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Books > History > Asian / Middle Eastern history > From 1900 > Postwar, from 1945 > General
The Mysteries of Haditha is a war story unlike any other. This
riveting and hilarious memoir of M. C. Armstrong's journey into the
Iraq War as an embedded journalist pulls no punches and lifts the
veil on the lies we tell each other-and the ones we tell ourselves.
This is a story about both the strong women in Armstrong's life and
his road to true manhood. Armstrong's family was nearly ripped at
the seams as he struggled to secure his embed with Navy SEALs in
the Al Anbar Province in 2008. Armstrong's searingly honest
narrative about his relationship with his father, his fiance, and
his friend in the SEAL team takes the reader on a nosedive ride
from a historically black college in the American South straight
into Baghdad, the burn pits, and the desert beyond the mysterious
Haditha dam. Honest and vulnerable, tender but fearless, The
Mysteries of Haditha is an incredible coming-of-age story and a
unique glimpse into the world of the war on terror.
Following the release of Ridley Scott's Gladiator in 2000 the
ancient world epic has experienced a revival in studio and audience
interest. Building on existing scholarship on the Cold War epics of
the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this
original study explores the current cycle of ancient world epics in
cinema within the social and political climate created by September
11th 2001. Examining films produced against the backdrop of the War
on Terror and subsequent invasions of Iraq and Afghanistan, this
book assesses the relationship between mainstream cinema and
American society through depictions of the ancient world, conflict
and faith. Davies explores how these films evoke depictions of the
Second World War, the Vietnam War and the Western in portraying
warfare in the ancient world, as well as discussing the influence
of genre hybridisation, narration and reception theory. He
questions the extent to which ancient world epics utilise allegory,
analogy and allusion to parallel past and present in an industry
often dictated by market forces. Featuring analysis of Alexander,
Troy, 300, Centurion, The Eagle, The Passion of the Christ and
more, this book offers new insight on the continued evolution of
the ancient world epic in cinema.
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