Anzac and Empire is the remarkable story of George Foster Pearce - a carpenter who became one Australia's most influential politicians, and the man central to how Australia planned for, and fought in, World War I. The nation's longest-serving defence minister - holding the portfolio before, during and after the Great War - Pearce saw no contradiction in being both a fierce Australian nationalist, and also a loyal subject of the British Empire.Anzac and Empire is the first full-length biography of this extraordinary Australian. Written by one of Australia's leading military historians, this book shows that to understand Australia in the Great War, you must understand the man behind it.

Australia's constitutional crisis of 1975 was not simply about the precise powers of the Senate or the Governor-General. It was about competing accounts of how to legitimate informal constitutional change. For Prime Minister Gough Whitlam, and the parliamentary tradition that he invoked, national elections sufficiently legitimated even the most constitutionally transformative of his goals. For his opponents, and a more complex tradition of popular sovereignty, more decisive evidence was required of the consent of the people themselves. This book traces the emergence of this fundamental constitutional debate and chronicles its subsequent iterations in sometimes surprising institutional configurations: the politics of judicial appointment in the Murphy Affair; the evolution of judicial review in the Mason Court; and the difficulties Australian republicanism faced in the Howard Referendum. Though the patterns of institutional engagement have varied, the persistent question of how to legitimate informal constitutional change continues to shape Australia's constitution after Whitlam.

This is the first major collaborative reappraisal of Australia's experience of empire since the end of the British Empire itself.
The volume examines the meaning and importance of empire in Australia across a broad spectrum of historical issues-ranging from the disinheritance of the Aborigines to the foundations of a new democratic state. The overriding theme is the distinctive Australian perspective on empire. The country's adherence to imperial ideals and aspirations involved not merely the building of a 'new Britannia' but also the forging of a distinctive new culture and society. It was Australian interests and aspirations which ultimately shaped 'Australia's Empire'.
While modern Australians have often played down the significance of their British imperial past, the contributors to this book argue that the legacies of empire continue to influence the temper and texture of Australian society today.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. In a provocative contribution to the series, Graham Huggan presents fresh readings of an outstanding, sometimes deeply unsettling national literature whose writers and readers just as unmistakably belong to the wider world. Australian literature is not the unique province of Australian readers and critics; nor is its exclusive task to provide an internal commentary on changing national concerns. Huggan's book adopts a transnational approach, motivated by postcolonial interests, in which contemporary ideas taken from postcolonial criticism and critical race theory are productively combined and imaginatively transformed. Rejecting the fashionable view that Australia is not, and never will be, postcolonial, Huggan argues on the contrary that Australian literature, like other settler literatures, requires close attention to postcolonial methods and concerns. A postcolonial approach to Australian literature, he suggests, is more than just a case for a more inclusive nationalism; it also involves a general acknowledgement of the nation's changed relationship to an increasingly globalized world. As such, the book helps to deprovincialize Australian literary studies. Australian Literature also contributes to debates about the continuing history of racism in Australia-a history in which the nation's literature has played a constitutive role, as both product and producer of racial tensions and anxieties, nowhere more visible than in the discourse it has produced about race, both within and beyond the national context.

