Martina Dahlmanns, the daughter of parents who grew up in the shadow of post-war Germany, an adoptive mother of children who are black, and a member of a dialogue group of black and white women, urgently questions the very depths of what it means to be white in South Africa today. Her deeply personal memoir is unsettling because of what it reveals simultaneously about the enduring impact of inherited privilege and the repercussions of disadvantage

Her book is unsettling, precisely because of what it reveals simultaneously about the enduring impact of inherited privilege and the repercussions of disadvantage. But it is Dahlmanns’ dialogue with Tumi Jonas—whose own reflections appear in the last section of the book—that reveals so much of what’s possible, yet potentially destructive, in relationships between black and white South Africans today.

Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria.

In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie’s canon.

What is it like to be born dirt-poor in South Africa? Clinton Chauke knows, having been raised alongside his two sisters in a remote village bordering the Kruger National Park and a squatter camp outside Pretoria. Clinton is a young village boy when awareness dawns of how poor his family really is: there’s no theft in the village because there’s absolutely nothing to steal. But fire destroys the family hut, and they decide to move back to the city. There he is forced to confront the rough-and-tumble of urban life as a ‘bumpkin’.

He is Venda, whereas most of his classmates speak Zulu or Tswana and he has to face their ridicule while trying to pick up two or more languages as fast as possible. With great self-awareness, Clinton negotiates the pitfalls and lifelines of a young life: crime and drugs, football, religion, friendship, school, circumcision and, ultimately, becoming a man. Throughout it all, he displays determination as well as a self-deprecating humour that will keep you turning the pages till the end.

Clinton’s story is one that will give you hope that even in a sea of poverty there are those that refuse to give up and, ultimately, succeed.

Louisa Zondo’s work has helped to shape the new South Africa, but she has also faced intense grief and trauma, which came from the underside of the emerging nation’s complex social fabric.

As mother of much-loved music star Riky Rick, who tragically took his own life in 2022, Louisa Zondo’s loss was shared by millions, but it was also a uniquely deep, lonely and lifeshattering grief. The loss of her beloved MaRiky also brought to the surface cataclysmic trauma from her past.

As Louisa Zondo takes her first small steps to facing her grief, she finds herself speaking to her son in a series of letters, gradually finding the words to express her love for him, and the pain of losing him. In expressing that love, she tells the story of her own life and the experiences that shaped her.

This brave journey brings Louisa to a deeper understanding of her life’s path, and closer to healing.

Too much of South Africa’s history has been lost and suppressed, leaving a void for many South Africans. Sylvia Vollenhoven brings together her life and that of a long-ago ancestor, Kabbo, a respected Khoisan storyteller.

She writes of her experience as being “too black” for her coloured schoolmates, working as one of the early female journalists in the misogynistic environment of the 70s, and of the constant impact on her life of her background – including her ancestors.

In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman.

One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real."

In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.

Just add rice is about Taiwanese cuisine, which seeks balance and harmony in taste, texture and nutritional value. But it’s also about home cooking, about familiarity and comfort and celebrating culture – recipes that connect the author to her parents when they lived in another city and in a distant country.

- Delicious, nutritious food on a budget.

- Comprehensive list of need-to-have pantry items for cooking Taiwanese and Chinese food.

- East Asian ingredients that are available to the South African market, with suggested substitutions.

- Essential information on traditional Chinese dining etiquette, customs and traditions.

- Simple recipes for home cooks.

- East Asians can enjoy their first locally produced cookbook with stories that reflect relatable culture and culinary heritage.

- Anyone who is interested in Chinese home cooking, food and South African food heritage.

Gloria Tomatoe Serobe, née Ndaliso, married Gaur Serobe in 1987, following a six-month courtship. And so began Gloria’s 26-year relationship with her mother-in-law, Winnie Serobe.

Winnie Serobe was born in Thaba ‘Nchu in 1933, in a deeply racialised South Africa. Yet she transcended all the barriers put in place by the South African government, and society at large, to become a nurse, midwife, community builder, social entrepreneur and leader. In the course of her marriage to Andrew Serobe, for 40 years, during which they became parents to five children, she was never only a wife and a mother.

This book is Gloria’s ode of love, honour and respect to her mother-in-law, whom she referred to as Mama. It brings to life the story of a Winnie Serobe, who we may not read about when we look at the heroes and heroines of this country, but who served those around her every day. She remains memorialised in the hearts and minds of those for whom she fought for the right to be educated; buried with dignity; and provided with the best quality healthcare – particularly for mothers and their unborn and new-born babies. Throughout her remarkable life, Winnie Serobe ‘saw’, ‘heard’, and homed some of the most vulnerable, stigmatised, ostracised and perhaps forgotten members of her community.

