In Reencounters,Crystal Mun-hye Baik examines what it means to live with and remember an ongoing war when its manifestations-hypervisible and deeply sensed-become everyday formations delinked from militarization. Contemplating beyond notions of inherited trauma and post memory, Baik offers the concept of reencounters to better track the Korean War's illegible entanglements through an interdisciplinary archive of diasporic memory works that includes oral history projects, performances, and video installations rarely examined by Asian American studies scholars. Baik shows how Korean refugee migrations are repackaged into celebrated immigration narratives, how transnational adoptees are reclaimed by the South Korean state as welcomed "returnees," and how militarized colonial outposts such as Jeju Island are recalibrated into desirable tourist destinations. Baik argues that as the works by Korean and Korean/American artists depict this Cold War historiography, they also offer opportunities to remember otherwise the continuing war. Ultimately, Reencounters wrestles with questions of the nature of war, racial and sexual violence, and neoliberal surveillance in the twenty-first century.

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.

Harry S. Truman Book Award In The War for Korea, 1945-1950: A House Burning, one of our most distinguished military historians argued that the conflict on the Korean peninsula in the middle of the twentieth century was first and foremost a war between Koreans that began in 1948. In the second volume of a monumental trilogy, Allan R. Millett now shifts his focus to the twelve-month period from North Korea's invasion of South Korea on June 25, 1950, through the end of June 1951-the most active phase of the internationalized "Korean War." Moving deftly between the battlefield and the halls of power, Millett weaves together military operations and tactics without losing sight of Cold War geopolitics, strategy, and civil-military relations. Filled with new insights on the conflict, his book is the first to give combined arms its due, looking at the contributions and challenges of integrating naval and air power with the ground forces of United Nations Command and showing the importance of Korean support services. He also provides the most complete, and sympathetic, account of the role of South Korea's armed forces, drawing heavily on ROK and Korea Military Advisory Group sources. Millett integrates non-American perspectives into the narrative-especially those of Mao Zedong, Chinese military commander Peng Dehuai, Josef Stalin, Kim Il-sung, and Syngman Rhee. And he portrays Walton Walker and Matthew Ridgway as the heroes of Korea, both of whom had a more profound understanding of the situation than Douglas MacArthur, whose greatest flaw was not his politics but his strategic and operational incompetence. Researched in South Korean, Chinese, and Soviet as well as American and UN sources, Millett has exploited previously ignored or neglected oral history collections-including interviews with American and South Korean officers-and has made extensive use of reports based on interrogations of North Korean and Chinese POWs. The end result is masterful work that provides both a gripping narrative and a greater understanding of this key conflict in international and American history.