On November 20, l943, in the first trial by fire of America's fledgling amphibious assault doctrine, five thousand men stormed the beaches of Tarawa, a seemingly invincible Japanese island fortress barely the size of the Pentagon parking lots (three-hundred acres!). Before the first day ended, one third of the Marines who had crossed Tarawa's deadly reef under murderous fire were killed, wounded, or missing. In three days of fighting, four Americans would win the Medal of Honor and six-thousand combatants would die. The bloody conquest of Tarawa by the newly created Central Pacific Force provided the first trial by fire of America's fledgling doctrine of forcible amphibious assault against a heavily fortified objective. Described by one veteran as"a time of utmost savagery," the incredibly violent battle raged for three days and left 6,000 men dead in an area no bigger than the Pentagon and its parking lots. Utmost Savagery is the definitive account of Tarawa and reflects years of research into primary sources, tidal records, new translations of Japanese documents, and interviews with survivors. A Marine combat veteran himself, Col. Alexander presents a masterful narrative of the tactics, innovations, leadership, and weapons employed by both antagonists. The book portrays the battle's full flavor: the decisions, miscalculations, extreme risks, lost opportunities, breakthroughs, blunders, and vital lessons learned. Alexander describes the landing plan and its assumptions, analyzes the freakish"tide that failed," and follows the amphibious ship-to-shore assault as it encounters the exposed reef and hellish Japanese fire. He renders a professional salute to Japanese Admiral Keiji Shibasaki and his well-trained Special Naval Landing Forces who defended Tarawa virtually to the last man. Above all he highlights the courage and adaptability of the Marine small-unit leaders who kept the assault moving throughout 76 hours of unmitigated horror.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English.
The first book of its kind, Pacific Islands Writing offers a broad-ranging introduction to the postcolonial literatures of the Pacific region. Drawing upon metaphors of oceanic voyaging, Michelle Keown takes the reader on a discursive journey through a variety of literary and cultural contexts in the Pacific, exploring the Indigenous literatures of Polynesia, Melanesia, and Micronesia, and also investigating a range of European or Western writing about the Pacific, from the adventure fictions of Herman Melville, R. L. Stevenson, and Jack London to the Pakeha European) settler literatures of Aotearoa/New Zealand. The book explores the relevance of 'international' postcolonial theoretical paradigms to a reading of Pacific literatures, but it also offers a region-specific analysis of key authors and texts, drawing upon Indigenous Pacific literary theories, and sketching in some of the key socio-historical trajectories that have inflected Pacific writing. Well-established Indigenous Pacific authors such as Albert Wendt, Witi Ihimaera, Alan Duff, and Patricia Grace are considered alongside emerging writers such as Sia Figiel, Caroline Sinavaiana-Gabbard, and Dan Taulapapa McMullin. The book focuses primarily upon Pacific literature in English - the language used by the majority of Pacific writers - but also breaks new ground in examining the growing corpus of francophone and hispanophone writing in French Polynesia, New Caledonia, and Easter Island/Rapa Nui.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. In a provocative contribution to the series, Graham Huggan presents fresh readings of an outstanding, sometimes deeply unsettling national literature whose writers and readers just as unmistakably belong to the wider world. Australian literature is not the unique province of Australian readers and critics; nor is its exclusive task to provide an internal commentary on changing national concerns. Huggan's book adopts a transnational approach, motivated by postcolonial interests, in which contemporary ideas taken from postcolonial criticism and critical race theory are productively combined and imaginatively transformed. Rejecting the fashionable view that Australia is not, and never will be, postcolonial, Huggan argues on the contrary that Australian literature, like other settler literatures, requires close attention to postcolonial methods and concerns. A postcolonial approach to Australian literature, he suggests, is more than just a case for a more inclusive nationalism; it also involves a general acknowledgement of the nation's changed relationship to an increasingly globalized world. As such, the book helps to deprovincialize Australian literary studies. Australian Literature also contributes to debates about the continuing history of racism in Australia-a history in which the nation's literature has played a constitutive role, as both product and producer of racial tensions and anxieties, nowhere more visible than in the discourse it has produced about race, both within and beyond the national context.

Amanda Nettelbeck explores how policies designed to protect the civil rights of indigenous peoples across the British Empire were entwined with reforming them as governable colonial subjects. The nineteenth-century policy of 'Aboriginal protection' has usually been seen as a fleeting initiative of imperial humanitarianism, yet it sat within a larger set of legally empowered policies for regulating new or newly-mobile colonised peoples. Protection policies drew colonised peoples within the embrace of the law, managed colonial labour needs, and set conditions on mobility. Within this comparative frame, Nettelbeck traces how the imperative to protect indigenous rights represented more than an obligation to mitigate the impacts of colonialism and dispossession. It carried a far-reaching agenda of legal reform that arose from the need to manage colonised peoples in an Empire where the demands of humane governance jostled with colonial growth.

