A groundbreaking look at how the interrogation rooms of the Korean War set the stage for a new kind of battle-not over land but over human subjects Traditional histories of the Korean War have long focused on violations of the thirty-eighth parallel, the line drawn by American and Soviet officials in 1945 dividing the Korean peninsula. But The Interrogation Rooms of the Korean War presents an entirely new narrative, shifting the perspective from the boundaries of the battlefield to inside the interrogation room. Upending conventional notions of what we think of as geographies of military conflict, Monica Kim demonstrates how the Korean War evolved from a fight over territory to one over human interiority and the individual human subject, forging the template for the US wars of intervention that would predominate during the latter half of the twentieth century and beyond. Kim looks at how, during the armistice negotiations, the United States and their allies proposed a new kind of interrogation room: one in which POWs could exercise their "free will" and choose which country they would go to after the ceasefire. The global controversy that erupted exposed how interrogation rooms had become a flashpoint for the struggles between the ambitions of empire and the demands for decolonization, as the aim of interrogation was to produce subjects who attested to a nation's right to govern. The complex web of interrogators and prisoners-Japanese-American interrogators, Indian military personnel, Korean POWs and interrogators, and American POWs-that Kim uncovers contradicts the simple story in US popular memory of "brainwashing" during the Korean War. Bringing together a vast range of sources that track two generations of people moving between three continents, The Interrogation Rooms of the Korean War delves into an essential yet overlooked aspect of modern warfare in the twentieth century.

In early 2002 Sam Faddis was named to head a CIA team that would enter Iraq, prepare the battlefield and facilitate the entry of follow-on conventional military forces numbering in excess of 40,000 American soldiers. This force, built around the 4th Infantry Division would, in partnership with Kurdish forces and with the assistance of Turkey, engage Saddam's army in the north as part of a coming invasion. Faddis expected to be on the ground inside Iraq within weeks and that the entire campaign would likely be over by summer. Over the next year virtually every aspect of that plan for the conduct of the war in Northern Iraq fell apart. The 4th Infantry Division never arrived nor did any other conventional forces in substantial number. The Turks not only did not provide support, they worked overtime to prevent the U.S. from achieving success. An Arab army that was to assist U.S. forces fell apart before it ever made it to the field. Alone, hopelessly outnumbered, short on supplies and threatened by Iraqi assassination teams and Islamic extremists Faddis' team, working with Kurdish peshmerga, nonetheless paved the way for a brilliant and largely bloodless victory in the north and the fall of Saddam's Iraq. That victory, handed over to Washington and the Department of Defense on a silver platter, was then squandered. The surrender of Iraqi forces in the north was spurned. All existing governmental institutions were, in the name of de-Baathification, dismantled. All input from Faddis' team, which had been in country for almost a full year, was ignored. The consequences of these actions were and continue to be catastrophic. This is the story of an incredibly brave and effective team of men and women who overcame massive odds and helped end the nightmare of Saddam's rule in Iraq. It is also the story of how incompetence, bureaucracy and ignorance threw that success away and condemned Iraq and the surrounding region to chaos.

When the 2nd Battalion of the 3rd Marine Regiment (known as "2/3") arrived in Iraq five years to the day after 9/11, they were sent to a little-known swath of sparsely-populated desert called the Haditha Triad in Anbar province. It was the center of the most intense terrorist activity in Iraq-and it was being carried out by the well-organised and fearsome Al-Qaeda in Iraq (AQI). Into this cauldron 2/3 was thrown and given a nearly impossible double-sided mission: eradicate the enemy and build trust with the local population. After six months of gruelling and exhausting battle-and the loss of twenty-four brave, dedicated fighters-the warriors of 2/3 had utterly crushed the enemy and brought stability and hope to the region. In vivid, you-are-there style, The Warriors of Anbar takes readers onto the front lines of one of the most incredible stories to come out of America's war in Iraq- the story of how one Marine battalion decisively wielded the final, enduring death strike to Al-Qaeda in Iraq. Despite its historical importance, the full story of 2/3 in Iraq has remained untold-until now.

