In 1968, at the climax of the sixties, Os Guinness visited the United States for the first time. There he was struck by an impression he'd already felt in England and elsewhere: beneath all the idealism and struggle for freedom was a growing disillusionment and loss of meaning. "Underneath the efforts of a generation," he wrote, "lay dust." Even more troubling, Christians seemed uninformed about the cultural shifts and ill-equipped to respond. Guinness took on these concerns by writing his first book, The Dust of Death. In this milestone work, leading social critic Guinness provides a wide-ranging, farsighted analysis of one of the most pivotal decades in Western history, the 1960s. He examines the twentieth-century developments of secular humanism, the technological society, and the alternatives offered by the counterculture, including radical politics, Eastern religions, and psychedelic drugs. As all of these options have increasingly failed to deliver on their promises, Guinness argues, Westerners desperately need another alternative-a Third Way. This way "holds the promise of realism without despair, involvement without frustration, hope without romanticism." It offers a stronger humanism, one with a solid basis for its ideals, combining truth and beauty. And this Third Way can be found only in the rediscovery and revival of the historic Christian faith. First published in 1973, The Dust of Death is now back in print as part of the IVP Signature Collection, featuring a new design and new preface by the author. This classic will help readers of every generation better understand the cultural trajectory that continues to shape us and how Christians can still offer a better way.

John Perry revisits the cast of characters of his classic A Dialogue on Personal Identity and Immortality in this absorbing dialogue on consciousness. Cartesian dualism, property dualism, materialism, the problem of other minds . . . Gretchen Weirob and her friends tackle these topics and more in a dialogue that exemplifies the subtleties and intricacies of philosophical reflection. Once again, Perry's ability to use straightforward language to discuss complex issues combines with his mastery of the dialogue form. A Bibliography lists relevant further readings keyed to topics discussed in the dialogue. A helpful Glossary provides a handy reference to terms used in the dialogue and an array of clarifying examples.

"Every page contains thought at a high level." -British Weekly Rudolf Steiner begins these three lectures by depicting the background of early Christian thought, from which scholastic philosophers arose. He focuses on the "unanswered question" of the scholastic movement: How can human thinking be made Christlike and develop toward a vision of the spiritual world? A study of subsequent European thought, especially that of Kant, leads to the possibility of deepening into spiritual perception the scientific thinking that arose from scholasticism. Steiner explains that, since the beginning of the twentieth century, this is true Christianity.

Daniel Schwartz examines the views on friendship of the great medieval philosopher Thomas Aquinas. For Aquinas friendship is the ideal type of relationship that rational beings should cultivate. Schwartz argues that Aquinas fundamentally revises some of the main features of Aristotle's paradigmatic account of friendship so as to accommodate the case of friendship between radically unequal beings: man and God. As a result, Aquinas presents a broader view of friendship than Aristotle's, allowing for a higher extent of disagreement. lack of mutual understanding, and inequality between friends.

In this portrait of the flamboyant Milanese courtier Francesco Filelfo (1398-1481), Diana Robin reveals a fifteenth-century humanism different from the cool, elegant classicism of Medicean Florence and patrician Venice. Although Filelfo served such heads of state as Pope Pius II, Cosimo de' Medici, and Francesco Sforza, his humanism was that of the "other"--the marginalized, exilic writer, whose extraordinary mind yet obscure origins made him a misfit at court. Through an exploration of Filelfo's disturbing montages in his letters and poems--of such events as the Milanese revolution of 1447 and the plague that swept Lombardy in 1451--Robin exposes the extent to which Filelfo, once viewed as an apologist for his patrons, criticized their militarism, sham republicanism, and professions of Christian piety. This study includes an examination of Filelfo's deeply layered references to Horace, Livy, Vergil, and Petrarch, as well as a comparison of Filelfo to other fifteenth-century Lombard writers, such as Cristoforo da Soldo, Pier Candido Decembrio, and Giovanni Simonetta. Here Robin presents her own editions of selections from Filelfo's Epistolae Familiares, Sforziad, Odae, and De Morali Disciplina, many of these texts appearing for the first time since the Renaissance.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Building on concepts developed in his previously published New Theory of Beauty, Guy Sircello constructs a bold and provocative theory of love in which the objects of love are the qualities that "bear" beauty and the pleasure of all love is "erotic," without being "sexual." The theory reveals a continuity of subject matter between premodern notions of love and modern notions of aesthetic pleasure, thus providing grounds for criticizing modern tendencies to isolate the aesthetic both culturally and psychologically and to separate it from its home in the human body.

The author begins with an analysis of enjoyment that reduces all enjoyment to the enjoyment of the "experience of qualities." He explains how we experience qualities as "circulating" in a special form of "space" that includes our own bodies, the external world, and their interpenetration. Sircello generalizes this analysis to encompass all forms of love and grounds the pleasure of all love--aesthetic or nonaesthetic, personal or nonpersonal, sexual or nonsexual--in an experience of the form of an "overall bodily caress."

