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Books > History > Asian / Middle Eastern history > From 1900 > Postwar, from 1945 > General
In June 2005 four US Navy SEALs left their base in Afghanistan for the Pakistani border. Their mission was to capture or kill a notorious al-Qaeda leader known to be ensconced in a Taliban stronghold surrounded by a small but heavily armed force. Less than twenty-four hours later, only one of those Navy SEALs was alive. This is the story of team leader Marcus Luttrell, the sole survivor of Operation Redwing. Blasted unconscious by a rocket grenade, blown over a cliff, but still armed and still breathing, Luttrell endured four desperate days fighting the al-Qaeda assassins sent to kill him, before finding unlikely sanctuary with a Pashtun tribe who risked everything to protect him from the circling Taliban killers.
In the highly politicized memory space of postwar South Korea, many families have been deprived of their right to mourn loved ones lost in the Korean War. Only since the 1990s has the government begun to acknowledge the atrocities committed by South Korean and American troops that resulted in large numbers of civilian casualties. The Truth and Reconciliation Committee, new laws honoring victims, and construction of monuments and memorials have finally opened public spaces for mourning. In Right to Mourn, Suhi Choi explores this new context of remembering in which memories that have long been private are brought into official sites. As the generation that once carried these memories fades away, Choi poses an increasingly critical question: can a memorial communicate trauma and facilitate mourning? Through careful examination of recently built Korean War memorials (the Jeju April 3 Peace Park, the Memorial for the Gurye Victims of Yosun Killings, and the No Gun Ri Peace Park), Right to Mourn provokes readers to look at the nearly seven-decade-old war within the most updated context, and shows how suppressed trauma manifests at the transient interactions among bodies, objects, and rituals at the sites of these memorials.
Now in paperback, Pale Horse is the remarkable never-before-told true story of an army aviation task force during combat in the Afghan War, told by the commanding officer who was there. Set in the very valleys where the attacks of 9/11 were conceived, and where ten Medals of Honor have been earned since that fateful day the war began, the narrative races from ferocious firefights and bravery in battle to the quiet moments where the courageous men and women of Task Force Pale Horse catch their breath before they take to the skies again. Jimmy F. Blackmon writes with a power and hard-hitting honesty that leaps off the page. He has the respect of the men and women of his brigade, and a command of the narrative to tell their story. From pilots of lethal Apache attack helicopters who strike fear in their enemies to the medevac soldiers who risk their lives daily, these are warriors from a variety of backgrounds who learned selflessness and found the closest brotherhood they ever knew through the crucible of war. Pale Horse both honors and commemorates the service of this elite task force from the unique vantage point of the commander who led them in battle.
Strap in alongside the Sabre pilots as they experienced the world's first large-scale jet-vs-jet combats. Brought to life with innovative tactical artwork and dramatic first-hand accounts from the pilots themselves. The F-86A Sabre had entered USAF service in 1949, and in December 1950 three squadrons were sent to South Korea. Despite primitive basing conditions and overwhelming Chinese opposition, the Sabre pilots stopped communist air forces from attacking UN ground troops and allowed Allied fighter-bombers to operate without threat of interception. The ensuing air battles between Sabres and MiG-15s were the first since World War II, and the last in recent times to involve large numbers of jet fighters in direct confrontation. In all of them the victorious F-86 pilots demonstrated the superiority of their training and tactics and the outstanding qualities of their Sabres. Contemporary photographs and specially commissioned artwork, including a dramatic battlescene, armament views, technical diagrams and ribbon diagrams illustrating step-by-step each main dogfight explored in the book, bring the experiences of the Sabre pilots and their battle tactics vividly to life.
A fully illustrated study of the extraordinarily successful early-generation jet, the F2H Banshee, a frontline aircraft that served with 27 US Navy and US Marine Corps squadrons and three Royal Canadian Navy (RCN) squadrons. The F2H Banshee was an extraordinarily successful early-generation jet that outlasted both contemporary and more modern fighter types on the decks of the US Navy's aircraft carriers in the 1950s. It served in a variety of roles and was a frontline aircraft for more than a decade in an era when jet fighters came and went with relatively short service careers. This book examines the entire service life of the F2H in the service of the US Navy, US Marine Corps and the RCN. Initially created as a replacement aircraft for McDonnell's pioneering FH1 Phantom, the F2H served in the Korean War as a strike fighter, close air support aircraft, B29 escort, and photoreconnaissance aircraft, including the latter's forays over the Soviet Union and China. Post service in Korea, the Banshee served as a carrier based nuclear strike aircraft, followed by its service as a defensive fighter for antisubmarine aircraft carriers. Filled with first-hand accounts and rare colour photographs, this is the engrossing story of the F2H Banshee, exploring its variety of roles in service and detailing the technology development that improved the aircraft's capabilities over time.