A Few Bad Men is the incredible true story of an elite team of U.S. Marines set up to take the fall for Afghanistan war crimes they did not commit-and their leader who fought for the redemption of his men. Ambushed in Afghanistan and betrayed by their own leaders-these elite Marines fought for their lives again, back home. A cross between A Few Good Men and American Sniper, this is the true story of an elite Marine special operations unit bombed by an IED and shot at during an Afghanistan ambush. The Marine Commandos were falsely accused of gunning down innocent Afghan civilians following the ambush. The unit's leader, Maj. Fred Galvin, was summarily relieved of duty and his unit was booted from the combat zone. They were condemned by everyone, from the Afghan president to American generals. When Fox Company returned to America, Galvin and his captain were the targets of the first Court of Inquiry in the Marines in fifty years. "Fred Galvin is the real deal. His dramatic retelling of his experience as commander of Fox Company reads like a thriller, full of twists and turns, filled with unassuming heroes and deceitful villains." - Rob Lorenz, Producer/Director, American Sniper, Flags of Our Fathers, Letters from Iwo Jima, Mystic River, The Marksman "Fred Galvin has written a real 'page turner' that demonstrates how politics permeates The Pentagon and posts abroad...I highly recommend this book." - J.D. Hayworth, U.S. House of Representatives (Arizona), TV/Radio Host "This book is a must-read for every American who wants to know why, after twenty long years in Afghanistan, we did not win." - Jessie Jane Duff, USMC, Analyst, CNN and FOX "A Few Bad Men is a must-read story of valor, betrayal, and keeping the Marines' honor clean." - Jed Babbin, USAF Judge Advocate, Deputy Under Secretary of Defense, Journalist, National Review, Washington Post "An incredible account and history of the fighting spirit of the 'Marine Raiders' under fire and the relentless fourteen-year campaign by their leader to clear their names." - Maj. Gen. Paul Vallely, U.S. Army (Ret.), Deputy Commander, U.S. Pacific Command

Disillusioned by movies and naive, the author is determined to enter into the military early and become a war hero."

The Iraq War is a visual record of the American-led Operation Iraqi Freedom of 2003, which resulted in the dramatic overthrow of dictator Saddam Hussein. In a striking sequence of photographs Anthony Tucker-Jones shows how this was achieved by the American and British armed forces in a lightning campaign of just two weeks. But the photographs also show the disastrous aftermath when the swift victory was undermined by the outbreak of the Iraqi insurgency - in the Shia south, in Baghdad and the Sunni Triangle, and in Fallujah where two ferocious battles were fought. The author, who is an expert on the Iraqi armed forces and has written extensively on the Iran-Iraq War and the Gulf War, gives a fascinating insight into the Iraqi army and air force and into the multitude of weapons systems Saddam purchased from around the world. He also looks at the failures on the American and British side - the flaws in the tactics that were used, the poor performance of some of the armoured fighting vehicles - and at the reformed Iraqi armed forces who have now taken responsibility for security in the country. The Iraq War is a vivid photographic introduction to a conflict that has only just passed into history.

Modern warfare is almost always multilateral to one degree or another, requiring countries to cooperate as allies or coalition partners. Yet as the war in Afghanistan has made abundantly clear, multilateral cooperation is neither straightforward nor guaranteed. Countries differ significantly in what they are willing to do and how and where they are willing to do it. Some refuse to participate in dangerous or offensive missions. Others change tactical objectives with each new commander. Some countries defer to their commanders while others hold them to strict account. NATO in Afghanistan explores how government structures and party politics in NATO countries shape how battles are waged in the field. Drawing on more than 250 interviews with senior officials from around the world, David Auerswald and Stephen Saideman find that domestic constraints in presidential and single-party parliamentary systems--in countries such as the United States and Britain respectively--differ from those in countries with coalition governments, such as Germany and the Netherlands. As a result, different countries craft different guidelines for their forces overseas, most notably in the form of military caveats, the often-controversial limits placed on deployed troops. Providing critical insights into the realities of alliance and coalition warfare, NATO in Afghanistan also looks at non-NATO partners such as Australia, and assesses NATO's performance in the 2011 Libyan campaign to show how these domestic political dynamics are by no means unique to Afghanistan.