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Nathan L. King's The Excellent Mind considers the importance of the intellectual virtues: the character traits of excellent thinkers. He explains what it means to have an excellent mind: one that is curious, careful, self-reliant, humble, honest, persevering, courageous, open, firm, and wise. Drawing from recent literature in philosophy and psychology, he considers what these virtues are like in practice, why they are important, and how we grow in them. King also argues that despite their label, these virtues are not just for intellectuals: they are for everyone. He shows how intellectual virtues are critical to living everyday life, in areas as diverse as personal relationships, responsible citizenship, civil discourse, personal success, and education. Filled with vivid examples and relevant applications, The Excellent Mind will serve as an engaging introduction to the intellectual virtues for students and anyone interested in the topic.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together an extensive collection of Bacon's writing - the major prose in full, together with sixteen other pieces not otherwise available - to give the essence of his work and thinking. Although he had a distinguished career as a lawyer and statesman, Francis Bacon's lifelong goal was to improve and extend human knowledge. In The Advancement of Learning (1605) he made a brilliant critique of the deficiencies of previous systems of thought and proposed improvements to knowledge in every area of human life. He conceived the Essays (1597, much enlarged in 1625) as a study of the formative influences on human behaviour, psychological and social. In The New Atlantis (1626) he outlined his plan for a scientific research institute in the form of a Utopian fable. In addition to these major English works this edition includes 'Of Tribute', an important early work here printed complete for the first time, and a revealing selection of his legal and political writings, together with his poetry. A special feature of the edition is its extensive annotation which identifies Bacon's sources and allusions, and glosses his vocabulary. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Diese Abhandlung ist im Marz 1988 geschrieben, im August 1989 und im Sommer 1990 Uberarbeitet worden. Es ergab sich unbeabsichtigt, daB sie im hun- dertsten Todesjahr Gontscharovs herauskommt. Die in ihr gegebene Erklarung von Gontscharovs drittem und letztem Roman, nach eigener Dberzeugung seinem wichtigsten, will keine vollstandige Interpreta- tion geben. Vieles bleibt offen: das Bild der Statue und das Pygmalionmotiv, das eine wohl aus der Goethe-Kritik des Jungen Deutschlands, das andere aus Schiller genommen; das Instinktmotiv, das Fenstermotiv, das Motiv der Dammerung, das aus Gogol entwickelt ist, des Schusses, das es auch in Turgenevs Vater und Sohne gibt. Bestimmte Stilfiguren wie die Reflexion in Dreierformeln, die gewiB eine Analyse wert sind, werden gesehen, aber nicht behandelt. Literarische Beziehun- gen wie die zu Karamzin, Gogol, Lermontov, Byron sind kaum beriihrt; die zu Ossian und Bellini wurden friiher an anderer Stelle behandelt. Die Tiervergleiche verdienen genauere Betrachtung; hier ist nur einer, der Hundevergleich unter- sucht; ein anderer, der Vogelvergleich, gestreift. Manche wichtige Person, wie die Babuschka und Tuschin, mUBte in ihrer allegorischen Form ausfiihrlicher unter- sucht werden, als es hier geschieht. Vieles ist freilich erwahnt, Einiges in Anmer- kungen angedeutet; Manches haben Andere erschopfend untersucht und es wurde deshalb nicht wiederholt. Das Ziel dieser Abhandlung ist ein anderes. Das Feuer der Kritik hat yom ersten Augenblick an Die Schlucht in eine Beleuchtung getaucht, aus der sie sich bisher nicht hat befreien konnen.

Philosophy Bites Back is the second book to come out of the hugely successful podcast Philosophy Bites. It presents a selection of lively interviews with leading philosophers of our time, who discuss the ideas and works of some of the most important thinkers in history. From the ancient classics of Socrates, Plato, and Aristotle, to the groundbreaking modern thought of Wittgenstein, Rawls, and Derrida, this volume spans over two and a half millennia of western philosophy and illuminates its most fascinating ideas. Philosophy Bites was set up in 2007 by David Edmonds and Nigel Warburton. It has had over 12 million downloads, and is listened to all over the world.

The enigmatic sixteenth-century Swiss physician and natural philosopher Philippus Aureolus Theophrastus Bombastus von Hohenheim, called Paracelsus, is known for the almost superhuman energy with which he produced his innumerable writings, for his remarkable achievements in the development of science, and for his reputation as a visionary (not to mention sorcerer) and alchemist. Little is known of his biography beyond his legendary achievements, and the details of his life have been filled in over the centuries by his admirers. This richly illustrated anthology presents in modernized language a selection of the moral thought of a man who was not only a self-willed genius charged with the dynamism of an impetuous and turbulent age but also in many ways a humble seeker after truth, who deeply influenced C. G. Jung and his followers.

This book examines how English writers from the Elizabethan period to the Restoration transformed and contested the ancient ideal of the virtuous mean. As early modern authors learned at grammar school and university, Aristotle and other classical thinkers praised "golden means" balanced between extremes: courage, for example, as opposed to cowardice or recklessness. By uncovering the enormous variety of English responses to this ethical doctrine, Joshua Scodel revises our understanding of the vital interaction between classical thought and early modern literary culture.

Scodel argues that English authors used the ancient schema of means and extremes in innovative and contentious ways hitherto ignored by scholars. Through close readings of diverse writers and genres, he shows that conflicting representations of means and extremes figured prominently in the emergence of a self-consciously modern English culture. Donne, for example, reshaped the classical mean to promote individual freedom, while Bacon held extremism necessary for human empowerment. Imagining a modern rival to ancient Rome, georgics from Spenser to Cowley exhorted England to embody the mean or lauded extreme paths to national greatness. Drinking poetry from Jonson to Rochester expressed opposing visions of convivial moderation and drunken excess, while erotic writing from Sidney to Dryden and Behn pitted extreme passion against the traditional mean of conjugal moderation. Challenging his predecessors in various genres, Milton celebrated golden means of restrained pleasure and self-respect. Throughout this groundbreaking study, Scodel suggests how early modern treatments of means and extremes resonate in present-day cultural debates.