On September 11, 2001, the world looked in horror at one of the most nefarious acts of terrorism in history. Neamatollah Nojumi explains how Afghanistan became the base for radical fundamentalism and provides critical understanding of how internal divisions and the devastating effects of foreign involvement undermined the resilience of Afghanistan's communities, led to the rise of the Taliban, and now presents a unique challenge to international efforts at nation building. As the cycle of yesterday's allies becoming today's enemies turns once again, The Rise of the Taliban in Afghanistan provides crucial insight into the tangled interaction of domestic, regional, and international politics that have bedeviled outsiders, plagued Afghans, and that threaten, absent judgement based on insight, to be a quagmire for the United States in the years ahead. This is essential reading in our troubled times.
In November 1950 The US 1st Marine Division was trapped in the Chosin Reservoir following the intervention of Red China in the Korean War. Fought during the worst blizzard in a century, the ensuing battle is considered by the United States Marine Corps to be 'the Corps' Finest Hour.' The soldiers who fought there would later become known as the `Frozen Chosen'. Published now in paperback, this incredible story is based on first hand interviews from surviving veterans, telling of heroism and bravery in the face of overwhelming odds, as a handful of Marines fought desperately against wave after wave of Chinese forces. Sometimes forced into desperate hand to hand combat, the fighting retreat from Chosin marked one of the darkest moments for Western forces in Korea, but would go on to resonate with generations of Marines as a symbol of the Marine Corps' dogged determination, fighting skill, and never-say-die attitude on the battlefield.
A clear-eyed view of the conflict in Afghanistan and its century-deep roots. The war in Afghanistan has consumed vast amounts of blood and treasure, causing the Western powers to seek an exit without achieving victory. Seemingly never-ending, the conflict has become synonymous with a number of issues - global jihad, rampant tribalism, and the narcotics trade - but even though they are cited as the causes of the conflict, they are in fact symptoms. Rather than beginning after 9/11 or with the Soviet "invasion" in 1979, the current conflict in Afghanistan began with the social reforms imposed by Amanullah Amir in 1919. Western powers have failed to recognize that legitimate grievances are driving the local population to turn to insurgency in Afghanistan. The issues they are willing to fight for have deep roots, forming a hundred-year-long social conflict over questions of secularism, modernity, and centralized power. The first step toward achieving a "solution" to the Afghanistan "problem" is to have a clear-eyed view of what is really driving it.
You know about MI5. You know about MI6.
Since the US-led invasion and occupation of Iraq in 2003, the challenges of sectarianism and militarism have weighed heavily on the women of Iraq. In this book, Zahra Ali foregrounds a wide-range of interviews with a variety of women involved in women's rights activism, showing how everyday life and intellectual life has developed since the US-led invasion. In addition to this, Ali offers detailed historical research of social, economic and political contexts since the formation of the Iraqi state in the 1920s. Through a transnational and postcolonial feminist approach, this book also considers the ways in which gender norms and practices, Iraqi feminist discourses, and activisms are shaped and developed through state politics, competing nationalisms, religious, tribal and sectarian dynamics, wars, and economic sanctions. The result is a vivid account of the everyday life in today's Iraq and an exceptional analysis of the future of Iraqi feminisms.
Since the US-led invasion and occupation of Iraq in 2003, the challenges of sectarianism and militarism have weighed heavily on the women of Iraq. In this book, Zahra Ali foregrounds a wide-range of interviews with a variety of women involved in women's rights activism, showing how everyday life and intellectual life has developed since the US-led invasion. In addition to this, Ali offers detailed historical research of social, economic and political contexts since the formation of the Iraqi state in the 1920s. Through a transnational and postcolonial feminist approach, this book also considers the ways in which gender norms and practices, Iraqi feminist discourses, and activisms are shaped and developed through state politics, competing nationalisms, religious, tribal and sectarian dynamics, wars, and economic sanctions. The result is a vivid account of the everyday life in today's Iraq and an exceptional analysis of the future of Iraqi feminisms.
A detailed look at the deadly battle between US Navy F9F Panther jet fighter-bombers and communist anti-aircraft artillery (AAA) defenses that proliferated throughout the Korean War. The F9F Panther was one of the many fighters converted for ground-attack duties, following an established US tradition. Originally designed as a jet fighter, in April 1951 it became the first jet to launch from a carrier with bombs loaded, using them to destroy a crucial railway bridge at Songjin. The Panther's four 20 mm guns were considered to be very effective for flak suppression and these aircraft were used as escorts for propeller-driven AD Skyraider and F4U Corsair attack aircraft. However, later in 1951, flak damage to Panthers increased as the Chinese established better AAA weapons to defend key transport routes. The communist AAA crews had heavy guns of 37 mm caliber and above. Gunners could use optical height finders, predictors and in many cases radar control. They learned to conceal their weapons in civilian buildings, use wires to bring aircraft down, and set up false targets as "flak traps." Both opponents' tactics and gunnery are explored in depth in this study of the F9F Panthers and of their adversaries. Containing full-color illustrations including cockpit scenes and armament views, this innovative volume also includes a detailed analysis of the US Navy Panthers' loss rates and their causes.
Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.