Volume 1 of The Cambridge History of Australia explores Australia's history from ancient times through to Federation in 1901. It begins with an archaeological examination of the continent's Indigenous history, which dates back 50,000 years. This volume examines the first European encounters with Australia and its Indigenous people, and the subsequent colonisation of the land by the British in the late eighteenth century, providing insight into the realities of a convict society and how this shaped the nation's development. Part I traces the dynamic growth in Australia's economy, demography and industry throughout the nineteenth century, as it moved towards a system of liberal democracy and one of the most defining events in its history: the Federation of the colonies in 1901. Part II offers a deeper investigation of key topics, such as relations between Indigenous people and settlers, and Australia's colonial identity. It also covers the economy, science and technology, law and literature.

Volume 2 of The Cambridge History of Australia covers the period 1901 to the present day. It begins with the first day of the twentieth century, which saw the birth of the Commonwealth of Australia. In Part I the fortunes of the nation-state are traced over time: a narrative of national policies, from the initial endeavours to protect Australian living standards to the dismantling of protection, and from maintenance of the integrity of a white settler society to fashioning a diverse, multicultural one. These chapters relate how Australia responded to external challenges and adapted to changing expectations. In Part II some distinctive features of modern Australia are clarified: its enduring democracy and political stability, engagement with a unique environment, the means whereby Australians maintained prosperity, the treatment and aspirations of its Indigenous inhabitants. The changing patterns of social relations are examined, along with the forms of knowledge, religion, communication and creativity.

Boldly Going Where Captain Cook Has Gone Before

Two centuries after James Cook's epic voyages of discovery, Tony Horwitz takes readers on a wild ride across hemispheres and centuries to recapture the Captain’s adventures and explore his embattled legacy in today’s Pacific. Horwitz, a Pulitzer Prize-winner and author of Confederates in the Attic, works as a sailor aboard a replica of Cook’s ship, meets island kings and beauty queens, and carouses the South Seas with a hilarious and disgraceful travel companion, an Aussie named Roger. He also creates a brilliant portrait of Cook: an impoverished farmboy who became the greatest navigator in British history and forever changed the lands he touched. Poignant, probing, antic, and exhilarating, Blue Latitudes brings to life a man who helped create the global village we inhabit today.

Ever since the two ancient nations of India and China established modern states in the mid-20th century, they have been locked in a complex rivalry ranging across the South Asian region. Garver offers a scrupulous examination of the two countries' actions and policy decisions over the past fifty years. He has interviewed many of the key figures who have shaped their diplomatic history and has combed through the public and private statements made by officials, as well as the extensive record of government documents and media reports. He presents a thorough and compelling account of the rivalry between these powerful neighbors and its influence on the region and the larger world.

Between 1850 and 1907, Native Hawaiians sought to develop relationships with other Pacific Islanders, reflecting how they viewed not only themselves as a people but their wider connections to Oceania and the globe. Kealani Cook analyzes the relatively little known experiences of Native Hawaiian missionaries, diplomats, and travelers, shedding valuable light on the rich but understudied accounts of Hawaiians outside of Hawai'i. Native Hawaiian views of other islanders typically corresponded with their particular views and experiences of the Native Hawaiian past. The more positive their outlook, the more likely they were to seek cross-cultural connections. This is an important intervention in the growing field of Pacific and Oceanic history and the study of native peoples of the Americas, where books on indigenous Hawaiians are few and far between. Cook returns the study of Hawai'i to a central place in the history of cultural change in the Pacific.

This book examines how convicts played a key role in the development of capitalism in Australia and how their active resistance shaped both workplace relations and institutions. It highlights the contribution of convicts to worker mobilization and political descent, forcing a rethink of Australia's foundational story. It is a book that will appeal to an international audience, as well as the many hundreds of thousands of Australians who can trace descent from convicts. It will enable the latter to make sense of the experience of their ancestors, equipping them with the necessary tools to understand convict and court records. It will also provide a valuable undergraduate and postgraduate teaching tool and reference for those studying unfree labour and worker history, social history, colonization and global migration in a digital age.

