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Books > History > History of specific subjects > Genealogy, heraldry, names and honours > General
Forty years ago, thousands of Milwaukee residents marched for equal
rights to join and participate in local organizations, receive
equal and appropriate educational resources for their children, and
live where they wanted. Thus, the purpose of the book, Asante Sana,
'Thank You' Father James E. Groppi is to commemorate and honor the
Father James E. Groppi and the Milwaukee NAACP Youth
Council/Commandos who unselfishly put their lives on line and made
a significant difference in making Milwaukee's history one that
changed the livelihood for all living beings. Specifically, in the
book: Asante Sana, 'Thank You' Father James E. Groppi, the author,
who was one of the original founders of the Milwaukee NAACP Youth
Council in 1964, poetically responds to some of the famous quotes
of Father Groppi and the Milwaukee NAACP Youth Council members
while they experienced life- threatening issues with racial
discrimination in Milwaukee during the 1960's. (Asante Sana, "Thank
You" Father James E. Groppi by Dr. Shirley R. (Berry) Butler-Derge
(2010).
For Salustiano Gamil, life was repetitive but interesting. The days
were like checkers of black and white. In The Legacy of Yanoy,
author N. Dawes recapitulates the life of Salustiano "Yanoy" Gamil,
the patriarch of her family. The story chronicles his legacy and
the creation of a large family. It originates in the Philippines
with Yanoy's birth in June 1907. It continues through to his
marriage to sixteen-year-old Fely Olguera in 1936 and the births of
their children and their children's children. It recounts his
humble work as a poor tax man, the ups and downs of life in the
Philippines-where he was surrounded by co-workers who exuded
money-his eventual immigration to Canada, and his death. The Legacy
of Yanoy chronicles more than a life's worth of events. It
communicates the true character of Yanoy, a disciplined man who
followed his religion, counted his blessings, and practiced honesty
and sensible frugality-a man who inspired generations of his
descendants.
How do names attach themselves to particular objects and people and
does this connection mean anything? This is a question which goes
as far back as Plato and can still be seen in contemporary society
with books of Names to Give Your Baby or Reader's Digest columns of
apt names and professions. For the Renaissance the vexed question
of naming was a subset of the larger but equally vexed subject of
language: is language arbitrary and conventional (it is simply an
agreed label for a pre-existing entity) or is it motivated (it
creates the entity which it names)? Shakespeare's Names is a book
for language-lovers. Laurie Maguire's witty and learned study
examines names, their origins, cultural attitudes to them, and
naming practices across centuries and continents, exploring what it
means for Shakespeare's characters to bear the names they do. She
approaches her subject through close analysis of the associations
and use of names in a range of Shakespeare plays, and in a range of
performances. The focus is Shakespeare, and in particular six key
plays: Romeo and Juliet, Comedy of Errors, The Taming of the Shrew,
A Midsummer Night's Dream, All's Well that Ends Well, and Troilus
and Cressida. But the book also shows what Shakespeare inherited
and where the topic developed after him. Thus the discussion
includes myth, the Bible, Greek literature, psychological analysis,
literary theory, social anthropology, etymology, baptismal trends,
puns, different cultures' and periods' social practice as regards
the bestowing and interpreting of names, and English literature in
the sixteenth, seventeenth, eighteenth, nineteenth, and twentieth
centuries; the reader will also find material from contemporary
journalism, film, and cartoons.
Die skrywer Erika Murray-Theron wou weet waar die vroue in haar familie vandaan kom. Wat kry ’n mens van wie? Waar kom alles wat jý is vandaan? Hoe is die vroue in haar familie se lewe geraak deur trauma en groot wêreldgebeurtenisse waaroor hulle geen beheer gehad het nie? Theron se ouma Issie is op 3 Mei 1885 gebore; 133 jaar gelede. In hierdie verhaalbiografie gaan soek Theron in ou kookboeke, aantekeninge, foto’s, herinneringe, albums, briewe en geslagsregisters na haar ouma Issie se storie. ’n Lewe ontvou wat geraak is deur die verlies van ouers, die Anglo-Boereoorlog, die Rebellie van 1914 en daarna die energie wat dit verg om ’n groot huisgesin te behartig. ’n Skerfie glas wys hoe die verlede, selfs die verre verlede, spore op latere geslagte laat.
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