Throughout this life well lived, she nurtured and mentored Gloria as a makoti of the Serobe family. She reframed marriage, family and service for the young Gloria, lessons which Gloria shares in the pages of this book

When Amin Cajee left South Africa to join the liberation struggle he believed he had volunteered to serve a democratic movement dedicated to bringing down an oppressive and racist regime. Instead, he writes, in this powerful and courageous memoir, "I found myself serving a movement that was relentless in exercising power and riddled with corruption".

Fordsburg Fighter traces an extraordinary physical journey – from home in South Africa, to training in Czechoslovakia and the ANC’s Kongwa camp in Tanzania to England. The book is both a significant contribution to opening up the hidden history of exile, and a documentation of Cajee’s emotional odyssey from idealism to disillusionment.

In his introduction to the book, Paul Joseph, ex-treason trialist, South African Communist Party member and MK recruiter, writes: ”What happened to them and to the others in that chaotic and confused time is both sad and tragic. But his honestly told story is essential for us to have a fuller picture of our history, if only to ensure, perhaps, that future generations will learn from our mistakes.’

Moshitadi is a mother wound recovery coach.

In The Girl Who Survived Her Mother, she details the years of her torturous relationship with her mother, maps the intergenerational nature of the trauma in her family, and reveals how she was finally able to begin her journey of healing.

Today she helps clients around the world face their most shameful question -- how do I love myself when the person who carried me and gave birth to me cannot?

The founder of the first female-focused recovery program offers a groundbreaking look at alcohol and a radical new path to sobriety.

We live in a world obsessed with drinking. We drink at baby showers and work events, brunch and book club, graduations and funerals. Yet no one ever questions alcohol’s ubiquity—in fact, the only thing ever questioned is why someone doesn’t drink. It is a qualifier for belonging and if you don’t imbibe, you are considered an anomaly. As a society, we are obsessed with health and wellness, yet we uphold alcohol as some kind of magic elixir, though it is anything but.

When Holly Whitaker decided to seek help after one too many benders, she embarked on a journey that led not only to her own sobriety, but revealed the insidious role alcohol plays in our society and in the lives of women in particular. What’s more, she could not ignore the ways that alcohol companies were targeting women, just as the tobacco industry had successfully done generations before. Fueled by her own emerging feminism, she also realized that the predominant systems of recovery are archaic, patriarchal, and ineffective for the unique needs of women and other historically oppressed people—who don’t need to lose their egos and surrender to a male concept of God, as the tenets of Alcoholics Anonymous state, but who need to cultivate a deeper understanding of their own identities and take control of their lives. When Holly found an alternate way out of her own addiction, she felt a calling to create a sober community with resources for anyone questioning their relationship with drinking, so that they might find their way as well. Her resultant feminine-centric recovery program focuses on getting at the root causes that lead people to overindulge and provides the tools necessary to break the cycle of addiction, showing us what is possible when we remove alcohol and destroy our belief system around it.

Written in a relatable voice that is honest and witty, Quit Like a Woman is at once a groundbreaking look at drinking culture and a road map to cutting out alcohol in order to live our best lives without the crutch of intoxication. You will never look at drinking the same way again.

Azille Coetzee gaan studeer in Nederland, kry ’n Nederlandse lover en besluit om in Europa aan te bly. Maar iets voel nie reg nie … Daar is tog altyd die vraag: Watter herkoms hou die styfste vas, Afrika of Europa? Dié is ’n uiters leesbare verhaal van identiteit, reis en liefde: intiem, eerlik en slim.

Sociopath: A Memoir is at once a jaw-dropping tale of a life lived on the edge of the law, and a moving account of one woman's battle to gain a deeper understanding of people who, like her, are sociopaths.

Ever since she was a small child, Patric Gagne knew she was different. Although she felt intense love for her family and her best friend, David, these connections were never enough to make her be 'good', or to reduce her feelings of apathy and frustration. As she grew older, her behaviour escalated from petty theft through to breaking and entering, stalking, and worse . . .

As an adult, Patric realized that she was a sociopath. Although she instantly connected with the official descriptions of sociopathy, she also knew they didn't tell the full story: she had a plan for her life, had nurtured close relationships and was doing her best (most of the time) to avoid harming others.

While her darker impulses warred against her attempts to live a settled, loving life with her partner, Patric began to wonder - was there a way for sociopaths to integrate happily into society? And could she find it before her own behaviour went a step too far?

This is a story about a woman; a story about her struggle. As the survivor of great tragedy; this is a story about triumph.

Despite only being 33 years old, Zoleka Mandela has endured enough to fill several lifetimes. While she may be a member of South Africa's own royal family, Zoleka has not led a sheltered life. She has travelled down paths which most would not dare; from the horror of losing two children within two years, to the shadowy journey through cocaine addiction and rehab, and being diagnosed with cancer. Though she was robbed of her children, stripped of her sobriety, and subject to a disease that necessitated a double mastectomy, Zoleka Mandela is not a victim. She is a survivor, and her story serves as testimony to the strength of the human spirit in fighting against life's challenges. Zoleka is a living example of success in spite of overwhelming challenges.

