The book contains stories on various subjects, starting with the contemplations of passengers in an airplane during a fictitious flight on various situations in their life, through the memories captured by ZS during his study and work, as well as stories based on pub talks and on the imagination of the author.

ni de aqui, ni de alla: It starts neither here nor there, a liminal space between two states of being. A life captured within his lines, At Least This I Know guides the reader through Andres N. Ordorica's own story, of ancestry, nationhood, activism and queerness, through childhood photographs, across international highways, to tales of love and loss, and beyond. These poems are a means of working through the belonging in both the physical sense and emotional, be it the belonging of immigrant bodies in new countries, or that of the queer self within found families and safe spaces. Navigating his family origin and personal journey to belonging, from Mexico, the USA, to Scotland, it's a story to be welcomed into, one that flows from the page and envelops you.

A David and Goliath conservation story set on Lake Michigan.

A rich fund of anecdotes drawn from the authora s time as an airline pilot and manager which spanned a forty year career, starting in the 1960s. Roughly tracing the authora s career, each story paints a different picture, be it be of a pilot, his faults and foibles, an experience the author had, a management problem and more. The backdrop is aviation but many of these stories could just as easily be transposed to a different setting. Most, but not all, have a strong flavour of humour and/or irony running through them. In todaya s world of political correctness and in a society otherwise constrained by litigious lawyers and an overbearing press many of these [mostly amusing] stories almost defy belief. Such has the world, and the world of aviation, moved on, few of the present crop of young pilots flying today would believe what went on behind closed doors. And neither would the rest of us!

The third volume of the Collected Letters of Katherine Mansfield covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'. For all the grimness of this period of her life, Mansfield's letters still offer the joie de vivre and wit, self-perception and lively frankness that make her correspondence such rewarding reading - an invaluable record of a `modern' woman and her time.