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Books > Biography > General
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My Mother Laughs
(Paperback)
Chantal Akerman; Introduction by Eileen Myles; Translated by Danielle Shreir; Afterword by Frances Morgan
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In 1982, at the age of just twenty-three and halfway through her
architecture studies, Elspeth Beard left her family and friends in
London and set off on a 35,000-mile solo adventure around the world
on her 1974 BMW R60/6. Reeling from a recent breakup and with only
limited savings from her pub job, a tent, a few clothes and some
tools, all packed on the back of her bike, she was determined to
prove herself. She had ridden bikes since her teens and was well
travelled. But nothing could prepare her for what lay ahead. When
she returned to London nearly two and a half years later she was
stones lighter and decades wiser. She'd ridden through unforgiving
landscapes and countries ravaged by war, witnessed civil uprisings
that forced her to fake documents, and fended off sexual attacks,
biker gangs and corrupt police convinced she was trafficking drugs.
She'd survived life-threatening illnesses, personal loss and brutal
accidents that had left permanent scars and a black hole in her
memory. And she'd fallen in love with two very different men. In an
age before email, the internet, mobile phones, satnavs and, in some
parts of the world, readily available and reliable maps, Elspeth
achieved something that would still seem remarkable today. Told
with honesty and wit, this is the extraordinary and moving story of
a unique and life-changing adventure.
A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.
A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.
An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives. Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.
Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings is a tart and sweet ode to finding small joys where you can. Yes, even in black licorice.
Annemarié van Niekerk returns from The Hague to South Africa for her
gentle friend Ruben’s funeral – he and his mother were murdered in a
farm killing. This journey triggers memories of other journeys: growing
up in Port Elizabeth, teaching at UNITRA in Umtata where she became
entangled in a relationship with a black writing colleague, causing
conflict with her father. Then Hillbrow and Yeoville, where she and
Denzel live together against the law, until violence penetrates their
relationship.
The final journey is a return to Ruben’s murder and his killers,
seeking understanding. Van Niekerk intertwines her story with an
exploration of violence against women, apartheid and its legacy, guilt
and powerlessness, and identity and complicity. Under a Blood Red
Sky is a moving personal journey – from violence to mercy – masterfully
told.
"I became a life insurance salesman in London in May 1969, for the
glamour, the fast cars, the groupies... the beautiful women who'd
stop at nothing to buy life insurance. It's a very well-kept
secret." Thus begins Peter Rosengard's extraordinary account of his
life so far, and the endless adventures in which he made, lost and
remade a fortune; founded London's famous Comedy Store, discovered
and managed some of the greats in stand-up comedy; turned an
unknown boy band into a chart-topping sensation; and sold the
world's biggest life insurance policy in history, for $100m, which
is still celebrated by the Guinness Book of Records. This is a book
about "chutzpah," testament to a simple belief that "nothing is
impossible."
From beloved spiritual writer and Catholic leader Gregory Floyd
comes a moving meditation on the power of memory and how God is
often more clearly seen when we look back. This is a book about
memory, about what stays in the mind, and why. It is a book about
the presence of God in our lives and the sights, sounds, words, and
experiences that become unforgettable. Beginning with a single word
he heard in the middle of the night-one that changed his life-this
powerful memoir by Gregory Floyd asks the question: without memory,
who are we? It is a meditation on beauty, marriage, family, and
prayer, asking of the memories that each implants: what do they
reveal? Where do they lead? -and witnessing to their potential to
draw us to God.
The Real Interior not only allows the reader a behind-the-scenes peek into the glitz and glamour of design and décor, but into a career once never considered an option for a young girl, born in Soweto.
As one of the first black and very recognisable faces of Interior Design in Africa, Nthabi Taukobong was thrust into the limelight from the very start of her profession. Spanning a career of more than 23 years she has worked on esteemed residential and leisure projects for presidents, African royalty, captains of industry and five-star hotels, to name but a few. Through the rough and often very challenging terrain of her chosen career, sprinkled generously with the high-end glamour of prestigious interiors that Nthabi has been privileged to work on, she learned that she, in fact, had to be seated right within her own interior before she could offer anything further to those in search of her creative gift.
