The British Hurt Locker. In the Iraq War, Cpt Kevin Ivison defused bombs and IEDs left by the Taliban. Each time he took the 'longest walk' to a bomb, it could have been his last. How many times can a man stare death in the face before he breaks? Even the most skilful operators can only roll the dice so many times before they get unlucky . . . This was my bomb, my task and my fate alone. There was nothing left to do but walk. When two of his colleagues are killed by a roadside bomb in Iraq, young bomb disposal officer Kevin Ivison is called in to defuse a second, even deadlier bomb just a hundred yards from the bodies of his friends. To make things worse, the entire area is under fire from snipers, and a crowd of angry Iraqis have begun to hurl petrol bombs... With little chance of living through this impossible task, Kevin leaves final messages for his loved ones and sets out alone towards the bomb that he is sure will be the last thing he sees. In this gut-wrenching and terrifying true story of heroism and survival, Kevin Ivison explains why he chose to be a bomb disposal expert in the first place, how he found the courage to face his death, and the unendurable stress that has given him nightmares ever since. An absorbing, honest, true story of life on the front lines in the Iraq War. Perfect for fans of The Hurt Locker, Sniper One and Bomb Hunters. 'The honesty with which Kevin relays his fear, his overwhelming sense that he is going to die, is impressive . . . unpretentious and accessible' Daily Telegraph 'Absorbing ... At the heart of the book is a taut, riveting account of the events of a single day - February 28, 2006 - when Ivison rushed to the scene of an IED ambush on a road known as RED ONE' - DAILY MAIL 'RED ONE is plain-spoken, heart-thumping stuff' - THE TIMES

The explosive narrative of the life, captivity, and trial of Bowe Bergdahl, the soldier who was abducted by the Taliban and whose story has served as a symbol for America's foundering war in Afghanistan In the early hours of June 30, 2009, Private First Class Bowe Bergdahl walked off his platoon's base. Since that day, easy answers to the many questions surrounding his case have proved elusive. Why did he leave his post? What kinds of efforts were made to recover him from the Taliban? And why, facing court martial, did he plead guilty to the serious charges against him? In American Cipher, journalists Matt Farwell and Michael Ames persuasively argue that the Bergdahl story is as illuminating an episode as we have as we seek the larger truths of how the United States lost its way in Afghanistan. Telling the parallel stories of an idealistic, misguided young soldier and a nation stalled in an unwinnable war, the book reveals the fallout that ensued when the two collided, and in the process, provides a definitive corrective to the composite of narratives - many simplistic or flawed, unfair or untrue - that have contributed to the Bergdahl myth. Based on years of exclusive reporting drawing on dozens of sources throughout the military, government, and Bergdahl's family, friends, and fellow soldiers, American Cipher is at once a meticulous investigation of government dysfunction and political posturing, a blistering commentary on America's presence in Afghanistan, and a heart-breaking chronicle of a naive young man who thought he could fix the world and wound up as the tool of forces far beyond his understanding.

Ten U.S. Marines are assigned to live, train, and go into battle with more than five hundred raw and undisciplined Iraqi soldiers. A member of this Adviser Support Team, Capt. Eric Navarro, recounts their tour in vivid and brutally honest detail.Their deployment comes at a particularly important time in the war. The Battle of Fallujah is raging, and President Bush has proclaimed training the Iraqi forces is the key to winning the war. Once they stand up, we can stand down, or so the theory goes. Navarro's team, nicknamed The Drifters, faces countless roadblocks-no interpreters initially, limited supplies, little contact with other U.S. forces, and a vast cultural gulf with the Iraqis. One hackneyed and fatalistic Arabic phrase seems to sum up the mission, "Insha Allah," which translates as "God willing" or "if God wills it."Whether riding into downtown Fallujah in an unarmored Nissan pick-up truck, living in squalor in abandoned buildings, dodging trigger-happy troops, sharing "FHM" magazine with Iraqi soldiers to boost morale, or getting attacked by insurgent rockets less than an hour after arriving, life is never easy and more often surreal. The Drifters' trials and tribulations help shed light on this most under-reported aspect of the war: What is wrong with the new Iraqi Army? The answer is not as pretty as the politicians would like.

A timely lesson in the perils of nation-building and a sobering reminder of the limits of military power from the Costa Award winning author of The Volunteer. In its earliest days, the American-led war in Afghanistan appeared to be a triumph - a 'good war' in comparison to the debacle in Iraq. It has since turned into one of the longest and most expensive wars in recent history. The story of how this good war went so bad may well turn out to be a defining tragedy of the twenty-first century - yet, as acclaimed war correspondent Jack Fairweather explains, it should also give us reason to hope for an outcome grounded in Afghan reality. In The Good War, Fairweather provides the first full narrative history of the war in Afghanistan, from the 2001 invasion to the 2014 withdrawal. Drawing on hundreds of interviews, previously unpublished archives, and months of experience living and reporting in Afghanistan, Fairweather traces the course of the conflict from its inception after 9/11 to the drawdown in 2014. In the process, he explores the righteous intentions and astounding hubris that caused the West's strategy in Afghanistan to flounder, refuting the long-held notion that the war could have been won with more troops and cash. Fairweather argues that only by accepting the limitations in Afghanistan - from the presence of the Taliban to the ubiquity of poppy production to the country's inherent unsuitability for rapid, Western-style development - can we help to restore peace in this shattered land. The Good War leads readers from the White House Situation Room to Afghan military outposts, from warlords' palaces to insurgents' dens, to explain how the US and its British allies might have salvaged the Afghan campaign - and how we must rethink other 'good' wars in the future.

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.

Harry S. Truman Book Award In The War for Korea, 1945-1950: A House Burning, one of our most distinguished military historians argued that the conflict on the Korean peninsula in the middle of the twentieth century was first and foremost a war between Koreans that began in 1948. In the second volume of a monumental trilogy, Allan R. Millett now shifts his focus to the twelve-month period from North Korea's invasion of South Korea on June 25, 1950, through the end of June 1951-the most active phase of the internationalized "Korean War." Moving deftly between the battlefield and the halls of power, Millett weaves together military operations and tactics without losing sight of Cold War geopolitics, strategy, and civil-military relations. Filled with new insights on the conflict, his book is the first to give combined arms its due, looking at the contributions and challenges of integrating naval and air power with the ground forces of United Nations Command and showing the importance of Korean support services. He also provides the most complete, and sympathetic, account of the role of South Korea's armed forces, drawing heavily on ROK and Korea Military Advisory Group sources. Millett integrates non-American perspectives into the narrative-especially those of Mao Zedong, Chinese military commander Peng Dehuai, Josef Stalin, Kim Il-sung, and Syngman Rhee. And he portrays Walton Walker and Matthew Ridgway as the heroes of Korea, both of whom had a more profound understanding of the situation than Douglas MacArthur, whose greatest flaw was not his politics but his strategic and operational incompetence. Researched in South Korean, Chinese, and Soviet as well as American and UN sources, Millett has exploited previously ignored or neglected oral history collections-including interviews with American and South Korean officers-and has made extensive use of reports based on interrogations of North Korean and Chinese POWs. The end result is masterful work that provides both a gripping narrative and a greater understanding of this key conflict in international and American history.