Zoleka is now clean and cancer-free. Zoleka Mandela had her last session of chemotherapy in April this year, and has been sober for 36 months. Through her story, it is impossible not to have faith in the good things in life, and possible to believe that anything is achievable. Zoleka's book is an ideal read for those exposed to life's challenges and traumas - from a mother who has had to deal with the loss of a child, or families who have had to endure the pains of cancer, or those who have dealt with the stress of addiction - it is a universal read exhibiting the power of healing.

New York Times and International Bestseller

Named One of the Best Books of the Year by The Wall Street Journal, NPR, Audible and Amazon

More than 1 Million Copies Sold

In Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future, veteran technology journalist Ashlee Vance provides the first inside look into the extraordinary life and times of Silicon Valley's most audacious entrepreneur. Written with exclusive access to Musk, his family and friends, the book traces the entrepreneur's journey from a rough upbringing in South Africa to the pinnacle of the global business world. Vance spent more than 30 hours in conversation with Musk and interviewed close to 300 people to tell the tumultuous stories of Musk's world-changing companies: PayPal, Tesla Motors, SpaceX and SolarCity, and to characterize a man who has renewed American industry and sparked new levels of innovation while making plenty of enemies along the way.

Vance uses Musk's story to explore one of the pressing questions of our time: can the nation of inventors and creators which led the modern world for a century still compete in an age of fierce global competition? He argues that Musk--one of the most unusual and striking figures in American business history--is a contemporary amalgam of legendary inventors and industrialists like Thomas Edison, Henry Ford, Howard Hughes, and Steve Jobs. More than any other entrepreneur today, Musk has dedicated his energies and his own vast fortune to inventing a future that is as rich and far-reaching as the visionaries of the golden age of science-fiction fantasy.

"So here I am, at a psychiatric hospital, looking for myself in a building I’ve never been in before. A few nights ago, I was ready to rid myself of myself. I still am, only, in a different way. This time, I want to do away with what I hope will soon be my former self. I don’t know what is wrong with me, I never have. All I know is that my head is clouded with loud voices screaming in different frequencies; none of them making sense. With only a stony face to hide it all behind, and a pained smile to offer my friends and colleagues."

Patient 12A is Lesedi Molefi’s absorbing memoir, reflecting on his time spent in a psychiatric clinic in 2016. With vulnerability and candour, Lesedi reflects on the moments, large and small, that led him here. It is at once a personal history, an observation of how childhood experiences can have a profound effect on the adults we become, and a commentary on how mental illness remains a difficult conversation in black families.

But more than anything, Patient 12A is Lesedi’s attempt to filter out the noise in his head to find the truth, however uncomfortable that may be.

With three bestselling books published, Khaya Dlanga is one of South Africa’s favourite authors. His ability to write candidly and authentically about himself and his world has resonated with readers from all walks of life.

In March 2020 Khaya found himself bereaved, alone and facing an indefinite lockdown as a result of COVID-19. Like most of us, he turned to social media to maintain some human connection and his followers came through and kept him going. It’s The Answers For Me is the result of Khaya’s ongoing Q&A interactions with his followers on Instagram. It’s evidence of the genuine communities that are formed on social media: intensely human, at times strange and shocking, sometimes touching and often really funny. And it’s a record of a nation going through the most bizarre (and longest) year in recent history.

Khaya’s enviable gift for storytelling makes people want to hear his stories and also to trust him with theirs. From the secrets our parents think they keep from us to the real reasons we stay in relationships, and venturing into many other everyday issues and situations, It’s the answers for me captures our collective mgowo.

Two weeks after September 11th, award-winning journalist Asne Seierstad went to Afghanistan to report on the conflict. In the following spring she returned to live with a bookseller and his family for several months. The Bookseller of Kabul is the fascinating account of her time spent living with the family of thirteen in their four-roomed home. Bookseller Sultan Khan defied the authorities for twenty years to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock in attics all over Kabul. But while Khan is passionate in his love of books and hatred of censorship, he is also a committed Muslim with strict views on family life. As an outsider, Seierstad is able to move between the private world of the women - including Khan's two wives - and the more public lives of the men. The result is an intimate and fascinating portrait of a family which also offers a unique perspective on a troubled country.

Ivor Swartz kom van die Gaatjie in Grabouw, 'n hooplose plek. 

Sy pa is vroeg dood en sy ma maak hom en sy sibbe alleen groot. Hulle oudste broer terroriseer die gesin en een aand skiet Ivor en sy vriend sy broer en hy sterf later in die hospitaal. 