This book is the first of its kind to investigate the ongoing significance of industrial craft in deindustrialising places such as Australia. Providing an alternative to the nostalgic trope of the redundant factory 'craftsman', this book introduces the intriguing and little-known trade of engineering patternmaking, where objects are brought to life through the handmade 'originals' required for mass production. Drawing on oral histories collected by the author, this book highlights the experiences of industrial craftspeople in Australian manufacturing, as they navigate precarious employment, retraining, gendered career pathways, creative expression and technological change. The book argues that digital fabrication technologies may modify or transform industrial craft, but should not obliterate it. Industrial craft is about more than the rudimentary production of everyday objects: it is about human creativity, material knowledge and meaningful work, and it will be key to human survival in the troubled times ahead.

"Asia, the Pacific Islands and the coasts of the Americas have long been studied separately. This essential single-volume history of the Pacific traces the global interactions and remarkable peoples that have connected these regions with each other and with Europe and the Indian Ocean, for millennia. From ancient canoe navigators, monumental civilisations, pirates and seaborne empires, to the rise of nuclear testing and global warming, Matt Matsuda ranges across the frontiers of colonial history, anthropology and Pacific Rim economics and politics, piecing together a history of the region. The book identifies and draws together the defining threads and extraordinary personal narratives which have contributed to this history, showing how localised contacts and contests have often blossomed into global struggles over colonialism, tourism and the rise of Asian economies. Drawing on Asian, Oceanian, European, American, ancient and modern narratives, the author assembles a fascinating Pacific region from a truly global perspective"--

James Fenton (1820-1901) was born in Ireland and emigrated to Tasmania (then known as Van Diemen's Land) with his family in 1833. He became a pioneer settler in an area on the Forth River and published this history of the island in 1884. The book begins with the discovery of the island in 1642 and concludes with the deaths of some significant public figures in the colony in 1884. The establishment of the colony on the island, and the involvement of convicts in its building, is documented. A chapter on the native aborigines gives a fascinating insight into the attitudes of the colonising people, and a detailed account of the removal of the native Tasmanians to Flinders Island, in an effort to separate them from the colonists. The book also contains portraits of some aboriginal people, as well as a glossary of their language.

This captivating work charts the history of Tasmania from the arrival of European maritime expeditions in the late eighteenth century, through to the modern day. By presenting the perspectives of both Indigenous Tasmanians and British settlers, author Henry Reynolds provides an original and engaging exploration of these first fraught encounters. Utilising key themes to bind his narrative, Reynolds explores how geography created a unique economic and migratory history for Tasmania, quite separate from the mainland experience. He offers an astute analysis of the island's economic and demographic reality, by noting that this facilitated the survival of a rich heritage of colonial architecture unique in Australia, and allowed the resident population to foster a powerful web of kinship. Reynolds' remarkable capacity to empathise with the characters of his chronicle makes this a powerful, engaging and moving account of Tasmania's unique position within Australian history.

The increasing importance of the Pacific and Pacific Rim within the global economy places us on the brink of a Pacific Century. While many hold that the concept of a Pacific region has only emerged in the 20th century, this work demonstrates that such an economic region has existed for almost five hundred years. Starting with the 16th-century trade of Latin American silver for Chinese silk, researchers trace the economic, environmental and social history of the Pacific region. Chapters examine the trade of diverse commodities within the Pacific and analyze the ecological and social impacts of this increasing economic activity. The strong Chinese marketplace emerges as crucial to early Pacific development, and is compared with Japan's central role in the region's modern economy. This book contributes to the understanding of a dynamic economic region. The study also advances research into the economic histories of South and South East Asia, Australia and America, situating them within the wider Pacific context.

This book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here-"Indigeneities"; "Political Landscapes"; "Space, Place, Materiality"; "Revising an Australian Mythos"-models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.

Bondi Beach is a history of an iconic place. It is a big history of geological origins, management by Aboriginal people, environmental despoliation by white Australians, and the formation of beach cultures. It is also a local history of the name Bondi, the origins of the Big Rock at Ben Buckler, the motives of early land holders, the tragedy known as Black Sunday, the hostilities between lifesavers and surfers, and the hullabaloos around the Pavilion. Pointing to a myriad of representations, author Douglas Booth shows that there is little agreement about the meaning of Bondi. Booth resolves these representations with a fresh narrative that presents the beach's perspective of a place under siege. Booth's creative narrative conveys important lessons about our engagement with the physical world.