And as she searched and explored the greater world of design, trying to grasp what it really took to be an esteemed designer, the journey unexpectedly brought her right back into her own home. Not only Nthabi’s physical home, but also to her inner-home, the place that she refers to as her ‘real interior’. It was in writing a letter one evening, congratulating herself on reaching the milestone of 21 years in her career, that Nthabi discovered she was not only writing to herself, but to every creative.
Her letter ended up being an entire book and Nthabi finally understood how her unique story could inspire and encourage others.
A coming-of-age travel memoir that probes thorny spiritual
questions while taking the reader on a wild ride from the deep
American South to the Middle East, Europe, and the Far East. Once
the golden girl of her Arkansas town, Natalie finds herself
squeezed under small town shame and rejection after being kicked
out of church for getting a divorce. It's a hard fall off of a
sanctimonious high horse, and religious fundamentalism has left her
feeling broken and stuck. But she can't shake the 'wanderlust woes'
that have plagued her since childhood, so she runs away to the
Middle East. As a mostly-sheltered Southerner, she struggles to
adapt but is determined to be 'at home' in the world. Her journey
is more than a pilgrimage, it's a peregrination: a one-way ticket
to elsewhere in search of the place of her own resurrection. Within
these pages is a suspenseful adventure filled with love, loss,
laughter, tears, and a little bit of scandalous behavior, but at
the heart of it, Natalie walks squarely into the unknown to
confront the secret matters of the soul that we wrestle with at
night.
"As I sat on the side of Hamnafield on Foula in the Shetland
Islands, looking down at my 'enormous' 38-foot ferry stowed in its
cradle on the quay in Ham Voe, over 1,000 feet below me, I
reflected on a moderately successful career to date, and wondered
how on Earth I had ended up driving what was, in effect, a floating
dust cart" After 42 years at or connected with the sea, Jeremy
Walker ended up on the Shetland Island of Foula commanding and
running a small ferry to the mainland of Shetland. Throughout the
course of his career, firstly as a seagoing deck officer with a
large, but now defunct, British shipping company, then as a
Hovercraft Commander for four years, returning to sea for a brief
period as Master of two small coastal tankers and then for the
majority of his career as a Pilot on the River Humber, he
encountered many amusing situations. In this book he attempts to
relate these stories and to illustrate the lighter side of what was
a very difficult, responsible and, at times, incredibly stressful
job. And little did he know that his career was far from over and
new opportunities and challenges would take him on for a further 13
years to eventual retirement.
Steve Joubert had always wanted to be a pilot and the only way he could afford to do so, was to join the South African Air Force in the late 1970s.
As an adventurous young man with a wicked sense of humour, he tells of the many amusing escapades he had as a trainee pilot. But soon he is sent to fight in the Border War in northern Namibia (then South West Africa) where he is exposed to the carnage of war. The pilots of the Alouette helicopters were witness to some of the worst scenes of the Border War. Often, they were the first to arrive after a deadly landmine accident.
In the fiercest battles their gunships regularly supplied life-saving air cover to troops on the ground.
"As I sat on the side of Hamnafield on Foula in the Shetland
Islands, looking down at my 'enormous' 38-foot ferry stowed in its
cradle on the quay in Ham Voe, over 1,000 feet below me, I
reflected on a moderately successful career to date, and wondered
how on Earth I had ended up driving what was, in effect, a floating
dust cart" After 42 years at or connected with the sea, Jeremy
Walker ended up on the Shetland Island of Foula commanding and
running a small ferry to the mainland of Shetland. Throughout the
course of his career, firstly as a seagoing deck officer with a
large, but now defunct, British shipping company, then as a
Hovercraft Commander for four years, returning to sea for a brief
period as Master of two small coastal tankers and then for the
majority of his career as a Pilot on the River Humber, he
encountered many amusing situations. In this book he attempts to
relate these stories and to illustrate the lighter side of what was
a very difficult, responsible and, at times, incredibly stressful
job. And little did he know that his career was far from over and
new opportunities and challenges would take him on for a further 13
years to eventual retirement.
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