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At the age of 17, David McCumber was stricken with "road fever" that irresistible call to the itinerant life of a professional gambler. Twenty-two years later, he got the chance to follow that dream-not as a player but as the "stakehorse" (financial backer) for Tony Annigoni, a non-smoking, macrobiotic-eating "Renaissance Pool Hustler," student of Eastern religion, and master of the pure green-felt poetry of the dead stroke." With $27,000 in David's pocket they took off together on an astonishing four-month odyssey across America-traveling from seedy, hole-in-the-wall billiard parlors to high-class snooker rooms to high-tension pro tourneys, from Seattle to Miami and back again-exploring a shady twilight subculture and uniquely American mythos, in search of serious money, local glory...and the perfect hustle.
Wintering is a poignant and comforting meditation on the fallow periods
of life, times when we must retreat to care for and repair ourselves.
Katherine May thoughtfully shows us how to come through these times
with the wisdom of knowing that, like the seasons, our winters and
summers are the ebb and flow of life.
Nadia Kamies has written a profound and moving meditation on what it meant to grow up ‘coloured’ in South Africa under apartheid. The photographs from family albums that gave rise to this project not only represent the aspirations of the families and community about whom Kamies is writing, but are also repositories of memories weighted equally with joy and sorrow. Kamies mines these images for their secrets, showing them to be a record of the past and a promise of what the future might be.
An “exquisite” (The Washington Post) “hauntingly beautiful” (Associated Press) portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and your delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All the Beauty in the World is an “empathic” (The New York Times Book Review), “moving” (NPR), “consoling, and beautiful” (The Guardian) portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.
An annual collection of studies on individuals who have made major contributions to the development of geography and geographical thought. Each paper describes the geographer's education, life, work, their influence and spread of academic ideas. A bibliography of their works and chronology is also incorporated. The work includes a listed general index, and cumulative index of geographers in the volumes published to date.
An incredible, revolutionary true story and surprisingly simple guide to teaching your dog to talk from speech-language pathologist Christina Hunger, who has taught her dog, Stella, to communicate using simple paw-sized buttons associated with different words. When speech-language pathologist Christina Hunger first came home with her puppy, Stella, it didn't take long for her to start drawing connections between her job and her new pet. During the day, she worked with toddlers with significant delays in language development and used Augmentative and Alternative Communication (AAC) devices to help them communicate. At night, she wondered: If dogs can understand words we say to them, shouldn't they be able to say words to us? Can dogs use AAC to communicate with humans? Christina decided to put her theory to the test with Stella and started using a paw-sized button programmed with her voice to say the word "outside" when clicked, whenever she took Stella out of the house. A few years later, Stella now has a bank of more than thirty word buttons, and uses them daily either individually or together to create near-complete sentences. How Stella Learned to Talk is part memoir and part how-to guide. It chronicles the journey Christina and Stella have taken together, from the day they met, to the day Stella "spoke" her first word, and the other breakthroughs they've had since. It also reveals the techniques Christina used to teach Stella, broken down into simple stages and actionable steps any dog owner can use to start communicating with their pets. Filled with conversations that Stella and Christina have had, as well as the attention to developmental detail that only a speech-language pathologist could know, How Stella Learned to Talk will be the indispensable dog book for the new decade.
This book of essays written over the last three post-apartheid decades uniquely provides profiles of 104 pan-African figures, mostly from the 1.4 billion-strong African population and its estimated 250 million-strong diaspora in the Americas, Europe and the Caribbean. It thus provides a concise profile of the most important figures of Africa and its diaspora. The profiles also include global Western figures engaging with African issues, assessed from an African perspective. The essays cover, in a multi-disciplinary manner, diverse historical and political figures, technocrats, activists, writers, public intellectuals, musical and film artists, and sporting figures. They acknowledge the continuing legacies and impacts of the twin scourges of slavery and colonialism, but also seek to capture the zeitgeist of the post-apartheid era. The book argues that the culmination of Africa’s liberation struggles was mirrored by similar battles in the Caribbean as well as the American civil rights movement, with all three involving citizens of global Africa.