In the summer of 2010, a unit of Danish soldiers known as ISAF-10 deployed to Afghanistan under British command. In Helmand Province, they tried to secure a fragile peace while dealing with the challenges of training an often apparently indifferent Afghan police and army, ensuring a functioning collaboration with the British despite insufficient military intelligence and divergent military cultures, and fell under frequent attack by an increasingly sophisticated and deadly Taliban. In this remarkable book, Kjeld Hald Galster tells their story. He also looks at the wider picture, examining coalitions ranging from Ancient Greece to the Cold War. Exploring the millennia-long history of coalition warfare, he looks at what makes them work, the lessons they teach us, and how they reflect - and predict - the rise and downfall of the coalitions of the willing in Afghanistan and Iraq, and those yet to come.

Women presented the first effective challenge to the Islamic regime and the clerical authority in post-revolutionary Iran. Women's activism in support of their legal rights and personal freedom, however, did not develop into a strong movement against the rising fundamentalism. The Iranian socialists did not support women's autonomous organizations. The convergence of the Left's populism with Islamic populism, and the influence of the Iranian/Shiite political culture that promotes male authority and female submission, could not reconcile with women's claims to individual rights, choice, and personal freedom and their struggle for autonomy and self-determination in private or public life.

WT Naud's book is a humorous heart-felt M*A*S*H type account of the unconventional lives of CODEBREAKERS fighting the Korean War from the back lines in OJI-JAPAN. Using his NEW YORK STREET SMARTS, Naud managed to serve his country with the help of the SON OF A MAFIA DON, seventeen EX-KAMIKAZE WAITERS, Tokyo's infamous BLACK MARKET SAM, twenty stunning MISS TOKYO CONTESTANTS, rigged BINGO GAMES, a bag full of GOLF CLUBS and a breathtaking JAPANESE GIRL with COBALT-BLUE EYES. Underlying the M*A*S*H type antics that kept him from getting shipped to the FRONT LINES, is a compassionate story of the devastation the JAPANESE PEOPLE experienced during WWII and five years later we find a country still pockmarked with physical and emotional scars. "Though I was more akin to BUGS BUNNY than JAMES BOND, I had somehow managed to end up in the ASA, the ARMY SECURITY AGENCY, an organization so SECRET it denied it's own existence. "At OJI, the most SENSITIVE ASA BASE in the FAR-EAST, COMMUNIST SPY-GIRLS were luring GI'S into TRYSTS to get TOP-SECRET DECODED information about MACARTHUR'S WAR PLANS. I was CHARGED with STOPPING them. CODEBREAKERS were turning up DEAD... A beautiful ORIENTAL COMMUNIST RECRUITER wanted to seduce me.... My FIRST SERGEANT wanted to kill me... The JAPANESE BLACK MARKETEERS wanted me to stop screwing up their business... My best friend, the SON OF A MAFIA DON, kept trying to SHOOT himself so he wouldn't get SHOT fighting on the front lines..... All I wanted to do was PLAY GOLF and stay out of the TRENCHES in KOREA... AND IT'S ALL TRUE " "Treat yourself to a large dose of Entertainment, Humor and Human Drama. WT Naud's book is better than M*A*S*H because it all really happened I've known every character in the book." Peter Marshall/ MC Hollywood Squares "Oji is the culmination of a writing career in a styleof wit and wisdom that's well worth reading." Joel D. Swanson/ Writer for Network Series including the Dick Van Dyck Show and Mayberry Rfd.