This important reference work is essential reading for students attempting to understand the horrific events of September 11, 2001, and the impact the devastating terrorist attack had on the United States. The World Trade Center and Pentagon attacks of September 11, 2001, continue to have a major impact on the United States. The deadliest day in modern U.S. history reverberates in numerous ways, as its influence is felt in such areas as civil liberties, foreign policy, immigration, and presidential powers. This essential guide features illuminating essays written by top scholars that discuss in detail the impact of 9/11 in these critical areas, as well as how it has changed the lives of Muslim Americans in the 21st century. The core of this reference work are the dozens of A-Z entries on all of the key groups, individuals, and events surrounding the 9/11 terrorist attacks, including the first responders, the heroes of United Airlines Flight 93, the Osama bin Laden raid, and the 9/11 Commission Report. In addition, the book offers a carefully curated group of primary source documents essential to understanding the 9/11 attacks. The book concludes with a detailed chronology and an annotated bibliography. Includes several essays on the impact of 9/11 on such key areas as counterterrorism, Islamist extremism, and U.S. politics Provides dozens of reference entries, gripping images, and important primary source documents Offers a detailed chronology that helps to place significant 9/11-related events in context Includes an annotated bibliography listing the most authoritative works about 9/11
Two years before the action in Lone Survivor, a Green Berets A Team conducted a very different, successful mission in Afghanistan's notorious Pech Valley. Led by Captain Ronald Fry, the Hammerhead Six mission applied the principles of unconventional warfare to "win hearts and minds" and fight against the terrorist insurgency. In 2003, the Special Forces soldiers entered an area later called "the most dangerous place in Afghanistan." Here, where the line between civilians and armed zealots was indistinct, they illustrated the Afghan proverb: "I destroy my enemy by making him my friend." Fry recounts how they were seen as welcome guests rather than invaders. Soon after their deployment ended, the Pech Valley reverted to turmoil. Their success was never replicated. Hammerhead Six finally reveals how cultural respect, hard work (and the occasional machine-gun burst) were more than a match for the Taliban and Al Qaeda.
Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran-Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians-a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper-each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran-about its future and identity, changing notions of religious belief, and the quest for political freedom. Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.
Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all-collective, national, or private-is the major preoccupation of the texts and critiques in this diverse collection.
The wars since 9/11, both in Iraq and Afghanistan, have generated frustration and an increasing sense of failure in the West. Much of the blame has been attributed to poor strategy. In both the United States and the United Kingdom, public enquiries and defence think tanks have detected a lack of consistent direction, of effective communication, and of governmental coordination. In this important book, Sir Hew Strachan, one of the world's leading military historians, reveals how these failures resulted from a fundamental misreading and misapplication of strategy itself. He argues that the wars since 2001 have not in reality been as 'new' as has been widely assumed and that we need to adopt a more historical approach to contemporary strategy in order to identify what is really changing in how we wage war. If war is to fulfil the aims of policy, then we need first to understand war.
Simon Norfolk's book Afghanistan; chronotopia is now recognised as a classic of photography. It establised Norfolk's reputation as one of the leading photographers in the world and has been exhibited in more than 30 venues worldwide. For the first time since 2001, Simon Norfolk has returned to the country. This time he follows in the footsteps of the Irish photographer John Burke, a superb, yet virtually unknown, war photographer whose eloquent and beautiful photographs of the Second Anglo-Afghan War (1878-1880) form a most extraordinary record. Using unwieldy wet-plate collodion negatives and huge wooden cameras Burke shot landscapes, battlefields, archaeological sites, street scenes, portraits of British officers and ethnological group portraits of Afghans in what amounts to a record of an Imperial encounter. The range of work is tremendously broad and yet suffused with a delicate humanism. These are also the first ever pictures made in Afghanistan. With this book, one hundred and thirty years too late, John Burke's time has at last come. Norfolk's new work looks at what happens when you add half a trillion US war dollars to an impoverished and broken country such as Afghanistan. Very loosely re-photographic in nature, the work is more of an 'Improvisation on a theme' by John Burke, and is presented as an artistic collaboration between Burke and Norfolk. It features photographs by Burke never before published as well as Norfolk's new pictures from Kabul and Helmand.
World champion boxer Lew Jenkins fought his whole life. As a child, he fought extreme poverty during the Great Depression; in his twenties, he fought as a professional boxer and became a world champion; and at the pinnacle of his boxing career, Jenkins fought in World War II and the Korean War. From Boxing Ring to Battlefield: The Life of War Hero Lew Jenkins details for the first time this extraordinary story. Despite his talent for boxing, Jenkins often fought and trained in drunken stupors. Although he became the world lightweight champion, he soon wasted his ring title and all his money. Jenkins eventually found purpose during World War II and the Korean War, fighting in major battles that included D-Day, Bloody Ridge, and Heartbreak Ridge. His efforts earned him one of the highest decorations for bravery, the Silver Star. Unable to find meaning in life at the peak of his boxing success, Jenkins discovered values to which he could cling during war. From Boxing Ring to Battlefield features exclusive interviews with Lew Jenkins's son and grandson, providing a personal perspective on the life of this complicated war hero. The first biography of Jenkins, this book will fascinate boxing fans and historians alike. |
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