Kabelo Mabalane, South Africa's number one self-proclaimed 'pantsula for life' shares his journey and insights, from being a multi-platinum-selling musician, through the highs and lows of drug addiction, to finding hope and life again through running (eight Comrades marathons and counting) and his faith. In I Ran for My Life, this ten-time SAMA award-winner, TV presenter, athlete and entrepreneur talks about growing between Soweto and the suburbs, the back story behind his phenomenal music career, and how getting into running literally saved his life. Along with his lessons for life, Kabelo shares his thoughts and advice on staying in shape, being prepared for anything, and how to build a spirit of endurance in everything you do.
A vivid memoir of food and family, survival and triumph, Love, Loss And What We Ate traces the arc of Padma Lakshmi's unlikely path from an immigrant childhood to a complicated life in front of the camera. Long before Padma Lakshmi ever stepped onto a television set, she learned that how we eat is an extension of how we love, how we comfort, how we forge a sense of home-and how we taste the world as we navigate our way through it. Shuttling between continents as a child, she lived a life of dislocation that would become habit as an adult, never quite at home in the world. And yet, through all her travels, her favorite food remained the simple rice she first ate sitting on the cool floor of her grandmother's kitchen in South India. Poignant and surprising, Love, Loss And What We Ate is Lakshmi's extraordinary account of her journey from that humble kitchen, ruled by ferocious and unforgettable women, to the judges' table of Top Chef and beyond. It chronicles the fierce devotion of the remarkable people who shaped her along the way, from her headstrong mother who flouted conservative Indian convention to make a life in New York, to her Brahmin grandfather-a brilliant engineer with an irrepressible sweet tooth-to the man seemingly wrong for her in every way who proved to be her truest ally. A memoir rich with sensual prose and punctuated with evocative recipes, it is alive with the scents, tastes, and textures of a life that spans complex geographies both internal and external. Love, Loss And What We Ate is an intimate and unexpected story of food and family-both the ones we are born to and the ones we create-and their enduring legacies.
Parallel Summits explores the journey to the top of two steep
mountains: Everest and financial freedom. It is the story of Robby, a
mountaineer whose grit and perseverance led him to conquer Mount
Everest after a devastating injury, and Thys, an alternative
investments expert who helps others navigate the complex terrain of
financial planning.
For two months every winter, when Pacific storms make landfall, Oahu's paradisical North Shore turns into a fiery hell. Its population more than triples as mainlanders, Brazilians, Australians, and Europeans transform the normally sleepy shore into a lawless, violent, drug-addled, and adrenaline-soaked mecca where fearless men paddle into thirty-foot waves breaking over a razor-sharp reef. And when the sun goes down, the true danger comes out as drug money, fights, murder, and extortion rule the surfing underworld. The North Shore during winter is downright dangerous but also exhilarating, and Chas Smith paints a true picture of what it feels like to be in the middle of it all. Welcome to Paradise, Now Go to Hell is both a breathtaking and wildly funny tale of beauty, wickedness, and the unyielding allure of ocean waves in all their glory.
Collette Wolfe was on holidays in Lanzarote with her husband Anthony when they got the call that all parents most dread. Their beloved daughter Leanne had died, having taken her own life. On the morning of Leanne's funeral, her diaries were uncovered by her sister, and the family awakened to a nightmare within the nightmare: to witness in written form the devastation of years of unrelenting bullying by a group of Leanne's peers, and to have been powerless to prevent it. There began a journey that brought Collette to the very edge of existence, as she contemplated taking her own life to end months of unbearable pain and suffering. Then, at her darkest moment, everything changed, and a new beginning opened up where she never imagined it was possible, one in which she would confront her own demons as a survivor of child abuse and rape, and ultimately, through the love of God, find hope and joy beyond measure. Here, for the first time, she tells her story - interwoven with extracts from Leanne's diaries - to create an unforgettable book that will be cherished by anyone who has known darkness, and seeks hope.
Fiction. Gay and Lesbian Studies. Memoir. This collection of conversations and ruminations during walks around the city was first published in 1979 by Black Star Series, San Francisco. It was immediately recognized as a core text by a group of young writers known collectively as the New Narrative school, associated with Robert Gluck's workshops and other events held at Small Press Traffic. The anecdotal stories reveal what it was like to be gay and interested in intelligent literature in 1970's San Francisco. Dennis Cooper calls it "a seminal and perfect work," and for Camille Roy it is "a founding document, and the brilliant record of an opening in writing." |
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