Ivor gaan tronk toe en met sy uitkoms begin sy lewe van voor af. Vandag is hy 'n jeugpastoor met 'n passie vir Here wat sy storie gebruik om ander te inspireer. 

'n Storie van die verlore seun wat huis toe kom. 

Werk soos ’n miljardêr vertel die verhaal van Dan, ’n werknemer, wat bloot van salaristjek tot salaristjek leef. Hy streef daarna om sy eie besigheid te begin maar hy staar verskeie uitdagings in die gesig.

Een van dié uitdagings is hoe om, sonder enige geld, ’n besigheid te begin. Maar alles verander op ’n dag toe hy voor ’n groot besluit te staan kom.

Die boek is propvol waardevolle wenke oor hoe om rykdom te skep, jouself beter te leer ken en hoe om volhoubare besigheidsisteme te bou.

Navigating motherhood from the age of 18, Kim Stephens shelved her inner journo and embraced a life of media sales and sports marketing, working with some of the biggest sports brands globally, and locally, whilst pursuing her own ultra-running ambitions.

Arguing vehemently against the possibility that she was running from her own truth, Covid-19 wiped out Kim’s possibilities for continued escape. After three children, two divorces and a gradual sexual awakening, Kim found herself at 40-something virtually unemployed, with all the time in the world to write, sip gin and study a general response to one of the world’s most draconian lockdowns. Her humorous observations of middle-class South African behaviour through the various levels of lockdown earned her a certain notoriety and a degree of viral success, and with that the courage to put it all into a book.

Hold the Line tells the story of teenage pregnancy, the situational blindness of white South Africa, the disappointment of divorce and the deep joy found through true awakening. Stitched together with the lockdown writing that Kim penned for a growing base of followers, she shares a more in-depth life story with her usual candid self-deprecation.

Written to rattle a few truths from within its readers, Hold the Line ends ironically as the world begins to follow a potential third World War via TikTok.

Holding My Breath is a candid, heart-breaking and very funny memoir of life in one of Johannesburg’s busiest emergency rooms. Biccard’s warmth and humanity shine through the often harrowing tale, creating an unputdownable, uplifting and inspiring book.

The first customer today reports that, the previous night, his right nipple had moved away from its usual location. He noticed its absence when he looked in the mirror and later found it in his armpit.

‘Wow,’ I say with a slight frown. I have never heard of a migrating nipple before. ‘Let’s have a look.’ I slide the door shut and motion to him to pull his T-shirt off.

‘Oh, it has moved back now,’ he says.

’n Blik op die binnekring van die Krugersdorp-kultus

“Daar was bloedspatsels oor die koffietafel, die banke en die banke se kussings. Peter en Joan was oortrek van steekwonde in hul rûe, nekke en agterkoppe. Nicholas het sy pa en ma gesigte na onder in ’n bloedbad op die mat in die sitkamer gekry. Hulle het hul hek en huis vir hul moordenaars oopgemaak, want hulle het ’n afspraak met hulle gehad.”

Elf wrede moorde oor ’n tydperk van vier jaar ruk die gemeenskap van Krugersdorp en haal landwyd nuusopskrifte. Eindelik word al hierdie moorde verbind met Cecilia Steyn en haar kultusgroep, Electus per Deus (uitverkies deur God). Lede van die groep aanbid die grond waarop Cecilia loop en sal selfs vir haar moord pleeg.

Die moordenaars is slim, gewone mense – ’n onderwyseres, ’n finansiële makelaar, ’n kind wat tussen die moorde deur steeds ses onderskeidings in matriek behaal en boonop keuring kry om medies te gaan studeer. Hul slagoffers het bloot ’n sake- afspraak nagekom, min wetend dat dít ’n afspraak met die dood was.

Wie is Cecilia Steyn? Hoe kan een mens vyf ander manipuleer om moord te pleeg en namens haar in die hof te lieg? Watter rol het Satanisme gespeel? Hoe ontduik onervare misdadigers die polisie vir so lank?

Jana Marx beantwoord dié en ander vrae in ’n waremisdaad-verhaal wat gelei het tot een van die opspraakwekkendste moordsake in die land se geskiedenis.

Met behulp van onderhoude uit diegene in die binnekring, hofgetuienis en polisiedossiere oor ’n tydperk van vier jaar poog Marx om die publiek se vrae te antwoord en ’n blik te gee op die binnewerkinge van só ’n kultus.

Mteto Nyati knew as a schoolboy in Mthatha, working at his mother’s store, that he wanted to fix and build things. After completing his studies at Natal University, he turned down a Rhodes scholarship and headed for Jo'burg to take up a position at Afrox. He was the only black engineer and the advice he received was ‘don’t mess up’. 

He didn’t and today is one of South Africa’s top CEOs. This is his inspirational story.