The Triangle of Death in Iraq, south of Baghdad, was a raging inferno of insurgent activity in August of 2006; by November 2007, attacks had been suppressed to such an extent as to return the area to near obscurity. In the intervening months, the U.S. Army 4th Battalion, 31st Infantry ("Polar Bears") employed a counterinsurgency approach that set the conditions for a landmark peace agreement that holds to this day. With a focus on counterinsurgency, this book is the first to look at the breadth of military operations in Yusifiyah, Iraq, and analyze the methods the Polar Bears employed. It is a story not of those who fought in the Triangle of Death, but of how they fought.

'Gripping ... A terrific action narrative' Max Hastings 'Reads like a Tom Clancy thriller, yet every word is true ... This is modern warfare close-up and raw' Andrew Roberts Bestselling and Orwell Prize-winning author Toby Harnden tells the gripping and incredible story of the six-day battle that began the War in Afghanistan and how it set the scene for twenty years of conflict. The West is in shock. Al-Qaeda has struck the US on 9/11 and thousands are dead. Within weeks, UK Special Forces enter the fray in Afghanistan alongside the CIA's Team Alpha and US troops. Victory is swift, but fragile. Hundreds of jihadists surrender and two operatives from Team Alpha enter Qala-i Jangi - the 'Fort of War' - to interrogate them. The prisoners revolt, one CIA man falls, and the other is trapped inside the fort. Seven members of the SBS - elite British Special Forces - volunteer for the rescue force and race into danger and the unknown. The six-day battle that follows proves to be one of the bloodiest of the Afghanistan war as the SBS and their American comrades face an enemy determined to die in the mud citadel. Superbly researched, First Casualty is based on unprecedented access to the CIA, SBS, and US Special Forces. Orwell Prize-winning author Toby Harnden recounts the gripping story of that first battle in Afghanistan and how the haunting foretelling it contained - unreliable allies, ethnic rivalries, suicide attacks, and errant bombs - was ignored, fueling the twenty-year conflict to come.

Harry S. Truman Book Award In The War for Korea, 1945-1950: A House Burning, one of our most distinguished military historians argued that the conflict on the Korean peninsula in the middle of the twentieth century was first and foremost a war between Koreans that began in 1948. In the second volume of a monumental trilogy, Allan R. Millett now shifts his focus to the twelve-month period from North Korea's invasion of South Korea on June 25, 1950, through the end of June 1951-the most active phase of the internationalized "Korean War." Moving deftly between the battlefield and the halls of power, Millett weaves together military operations and tactics without losing sight of Cold War geopolitics, strategy, and civil-military relations. Filled with new insights on the conflict, his book is the first to give combined arms its due, looking at the contributions and challenges of integrating naval and air power with the ground forces of United Nations Command and showing the importance of Korean support services. He also provides the most complete, and sympathetic, account of the role of South Korea's armed forces, drawing heavily on ROK and Korea Military Advisory Group sources. Millett integrates non-American perspectives into the narrative-especially those of Mao Zedong, Chinese military commander Peng Dehuai, Josef Stalin, Kim Il-sung, and Syngman Rhee. And he portrays Walton Walker and Matthew Ridgway as the heroes of Korea, both of whom had a more profound understanding of the situation than Douglas MacArthur, whose greatest flaw was not his politics but his strategic and operational incompetence. Researched in South Korean, Chinese, and Soviet as well as American and UN sources, Millett has exploited previously ignored or neglected oral history collections-including interviews with American and South Korean officers-and has made extensive use of reports based on interrogations of North Korean and Chinese POWs. The end result is masterful work that provides both a gripping narrative and a greater understanding of this key conflict in international and American history.

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.