"A must read for all Damien Lewis fans" Compass --------------------------------------------------------- The most explosive true war story of the 21st Century It is the winter of 2001. A terror ship is bound for Britain carrying a horrifying weapon. The British military sends a crack unit of SAS and SBS to assault the vessel before she reaches London. So begins a true story of explosive action as this band of elite warriors pursues the merchants of death from the high seas to the harsh wildlands of Afghanistan. The hunt culminates in the single greatest battle of the Afghan war, the brutal and bloody siege of an ancient mud-walled fortress crammed full of hundreds of Al-Qaeda and Taliban. Fighting against impossible odds and bitter betrayal, our handful of crack fighters battle to rescue their fellow soldiers trapped by a murderous, fanatical enemy. --------------------------------------------------------- "The most dramatic story of a secret wartime mission you will ever read" News of the World "The author has been given unprecedented access" Zoo "Gripping" Eye Spy

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.

A timely lesson in the perils of nation-building and a sobering reminder of the limits of military power from the Costa Award winning author of The Volunteer. In its earliest days, the American-led war in Afghanistan appeared to be a triumph - a 'good war' in comparison to the debacle in Iraq. It has since turned into one of the longest and most expensive wars in recent history. The story of how this good war went so bad may well turn out to be a defining tragedy of the twenty-first century - yet, as acclaimed war correspondent Jack Fairweather explains, it should also give us reason to hope for an outcome grounded in Afghan reality. In The Good War, Fairweather provides the first full narrative history of the war in Afghanistan, from the 2001 invasion to the 2014 withdrawal. Drawing on hundreds of interviews, previously unpublished archives, and months of experience living and reporting in Afghanistan, Fairweather traces the course of the conflict from its inception after 9/11 to the drawdown in 2014. In the process, he explores the righteous intentions and astounding hubris that caused the West's strategy in Afghanistan to flounder, refuting the long-held notion that the war could have been won with more troops and cash. Fairweather argues that only by accepting the limitations in Afghanistan - from the presence of the Taliban to the ubiquity of poppy production to the country's inherent unsuitability for rapid, Western-style development - can we help to restore peace in this shattered land. The Good War leads readers from the White House Situation Room to Afghan military outposts, from warlords' palaces to insurgents' dens, to explain how the US and its British allies might have salvaged the Afghan campaign - and how we must rethink other 'good' wars in the future.

In 1917, deep in the snowy mountains of occupied Korea, an impoverished local hunter on the brink of starvation saves a young Japanese officer from an attacking tiger. In an instant, their fates are connected, a chance encounter that will shape both of their lives for over half a century. Meanwhile, in the north of Korea, a young girl named Jade is sold by her family to Miss Silver's courtesan school in the glamorous city of Pyongyang. When she befriends an orphan boy named JungHo, they form a deep friendship. But before long, JungHo will be swept up in the revolutionary fight for independence, while Jade becomes a celebrated performer pursued by a wealthy romantic prospect. From the perfumed chambers of a courtesan school in Pyongyang to the glamorous cafes of a modernizing Seoul and the boreal forests of Manchuria, Juhea Kim's unforgettable characters forge their own destinies as they shape the future of their nation. Immersive and elegant, Beasts of a Little Land unveils a world where friends become enemies, enemies become saviours, and beasts take many shapes.

The Triangle of Death in Iraq, south of Baghdad, was a raging inferno of insurgent activity in August of 2006; by November 2007, attacks had been suppressed to such an extent as to return the area to near obscurity. In the intervening months, the U.S. Army 4th Battalion, 31st Infantry ("Polar Bears") employed a counterinsurgency approach that set the conditions for a landmark peace agreement that holds to this day. With a focus on counterinsurgency, this book is the first to look at the breadth of military operations in Yusifiyah, Iraq, and analyze the methods the Polar Bears employed. It is a story not of those who fought in the Triangle of Death, but of how they fought.