After World War II, the escalating tensions of the Cold War shaped the international system. Fearing the Worst explains how the Korean War fundamentally changed postwar competition between the United States and the Soviet Union into a militarized confrontation that would last decades. Samuel F. Wells Jr. examines how military and political events interacted to escalate the conflict. Decisions made by the Truman administration in the first six months of the Korean War drove both superpowers to intensify their defense buildup. American leaders feared the worst-case scenario-that Stalin was prepared to start World War III-and raced to build up strategic arms, resulting in a struggle they did not seek out or intend. Their decisions stemmed from incomplete interpretations of Soviet and Chinese goals, especially the belief that China was a Kremlin puppet. Yet Stalin, Mao, and Kim Il-sung all had their own agendas, about which the United States lacked reliable intelligence. Drawing on newly available documents and memoirs-including previously restricted archives in Russia, China, and North Korea-Wells analyzes the key decision points that changed the course of the war. He also provides vivid profiles of the central actors as well as important but lesser known figures. Bringing together studies of military policy and diplomacy with the roles of technology, intelligence, and domestic politics in each of the principal nations, Fearing the Worst offers a new account of the Korean War and its lasting legacy.

'Combines elements of In Cold Blood and Black Hawk Down with Apocalypse Now as it builds towards its terrible climax...Extraordinary' New York Times Iraq's 'Triangle of Death', 2005. A platoon of young soldiers from a U.S. regiment known as 'the Black Heart Brigade' is deployed to a lawless and hyperviolent area just south of Baghdad. Almost immediately, the attacks begin: every day another roadside bomb, another colleague blown to pieces. As the daily violence chips away, and chips away at their sanity, the thirty-five young men of 1st Platoon, Bravo Company descend into a tailspin of poor discipline, substance abuse, and brutality -- with tragic results. Black Hearts is a timeless true story of how modern warfare can make or break a man's character. Told with severe compassion, balanced judgement and the magnetic pace of a thriller, it looks set to become one of the defining books about the Iraq War. 'Black Hearts is the obverse of Band of Brothers, a story not of combat unity but of disharmony and disarray' Chicago Sun-Times 'A riveting picture of life outside the wire in Iraq, where "you tell a guy to go across a bridge, and within five minutes he's dead."' Kirkus Reviews (starred)

Dr. Williams identifies the roots of organized crime in post-Ba'athist Iraq in an authoritarian and corrupt state dominated by Saddam Hussein and subject to international sanctions. He also explains the rise of organized crime after the U.S. invasion in terms of two distinct waves: the first wave followed the collapse of the state and was accompanied by the breakdown of social control mechanisms and the development of anomie; the second wave was driven by anarchy, insecurity, political ambition, and the imperatives of resource generation for militias, insurgents, and other groups. This monograph looks in detail at major criminal activities, including the theft, diversion, and smuggling of oil, the kidnapping of both Iraqis and foreigners, extortion, car theft, and the theft and smuggling of antiquities. The author also considers the critical role played by corruption in facilitating and strengthening organized crime. He shows how al-Qaeda in Iraq, Jaish-al-Mahdi, and the Sunni tribes used criminal activities to fund their campaigns of political violence. Dr. Williams also identifies necessary responses to organized crime and corruption in Iraq, including efforts to reduce criminal opportunities, change incentive structures, and more directly target criminal organizations and activities.

