battle; and a lieutenant known simply as "the Ox," whose stubborn aggressiveness would be more curse than blessing. Campbell and his men were assigned to Ramadi, that capital of the Sunni-dominated Anbar province that was an explosion just waiting to happen. And when it did happen-with the chilling cries of"Jihad, Jihad, Jihad!" echoing from minaret to minaret-Campbell and company were there to protect the innocent, battle the insurgents, and pick up the pieces. After seven months of day-to-day, house-to-house combat, nearly half of Campbell's platoon had been wounded, a casualty rate that went beyond that of any Marine or Army unit since Vietnam. Yet unlike Fallujah, Ramadi never fell to the enemy. Told by the man who led the unit of hard-pressed Marines, Joker One is a gripping tale of a leadership, loyalty, faith, and camaraderie throughout the best and worst of times.

When thirty-three-year-old Mohammed Odeh al-Rehaief made the decision to risk his life and his family to save Private First Class Jessica Lynch -- an American soldier he did not know -- it was more than the everyday reckoning with death that permeates wartime. It was the culmination of a life spent at odds with the repressive regime that held his country.

Mohammed's story is a coming of age tale in a society where violence and betrayal were everyday events, where one in five adult males worked for the state's security apparatus, where a president-for-life demanded absolute loyalty and adulation. Yet even as he navigates a culture tarnished by brutality and corruption, Mohammed reveals unexpected sides of Iraq -- scenes of surprising tenderness and stubborn generosity -- and emerges as an unlikely hero whose values transcend ideology: honor, compassion, and an unshakable belief in the sanctity of human life.