"A visceral account of the war . . . honest, agenda-free, and chilling." -"New York"" Times Book Review"
The Iraq war officially began on March 20, 2003, and since then more than one million young Americans have rotated through the country's insurgent-infested hot spots. But although stories of dramatic ambushes and attacks dominate the front pages of newspapers, most of us do not truly know what the war is like for the Americans who fight it.
"What Was Asked of Us" helps us bridge that gap. The in-depth and intensely probing interviews this book brings together document the soldiers' experiences and darkest secrets, offering a multitude of authentic, unfiltered voices - at times raw and emotional, at other times eloquent and lyrical. These voices walk us through the war, from the successful push to Baghdad, through the erroneous "Mission Accomplished" moment, and into the dangerous, murky present.
"Monumental. . . . Amid the glut of policy debates, and amid the flurry of news reports that add names each day to the lists of the dead, Trish Wood has produced what is perhaps, to date, the only text about Iraq that matter."- San Francisco Chronicle
"An illuminating glimpse of American fighters' experiences in Iraq. . . . There are moments of strange beauty in the soldiers' recollections." -"Chicago"" Tribune"
"Stunning . . . chillingly eloquent. . . . Powerful and unflinchingly honest, Wood's book deserves to be a bestseller." -"People"

Tales of Two Cities is an engrossing, cross-cultural memoir of revolution and exile. It is the story of a fifteen year-old Persian boy sent for his eduction from an old-world, pre-oil boom Tehran, to the new-world, avant-garde San Francisco of the 1960s. Abbas Milani richly chronicles his education, politicization, return to Iran, disillusionment and eventual exile. Interwoven with the brisk narrative is a loving account of the traditional Iran of the author's childhood; a searing memoir of a lost generation of Iranians torn apart by revolution and exile, a graphic portrait of the author's time in the shah's jail and of his cellmates, the mullahs who would soon emerge as the new leaders of the Islamic Republic. Tales of Two Cities is not only the odyssey of one intellectual doomed to exile, but also a message of hope and ultimately salvation for the increasing number of people forced to leave their homeland and settle in America.

In Reencounters,Crystal Mun-hye Baik examines what it means to live with and remember an ongoing war when its manifestations-hypervisible and deeply sensed-become everyday formations delinked from militarization. Contemplating beyond notions of inherited trauma and post memory, Baik offers the concept of reencounters to better track the Korean War's illegible entanglements through an interdisciplinary archive of diasporic memory works that includes oral history projects, performances, and video installations rarely examined by Asian American studies scholars. Baik shows how Korean refugee migrations are repackaged into celebrated immigration narratives, how transnational adoptees are reclaimed by the South Korean state as welcomed "returnees," and how militarized colonial outposts such as Jeju Island are recalibrated into desirable tourist destinations. Baik argues that as the works by Korean and Korean/American artists depict this Cold War historiography, they also offer opportunities to remember otherwise the continuing war. Ultimately, Reencounters wrestles with questions of the nature of war, racial and sexual violence, and neoliberal surveillance in the twenty-first century.

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise.

From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In "Women as Weapons of War," Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to "bare" arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

When US-led forces invaded Iraq in 2003, they occupied a country that had been at war for 23 years. Yet in their attempts to understand Iraqi society and history, few policy makers, analysts and journalists took into account the profound impact that Iraq's long engagement with war had on the Iraqis' everyday engagement with politics, the business of managing their daily lives, and their cultural imagination. Drawing on government documents and interviews, Dina Rizk Khoury traces the political, social and cultural processes of the normalization of war in Iraq during the last twenty-three years of Ba'thist rule. Khoury argues that war was a form of everyday bureaucratic governance and examines the Iraqi government's policies of creating consent, managing resistance and religious diversity, and shaping public culture. Coming on the tenth anniversary of the US-led invasion of Iraq, this book tells a multilayered story of a society in which war has become the norm.

Powered by a massive Ford V-8 engine, the M4A3 Sherman was the standard tank of the US Army during the later stages of WWII, as well as the Korean War. The M4A3 was also supplied to the Marines during WWII, when the Corps faced a shortage of their preferred M4A2. The M4A3 was used by both services during the Korean War and was supplied in large numbers to Allied nations during the post-WWII rebuilding process. This book chronicles the development and use of these vehicles from concept to combat. This work contains several hundred first class images, many of which are in color.